A touch on the lawyer's wrinkled hand as he stands in the dark room,
irresolute, makes him start and say, "What's that?"

"It's me," returns the old man of the house, whose breath is in his
ear. "Can't you wake him?"

"No."

"What have you done with your candle?"

"It's gone out. Here it is."

Krook takes it, goes to the fire, stoops over the red embers, and
tries to get a light. The dying ashes have no light to spare, and his
endeavours are vain. Muttering, after an ineffectual call to his
lodger, that he will go downstairs and bring a lighted candle from
the shop, the old man departs. Mr. Tulkinghorn, for some new reason
that he has, does not await his return in the room, but on the stairs
outside.

The welcome light soon shines upon the wall, as Krook comes slowly up
with his green-eyed cat following at his heels. "Does the man
generally sleep like this?" inquired the lawyer in a low voice. "Hi!
I don't know," says Krook, shaking his head and lifting his eyebrows.
"I know next to nothing of his habits except that he keeps himself
very close."

Thus whispering, they both go in together. As the light goes in, the
great eyes in the shutters, darkening, seem to close. Not so the eyes
upon the bed.

"God save us!" exclaims Mr. Tulkinghorn. "He is dead!" Krook drops
the heavy hand he has taken up so suddenly that the arm swings over
the bedside.

They look at one another for a moment.

"Send for some doctor! Call for Miss Flite up the stairs, sir. Here's
poison by the bed! Call out for Flite, will you?" says Krook, with
his lean hands spread out above the body like a vampire's wings.

Mr. Tulkinghorn hurries to the landing and calls, "Miss Flite! Flite!
Make haste, here, whoever you are! Flite!" Krook follows him with his
eyes, and while he is calling, finds opportunity to steal to the old
portmanteau and steal back again.

"Run, Flite, run! The nearest doctor! Run!" So Mr. Krook addresses a
crazy little woman who is his female lodger, who appears and vanishes
in a breath, who soon returns accompanied by a testy medical man
brought from his dinner, with a broad, snuffy upper lip and a broad
Scotch tongue.

"Ey! Bless the hearts o' ye," says the medical man, looking up at
them after a moment's examination. "He's just as dead as Phairy!"

Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has
been dead any time.

"Any time, sir?" says the medical gentleman. "It's probable he wull
have been dead aboot three hours."

"About that time, I should say," observes a dark young man on the
other side of the bed.

"Air you in the maydickle prayfession yourself, sir?" inquires the
first.

The dark young man says yes.

"Then I'll just tak' my depairture," replies the other, "for I'm nae
gude here!" With which remark he finishes his brief attendance and
returns to finish his dinner.

The dark young surgeon passes the candle across and across the face
and carefully examines the law-writer, who has established his
pretensions to his name by becoming indeed No one.

"I knew this person by sight very well," says he. "He has purchased
opium of me for the last year and a half. Was anybody present related
to him?" glancing round upon the three bystanders.

"I was his landlord," grimly answers Krook, taking the candle from
the surgeon's outstretched hand. "He told me once I was the nearest
relation he had."

"He has died," says the surgeon, "of an over-dose of opium, there is
no doubt. The room is strongly flavoured with it. There is enough
here now," taking an old tea-pot from Mr. Krook, "to kill a dozen
people."

"Do you think he did it on purpose?" asks Krook.

"Took the over-dose?"

"Yes!" Krook almost smacks his lips with the unction of a horrible
interest.

"I can't say. I should think it unlikely, as he has been in the habit
of taking so much. But nobody can tell. He was very poor, I suppose?"

"I suppose he was. His room--don't look rich," says Krook, who might
have changed eyes with his cat, as he casts his sharp glance around.
"But I have never been in it since he had it, and he was too close to
name his circumstances to me."

"Did he owe you any rent?"

"Six weeks."

"He will never pay it!" says the young man, resuming his examination.
"It is beyond a doubt that he is indeed as dead as Pharaoh; and to
judge from his appearance and condition, I should think it a happy
release. Yet he must have been a good figure when a youth, and I dare
say, good-looking." He says this, not unfeelingly, while sitting on
the bedstead's edge with his face towards that other face and his
hand upon the region of the heart. "I recollect once thinking there
was something in his manner, uncouth as it was, that denoted a fall
in life. Was that so?" he continues, looking round.

