Brice Marden
Nicholas Brice Marden Jr. (October 15, 1938 – August 9, 2023) was an American artist generally described as minimalist, although his work has roots in abstract expressionism, color field painting. and lyrical abstraction. He lived and worked in New York City; Tivoli, New York; Hydra, Greece; and Eagles Mere, Pennsylvania. Early life Nicholas Brice Marden Jr. was born in Bronxville, New York, and grew up in nearby Briarcliff Manor. He attended Florida Southern College from 1957 to 1958 before receiving his B.F.A. from the Boston University School of Fine and Applied Arts in 1961. Thereafter, Marden earned his M.F.A. from the Yale School of Art in 1963, where he studied with Esteban Vicente, Alex Katz, Jon Schueler, Jack Tworkov, Reginald Pollack, Philip Pearlstein, and Gabor Peterdi. Among his fellow students were the future artists Richard Serra, Chuck Close, Janet Fish, Vija Celmins, Nancy Graves, Gary Hudson, and Sylvia and Robert Mangold. As he studied art, Marden was also immersed in the Cambridge, Massachusetts-based American folk music revival scene. His first wife, Pauline Baez, whom he married in 1960, is Joan Baez's sister. He met Bob Dylan and Pete Seeger and lived for a while at Joan Baez's house in Carmel, California. It was at Yale that Marden developed the formal strategies that would characterize his drawings and paintings in the proceeding decades: a preoccupation with rectangular formats, and the repeated use of a muted palette. In his early work of the 1960s and 1970s, he used simplified means, typically monochrome canvases either alone or in series of panels, diptychs or triptychs. These include the works The Dylan Painting, 1966; "1986" (now in the collection of San Francisco Museum of Modern Art); 1969's Fave (the Jack S. Blanton Museum of Art, University of Texas at Austin); and Lethykos (for Tonto), 1976 (The Museum of Modern Art, New York). Career Early work Marden relocated to New York City in 1963, where he came into contact with the work of Jasper Johns while employed as a guard at the Jewish Museum during the museum's 1964 retrospective of Johns' oeuvre. The following summer, Marden traveled to Paris, where he began to make compressed charcoal and graphite grid-patterned drawings. Marden's graphic works are a corollary to his paintings, and he would transfer ideas into even his most recent paintings and drawings. Marden made his first monochromatic single-panel painting in the winter of 1964. It was also in Paris that he admired the work of Alberto Giacometti and Jean Fautrier, although masters such as Francisco de Zurbarán, Diego Velázquez, and Édouard Manet also informed Marden's artistic practice. In 1966, at Dorothea Rockburne's suggestion, Marden was hired by Robert Rauschenberg to work as his assistant. That same year, he had his first solo show in New York at the Bykert Gallery, which exhibited the first of his classic oil-and-beeswax paintings. Prior to that he had worked at Chiron Press as an assistant to Steve Poleskie. Marden created the lithograph Gulf (from the New York 10-69 portfolio) in