input: Text: War and Pieces No movie in the last decade has succeeded in psyching out critics and audiences as fully as the powerful, rambling war epic The Thin Red Line, Terrence Malick's return to cinema after 20 years. I've sat through it twice and am still trying to sort out my responses, which run from awe to mockery and back. Like Saving Private Ryan, the picture wallops you in the gut with brilliant, splattery battle montages and Goyaesque images of hell on earth. But Malick, a certified intellectual and the Pynchonesque figure who directed Badlands and Days of Heaven in the 1970s and then disappeared, is in a different philosophical universe from Steven Spielberg. Post-carnage, his sundry characters philosophize about their experiences in drowsy, runic voice-overs that come at you like slow bean balls: "Why does nature vie with itself?... Is there an avenging power in nature, not one power but two?" Or "This great evil: Where's it come from? What seed, what root did it grow from? Who's doin' this? Who's killin' us, robbin' us of life and light?" First you get walloped with viscera, then you get beaned by blather. Those existential speculations don't derive from the screenplay's source, an archetypal but otherwise down-to-earth 1962 novel by James Jones (who also wrote From Here to Eternity ) about the American invasion of the South Pacific island of Guadalcanal. They're central to Malick's vision of the story, however, and not specious. In the combat genre, the phrase "war is hell" usually means nothing more than that it's a
  Question: According to the film reviewer, what prevents Schlichtmann from winning the case in "A Civil Action"?
  
   (A) Facher is more qualified while Schlichtmann fumbles the testimony
   (B) Facher keeps Schlichtmann preoccupied with distractions
   (C) Schlichtmann betrays the confidence of his clients
   (D) Schlichtmann relies too heavily on a piece of evidence that is never allowed to be presented in court
  Answer:<extra_id_0>.
output: <extra_id_0> Facher keeps Schlichtmann preoccupied with distractions<extra_id_1>