Krook replies, "You might as well ask me to describe the ladies whose
heads of hair I have got in sacks downstairs. Than that he was my
lodger for a year and a half and lived--or didn't live--by
law-writing, I know no more of him."

During this dialogue Mr. Tulkinghorn has stood aloof by the old
portmanteau, with his hands behind him, equally removed, to all
appearance, from all three kinds of interest exhibited near the
bed--from the young surgeon's professional interest in death,
noticeable as being quite apart from his remarks on the deceased as
an individual; from the old man's unction; and the little crazy
woman's awe. His imperturbable face has been as inexpressive as his
rusty clothes. One could not even say he has been thinking all this
while. He has shown neither patience nor impatience, nor attention
nor abstraction. He has shown nothing but his shell. As easily might
the tone of a delicate musical instrument be inferred from its case,
as the tone of Mr. Tulkinghorn from his case.

He now interposes, addressing the young surgeon in his unmoved,
professional way.

"I looked in here," he observes, "just before you, with the
intention of giving this deceased man, whom I never saw alive, some
employment at his trade of copying. I had heard of him from my
stationer--Snagsby of Cook's Court. Since no one here knows anything
about him, it might be as well to send for Snagsby. Ah!" to the
little crazy woman, who has often seen him in court, and whom he has
often seen, and who proposes, in frightened dumb-show, to go for the
law-stationer. "Suppose you do!"

While she is gone, the surgeon abandons his hopeless investigation
and covers its subject with the patchwork counterpane. Mr. Krook and
he interchange a word or two. Mr. Tulkinghorn says nothing, but
stands, ever, near the old portmanteau.

Mr. Snagsby arrives hastily in his grey coat and his black sleeves.
"Dear me, dear me," he says; "and it has come to this, has it! Bless
my soul!"

"Can you give the person of the house any information about this
unfortunate creature, Snagsby?" inquires Mr. Tulkinghorn. "He was in
arrears with his rent, it seems. And he must be buried, you know."

"Well, sir," says Mr. Snagsby, coughing his apologetic cough behind
his hand, "I really don't know what advice I could offer, except
sending for the beadle."

"I don't speak of advice," returns Mr. Tulkinghorn. "I could
advise--"

"No one better, sir, I am sure," says Mr. Snagsby, with his
deferential cough.

"I speak of affording some clue to his connexions, or to where he
came from, or to anything concerning him."

"I assure you, sir," says Mr. Snagsby after prefacing his reply with
his cough of general propitiation, "that I no more know where he came
from than I know--"

"Where he has gone to, perhaps," suggests the surgeon to help him
out.

A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook,
with his mouth open, looking for somebody to speak next.

"As to his connexions, sir," says Mr. Snagsby, "if a person was to
say to me, 'Snagsby, here's twenty thousand pound down, ready for you
in the Bank of England if you'll only name one of 'em,' I couldn't do
it, sir! About a year and a half ago--to the best of my belief, at
the time when he first came to lodge at the present rag and bottle
shop--"

"That was the time!" says Krook with a nod.

"About a year and a half ago," says Mr. Snagsby, strengthened, "he
came into our place one morning after breakfast, and finding my
little woman (which I name Mrs. Snagsby when I use that appellation)
in our shop, produced a specimen of his handwriting and gave her to
understand that he was in want of copying work to do and was, not to
put too fine a point upon it," a favourite apology for plain speaking
with Mr. Snagsby, which he always offers with a sort of argumentative
frankness, "hard up! My little woman is not in general partial to
strangers, particular--not to put too fine a point upon it--when they
want anything. But she was rather took by something about this
person, whether by his being unshaved, or by his hair being in want
of attention, or by what other ladies' reasons, I leave you to judge;
and she accepted of the specimen, and likewise of the address. My
little woman hasn't a good ear for names," proceeds Mr. Snagsby after
consulting his cough of consideration behind his hand, "and she
considered Nemo equally the same as Nimrod. In consequence of which,
she got into a habit of saying to me at meals, 'Mr. Snagsby, you
haven't found Nimrod any work yet!' or 'Mr. Snagsby, why didn't you
give that eight and thirty Chancery folio in Jarndyce to Nimrod?' or
such like. And that is the way he gradually fell into job-work at our
place; and that is the most I know of him except that he was a quick
hand, and a hand not sparing of night-work, and that if you gave him
out, say, five and forty folio on the Wednesday night, you would have
it brought in on the Thursday morning. All of which--" Mr. Snagsby
concludes by politely motioning with his hat towards the bed, as much
as to add, "I have no doubt my honourable friend would confirm if he
were in a condition to do it."

