Spooky Lady's Sideshow
Spooky Lady's Sideshow is the fifth solo album by Kris Kristofferson, released in 1974 on Monument Records. It was preceded and followed by duet albums with his wife, Rita Coolidge. It was recorded shortly after Kristofferson's appearance in the movie Pat Garrett and Billy the Kid. The album mostly consists of songs about decline due to alcohol and drug abuse. That theme of decline proved to be (unintentionally) prophetic as this was Kristofferson's first album that failed to see commercial success on a large scale. Background 1973 was Kristofferson's apex with respect to commercial success. His duet album with wife Rita Coolidge topped the country albums chart, and his previous solo albums, Jesus Was a Capricorn, went gold, largely thanks to the surprise gospel smash "Why Me". In addition to being one of the most successful and respected songwriters in the business, Kristofferson was also a movie star, having appeared in Blume in Love and starring in Sam Peckinpah’s Pat Garret and Billy the Kid. Although Kristofferson commercial stock was high, some reviewers contended that the quality of his songwriting was slipping due to his preoccupation with Hollywood. Recording and composition With the release of Spooky Lady’s Sideshow, Kristofferson would begin a commercial slide and never again attain the sales he had up to that point. Rather than record with longtime producer Fred Foster in Nashville, the singer opted to record with Coolidge’s producer David Anderle at Sunset Sound in Los Angeles, and the resultant LP, sandwiched between two duet albums with wife Coolidge in 1973 and 1974, deals almost exclusively with dissipation and decline, to the point where it could be viewed as a concept album. As William Ruhlmann observed in his AllMusic review of the LP, "Over and over, Kristofferson sang of characters and of himself (or, at any rate in the persona of a first-person narrator) going downhill while consuming liquor and drugs. From the back of the album cover, which was festooned with fictional negative reviews, to song titles like "Star-Spangled Bummer (Whores Die Hard)" and "Stairway to the Bottom", the album was a portrait of excess and deterioration." The utterly uncommercial nature of the subject matter left Monument groping for a potential hit, so the rowdy horn-driven "I May Smoke Too Much" was released as a single, but it bombed, and Spooky Lady’s Sideshow became the singer's briefest charting LP of his career on the pop charts, although it did make the country Top 10. The album utilized top session players, who enabled Kristofferson and Anderle to try out an assortment of styles and inject the kind of variety that Kristofferson's vocal delivery fought against, while Mike Utley's organ playing contributed a loose Dylanesque sound and, on occasion, an infectious jazzy-bluesy groove, as on "Late Again". The themes covered – freedom, the Devil, Jesus Christ – were not new in Kristofferson's songs, but the landscapes in these songs were unremittingly grim, as biographer Stephen Miller points out: Kristofferson covered "Lights of Magdala", a poetic Larry