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Yeah. |
Compound's things like six nine, six nine erm |
Nine twelve |
Yeah. |
That sort of stuff. |
At the top. |
That's the top number. |
Erm. |
And compound is three four. |
Tha that's comp that's compound. |
Now compound is always six. |
Oh. |
Simple is just ordinary three beats a bar, |
Yeah. |
four beats in a bar, two beats in a bar. |
It's the compou think of compound as being the one that's more difficult to think about. |
Six eight times, nine eight times. |
Yeah. |
Right. |
Still leaves three two three or four beats in a bar, but they're compound times. |
They're dotted beats. |
That's really all that compound means. |
It means dotted beats. |
Erm what would twelve twelve four? |
Think about twelve four cos that's a compound time. |
It's got twelve at the top. |
Erm it may help to look at it. |
Cos you can't think about it straight away. |
Think twelve, and it'll be twelve what? |
Dotted semi-quavers. |
No. |
What does four stand for in an ordinary time signature? |
Oh crotchets. |
Right so |
So. |
if there are twelve of those. |
Twelve crotchets. |
One two three four five six seven eight nine ten eleven twelve. |
Think of them in groups of threes and that gives you four dotted? |
Quavers. |
No. |
Semi-quavers. |
You're, you're going small |
Yes. |
and you've got to go the other way. |
Oh yeah. |
It's erm |
If there are tw if there are twelve crotchets and each of those are in groups of three. |
Dotted minims. |
So you've got four dotted minims. |
So twelve, I mean if you can remember them twelve stands for four beats in a bar anyway |
Yeah. |
and if you just think what twelve crotchets are going to be divided up into |
Mm. |
it's going to dotted minims. |
Cos you know it's going to be dotted something or other. |
And if you were to see er an extract of music for example here's a twelve eight one. |
This one actually tells you it's in twelve eight time. |
And it's asking you to put in the bar lines. |
Where would you put those bar lines do you think? |
It would al I think it probably also asks you to to group them properly. |
But just for the moment we won't worry about the grouping aspect. |
I think, assume everything starts on the first beat of the bar as well. |
Okay. |
It'll tell you if it doesn't. |
Erm |
Eight stands for ? |
Quavers. |
Right |
One two three four five six seven eight nine ten eleven twelve . |
So obviously the first one would be there. |
And probably if it's going to be a whole one |
One two three four five six seven eight nine ten eleven twelve. |
So in fact there are just two bars. |
Now how would you actually group those notes? |
Erm it'd be groups of three again wouldn't it? |
In groups of three. |
Those two've got to be grouped together. |
One two three four |
Er it'd be sort of half of that. |
Half of the erm crotchet. |
I don't know how you do that. |
Can we go backwards. |
One two three four five |
You can only do it if you miss out that. |
One two three. |
One two three. |
And that leaves you with a a little bit |
Right. |
Yes. |
It actually explains it. |
Exactly what they want you to do. |
Er where you've got a note that obviously goes over a beat as in that one there |
Yeah. |
you're, you're going to have to write two quavers and tie them. |
Is that what you said? |
Yeah. |
It might have been what you said . |
So those two okay. |
That one will be joined to a quaver beat, so that you'll have a group of three. |
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