Lucien Falize
Lucien Falize (Paris 4 August 1839 – Paris 4 September 1897) was a French jeweller and writer in France who was responsible for pioneering and driving the Art Nouveau movement with his firm, Falize. He is known for his breathtaking and innovative designs for both public and private sales. Early years Lucien was a serious and diligent child who planned to attend the Ecole Centrale des Arts et Manufactures before his father, Alexis, announced he was to become a future partner in his relatively young firm, Falize. In 1856, Lucien began an apprenticeship with his father, where he quickly learnt enough to supervise the design and manufacture of the pieces created in the workshop. His studies continued quickly, as Lucien found his passion, and in 1869 at the exhibition held by the Union Centrale des Beaux Arts appliqués à l’Industrie, he was awarded a first class medal as a coopérateur. Two years later, at the age of 32, he was made a full partner and took over the firm in 1876. Marriage and children The same year he was made a partner, Lucien married Louise Clémentine Poulard (1850–1914), with whom he had three sons: André Alexis Eugène (1872–1936), Jean Henri Lucien (1874–1948), and Pierre Isidore (1875–1953). Although there is little evidence of tenderness and passion between Lucien and Clémentine – it is thought his parents instigated the match – he was a devoted father, designing and making individual silver watches for each of his children's first communion. Artistic career Lucien Falize was heavily influenced by his visits to London in 1861 and 1862, where he went to the National Gallery, Westminster Abbey, and the Crystal Palace. He was struck by the Chinese, Indian, Assyrian, and Egyptian exhibits, and at the International Exhibition he was impressed by the Oriental lacquers, enamels, bronzes, prints, and earthenware taken from the collection of Sir Rutherford Alcock. Due to his ties to the firm, Falize was unable to travel to Japan, but his passion for the East began to manifest through his designs. Pendants, bracelets, necklaces, and brooches with a distinct Oriental effect began to emerge. These were enamelled and filled with bold, opaque colours with delicate scenes of nature and animals. Lucien also visited the Campana collection at the Louvre, where he viewed a number of items, being influenced by the treasure trove of medieval, Renaissance, Assyrian, Egyptian, and Byzantine objects. Until his death by a stroke in 1897, Lucien continued to create breathtaking designs for public sale and private commissions. He was determined to make the jewellery house Falize a commercial success, collaborating with other established designers like Germain Bapst, with whom he was partnered from 1880 to 1892. He was a prolific writer and reviewer and often published under his pseudonym, ‘Monsieur Josse’ in the decorative arts journals of the day. Lucien Falize was also deeply involved in the Union Centrale throughout his career. He firmly believed in the importance of providing proper training to future designers, and he submitted plans for