Rajani Radhakrishnan is from Bangalore, India. Finding time and renewed enthusiasm for poetry after a long career in Financial Applications, she blogs at thotpurge.wordpress.com . Her poems have recently appeared in The Lake, Quiet Letter, Under the Basho and The Cherita.
The contrasts (regular seasonal vs forced; biological evolution vs natural or human-caused disasters ...) between the two types of migration (bird vs human) portrayed in the tanka with a pivot are sociopolitically significant and emotionally poignant, and on second reading, the "shrinking desert" successfully carries geopolitical and environmental significance.
Arzu walks out of the tent to meet her friends, waiting in line with hundreds of others for water distribution. A wisp of cloud drifts by. It reminds her of the camp teacher's departing words, "Those puffy, sheep-like clouds you're looking at come from Syria. You will all return home one day, I promise."
Amidst unceasing news of overwhelming number of people fleeing the conflict-torn regions in the Middle East, Chen-ou Liu’s Honorable Mention haibun is both timely and compassionate in his presentation of a young girl’s plight. The poet’s imagery of a ‘wisp of cloud’ is laden with significance. It evokes poignantly the fragility of Arzu’s hope for a safe return to her native land and also works as a ‘beacon’ of light in the otherwise drab and desperate tents-filled camp. What I find particularly powerful is how Chen-ou turns on its head, the largely negative media representations of how refugees threaten the civilizations of the host countries in which they seek asylum. There is quiet dignity in both Arzu and her teacher who holds out the promise of a return to their homeland.