Richard left us on the very next evening to begin his new career, and
committed Ada to my charge with great love for her and great trust in
me. It touched me then to reflect, and it touches me now, more
nearly, to remember (having what I have to tell) how they both
thought of me, even at that engrossing time. I was a part of all
their plans, for the present and the future. I was to write Richard
once a week, making my faithful report of Ada, who was to write to
him every alternate day. I was to be informed, under his own hand, of
all his labours and successes; I was to observe how resolute and
persevering he would be; I was to be Ada's bridesmaid when they were
married; I was to live with them afterwards; I was to keep all the
keys of their house; I was to be made happy for ever and a day.

"And if the suit SHOULD make us rich, Esther--which it may, you
know!" said Richard to crown all.

A shade crossed Ada's face.

"My dearest Ada," asked Richard, "why not?"

"It had better declare us poor at once," said Ada.

"Oh! I don't know about that," returned Richard, "but at all events,
it won't declare anything at once. It hasn't declared anything in
heaven knows how many years."

"Too true," said Ada.

"Yes, but," urged Richard, answering what her look suggested rather
than her words, "the longer it goes on, dear cousin, the nearer it
must be to a settlement one way or other. Now, is not that
reasonable?"

"You know best, Richard. But I am afraid if we trust to it, it will
make us unhappy."

"But, my Ada, we are not going to trust to it!" cried Richard gaily.
"We know it better than to trust to it. We only say that if it SHOULD
make us rich, we have no constitutional objection to being rich. The
court is, by solemn settlement of law, our grim old guardian, and we
are to suppose that what it gives us (when it gives us anything) is
our right. It is not necessary to quarrel with our right."

"No," said Ada, "but it may be better to forget all about it."

"Well, well," cried Richard, "then we will forget all about it! We
consign the whole thing to oblivion. Dame Durden puts on her
approving face, and it's done!"

"Dame Durden's approving face," said I, looking out of the box in
which I was packing his books, "was not very visible when you called
it by that name; but it does approve, and she thinks you can't do
better."

So, Richard said there was an end of it, and immediately began, on no
other foundation, to build as many castles in the air as would man
the Great Wall of China. He went away in high spirits. Ada and I,
prepared to miss him very much, commenced our quieter career.

On our arrival in London, we had called with Mr. Jarndyce at Mrs.
Jellyby's but had not been so fortunate as to find her at home. It
appeared that she had gone somewhere to a tea-drinking and had taken
Miss Jellyby with her. Besides the tea-drinking, there was to be some
considerable speech-making and letter-writing on the general merits
of the cultivation of coffee, conjointly with natives, at the
Settlement of Borrioboola-Gha. All this involved, no doubt,
sufficient active exercise of pen and ink to make her daughter's part
in the proceedings anything but a holiday.

It being now beyond the time appointed for Mrs. Jellyby's return, we
called again. She was in town, but not at home, having gone to Mile
End directly after breakfast on some Borrioboolan business, arising
out of a society called the East London Branch Aid Ramification. As I
had not seen Peepy on the occasion of our last call (when he was not
to be found anywhere, and when the cook rather thought he must have
strolled away with the dustman's cart), I now inquired for him again.
The oyster shells he had been building a house with were still in the
passage, but he was nowhere discoverable, and the cook supposed that
he had "gone after the sheep." When we repeated, with some surprise,
"The sheep?" she said, Oh, yes, on market days he sometimes followed
them quite out of town and came back in such a state as never was!

I was sitting at the window with my guardian on the following
morning, and Ada was busy writing--of course to Richard--when Miss
Jellyby was announced, and entered, leading the identical Peepy, whom
she had made some endeavours to render presentable by wiping the dirt
into corners of his face and hands and making his hair very wet and
then violently frizzling it with her fingers. Everything the dear
child wore was either too large for him or too small. Among his other
contradictory decorations he had the hat of a bishop and the little
gloves of a baby. His boots were, on a small scale, the boots of a
ploughman, while his legs, so crossed and recrossed with scratches
that they looked like maps, were bare below a very short pair of
plaid drawers finished off with two frills of perfectly different
patterns. The deficient buttons on his plaid frock had evidently been
supplied from one of Mr. Jellyby's coats, they were so extremely
brazen and so much too large. Most extraordinary specimens of
needlework appeared on several parts of his dress, where it had been
hastily mended, and I recognized the same hand on Miss Jellyby's. She
was, however, unaccountably improved in her appearance and looked
very pretty. She was conscious of poor little Peepy being but a
failure after all her trouble, and she showed it as she came in by
the way in which she glanced first at him and then at us.

"Oh, dear me!" said my guardian. "Due east!"

Ada and I gave her a cordial welcome and presented her to Mr.
Jarndyce, to whom she said as she sat down, "Ma's compliments, and
she hopes you'll excuse her, because she's correcting proofs of the
plan. She's going to put out five thousand new circulars, and she
knows you'll be interested to hear that. I have brought one of them
with me. Ma's compliments." With which she presented it sulkily
enough.

"Thank you," said my guardian. "I am much obliged to Mrs. Jellyby.
Oh, dear me! This is a very trying wind!"

We were busy with Peepy, taking off his clerical hat, asking him if
he remembered us, and so on. Peepy retired behind his elbow at first,
but relented at the sight of sponge-cake and allowed me to take him
on my lap, where he sat munching quietly. Mr. Jarndyce then
withdrawing into the temporary growlery, Miss Jellyby opened a
conversation with her usual abruptness.

"We are going on just as bad as ever in Thavies Inn," said she. "I
have no peace of my life. Talk of Africa! I couldn't be worse off if
I was a what's-his-name--man and a brother!"

I tried to say something soothing.

"Oh, it's of no use, Miss Summerson," exclaimed Miss Jellyby, "though
I thank you for the kind intention all the same. I know how I am
used, and I am not to be talked over. YOU wouldn't be talked over if
you were used so. Peepy, go and play at Wild Beasts under the piano!"

"I shan't!" said Peepy.

"Very well, you ungrateful, naughty, hard-hearted boy!" returned Miss
Jellyby with tears in her eyes. "I'll never take pains to dress you
any more."

"Yes, I will go, Caddy!" cried Peepy, who was really a good child and
who was so moved by his sister's vexation that he went at once.

"It seems a little thing to cry about," said poor Miss Jellyby
apologetically, "but I am quite worn out. I was directing the new
circulars till two this morning. I detest the whole thing so that
that alone makes my head ache till I can't see out of my eyes. And
look at that poor unfortunate child! Was there ever such a fright as
he is!"

Peepy, happily unconscious of the defects in his appearance, sat on
the carpet behind one of the legs of the piano, looking calmly out of
his den at us while he ate his cake.