"Hadn't you better see," says Mr. Tulkinghorn to Krook, "whether he
had any papers that may enlighten you? There will be an inquest, and
you will be asked the question. You can read?"

"No, I can't," returns the old man with a sudden grin.

"Snagsby," says Mr. Tulkinghorn, "look over the room for him. He will
get into some trouble or difficulty otherwise. Being here, I'll wait
if you make haste, and then I can testify on his behalf, if it should
ever be necessary, that all was fair and right. If you will hold the
candle for Mr. Snagsby, my friend, he'll soon see whether there is
anything to help you."

"In the first place, here's an old portmanteau, sir," says Snagsby.

Ah, to be sure, so there is! Mr. Tulkinghorn does not appear to have
seen it before, though he is standing so close to it, and though
there is very little else, heaven knows.

The marine-store merchant holds the light, and the law-stationer
conducts the search. The surgeon leans against the corner of the
chimney-piece; Miss Flite peeps and trembles just within the door.
The apt old scholar of the old school, with his dull black breeches
tied with ribbons at the knees, his large black waistcoat, his
long-sleeved black coat, and his wisp of limp white neckerchief tied
in the bow the peerage knows so well, stands in exactly the same
place and attitude.

There are some worthless articles of clothing in the old portmanteau;
there is a bundle of pawnbrokers' duplicates, those turnpike tickets
on the road of poverty; there is a crumpled paper, smelling of opium,
on which are scrawled rough memoranda--as, took, such a day, so many
grains; took, such another day, so many more--begun some time ago, as
if with the intention of being regularly continued, but soon left
off. There are a few dirty scraps of newspapers, all referring to
coroners' inquests; there is nothing else. They search the cupboard
and the drawer of the ink-splashed table. There is not a morsel of an
old letter or of any other writing in either. The young surgeon
examines the dress on the law-writer. A knife and some odd halfpence
are all he finds. Mr. Snagsby's suggestion is the practical
suggestion after all, and the beadle must be called in.

So the little crazy lodger goes for the beadle, and the rest come out
of the room. "Don't leave the cat there!" says the surgeon; "that
won't do!" Mr. Krook therefore drives her out before him, and she
goes furtively downstairs, winding her lithe tail and licking her
lips.

"Good night!" says Mr. Tulkinghorn, and goes home to Allegory and
meditation.

By this time the news has got into the court. Groups of its
inhabitants assemble to discuss the thing, and the outposts of the
army of observation (principally boys) are pushed forward to Mr.
Krook's window, which they closely invest. A policeman has already
walked up to the room, and walked down again to the door, where he
stands like a tower, only condescending to see the boys at his base
occasionally; but whenever he does see them, they quail and fall
back. Mrs. Perkins, who has not been for some weeks on speaking terms
with Mrs. Piper in consequence for an unpleasantness originating in
young Perkins' having "fetched" young Piper "a crack," renews her
friendly intercourse on this auspicious occasion. The potboy at the
corner, who is a privileged amateur, as possessing official knowledge
of life and having to deal with drunken men occasionally, exchanges
confidential communications with the policeman and has the appearance
of an impregnable youth, unassailable by truncheons and unconfinable
in station-houses. People talk across the court out of window, and
bare-headed scouts come hurrying in from Chancery Lane to know what's
the matter. The general feeling seems to be that it's a blessing Mr.
Krook warn't made away with first, mingled with a little natural
disappointment that he was not. In the midst of this sensation, the
beadle arrives.

The beadle, though generally understood in the neighbourhood to be a
ridiculous institution, is not without a certain popularity for the
moment, if it were only as a man who is going to see the body. The
policeman considers him an imbecile civilian, a remnant of the
barbarous watchmen times, but gives him admission as something that
must be borne with until government shall abolish him. The sensation
is heightened as the tidings spread from mouth to mouth that the
beadle is on the ground and has gone in.

