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Coming to Earth on a fallen meteorite, The microscopic alien life-form Hedorah feeds on Earth's pollution and grows into a Gigantic, ever Evolving, poisonous Gas and acid-secreting monster. Godzilla, Earth's Defender senses the Threat and Meets ''the Smog Monster'' in a Literal, Battle for Earth's Survival.

Coming to Earth on a fallen meteorite, The microscopic alien life-form Hedorah feeds on Earth's pollution and grows into a Gigantic, ever Evolving, poisonous Gas and acid-secreting monster. Godzilla, Earth's Defender senses the Threat and Meets ''the Smog Monster'' in a Literal, Battle for Earth's Survival.

When the Godzilla series entered the 1970s, a retro and hippie feeling could be seen in this movie. This film starts off with a singer, played by Keiko Mari, singing a song titled "Save the Earth." Like 1964's Godzilla vs. Mothra, this film delivers a message of environmental danger. The story's about heavy pollution problems occurring in Japan. When an alien spore from outer space enters Earth and lands on a pile of toxic waste in the sea, a towering monster of sludge, crap, smog, and goo attacks Japan. This is the first Godzilla (Gojira) film in many years that depicts numerous human casualties. Scenes of humans deforming are a gruesome sight and echo elements in the original Gojira film. Like a viewer said, the fish tank scene is a similar scene of the fish tank in the original Gojira film.

The central character in this movie is a boy, played by Hiroyuki Kawase, who idolizes Godzilla. Godzilla, by this time, is portrayed as a "defender of Earth," rather than a destructive force. Mostly, there are no hints of fears from the people upon Godzilla's appearances. The line "Get'em Godzilla!" is a real charmer, making the monster look more and more like a hero and defender of Japan.

Yoshimitsu Banno did a good job directing and assembling the cast out, staging them in places like nightclubs, hills and amusement parks. The retro feel could be seen in the nightclub scene, where the singer sings the title song as blobs of retro paint move in a movie screen behind her. Also, the scene of the teenagers "celebrating" on a hill like a woodstock is also a retro feel.

Takeshi Kimura gave us a dark and scientific story, but some lighthearted scenes can be seen, like the scene where Godzilla flies (I think this is the only time we see Godzilla fly). Teruyoshi Nakano's special effects were believable; plenty of monster battles, albeit slow in some parts. Some of the problems I have with the monster battles is the part where Godzilla and Hedorah virtually move towards each other, staring at each other for several minutes. The movie's cinematography lacks a little spirit and color, making this movie look a little dull, and the overall momentum of the film was a little slow. And, this film lacks an effective music score. The music is not really harmonic or melodic and lacks charm to it. Riichiro Manabe composed a theme for Godzilla-a theme played by overblown trumpets. Though somewhat wacky, this theme sounds heroic for Godzilla.

Overall, a somewhat slow but an interesting Godzilla movie, returning you to the darker and more serious themes of the series.

This psychedelic Goji entry features a very formidable opponent in Hedorah and some very memorable trippy imagery. It has an environmental message and is truly unlike any Goji film.

Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.

Save your time on Earth by skipping the 90 minutes of sludge.

There's a reason why the theme song, "Save the Earth", did not get an Oscar nomination. It's one of the most cloying movie scenes ever written, opening up a truly revolting movie that is difficult to watch, physically and mentally, a lecture about the environment and really serving no purpose because it is just cringe-worthy. Hedorah, aka the smog monster, is a slimy octopus/squid like creature, apparently created by human waste tossed into the ocean or a result of it. You could get the same result walking by your city sewer plant with your nose not plugged and going straight into the area where the sewage is collected.

Badly photographed with a camera that looks like it's surrounded by smog, maybe fine for a few moments here and there, but for ninety minutes, it's truly difficult to watch. What makes this season worst is the methods in which it is put together, starting with its eco-friendly demanding song and moving into and you're like acid trip of a structure that makes it instantly dated and unwatchable. Hastily put together animated sequences just are ludicrous and unattractuve, and the background music (and some of the human voices in the dubbing) headache inducing that no painkiller could cure. Visually abhorrent in a way that makes me glad this was not released in smell-o-vision.