"I have sent him to the other end of the room," observed Miss
Jellyby, drawing her chair nearer ours, "because I don't want him to
hear the conversation. Those little things are so sharp! I was going
to say, we really are going on worse than ever. Pa will be a bankrupt
before long, and then I hope Ma will be satisfied. There'll he nobody
but Ma to thank for it."

We said we hoped Mr. Jellyby's affairs were not in so bad a state as
that.

"It's of no use hoping, though it's very kind of you," returned Miss
Jellyby, shaking her head. "Pa told me only yesterday morning (and
dreadfully unhappy he is) that he couldn't weather the storm. I
should be surprised if he could. When all our tradesmen send into our
house any stuff they like, and the servants do what they like with
it, and I have no time to improve things if I knew how, and Ma don't
care about anything, I should like to make out how Pa is to weather
the storm. I declare if I was Pa, I'd run away."

"My dear!" said I, smiling. "Your papa, no doubt, considers his
family."

"Oh, yes, his family is all very fine, Miss Summerson," replied Miss
Jellyby; "but what comfort is his family to him? His family is
nothing but bills, dirt, waste, noise, tumbles downstairs, confusion,
and wretchedness. His scrambling home, from week's end to week's end,
is like one great washing-day--only nothing's washed!"

Miss Jellyby tapped her foot upon the floor and wiped her eyes.

"I am sure I pity Pa to that degree," she said, "and am so angry with
Ma that I can't find words to express myself! However, I am not going
to bear it, I am determined. I won't be a slave all my life, and I
won't submit to be proposed to by Mr. Quale. A pretty thing, indeed,
to marry a philanthropist. As if I hadn't had enough of THAT!" said
poor Miss Jellyby.

I must confess that I could not help feeling rather angry with Mrs.
Jellyby myself, seeing and hearing this neglected girl and knowing
how much of bitterly satirical truth there was in what she said.

"If it wasn't that we had been intimate when you stopped at our
house," pursued Miss Jellyby, "I should have been ashamed to come
here to-day, for I know what a figure I must seem to you two. But as
it is, I made up my mind to call, especially as I am not likely to
see you again the next time you come to town."

She said this with such great significance that Ada and I glanced at
one another, foreseeing something more.

"No!" said Miss Jellyby, shaking her head. "Not at all likely! I know
I may trust you two. I am sure you won't betray me. I am engaged."

"Without their knowledge at home?" said I.

"Why, good gracious me, Miss Summerson," she returned, justifying
herself in a fretful but not angry manner, "how can it be otherwise?
You know what Ma is--and I needn't make poor Pa more miserable by
telling HIM."

"But would it not be adding to his unhappiness to marry without his
knowledge or consent, my dear?" said I.

"No," said Miss Jellyby, softening. "I hope not. I should try to make
him happy and comfortable when he came to see me, and Peepy and the
others should take it in turns to come and stay with me, and they
should have some care taken of them then."

There was a good deal of affection in poor Caddy. She softened more
and more while saying this and cried so much over the unwonted little
home-picture she had raised in her mind that Peepy, in his cave under
the piano, was touched, and turned himself over on his back with loud
lamentations. It was not until I had brought him to kiss his sister,
and had restored him to his place on my lap, and had shown him that
Caddy was laughing (she laughed expressly for the purpose), that we
could recall his peace of mind; even then it was for some time
conditional on his taking us in turns by the chin and smoothing our
faces all over with his hand. At last, as his spirits were not equal
to the piano, we put him on a chair to look out of window; and Miss
Jellyby, holding him by one leg, resumed her confidence.

"It began in your coming to our house," she said.

We naturally asked how.

"I felt I was so awkward," she replied, "that I made up my mind to be
improved in that respect at all events and to learn to dance. I told
Ma I was ashamed of myself, and I must be taught to dance. Ma looked
at me in that provoking way of hers as if I wasn't in sight, but I
was quite determined to be taught to dance, and so I went to Mr.
Turveydrop's Academy in Newman Street."

"And was it there, my dear--" I began.

"Yes, it was there," said Caddy, "and I am engaged to Mr. Turveydrop.
There are two Mr. Turveydrops, father and son. My Mr. Turveydrop is
the son, of course. I only wish I had been better brought up and was
likely to make him a better wife, for I am very fond of him."

"I am sorry to hear this," said I, "I must confess."

"I don't know why you should be sorry," she retorted a little
anxiously, "but I am engaged to Mr. Turveydrop, whether or no, and he
is very fond of me. It's a secret as yet, even on his side, because
old Mr. Turveydrop has a share in the connexion and it might break
his heart or give him some other shock if he was told of it abruptly.
Old Mr. Turveydrop is a very gentlemanly man indeed--very
gentlemanly."

"Does his wife know of it?" asked Ada.

"Old Mr. Turveydrop's wife, Miss Clare?" returned Miss Jellyby,
opening her eyes. "There's no such person. He is a widower."

We were here interrupted by Peepy, whose leg had undergone so much on
account of his sister's unconsciously jerking it like a bell-rope
whenever she was emphatic that the afflicted child now bemoaned his
sufferings with a very low-spirited noise. As he appealed to me for
compassion, and as I was only a listener, I undertook to hold him.
Miss Jellyby proceeded, after begging Peepy's pardon with a kiss and
assuring him that she hadn't meant to do it.

"That's the state of the case," said Caddy. "If I ever blame myself,
I still think it's Ma's fault. We are to be married whenever we can,
and then I shall go to Pa at the office and write to Ma. It won't
much agitate Ma; I am only pen and ink to HER. One great comfort is,"
said Caddy with a sob, "that I shall never hear of Africa after I am
married. Young Mr. Turveydrop hates it for my sake, and if old Mr.
Turveydrop knows there is such a place, it's as much as he does."

"It was he who was very gentlemanly, I think!" said I.

"Very gentlemanly indeed," said Caddy. "He is celebrated almost
everywhere for his deportment."

"Does he teach?" asked Ada.

"No, he don't teach anything in particular," replied Caddy. "But his
deportment is beautiful."

Caddy went on to say with considerable hesitation and reluctance that
there was one thing more she wished us to know, and felt we ought to
know, and which she hoped would not offend us. It was that she had
improved her acquaintance with Miss Flite, the little crazy old lady,
and that she frequently went there early in the morning and met her
lover for a few minutes before breakfast--only for a few minutes. "I
go there at other times," said Caddy, "but Prince does not come then.
Young Mr. Turveydrop's name is Prince; I wish it wasn't, because it
sounds like a dog, but of course he didn't christen himself. Old Mr.
Turveydrop had him christened Prince in remembrance of the Prince
Regent. Old Mr. Turveydrop adored the Prince Regent on account of his
deportment. I hope you won't think the worse of me for having made
these little appointments at Miss Flite's, where I first went with
you, because I like the poor thing for her own sake and I believe she
likes me. If you could see young Mr. Turveydrop, I am sure you would
think well of him--at least, I am sure you couldn't possibly think
any ill of him. I am going there now for my lesson. I couldn't ask
you to go with me, Miss Summerson; but if you would," said Caddy, who
had said all this earnestly and tremblingly, "I should be very
glad--very glad."