By and by the beadle comes out, once more intensifying the sensation,
which has rather languished in the interval. He is understood to be
in want of witnesses for the inquest to-morrow who can tell the
coroner and jury anything whatever respecting the deceased. Is
immediately referred to innumerable people who can tell nothing
whatever. Is made more imbecile by being constantly informed that
Mrs. Green's son "was a law-writer his-self and knowed him better
than anybody," which son of Mrs. Green's appears, on inquiry, to be
at the present time aboard a vessel bound for China, three months
out, but considered accessible by telegraph on application to the
Lords of the Admiralty. Beadle goes into various shops and parlours,
examining the inhabitants, always shutting the door first, and by
exclusion, delay, and general idiotcy exasperating the public.
Policeman seen to smile to potboy. Public loses interest and
undergoes reaction. Taunts the beadle in shrill youthful voices with
having boiled a boy, choruses fragments of a popular song to that
effect and importing that the boy was made into soup for the
workhouse. Policeman at last finds it necessary to support the law
and seize a vocalist, who is released upon the flight of the rest on
condition of his getting out of this then, come, and cutting it--a
condition he immediately observes. So the sensation dies off for the
time; and the unmoved policeman (to whom a little opium, more or
less, is nothing), with his shining hat, stiff stock, inflexible
great-coat, stout belt and bracelet, and all things fitting, pursues
his lounging way with a heavy tread, beating the palms of his white
gloves one against the other and stopping now and then at a
street-corner to look casually about for anything between a lost
child and a murder.

Under cover of the night, the feeble-minded beadle comes flitting
about Chancery Lane with his summonses, in which every juror's name
is wrongly spelt, and nothing rightly spelt but the beadle's own
name, which nobody can read or wants to know. The summonses served
and his witnesses forewarned, the beadle goes to Mr. Krook's to keep
a small appointment he has made with certain paupers, who, presently
arriving, are conducted upstairs, where they leave the great eyes in
the shutter something new to stare at, in that last shape which
earthly lodgings take for No one--and for Every one.

And all that night the coffin stands ready by the old portmanteau;
and the lonely figure on the bed, whose path in life has lain through
five and forty years, lies there with no more track behind him that
any one can trace than a deserted infant.

Next day the court is all alive--is like a fair, as Mrs. Perkins,
more than reconciled to Mrs. Piper, says in amicable conversation
with that excellent woman. The coroner is to sit in the first-floor
room at the Sol's Arms, where the Harmonic Meetings take place twice
a week and where the chair is filled by a gentleman of professional
celebrity, faced by Little Swills, the comic vocalist, who hopes
(according to the bill in the window) that his friends will rally
round him and support first-rate talent. The Sol's Arms does a brisk
stroke of business all the morning. Even children so require
sustaining under the general excitement that a pieman who has
established himself for the occasion at the corner of the court says
his brandy-balls go off like smoke. What time the beadle, hovering
between the door of Mr. Krook's establishment and the door of the
Sol's Arms, shows the curiosity in his keeping to a few discreet
spirits and accepts the compliment of a glass of ale or so in return.

At the appointed hour arrives the coroner, for whom the jurymen are
waiting and who is received with a salute of skittles from the good
dry skittle-ground attached to the Sol's Arms. The coroner frequents
more public-houses than any man alive. The smell of sawdust, beer,
tobacco-smoke, and spirits is inseparable in his vocation from death
in its most awful shapes. He is conducted by the beadle and the
landlord to the Harmonic Meeting Room, where he puts his hat on the
piano and takes a Windsor-chair at the head of a long table formed of
several short tables put together and ornamented with glutinous rings
in endless involutions, made by pots and glasses. As many of the jury
as can crowd together at the table sit there. The rest get among the
spittoons and pipes or lean against the piano. Over the coroner's
head is a small iron garland, the pendant handle of a bell, which
rather gives the majesty of the court the appearance of going to be
hanged presently.

