Mysore painting
Mysore painting () is an important form of classical South Indian painting style that originated in and around the town of Mysore in Karnataka encouraged and nurtured by the Mysore rulers. Painting in Karnataka has a long and illustrious history, tracing its origins back to the Ajanta Caves period (2nd century BC to 6th century AD). The distinct school of Mysore painting evolved from the paintings during the Vijayanagara Empire period, the rulers of Vijayanagara and their feudatories encouraged literature, art and architecture as well as religious and philosophical discussions. With the fall of the Vijayanagara Empire after the 1565 Battle of Talikota, the artists who were until then under royal patronage migrated to various places such as Mysore, Tanjore and Surpur among others. Absorbing the local artistic traditions and customs, the erstwhile Vijayanagara school of painting gradually evolved into the many styles of painting in South India, including the Mysore and Tanjore schools of painting. Mysore paintings are known for their elegance, muted colours, and attention to detail. The themes for most of these paintings are Hindu gods and goddesses and scenes from Hindu mythology. History The fall of the Vijayanagar Empire in 1565 AD and the sack of Hampi in the Battle of Talikota resulted initially in distress for scores of families of painters who had been dependent on the patronage of the empire. As Dr. Charita points out, these families of artists, called Chitrakaras, migrated to various pockets (feudatories) of the Vijayanagara Empire. As scholar A.L. Narasimhan traces, some of these surviving paintings are witnessed at Shravanabelagola, Sira, Keregoodirangapura, Srirangapattana, Nippani, Sibi, Naragunda, Bettadapura, Hardanahalli, Mudukutore, Mysore, Chitradurga, Kollegala, Raichur, Hiriyur, Benakanakere, Anegundi, Yalladahalli, Lepakshi and many other places located in Karnataka. Raja Wodeyar I (1578–1617 A.D) provided a vital service to the cause of painting by rehabilitating several families of painters of the Vijayanagara School at Srirangapatna. The successors of Raja Wodeyar continued to patronize the art of painting by commissioning temples and palaces to be painted with mythological scenes. However, none of these paintings have survived due to the ravages of war between the British on the one side and Hyder Ali and Tippu Sultan on the other. Hyder and Tippu who bested the Wodeyars took over the reins of Mysore for a brief period. However, the artists (Chitragars) continued to be patronised and flourished under the reign of Tipu and Hyder too. The Narasimha swamy temple in Seebi on the highway between Tumkur and Sira was built by Nallappa who was in the service of both Haidar Ali and Tipu Sultan, during Tipu's reign and has several wonderful wall frescoes in the Vijayanagar style which gradually evolved into the Mysore and Tanjore schools of painting. The murals detailing the Battle of Polilur and other painted work at the Daria Daulat Bagh palace of Tipu Sultan in Ganjam, Srirangapatna are also prime examples of the Mysore school of painting. After the death of Tipu Sultan in 1799 AD, the state was restored back to the