It happened that we had arranged with my guardian to go to Miss
Flite's that day. We had told him of our former visit, and our
account had interested him; but something had always happened to
prevent our going there again. As I trusted that I might have
sufficient influence with Miss Jellyby to prevent her taking any very
rash step if I fully accepted the confidence she was so willing to
place in me, poor girl, I proposed that she and I and Peepy should go
to the academy and afterwards meet my guardian and Ada at Miss
Flite's, whose name I now learnt for the first time. This was on
condition that Miss Jellyby and Peepy should come back with us to
dinner. The last article of the agreement being joyfully acceded to
by both, we smartened Peepy up a little with the assistance of a few
pins, some soap and water, and a hair-brush, and went out, bending
our steps towards Newman Street, which was very near.

I found the academy established in a sufficiently dingy house at the
corner of an archway, with busts in all the staircase windows. In the
same house there were also established, as I gathered from the plates
on the door, a drawing-master, a coal-merchant (there was, certainly,
no room for his coals), and a lithographic artist. On the plate
which, in size and situation, took precedence of all the rest, I
read, MR. TURVEYDROP. The door was open, and the hall was blocked up
by a grand piano, a harp, and several other musical instruments in
cases, all in progress of removal, and all looking rakish in the
daylight. Miss Jellyby informed me that the academy had been lent,
last night, for a concert.

We went upstairs--it had been quite a fine house once, when it was
anybody's business to keep it clean and fresh, and nobody's business
to smoke in it all day--and into Mr. Turveydrop's great room, which
was built out into a mews at the back and was lighted by a skylight.
It was a bare, resounding room smelling of stables, with cane forms
along the walls, and the walls ornamented at regular intervals with
painted lyres and little cut-glass branches for candles, which seemed
to be shedding their old-fashioned drops as other branches might shed
autumn leaves. Several young lady pupils, ranging from thirteen or
fourteen years of age to two or three and twenty, were assembled; and
I was looking among them for their instructor when Caddy, pinching my
arm, repeated the ceremony of introduction. "Miss Summerson, Mr.
Prince Turveydrop!"

I curtsied to a little blue-eyed fair man of youthful appearance with
flaxen hair parted in the middle and curling at the ends all round
his head. He had a little fiddle, which we used to call at school a
kit, under his left arm, and its little bow in the same hand. His
little dancing-shoes were particularly diminutive, and he had a
little innocent, feminine manner which not only appealed to me in an
amiable way, but made this singular effect upon me, that I received
the impression that he was like his mother and that his mother had
not been much considered or well used.

"I am very happy to see Miss Jellyby's friend," he said, bowing low
to me. "I began to fear," with timid tenderness, "as it was past the
usual time, that Miss Jellyby was not coming."

"I beg you will have the goodness to attribute that to me, who have
detained her, and to receive my excuses, sir," said I.

"Oh, dear!" said he.

"And pray," I entreated, "do not allow me to be the cause of any more
delay."

With that apology I withdrew to a seat between Peepy (who, being well
used to it, had already climbed into a corner place) and an old lady
of a censorious countenance whose two nieces were in the class and
who was very indignant with Peepy's boots. Prince Turveydrop then
tinkled the strings of his kit with his fingers, and the young ladies
stood up to dance. Just then there appeared from a side-door old Mr.
Turveydrop, in the full lustre of his deportment.

He was a fat old gentleman with a false complexion, false teeth,
false whiskers, and a wig. He had a fur collar, and he had a padded
breast to his coat, which only wanted a star or a broad blue ribbon
to be complete. He was pinched in, and swelled out, and got up, and
strapped down, as much as he could possibly bear. He had such a
neckcloth on (puffing his very eyes out of their natural shape), and
his chin and even his ears so sunk into it, that it seemed as though
he must inevitably double up if it were cast loose. He had under his
arm a hat of great size and weight, shelving downward from the crown
to the brim, and in his hand a pair of white gloves with which he
flapped it as he stood poised on one leg in a high-shouldered,
round-elbowed state of elegance not to be surpassed. He had a cane,
he had an eye-glass, he had a snuff-box, he had rings, he had
wristbands, he had everything but any touch of nature; he was not
like youth, he was not like age, he was not like anything in the
world but a model of deportment.

"Father! A visitor. Miss Jellyby's friend, Miss Summerson."

"Distinguished," said Mr. Turveydrop, "by Miss Summerson's presence."
As he bowed to me in that tight state, I almost believe I saw creases
come into the whites of his eyes.

"My father," said the son, aside, to me with quite an affecting
belief in him, "is a celebrated character. My father is greatly
admired."

"Go on, Prince! Go on!" said Mr. Turveydrop, standing with his back
to the fire and waving his gloves condescendingly. "Go on, my son!"

At this command, or by this gracious permission, the lesson went on.
Prince Turveydrop sometimes played the kit, dancing; sometimes played
the piano, standing; sometimes hummed the tune with what little
breath he could spare, while he set a pupil right; always
conscientiously moved with the least proficient through every step
and every part of the figure; and never rested for an instant. His
distinguished father did nothing whatever but stand before the fire,
a model of deportment.

"And he never does anything else," said the old lady of the
censorious countenance. "Yet would you believe that it's HIS name on
the door-plate?"

"His son's name is the same, you know," said I.

"He wouldn't let his son have any name if he could take it from him,"
returned the old lady. "Look at the son's dress!" It certainly was
plain--threadbare--almost shabby. "Yet the father must be garnished
and tricked out," said the old lady, "because of his deportment. I'd
deport him! Transport him would be better!"

I felt curious to know more concerning this person. I asked, "Does he
give lessons in deportment now?"

"Now!" returned the old lady shortly. "Never did."

After a moment's consideration, I suggested that perhaps fencing had
been his accomplishment.

"I don't believe he can fence at all, ma'am," said the old lady.

I looked surprised and inquisitive. The old lady, becoming more and
more incensed against the master of deportment as she dwelt upon the
subject, gave me some particulars of his career, with strong
assurances that they were mildly stated.

He had married a meek little dancing-mistress, with a tolerable
connexion (having never in his life before done anything but deport
himself), and had worked her to death, or had, at the best, suffered
her to work herself to death, to maintain him in those expenses which
were indispensable to his position. At once to exhibit his deportment
to the best models and to keep the best models constantly before
himself, he had found it necessary to frequent all public places of
fashionable and lounging resort, to be seen at Brighton and elsewhere
at fashionable times, and to lead an idle life in the very best
clothes. To enable him to do this, the affectionate little
dancing-mistress had toiled and laboured and would have toiled and
laboured to that hour if her strength had lasted so long. For the
mainspring of the story was that in spite of the man's absorbing
selfishness, his wife (overpowered by his deportment) had, to the
last, believed in him and had, on her death-bed, in the most moving
terms, confided him to their son as one who had an inextinguishable
claim upon him and whom he could never regard with too much pride and
deference. The son, inheriting his mother's belief, and having the
deportment always before him, had lived and grown in the same faith,
and now, at thirty years of age, worked for his father twelve hours a
day and looked up to him with veneration on the old imaginary
pinnacle.