Call over and swear the jury! While the ceremony is in progress,
sensation is created by the entrance of a chubby little man in a
large shirt-collar, with a moist eye and an inflamed nose, who
modestly takes a position near the door as one of the general public,
but seems familiar with the room too. A whisper circulates that this
is Little Swills. It is considered not unlikely that he will get up
an imitation of the coroner and make it the principal feature of the
Harmonic Meeting in the evening.

"Well, gentlemen--" the coroner begins.

"Silence there, will you!" says the beadle. Not to the coroner,
though it might appear so.

"Well, gentlemen," resumes the coroner. "You are impanelled here to
inquire into the death of a certain man. Evidence will be given
before you as to the circumstances attending that death, and you will
give your verdict according to the--skittles; they must be stopped,
you know, beadle!--evidence, and not according to anything else. The
first thing to be done is to view the body."

"Make way there!" cries the beadle.

So they go out in a loose procession, something after the manner of a
straggling funeral, and make their inspection in Mr. Krook's back
second floor, from which a few of the jurymen retire pale and
precipitately. The beadle is very careful that two gentlemen not very
neat about the cuffs and buttons (for whose accommodation he has
provided a special little table near the coroner in the Harmonic
Meeting Room) should see all that is to be seen. For they are the
public chroniclers of such inquiries by the line; and he is not
superior to the universal human infirmity, but hopes to read in print
what "Mooney, the active and intelligent beadle of the district,"
said and did and even aspires to see the name of Mooney as familiarly
and patronizingly mentioned as the name of the hangman is, according
to the latest examples.

Little Swills is waiting for the coroner and jury on their return.
Mr. Tulkinghorn, also. Mr. Tulkinghorn is received with distinction
and seated near the coroner between that high judicial officer, a
bagatelle-board, and the coal-box. The inquiry proceeds. The jury
learn how the subject of their inquiry died, and learn no more about
him. "A very eminent solicitor is in attendance, gentlemen," says the
coroner, "who, I am informed, was accidentally present when discovery
of the death was made, but he could only repeat the evidence you have
already heard from the surgeon, the landlord, the lodger, and the
law-stationer, and it is not necessary to trouble him. Is anybody in
attendance who knows anything more?"

Mrs. Piper pushed forward by Mrs. Perkins. Mrs. Piper sworn.

Anastasia Piper, gentlemen. Married woman. Now, Mrs. Piper, what have
you got to say about this?

Why, Mrs. Piper has a good deal to say, chiefly in parentheses and
without punctuation, but not much to tell. Mrs. Piper lives in the
court (which her husband is a cabinet-maker), and it has long been
well beknown among the neighbours (counting from the day next but one
before the half-baptizing of Alexander James Piper aged eighteen
months and four days old on accounts of not being expected to live
such was the sufferings gentlemen of that child in his gums) as the
plaintive--so Mrs. Piper insists on calling the deceased--was
reported to have sold himself. Thinks it was the plaintive's air in
which that report originatinin. See the plaintive often and
considered as his air was feariocious and not to be allowed to go
about some children being timid (and if doubted hoping Mrs. Perkins
may be brought forard for she is here and will do credit to her
husband and herself and family). Has seen the plaintive wexed and
worrited by the children (for children they will ever be and you
cannot expect them specially if of playful dispositions to be
Methoozellers which you was not yourself). On accounts of this and
his dark looks has often dreamed as she see him take a pick-axe from
his pocket and split Johnny's head (which the child knows not fear
and has repeatually called after him close at his eels). Never
however see the plaintive take a pick-axe or any other wepping far
from it. Has seen him hurry away when run and called after as if not
partial to children and never see him speak to neither child nor
grown person at any time (excepting the boy that sweeps the crossing
down the lane over the way round the corner which if he was here
would tell you that he has been seen a-speaking to him frequent).

Says the coroner, is that boy here? Says the beadle, no, sir, he is
not here. Says the coroner, go and fetch him then. In the absence of
the active and intelligent, the coroner converses with Mr.
Tulkinghorn.

Oh! Here's the boy, gentlemen!

Here he is, very muddy, very hoarse, very ragged. Now, boy! But stop
a minute. Caution. This boy must be put through a few preliminary
paces.

