Ernest Sauter
Ernest Sauter ( – ) was a German composer. Biography After early childhood in Munich, his parents moved to Leipzig in 1935. Due to his very conservative family he only was introduced to music of Classical Period and German Romantic Music up to Richard Wagner with the complete lack of contemporary music. The composer Felix Petyrek who gave the young Sauter piano lessons in his home was the first to introduce him to new music. Sauter then joined the famous Thomasschule where the so-called "Bachpflege" as part of his musical lessons sensitized his hearing. At war end in 1945 on the run back to Munich nearly all of his first compositions were destroyed or lost. The composition "Saitenspiel" was one of the few rescued compositions. In 1947 after passing his university entrance diploma Sauter began studying piano at the Akademie der Tonkunst in Munich. Unfortunately he had to abandon his studies due to financial reasons. He continued taking private piano lessons with Maria Landes-Hindemith where he was introduced to her husband Rudolf Hindemith (of Paul Hindemith's brother) who gave him new motivation to start composing again. Over time this influence was too less progressive and led to a discord based on Hindemiths criticism of the musica viva concert series founded by Karl Amadeus Hartmann in 1945. In the late fifties Sauter discovered the ballet genre and joined the Junge Ballett Compagnie (JBC, Deutsches Ballett-Theater, Bonn) where he first did arrangements "Es war eine köstliche Zeit" broadcast by the Bayerischer Rundfunk and instrumentations (Bizet, Jeux d’enfants). Sauter composed his first ballet "Blue Jeans" for the JBC which was broadcast by the Saarländischer Rundfunk The closure of the JBC led to a mental and financial crisis for Sauter which in succession let his self-criticism destroy some of his non published compositions. In 1965 Sauter got an offer from Yvonne Georgi the head of the ballet at the Staatsoper Hannover to write the music for a new ballet called "Finale". Despite a successful performance the collaboration with Georgi had to end due to her sudden retirement. In 1976 he wrote a quadrophonic scenic music ("Remontage") which had its debut performance at the "Tage der neuen Musik" in Hannover in 1977. The "Requiem für eine Tänzerin" a "Tape Music for Dancers" produced by Germinal Casado followed in 1978 and was a long running great success Sauter had concerns to be rated solely as a ballet composer. This and his wish to be independent and perhaps also the desire to "be somewhere else" led to the decision to relocate to the South of France. Thanks to the support of his friends, foremost of the conductor George Alexander Albrecht, Sauter was able to get to work in the solitude and quietness of the Provence without losing the connection to the outside world. There in 1983/84 the first feature-length piece, a ballet "Till Eulenspiegel" based on de Costers novel La Légende d’Ulenspiegle was created. Again a commissioned work for the Staatsoper Hannover. In 1986 Sauter choose Suzette