"The airs the fellow gives himself!" said my informant, shaking her
head at old Mr. Turveydrop with speechless indignation as he drew on
his tight gloves, of course unconscious of the homage she was
rendering. "He fully believes he is one of the aristocracy! And he is
so condescending to the son he so egregiously deludes that you might
suppose him the most virtuous of parents. Oh!" said the old lady,
apostrophizing him with infinite vehemence. "I could bite you!"

I could not help being amused, though I heard the old lady out with
feelings of real concern. It was difficult to doubt her with the
father and son before me. What I might have thought of them without
the old lady's account, or what I might have thought of the old
lady's account without them, I cannot say. There was a fitness of
things in the whole that carried conviction with it.

My eyes were yet wandering, from young Mr. Turveydrop working so
hard, to old Mr. Turveydrop deporting himself so beautifully, when
the latter came ambling up to me and entered into conversation.

He asked me, first of all, whether I conferred a charm and a
distinction on London by residing in it? I did not think it necessary
to reply that I was perfectly aware I should not do that, in any
case, but merely told him where I did reside.

"A lady so graceful and accomplished," he said, kissing his
right glove and afterwards extending it towards the pupils,
"will look leniently on the deficiencies here. We do our best to
polish--polish--polish!"

He sat down beside me, taking some pains to sit on the form, I
thought, in imitation of the print of his illustrious model on the
sofa. And really he did look very like it.

"To polish--polish--polish!" he repeated, taking a pinch of snuff and
gently fluttering his fingers. "But we are not, if I may say so to
one formed to be graceful both by Nature and Art--" with the
high-shouldered bow, which it seemed impossible for him to make
without lifting up his eyebrows and shutting his eyes "--we are not
what we used to be in point of deportment."

"Are we not, sir?" said I.

"We have degenerated," he returned, shaking his head, which he could
do to a very limited extent in his cravat. "A levelling age is not
favourable to deportment. It develops vulgarity. Perhaps I speak with
some little partiality. It may not be for me to say that I have been
called, for some years now, Gentleman Turveydrop, or that his Royal
Highness the Prince Regent did me the honour to inquire, on my
removing my hat as he drove out of the Pavilion at Brighton (that
fine building), 'Who is he? Who the devil is he? Why don't I know
him? Why hasn't he thirty thousand a year?' But these are little
matters of anecdote--the general property, ma'am--still repeated
occasionally among the upper classes."

"Indeed?" said I.

He replied with the high-shouldered bow. "Where what is left among us
of deportment," he added, "still lingers. England--alas, my
country!--has degenerated very much, and is degenerating every day.
She has not many gentlemen left. We are few. I see nothing to succeed
us but a race of weavers."

"One might hope that the race of gentlemen would be perpetuated
here," said I.

"You are very good." He smiled with a high-shouldered bow again. "You
flatter me. But, no--no! I have never been able to imbue my poor boy
with that part of his art. Heaven forbid that I should disparage my
dear child, but he has--no deportment."

"He appears to be an excellent master," I observed.

"Understand me, my dear madam, he IS an excellent master. All that
can be acquired, he has acquired. All that can be imparted, he can
impart. But there ARE things--" He took another pinch of snuff and
made the bow again, as if to add, "This kind of thing, for instance."

I glanced towards the centre of the room, where Miss Jellyby's lover,
now engaged with single pupils, was undergoing greater drudgery than
ever.

"My amiable child," murmured Mr. Turveydrop, adjusting his cravat.

"Your son is indefatigable," said I.

"It is my reward," said Mr. Turveydrop, "to hear you say so. In some
respects, he treads in the footsteps of his sainted mother. She was a
devoted creature. But wooman, lovely wooman," said Mr. Turveydrop
with very disagreeable gallantry, "what a sex you are!"

I rose and joined Miss Jellyby, who was by this time putting on her
bonnet. The time allotted to a lesson having fully elapsed, there was
a general putting on of bonnets. When Miss Jellyby and the
unfortunate Prince found an opportunity to become betrothed I don't
know, but they certainly found none on this occasion to exchange a
dozen words.

"My dear," said Mr. Turveydrop benignly to his son, "do you know the
hour?"

"No, father." The son had no watch. The father had a handsome gold
one, which he pulled out with an air that was an example to mankind.

"My son," said he, "it's two o'clock. Recollect your school at
Kensington at three."

"That's time enough for me, father," said Prince. "I can take a
morsel of dinner standing and be off."

"My dear boy," returned his father, "you must be very quick. You will
find the cold mutton on the table."

"Thank you, father. Are YOU off now, father?"

"Yes, my dear. I suppose," said Mr. Turveydrop, shutting his eyes and
lifting up his shoulders with modest consciousness, "that I must show
myself, as usual, about town."

"You had better dine out comfortably somewhere," said his son.

"My dear child, I intend to. I shall take my little meal, I think, at
the French house, in the Opera Colonnade."

"That's right. Good-bye, father!" said Prince, shaking hands.

"Good-bye, my son. Bless you!"

Mr. Turveydrop said this in quite a pious manner, and it seemed to do
his son good, who, in parting from him, was so pleased with him, so
dutiful to him, and so proud of him that I almost felt as if it were
an unkindness to the younger man not to be able to believe implicitly
in the elder. The few moments that were occupied by Prince in taking
leave of us (and particularly of one of us, as I saw, being in the
secret), enhanced my favourable impression of his almost childish
character. I felt a liking for him and a compassion for him as he put
his little kit in his pocket--and with it his desire to stay a little
while with Caddy--and went away good-humouredly to his cold mutton
and his school at Kensington, that made me scarcely less irate with
his father than the censorious old lady.

The father opened the room door for us and bowed us out in a manner,
I must acknowledge, worthy of his shining original. In the same style
he presently passed us on the other side of the street, on his way to
the aristocratic part of the town, where he was going to show himself
among the few other gentlemen left. For some moments, I was so lost
in reconsidering what I had heard and seen in Newman Street that I
was quite unable to talk to Caddy or even to fix my attention on what
she said to me, especially when I began to inquire in my mind whether
there were, or ever had been, any other gentlemen, not in the dancing
profession, who lived and founded a reputation entirely on their
deportment. This became so bewildering and suggested the possibility
of so many Mr. Turveydrops that I said, "Esther, you must make up
your mind to abandon this subject altogether and attend to Caddy." I
accordingly did so, and we chatted all the rest of the way to
Lincoln's Inn.