Name, Jo. Nothing else that he knows on. Don't know that everybody
has two names. Never heerd of sich a think. Don't know that Jo is
short for a longer name. Thinks it long enough for HIM. HE don't find
no fault with it. Spell it? No. HE can't spell it. No father, no
mother, no friends. Never been to school. What's home? Knows a
broom's a broom, and knows it's wicked to tell a lie. Don't recollect
who told him about the broom or about the lie, but knows both. Can't
exactly say what'll be done to him arter he's dead if he tells a lie
to the gentlemen here, but believes it'll be something wery bad to
punish him, and serve him right--and so he'll tell the truth.

"This won't do, gentlemen!" says the coroner with a melancholy shake
of the head.

"Don't you think you can receive his evidence, sir?" asks an
attentive juryman.

"Out of the question," says the coroner. "You have heard the boy.
'Can't exactly say' won't do, you know. We can't take THAT in a court
of justice, gentlemen. It's terrible depravity. Put the boy aside."

Boy put aside, to the great edification of the audience, especially
of Little Swills, the comic vocalist.

Now. Is there any other witness? No other witness.

Very well, gentlemen! Here's a man unknown, proved to have been in
the habit of taking opium in large quantities for a year and a half,
found dead of too much opium. If you think you have any evidence to
lead you to the conclusion that he committed suicide, you will come
to that conclusion. If you think it is a case of accidental death,
you will find a verdict accordingly.

Verdict accordingly. Accidental death. No doubt. Gentlemen, you are
discharged. Good afternoon.

While the coroner buttons his great-coat, Mr. Tulkinghorn and he give
private audience to the rejected witness in a corner.

That graceless creature only knows that the dead man (whom he
recognized just now by his yellow face and black hair) was sometimes
hooted and pursued about the streets. That one cold winter night when
he, the boy, was shivering in a doorway near his crossing, the man
turned to look at him, and came back, and having questioned him and
found that he had not a friend in the world, said, "Neither have I.
Not one!" and gave him the price of a supper and a night's lodging.
That the man had often spoken to him since and asked him whether he
slept sound at night, and how he bore cold and hunger, and whether he
ever wished to die, and similar strange questions. That when the man
had no money, he would say in passing, "I am as poor as you to-day,
Jo," but that when he had any, he had always (as the boy most
heartily believes) been glad to give him some.

"He was wery good to me," says the boy, wiping his eyes with his
wretched sleeve. "Wen I see him a-layin' so stritched out just now, I
wished he could have heerd me tell him so. He wos wery good to me, he
wos!"

As he shuffles downstairs, Mr. Snagsby, lying in wait for him, puts a
half-crown in his hand. "If you ever see me coming past your crossing
with my little woman--I mean a lady--" says Mr. Snagsby with his
finger on his nose, "don't allude to it!"

For some little time the jurymen hang about the Sol's Arms
colloquially. In the sequel, half-a-dozen are caught up in a cloud of
pipe-smoke that pervades the parlour of the Sol's Arms; two stroll to
Hampstead; and four engage to go half-price to the play at night, and
top up with oysters. Little Swills is treated on several hands. Being
asked what he thinks of the proceedings, characterizes them (his
strength lying in a slangular direction) as "a rummy start." The
landlord of the Sol's Arms, finding Little Swills so popular,
commends him highly to the jurymen and public, observing that for a
song in character he don't know his equal and that that man's
character-wardrobe would fill a cart.

Thus, gradually the Sol's Arms melts into the shadowy night and then
flares out of it strong in gas. The Harmonic Meeting hour arriving,
the gentleman of professional celebrity takes the chair, is faced
(red-faced) by Little Swills; their friends rally round them and
support first-rate talent. In the zenith of the evening, Little
Swills says, "Gentlemen, if you'll permit me, I'll attempt a short
description of a scene of real life that came off here to-day." Is
much applauded and encouraged; goes out of the room as Swills; comes
in as the coroner (not the least in the world like him); describes
the inquest, with recreative intervals of piano-forte accompaniment,
to the refrain: With his (the coroner's) tippy tol li doll, tippy tol
lo doll, tippy tol li doll, Dee!

