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non - lexical semantics apologies for multiple copies final call for papers for the second conference on ( preferably ) non-lexical semantics the conference will be hosted by the university of paris 7 ( france ) , and will take place in may 28-30 , 1998 there will be three one hour talks by invited speakers ( e . zimmermann , s . tsohatzidis and x . ) and the rest of the talks will be contributed papers chosen by the program committee on selection basis . submissions of abstracts ( in english or in french ) for 30 - minute contributed talks ( with 10 additional minutes for discussion ) on any topic in the semantic analysis of natural languages , with strong preference for non-lexical semantics , are welcome . authors should submit 5 copies of ( so called " anonymous " ) abstracts , no more than two pages ( but not significantly less than 2 pages ) long . data allowing us to identify and contact the author ( or authors ) should be given separately . e - mail submissions will be accepted ( only when in latex , word or ps ) . in this case authors shoud send a title page with authors ' name , etc . in addition to the anonymous two page abstract . abstract deadline : march 17 , 1998 . send abstract to : conference de semantique c / o r . zuber universite paris 7 ufr linguistique case 7003 2 place jussieu 75251 paris cedex 05 , france the e-mail address to which the abstracts should be sent : rz @ ccr . jussieu . fr . this is also the e-mail address for inquiries . the program of the conference will be completed around the 17th of april at which time conference information will be made available . for organizational reasons we would like to be able to estimate the number of submissions and possible participants well in advance . for this reason we invite any person which would like to submit an abstract or to attend the conference to let us know as soon as possible ( by e-mail ) . program committee : r . zuber - chair ( cnrs , paris ) , f . corblin ( university of rennes ) , b . laca ( university of strasbourg ) , d . lacombe , ( university of paris 7 ) , f . recanati ( cnrs , paris ) , d . wilson ( crea , paris and university college , london )
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sum : portugese here is a summary of the responses i received to my recent request for references on portuguese language and linguistics ( comments in brackets are simply a selection of those made by various respondents ) . thanks to the respondents : bas aarts , carlos ferreira , manuel forcadela , carlos gouveia , rafael humberto scapin , frank van der leeuw , joana van der leeuw , stephen parkinson . for a general overview see the chapter by stephen parkinson in : m . harris & n , vincent ( eds . ) ( 1988 ) " the romance languages " croom helm / routledge , london . suggested descriptive grammars are : celso cunha and luis filipe lindley cintra ( 1984 ) " nova gramatica do portugues contemporaneo " nova fronteira , rio / j . sa da costa , lisbon . ( the standard reference grammar in portuguese . there 's also an abridged version published by the same editor : " breve gramatica do portugues contemporaneo " ) . hans jurgen heringer & jose pinto de lima ( 1987 ) " palavra puxa palavra : comunicacao e gramatica dependencial " icalp , ministerio da educacao e cultura , lisbon . ( not a reference grammar in the ordinary sense of the word , but a good reflection on the structure and use of portuguese ) . maria helena mira mateus et . al . ( 1989 ) " gramatica da lingua portuguesa " caminho , lisbon . ( 2nd ed . ) . ( the best linguistic handbook . there 's now a 3rd ed . by the same publisher but i did n't find out the date ) . paul teyssier " manuel de langue portugaise " editions klincksiek . ( in french , a general , good and reliable description of contemporary portuguese ) . pilar vazquez cuesta y maria albertina mendez da luz ( 1971 ) " gramatica portuguesa " biblioteca romanica hispanica , editorial gredos , s . a . , madrid . ( in spanish , originally intended for students of portuguese as a foreign language ) . pilar vasquez cuesta & maria albertina mendez da luz " gramatica da lingua portuguesa " edicoes 70 , lisbon . ( portuguese translation of the above ) . suggestions on portuguese linguistics : carlos gouveia et al ( eds . ) ( forthcoming 1995 ) " introducao a linguistica geral e portuguesa " caminho , lisbon . at a more elementary level , universidade aberta publish a range of books on portuguese , including : m . h . m . mateus et al " fonetica , fonologia e morfologia " h . h . c . campos & m . f . xavier " sintaxe e semantica " ivo castro " curso de historia da lingua portuguesa " on the history of the language : rodrigo de sa nogueira ( 1932 ) " curso de filologia portuguesa " lisboa . serafim da silva neto ( 1957 ) " manual de filologia portuguesa " sao paulo . serafim da silva neto " historia da lingua portuguesa " , editora presenta , rio de janeiro . paul teyssier " historia da lingua portuguesa " j . sa da costa , lisbon . ( the most accessible history of the language , an expanded portuguese version of a book originally written in french ) . edwin bucher williams ( 1938 ) " from latin to portuguese : historical phonology and morphology of the portuguese language " university of pennsylvania press , pa and oup , oxford . ( also published in ( brazilian ) portuguese : " do latim ao portugues " edicoes tempo brasileiro ltda , biblioteca tempo universitario 37 ( 1961 ) , rio de janeiro . )