Caddy told me that her lover's education had been so neglected that
it was not always easy to read his notes. She said if he were not so
anxious about his spelling and took less pains to make it clear, he
would do better; but he put so many unnecessary letters into short
words that they sometimes quite lost their English appearance. "He
does it with the best intention," observed Caddy, "but it hasn't the
effect he means, poor fellow!" Caddy then went on to reason, how
could he be expected to be a scholar when he had passed his whole
life in the dancing-school and had done nothing but teach and fag,
fag and teach, morning, noon, and night! And what did it matter? She
could write letters enough for both, as she knew to her cost, and it
was far better for him to be amiable than learned. "Besides, it's not
as if I was an accomplished girl who had any right to give herself
airs," said Caddy. "I know little enough, I am sure, thanks to Ma!

"There's another thing I want to tell you, now we are alone,"
continued Caddy, "which I should not have liked to mention unless you
had seen Prince, Miss Summerson. You know what a house ours is. It's
of no use my trying to learn anything that it would be useful for
Prince's wife to know in OUR house. We live in such a state of muddle
that it's impossible, and I have only been more disheartened whenever
I have tried. So I get a little practice with--who do you think? Poor
Miss Flite! Early in the morning I help her to tidy her room and
clean her birds, and I make her cup of coffee for her (of course she
taught me), and I have learnt to make it so well that Prince says
it's the very best coffee he ever tasted, and would quite delight old
Mr. Turveydrop, who is very particular indeed about his coffee. I can
make little puddings too; and I know how to buy neck of mutton, and
tea, and sugar, and butter, and a good many housekeeping things. I am
not clever at my needle, yet," said Caddy, glancing at the repairs on
Peepy's frock, "but perhaps I shall improve, and since I have been
engaged to Prince and have been doing all this, I have felt
better-tempered, I hope, and more forgiving to Ma. It rather put me
out at first this morning to see you and Miss Clare looking so neat
and pretty and to feel ashamed of Peepy and myself too, but on the
whole I hope I am better-tempered than I was and more forgiving to
Ma."

The poor girl, trying so hard, said it from her heart, and touched
mine. "Caddy, my love," I replied, "I begin to have a great affection
for you, and I hope we shall become friends."

"Oh, do you?" cried Caddy. "How happy that would make me!"

"My dear Caddy," said I, "let us be friends from this time, and let
us often have a chat about these matters and try to find the right
way through them." Caddy was overjoyed. I said everything I could in
my old-fashioned way to comfort and encourage her, and I would not
have objected to old Mr. Turveydrop that day for any smaller
consideration than a settlement on his daughter-in-law.

By this time we were come to Mr. Krook's, whose private door stood
open. There was a bill, pasted on the door-post, announcing a room to
let on the second floor. It reminded Caddy to tell me as we proceeded
upstairs that there had been a sudden death there and an inquest and
that our little friend had been ill of the fright. The door and
window of the vacant room being open, we looked in. It was the room
with the dark door to which Miss Flite had secretly directed my
attention when I was last in the house. A sad and desolate place it
was, a gloomy, sorrowful place that gave me a strange sensation of
mournfulness and even dread. "You look pale," said Caddy when we came
out, "and cold!" I felt as if the room had chilled me.

We had walked slowly while we were talking, and my guardian and Ada
were here before us. We found them in Miss Flite's garret. They were
looking at the birds, while a medical gentleman who was so good as to
attend Miss Flite with much solicitude and compassion spoke with her
cheerfully by the fire.

"I have finished my professional visit," he said, coming forward.
"Miss Flite is much better and may appear in court (as her mind is
set upon it) to-morrow. She has been greatly missed there, I
understand."

Miss Flite received the compliment with complacency and dropped a
general curtsy to us.

"Honoured, indeed," said she, "by another visit from the wards in
Jarndyce! Ve-ry happy to receive Jarndyce of Bleak House beneath my
humble roof!" with a special curtsy. "Fitz-Jarndyce, my dear"--she
had bestowed that name on Caddy, it appeared, and always called her
by it--"a double welcome!"

"Has she been very ill?" asked Mr. Jarndyce of the gentleman whom we
had found in attendance on her. She answered for herself directly,
though he had put the question in a whisper.

"Oh, decidedly unwell! Oh, very unwell indeed," she said
confidentially. "Not pain, you know--trouble. Not bodily so much as
nervous, nervous! The truth is," in a subdued voice and trembling,
"we have had death here. There was poison in the house. I am very
susceptible to such horrid things. It frightened me. Only Mr.
Woodcourt knows how much. My physician, Mr. Woodcourt!" with
great stateliness. "The wards in Jarndyce--Jarndyce of Bleak
House--Fitz-Jarndyce!"

"Miss Flite," said Mr. Woodcourt in a grave kind of voice, as if he
were appealing to her while speaking to us, and laying his hand
gently on her arm, "Miss Flite describes her illness with her usual
accuracy. She was alarmed by an occurrence in the house which might
have alarmed a stronger person, and was made ill by the distress and
agitation. She brought me here in the first hurry of the discovery,
though too late for me to be of any use to the unfortunate man. I
have compensated myself for that disappointment by coming here since
and being of some small use to her."

"The kindest physician in the college," whispered Miss Flite to me.
"I expect a judgment. On the day of judgment. And shall then confer
estates."

"She will be as well in a day or two," said Mr. Woodcourt, looking at
her with an observant smile, "as she ever will be. In other words,
quite well of course. Have you heard of her good fortune?"

"Most extraordinary!" said Miss Flite, smiling brightly. "You never
heard of such a thing, my dear! Every Saturday, Conversation Kenge or
Guppy (clerk to Conversation K.) places in my hand a paper of
shillings. Shillings. I assure you! Always the same number in the
paper. Always one for every day in the week. Now you know, really! So
well-timed, is it not? Ye-es! From whence do these papers come, you
say? That is the great question. Naturally. Shall I tell you what I
think? I think," said Miss Flite, drawing herself back with a very
shrewd look and shaking her right forefinger in a most significant
manner, "that the Lord Chancellor, aware of the length of time during
which the Great Seal has been open (for it has been open a long
time!), forwards them. Until the judgment I expect is given. Now
that's very creditable, you know. To confess in that way that he IS a
little slow for human life. So delicate! Attending court the other
day--I attend it regularly, with my documents--I taxed him with it,
and he almost confessed. That is, I smiled at him from my bench, and
HE smiled at me from his bench. But it's great good fortune, is it
not? And Fitz-Jarndyce lays the money out for me to great advantage.
Oh, I assure you to the greatest advantage!"