The jingling piano at last is silent, and the Harmonic friends rally
round their pillows. Then there is rest around the lonely figure, now
laid in its last earthly habitation; and it is watched by the gaunt
eyes in the shutters through some quiet hours of night. If this
forlorn man could have been prophetically seen lying here by the
mother at whose breast he nestled, a little child, with eyes upraised
to her loving face, and soft hand scarcely knowing how to close upon
the neck to which it crept, what an impossibility the vision would
have seemed! Oh, if in brighter days the now-extinguished fire within
him ever burned for one woman who held him in her heart, where is
she, while these ashes are above the ground!

It is anything but a night of rest at Mr. Snagsby's, in Cook's Court,
where Guster murders sleep by going, as Mr. Snagsby himself
allows--not to put too fine a point upon it--out of one fit into
twenty. The occasion of this seizure is that Guster has a tender
heart and a susceptible something that possibly might have been
imagination, but for Tooting and her patron saint. Be it what it may,
now, it was so direfully impressed at tea-time by Mr. Snagsby's
account of the inquiry at which he had assisted that at supper-time
she projected herself into the kitchen, preceded by a flying Dutch
cheese, and fell into a fit of unusual duration, which she only came
out of to go into another, and another, and so on through a chain of
fits, with short intervals between, of which she has pathetically
availed herself by consuming them in entreaties to Mrs. Snagsby not
to give her warning "when she quite comes to," and also in appeals to
the whole establishment to lay her down on the stones and go to bed.
Hence, Mr. Snagsby, at last hearing the cock at the little dairy in
Cursitor Street go into that disinterested ecstasy of his on the
subject of daylight, says, drawing a long breath, though the most
patient of men, "I thought you was dead, I am sure!"

What question this enthusiastic fowl supposes he settles when he
strains himself to such an extent, or why he should thus crow (so men
crow on various triumphant public occasions, however) about what
cannot be of any moment to him, is his affair. It is enough that
daylight comes, morning comes, noon comes.

Then the active and intelligent, who has got into the morning papers
as such, comes with his pauper company to Mr. Krook's and bears off
the body of our dear brother here departed to a hemmed-in churchyard,
pestiferous and obscene, whence malignant diseases are communicated
to the bodies of our dear brothers and sisters who have not departed,
while our dear brothers and sisters who hang about official
back-stairs--would to heaven they HAD departed!--are very complacent
and agreeable. Into a beastly scrap of ground which a Turk would
reject as a savage abomination and a Caffre would shudder at, they
bring our dear brother here departed to receive Christian burial.

With houses looking on, on every side, save where a reeking little
tunnel of a court gives access to the iron gate--with every villainy
of life in action close on death, and every poisonous element of
death in action close on life--here they lower our dear brother down
a foot or two, here sow him in corruption, to be raised in
corruption: an avenging ghost at many a sick-bedside, a shameful
testimony to future ages how civilization and barbarism walked this
boastful island together.

Come night, come darkness, for you cannot come too soon or stay too
long by such a place as this! Come, straggling lights into the
windows of the ugly houses; and you who do iniquity therein, do it at
least with this dread scene shut out! Come, flame of gas, burning so
sullenly above the iron gate, on which the poisoned air deposits its
witch-ointment slimy to the touch! It is well that you should call to
every passerby, "Look here!"

With the night comes a slouching figure through the tunnel-court to
the outside of the iron gate. It holds the gate with its hands and
looks in between the bars, stands looking in for a little while.

It then, with an old broom it carries, softly sweeps the step and
makes the archway clean. It does so very busily and trimly, looks in
again a little while, and so departs.

Jo, is it thou? Well, well! Though a rejected witness, who "can't
exactly say" what will be done to him in greater hands than men's,
thou art not quite in outer darkness. There is something like a
distant ray of light in thy muttered reason for this: "He wos wery
good to me, he wos!"