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sapir-whorf i ' m not sure if i ' m beating a dead horse , so to speak , but i do n't feel i can let david prager branner 's comment below slip by . ) in that form in which it is often articulated , sapir - whorf is obvious , ) even trivial - anyone who has tried doing idiomatic translation between ) two radically different languages knows that language positively rules ) the way we think . this is too fully self-evident to justify listing ) examples and testimonials . i have done translation between english and spanish , and i do n't know if they count as radically different , but my conclusion from that experience was hardly the same as branner 's . i would say instead that language positively rules how we express ourselves , not how we think . now , i suspect , along with branner , that sapir - whorf is not really a hypothesis , and it is certainly not a coherent one as it is stated since " think " can be construed in many different ways . i suspect that my disagreement with branner here is as much a function of how we use that word as substantially about how language shapes or does n't shape congitive processes . michael newman dept . of educational theory & practice the ohio state university mnewman @ magnus . acs . ohio-state . edu
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On 9 Aug 2002, James Rogers wrote:--]my version of the English language as the word for "eye goop". Arguably --]better than "smegma" anyway.Unless of course the goop in your eye was a result of a botched tea bagging.Muta, I like that.-tomhttp://xent.com/mailman/listinfo/fork
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URL: http://www.aaronsw.com/weblog/000637 Date: 2002-10-05T21:15:55-06:00I guess it's time to reveal the incredibly kind invitation I received[1]. As many of you may have found out or guessed, I will be attending oral argument for the Eldred case[2] before the Supreme Court. I'm incredibly excited, as you might imagine. Visiting the Supreme Court would be quite enough, but seeing such an important case...Dayenu! When Lessig asked me if I was free that day to come, I laughed because I couldn't (and still can't) think of anything I'd rather do than attend. I am eternally grateful to Lessig for the chance to attend. On the other hand, I'm sort of embarassed to have the opportunity, when there are surely others who deserve it far more than me. Luckily, it seems that such deserving others will be able to get seats by camping in line with us. So, I'll be arriving in D.C. on Tuesday, attending an Eldred/Duke/EPIC/Bookmobile superparty, and then camping in line with Seth Schoen[3], Lisa Rein, Jace Cooke but unfortunately not Cory Doctorow. If you'd like to come with us, let me know. I was hoping I'd be able to take notes and post them to my weblog for those who couldn't make it, but as I read in today's Times, only lawyers and those with official press credentials are allowed to take notes![4] I think this is outrageous, but hopefully I will be able to remember enough to provide an interesting account. In a related irony, today was "Disney Day" at Borders[5], where they played Disney rock songs with the volume turned up too loud, disturbing my usual habit of reading a book there. However, I did manage to skim through _The Practice of Programming_. In an unrelated note, if you haven't been electrocuted by a Model T spark plug, I highly recommend it.[1] http://www.aaronsw.com/weblog/000609 [2] http://eldred.cc/ [3] http://vitanuova.loyalty.org/2002-10-02.html [4] http://www.nytimes.com/2002/10/05/opinion/05AMAR.html [5] http://www.bordersstores.com/events/event_detail.jsp?SEID=15127444
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Forwarded-by: William Knowles http://mdn.mainichi.co.jp/news/20021201p2a00m0fp001000c.htmlMainichi Shimbun Dec. 1, 2002KASHIWA, Chiba -- A man has been arrested for using his camera-equipped mobile phone to take a photo of the inside of a schoolgirl's skirt as she rode an escalator here, police said.Toyokazu Hamano, 40, a company employee from Noda, Chiba Prefecture, was arrested for breaking a Chiba Prefectural Government law forbidding people from creating a public nuisance.Hamano admits to the allegations.Police said Hamano was riding behind the girl on an escalator at JR Kashiwa Station when he took out his mobile phone, held it underneath the girl's skirt and took a photo. The girl was alerted to his presence by the noise emitted by the phone camera's shutter. She turned around to catch Hamano with his hands between her legs.
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start date : 12 / 19 / 01 ; hourahead hour : 1 ; start date : 12 / 19 / 01 ; hourahead hour : 1 ; no ancillary schedules awarded . no variances detected . log messages : parsing file - - > > o : \ portland \ westdesk \ california scheduling \ iso final schedules \ 2001121901 . txt
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Music school jokes --American conductor and European conductor are talking. European conductor says "what a week, I've had 5 rehearsals and a performance." "That's nothing," says the American conductor, "I've had five performances and a rehearsal." What's the difference between a spring in the desert surrounded by palm trees and a violist that plays in tune? A violist that plays in tune is a mirage.What's the difference between a rat and a guitar player? The rat's got something to do tonight.Good thing it's not comedy school.http://xent.com/mailman/listinfo/fork
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