I congratulated her (as she addressed herself to me) upon this
fortunate addition to her income and wished her a long continuance of
it. I did not speculate upon the source from which it came or wonder
whose humanity was so considerate. My guardian stood before me,
contemplating the birds, and I had no need to look beyond him.

"And what do you call these little fellows, ma'am?" said he in his
pleasant voice. "Have they any names?"

"I can answer for Miss Flite that they have," said I, "for she
promised to tell us what they were. Ada remembers?"

Ada remembered very well.

"Did I?" said Miss Flite. "Who's that at my door? What are you
listening at my door for, Krook?"

The old man of the house, pushing it open before him, appeared there
with his fur cap in his hand and his cat at his heels.

"I warn't listening, Miss Flite," he said, "I was going to give a rap
with my knuckles, only you're so quick!"

"Make your cat go down. Drive her away!" the old lady angrily
exclaimed.

"Bah, bah! There ain't no danger, gentlefolks," said Mr. Krook,
looking slowly and sharply from one to another until he had looked at
all of us; "she'd never offer at the birds when I was here unless I
told her to it."

"You will excuse my landlord," said the old lady with a dignified
air. "M, quite M! What do you want, Krook, when I have company?"

"Hi!" said the old man. "You know I am the Chancellor."

"Well?" returned Miss Flite. "What of that?"

"For the Chancellor," said the old man with a chuckle, "not to be
acquainted with a Jarndyce is queer, ain't it, Miss Flite? Mightn't I
take the liberty? Your servant, sir. I know Jarndyce and Jarndyce
a'most as well as you do, sir. I knowed old Squire Tom, sir. I never
to my knowledge see you afore though, not even in court. Yet, I go
there a mortal sight of times in the course of the year, taking one
day with another."

"I never go there," said Mr. Jarndyce (which he never did on any
consideration). "I would sooner go--somewhere else."

"Would you though?" returned Krook, grinning. "You're bearing hard
upon my noble and learned brother in your meaning, sir, though
perhaps it is but nat'ral in a Jarndyce. The burnt child, sir! What,
you're looking at my lodger's birds, Mr. Jarndyce?" The old man had
come by little and little into the room until he now touched my
guardian with his elbow and looked close up into his face with his
spectacled eyes. "It's one of her strange ways that she'll never tell
the names of these birds if she can help it, though she named 'em
all." This was in a whisper. "Shall I run 'em over, Flite?" he asked
aloud, winking at us and pointing at her as she turned away,
affecting to sweep the grate.

"If you like," she answered hurriedly.

The old man, looking up at the cages after another look at us, went
through the list.

"Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin,
Despair, Madness, Death, Cunning, Folly, Words, Wigs, Rags,
Sheepskin, Plunder, Precedent, Jargon, Gammon, and Spinach. That's
the whole collection," said the old man, "all cooped up together, by
my noble and learned brother."

"This is a bitter wind!" muttered my guardian.

"When my noble and learned brother gives his judgment, they're to be
let go free," said Krook, winking at us again. "And then," he added,
whispering and grinning, "if that ever was to happen--which it
won't--the birds that have never been caged would kill 'em."

"If ever the wind was in the east," said my guardian, pretending to
look out of the window for a weathercock, "I think it's there
to-day!"

We found it very difficult to get away from the house. It was not
Miss Flite who detained us; she was as reasonable a little creature
in consulting the convenience of others as there possibly could be.
It was Mr. Krook. He seemed unable to detach himself from Mr.
Jarndyce. If he had been linked to him, he could hardly have attended
him more closely. He proposed to show us his Court of Chancery and
all the strange medley it contained; during the whole of our
inspection (prolonged by himself) he kept close to Mr. Jarndyce and
sometimes detained him under one pretence or other until we had
passed on, as if he were tormented by an inclination to enter upon
some secret subject which he could not make up his mind to approach.
I cannot imagine a countenance and manner more singularly expressive
of caution and indecision, and a perpetual impulse to do something he
could not resolve to venture on, than Mr. Krook's was that day. His
watchfulness of my guardian was incessant. He rarely removed his eyes
from his face. If he went on beside him, he observed him with the
slyness of an old white fox. If he went before, he looked back. When
we stood still, he got opposite to him, and drawing his hand across
and across his open mouth with a curious expression of a sense of
power, and turning up his eyes, and lowering his grey eyebrows until
they appeared to be shut, seemed to scan every lineament of his face.

At last, having been (always attended by the cat) all over the house
and having seen the whole stock of miscellaneous lumber, which was
certainly curious, we came into the back part of the shop. Here on
the head of an empty barrel stood on end were an ink-bottle, some old
stumps of pens, and some dirty playbills; and against the wall were
pasted several large printed alphabets in several plain hands.

"What are you doing here?" asked my guardian.

"Trying to learn myself to read and write," said Krook.

"And how do you get on?"

"Slow. Bad," returned the old man impatiently. "It's hard at my time
of life."

"It would be easier to be taught by some one," said my guardian.

"Aye, but they might teach me wrong!" returned the old man with a
wonderfully suspicious flash of his eye. "I don't know what I may
have lost by not being learned afore. I wouldn't like to lose
anything by being learned wrong now."

"Wrong?" said my guardian with his good-humoured smile. "Who do you
suppose would teach you wrong?"

"I don't know, Mr. Jarndyce of Bleak House!" replied the old man,
turning up his spectacles on his forehead and rubbing his hands. "I
don't suppose as anybody would, but I'd rather trust my own self than
another!"

These answers and his manner were strange enough to cause my guardian
to inquire of Mr. Woodcourt, as we all walked across Lincoln's Inn
together, whether Mr. Krook were really, as his lodger represented
him, deranged. The young surgeon replied, no, he had seen no reason
to think so. He was exceedingly distrustful, as ignorance usually
was, and he was always more or less under the influence of raw gin,
of which he drank great quantities and of which he and his back-shop,
as we might have observed, smelt strongly; but he did not think him
mad as yet.

On our way home, I so conciliated Peepy's affections by buying him a
windmill and two flour-sacks that he would suffer nobody else to take
off his hat and gloves and would sit nowhere at dinner but at my
side. Caddy sat upon the other side of me, next to Ada, to whom we
imparted the whole history of the engagement as soon as we got back.
We made much of Caddy, and Peepy too; and Caddy brightened
exceedingly; and my guardian was as merry as we were; and we were all
very happy indeed until Caddy went home at night in a hackney-coach,
with Peepy fast asleep, but holding tight to the windmill.

I have forgotten to mention--at least I have not mentioned--that Mr.
Woodcourt was the same dark young surgeon whom we had met at Mr.
Badger's. Or that Mr. Jarndyce invited him to dinner that day. Or
that he came. Or that when they were all gone and I said to Ada,
"Now, my darling, let us have a little talk about Richard!" Ada
laughed and said--

But I don't think it matters what my darling said. She was always
merry.

Before Richard sets off to the Badger college of doctor knowledge, he and Ada talk about the Chancery suit. Richard is definitely the kind of guy who would buy Lotto tickets, cause you never know. In his heart of hearts he's convinced they're about to hit the big time with a settlement from the suit. Ada rationally tries to talk him down, saying it's best to just pretend the suit doesn't even exist and go about their lives normally. Richard half-heartedly, jokingly agrees, and leaves. Ada and Esther set out to visit Mrs. Jellyby, but neither she nor Caddy are at home - they are out doing more Africa business. Esther asks about Peepy, the little boy whose head was stuck in the railing. No one knows where he is; the cook thinks maybe he wandered off to the marketplace to look at sheep. Granted, back then they weren't so stressed about child abduction, but still, he's only like 6 and probably shouldn't be wandering around London by himself. It's a case of shocking neglect, though it's played a little bit for laughs. The next morning, Caddy and Peepy come to return the visit . Caddy looks great, and Peepy is still in ridiculous state of being half-dressed and half-mud-caked. Caddy rants a little bit about the Jellyby household and warns Esther that Mr. Jellyby is nearing financial ruin. With no one supervising the household, every merchant and servant is taking advantage by overcharging or even outright stealing from them. Caddy then confesses that soon she's going to be out of there because... she's engaged! Esther is a little worried. The guy is a dancing teacher who has yet to tell his own father about the engagement. The father is, according to Caddy, some big to-do, "celebrated, almost everywhere, for his Deportment" . This is sort of mysterious. Esther agrees to go with Caddy to her next dancing lesson to meet her fiance, Prince Turveydrop. He is named Prince after the Prince Regent. Wait, the who now? No worries. George IV, who started reigning as the Prince Regent while his father George III was a few cards short of a full deck, was a fun king, the total opposite of sour-faced, prissy Queen Victoria. His Court was all about eating, drinking, and general wastefulness and debauchery. In fact he was so into the good life that he ended dying from it. Prince turns out to be a really nice, quiet guy, who works crazy hard. While Caddy dances, Esther and Peepy sit and watch. Esther starts chatting with another observer, who is totally furious at the Turveydrop situation. It turns out that old Mr. Turveydrop, Prince's father, has modeled himself on the Prince Regent. He's fat like him, obsessed with appearances like him, and wants to be a gentleman who doesn't work for a living like him. But obviously someone's got to work for a living, right? That ended up being Prince's mother, who was also a dancing teacher and died young from overwork. Now it's Prince who works nonstop, wears cheap clothes, and doesn't even have a watch so that his father can prance around all decked out. To top it all off, Prince seems to think his father actually deserves this life. Finally Esther has a few words with Mr. Turveydrop himself, and he is as affected, fake, and poser-ish as they come. Lots of crappy parenting in this novel, no? After the lesson Prince rushes off to his next class, and Caddy tells Esther that she's been learning a few rudimentary things about how to manage a house from Miss Flite. Esther is totally touched by how sweet Caddy is and how hard she's trying. They get Ada and Mr. Jarndyce and go to visit Miss Flite. At Krook's house there's an ad for the second-floor apartment, and Caddy fills the gang in on Nemo's death. Esther goes into the empty room and gets really freaked out. Oooooh, spooky! Miss Flite is being examined by a nice young doctor named Woodcourt. He tells them that although he was too late to the scene to help Nemo, he decided to take care of Miss Flite instead. She was really discombobulated by the whole experience but is now back to her old self. Miss Flite then tells them that she is somehow mysteriously getting a small stipend every week. She thinks it's from the Lord Chancellor. It's obviously from Jarndyce. Krook comes in the room, insisting that since he is also the Lord Chancellor, he should be introduced to Jarndyce. Krook finally tells everyone the names of Miss Flite's birds. Ready? "Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Death, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon, and Spinach" . Wow, quite a list, with almost infinite meanings. Everyone is creeped out. On the way out Krook keeps invading Jarndyce's personal space. He then shows him a corner of his weird shop where he is apparently teaching himself how to read. Jarndyce asks why he doesn't get someone else to teach him, and Krook says he's afraid another person would teach him wrong. Talk about paranoid! Mr. Woodcourt explains that Krook is not actually mentally unbalanced, though. Caddy and Peepy go home. All of a sudden, Esther - again out of order - tells us that she forgot to mention that Woodcourt was the same guy she met at the Badgers' house. Oh, and that he has since come to dinner at Bleak House. Oh, and also that Ada made some crack about him, which Esther won't repeat to us. Wink, wink, hint, hint, nudge, nudge everyone. It's not a spoiler if it's obvious.

Esther's narrative continues. Embarking upon his new career, Richard leaves the Jarndyce household but remains foolishly hopeful of becoming rich from the Chancery suit. Esther's narrative continues. Embarking upon his new career, Richard leaves the Jarndyce household but remains foolishly hopeful of becoming rich from the Chancery suit. From a surprise visit by Mrs. Jellby, Esther learns that Caddy, hoping to escape from her mother's tyranny, has become engaged to Prince Turveydrop, a dancing instructor in an academy of deportment run by Turveydrop senior. The old man, a "model of deportment," and nothing else, is completely useless and forces young Turveydrop to do all the work of the academy. Caddy has begun practicing "housekeeping" in old Miss Flite's lodging. Mr. Krook is trying to teach himself to read and write. His doctor, Allan Woodcourt, is invited to dinner at Bleak House.

Dickens continues to tie his various characters more closely together: Caddy with Esther and Miss Flite, Krook with Dr. Woodcourt, and the latter with Mr. Jarndyce and Esther. One of the subplots, the adventures of Caddy Jellyby, is advanced, and Esther and Allan Woodcourt continue to move toward each other. Dickens' disgust with irresponsible do-gooders appears again, and the theme of parents tyrannizing their children is reinforced by the introduction of the arrogant and worthless  old Mr. Turveydrop and his beleaguered son, Prince.

"Deportment" Richard begins his new career, but both he and Ada discuss the future, and all their plans include Esther. Richard is certain that the Jarndyce and Jarndyce lawsuit is going to make him and Ada rich. In London, Mr. Jarndyce, Esther, and Ada visit Mrs. Jellyby, but she isn't home. The next day Miss Jellyby visits them, along with a very mismatched Peepy. Mr. Jarndyce complains of the wind. Miss Jellyby is very unhappy and complains about her parents. She asserts that she won't marry Mr. Quale and reveals that she is secretly engaged to someone else. She tells Esther that after Esther's initial visit to the Jellyby home, Miss Jellyby was determined to become less awkward and so began taking dance lessons at Mr. Turveydrop's Academy. There, she fell in love with the younger Mr. Turveydrop, whose name is Prince. She says that his father, the elder Mr. Turveydrop, is famous for his deportment. Esther promises to go with her to the dance academy and meet her new love. At the academy, Esther meets both Turveydrops, and Miss Jellyby begins her dance lesson. Esther talks to the elder Mr. Turveydrop, who is extremely distinguished and talks incessantly about the importance of deportment. Later, Miss Jellyby tells Esther that Prince isn't very scholarly but that it doesn't matter. Esther suggests that she and Miss Jellyby continue to discuss all this. Together, they go to visit Miss Flite, the old woman who lives above Krook's shop. Miss Jellyby points out another lodger's room and tells Esther there was a sudden death there. They meet Mr. Jarndyce and Ada there. Miss Flite is with a doctor, Mr. Woodcourt, who explains that Miss Flite was upset by the death that had occurred. Miss Flite tells them that she is fortunate because Mr. Guppy gives her money regularly and that she expects a judgment from the Jarndyce and Jarndyce case soon. Krook shows up and introduces himself to Mr. Jarndyce. He then names all of Miss Flite's birds. Krook acts like he has a secret that he wants to reveal and tries to get Mr. Jarndyce to stay longer, but finally Mr. Jarndyce and the others leave. As they walk out, Krook reveals that he is teaching himself to read and write, and that he fears someone else will teach him incorrectly. Mr. Woodcourt assures Mr. Jarndyce that Krook isn't crazy. Esther informs us that Mr. Woodcourt is the surgeon who had been at dinner at the Badgers' house. She suggests that Ada teases her about something but dismisses it as unimportant

As Bleak House progresses, the layers of secrets grow deeper, and it seems as though nearly every character is hiding something. In chapter 11, for example, Mr. Tulkinghorn stays mysteriously close to the dead lodger's coat, but he never reveals why and we don't know if he takes anything from the coat before leaving. After Nemo's cause-of-death trial, Mr. Snagsby gives little Jo some money and tells him to keep quiet if he ever sees Mr. Snagsby with "a lady," which suggests that Mr. Snagsby has a secret too. In chapter 12, the interactions between Lady Dedlock and Mr. Tulkinghorn suggest that something is going on, and the narrator says that Mr. Tulkinghorn "carries family secrets in every limb of his body." In chapter 14, Krook seems "tormented" by a secret he holds, though he says nothing. Esther is sometimes the confidante who gets to hear secrets, such as Ada's revelation that she and Richard are in love. Esther has so far proven to be a conscientious narrator, yet beginning in chapter 13, when she casually tells us that she "omitted to mention" a young surgeon who attended the Badgers' dinner, she reveals that she may have a secret of her own as well. Although Esther is a thorough narrator, detailed in her descriptions and recollections, she is not necessarily a reliable one. In earlier chapters, she has shown herself to be all too willing to paint herself in a complimentary light, never omitting others' praises or affections for her. In chapter 13, however, when she blatantly neglects to mention the young surgeon at the Badgers' dinner, she shows herself to be unreliable, perhaps more concerned with keeping her own secrets private than with telling the entire story. At the end of chapter 14, she leaves out information again when she tells us that she has not mentioned that the young surgeon is actually Mr. Woodcourt, Miss Flite's doctor. Then, when Ada begins to tease her, Esther simply cuts her off and tells us that what Ada said doesn't matter. Here we begin to see that even though we must rely on Esther to lead us through this meandering tale, we must also understand that she may not be telling us the whole story. Orphaned, courageous children seem to be everywhere in Bleak House, and their presence lends an atmosphere of genuine pathos to the novel. For example, Jo, the street urchin who testifies that the dead lodger was very good to him, is shunned by society and must fend for himself. A man who had shown him kindness is dead, and Jo has no real outlet for his mourning, nor any real way of expressing how he feels. He knows only simple truths, such as that "a broom's a broom" and "it's wicked to tell a lie." All he gets in return for his honesty is a coin from Mr. Snagsby, on the condition that he keep quiet if he sees something he shouldn't. The Neckett children are orphans as well, and although they have each other and Mr. Gridley, the brunt of the caretaking falls to young Charlotte. She too values hard work and believes it's the only way to survive. These and other children seem to exist in a bleak universe parallel to the adult world of the novel. Although some of the portraits Dickens draws of children are comical, such as of the put-upon Pardiggle children, more often the children are in genuine distress.

Deportment Richard leaves for his new career, and Esther is a go-between with letters and news. Richard says hopefully, "If the suit should make us rich," reasoning that "the longer it goes on . . . the nearer to a settlement" . Esther, Ada, and Mr. Jarndyce call on the Jellybys, but Mrs. Jellyby is always out, and the children lost. Caddy brings the youngest child Peepy to their lodging for a visit. When Mr. Jarndyce sees how the child is dressed, he announces the wind is in the east and leaves the room. Caddy pours out her troubles--the family is close to bankruptcy, and she is going to run away to be married. Caddy drags the young ladies to see her fiance, a dancing teacher called Prince Turveydrop. She decided she had to educate herself and when she took dancing lessons, the teacher fell in love with her. To prepare for married life, Caddy has been practicing at Miss Flite's room. She goes to Krook's shop every morning and cleans the old lady's room and makes her breakfast. The old woman is very happy with this company and has nicknamed Caddy "Fitz-Jarndyce." At the dance academy, they meet Prince, a very nice hardworking man who supports his pretentious father, who does nothing but exhibit his Deportment and wear expensive clothes so he can be admired. Mr. Jarndyce joins the girls at Miss Flite's and admires her birds. He has secretly been leaving money for her weekly, and Caddy has been purchasing her groceries with it and doing housekeeping. Mr. Krook is very interested in Mr. Jarndyce and attaches himself to him in a suspicious way. The Jarndyce party leaves with Mr. Woodcourt, who says that Krook isn't necessarily crazy, just distrustful and under the influence of gin.

Commentary on Chapter XIV A parallel exists between the Jellyby family and the Turveydrops. Both have selfish parents who neglect their children and work them to death. Caddy and Prince are therefore suited for they try to escape the same harsh conditions, though it is plain that Mr. Turveydrop will expect his daughter-in-law to wait on him. Mr. Turveydrop complains that the country has degenerated, for it no longer appreciates deportment, with all the democratic "levelling" going on . He is used to being admired for his correct look and manners, acting the part of a gentleman, and like Harold Skimpole, letting others support him. Miss Flite is finally being attended to by many kind friends. Jarndyce quietly leaves her money, Caddy does her shopping and housekeeping, Mr. Woodcourt attends her as a physician. Mr. Krook joins the party and tells the secret symbolic names of Miss Flite's birds: Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Death, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon, and Spinach. These she will let go at the Judgment. Krook is much taken with John Jarndyce and follows him as though he could be another martyr, like Tom Jarndyce. Krook has "the slyness of an old white fox" and is predatory, like his cat. Richard Carstone is still talking about when they all get rich, an ominous note.