OK, we'll stop beating around the bus - the dude is dead. An old woman named Miss Flite goes to fetch a doctor, and comes back with two. One takes a quick look, declares Nemo dead, and goes back to his dinner. The other, a surgeon, recognizes Nemo as a guy who's been buying opium from him for a year and a half now. Calm down, guys, he's not a drug dealer. Opium was a perfectly legal medication back then. The surgeon does a quick exam of the body and figures out that Nemo overdosed. Tulkinghorn goes out of his way to make sure everyone understands how marginally involved he is in this whole situation. He and Krook hover around the only piece of property in the room - a giant overcoat slung across a chair. Snagsby comes over and doesn't know anything about Nemo. Neither does Krook or Miss Flite. He's been living a totally isolated life. The gang decides to call the policeman and the beadle, so that the regular process of found-dead-body inquest can get started. Basically, at an inquest, a jury listens to some witnesses testifying about what they know about the dead guy, then decides how the death occurred. The whole neighborhood is watching the show. The beadle comes and goes. The policeman comes and goes. The policeman doesn't think too highly of the beadle, because the police are the community law enforcement of the future while beadles are a remnant of the days of night watchmen. The next day, the inquest happens. It's a circus of morons, mostly because no one who testifies knows anything about Nemo. The only person who did know him is a boy named Jo, a crossing sweeper. Jo is basically the old-timey version of one of those homeless kids who cleans car windshields in the hopes of getting some charity. Jo cleans horse crap and whatever else off the street and lives on whatever money passers-by give him. The beadle and the coroner try to swear Jo in, but he doesn't qualify as a witness. The reason? He can't give a thorough description of heaven and hell, and so - the argument goes - he doesn't understand enough why he can only tell the truth at the inquest. OK, everyone, all together now - UGH. The jury decides the death was accidental. Meanwhile Tulkinghorn has a private conversation with Jo. Jo tells him that Nemo was the only person who's ever been kind to him, always giving him money whenever he had some and talking to him about his life. Jo's refrain is "He wos wery good to me, he wos!" . The body is given a pauper's burial in the most disgusting and foul cemetery on earth. The night after the funeral, Jo comes to the gates of the cemetery and sweeps the stairs. So, so sad.

"Our Dear Brother" Krook joins Mr. Tulkinghorn in Nemo's room, and they realize he is dead. Miss Flite, the mad old woman who is also one of Krook's lodgers, arrives and calls for a doctor, who confirms that Nemo is dead. A young surgeon with a dark complexion says that Nemo bought opium from him and that he died of an overdose. Mr. Tulkinghorn stands close to the dead lodger's coat, seemingly unconcerned with what's going on around him. Snagsby arrives, but he knows nothing about Nemo. He sends for a policeman, also known as a beadle. He says that Mrs. Snagsby had been the one to hire Nemo and that she had seen something in his manner that suggested she should help him. Snagsby looks around the room and sees the coat, and Mr. Tulkinghorn acts like he's never seen it before. The beadle arrives, arousing the neighbors' interest, but there is nothing anyone can do. In court the next day, the coroner asks questions of certain neighbors as part of the investigation into Nemo's death, but no one knows anything useful. A homeless child named Jo takes the stand and says that Nemo had given him money and lodging in the past. After the court session ends, Mr. Snagsby gives Jo a half-crown coin. At home, Mr. Snagsby's housekeeper, Guster, has several seizures from the upsets of the day

As Bleak House progresses, the layers of secrets grow deeper, and it seems as though nearly every character is hiding something. In chapter 11, for example, Mr. Tulkinghorn stays mysteriously close to the dead lodger's coat, but he never reveals why and we don't know if he takes anything from the coat before leaving. After Nemo's cause-of-death trial, Mr. Snagsby gives little Jo some money and tells him to keep quiet if he ever sees Mr. Snagsby with "a lady," which suggests that Mr. Snagsby has a secret too. In chapter 12, the interactions between Lady Dedlock and Mr. Tulkinghorn suggest that something is going on, and the narrator says that Mr. Tulkinghorn "carries family secrets in every limb of his body." In chapter 14, Krook seems "tormented" by a secret he holds, though he says nothing. Esther is sometimes the confidante who gets to hear secrets, such as Ada's revelation that she and Richard are in love. Esther has so far proven to be a conscientious narrator, yet beginning in chapter 13, when she casually tells us that she "omitted to mention" a young surgeon who attended the Badgers' dinner, she reveals that she may have a secret of her own as well. Although Esther is a thorough narrator, detailed in her descriptions and recollections, she is not necessarily a reliable one. In earlier chapters, she has shown herself to be all too willing to paint herself in a complimentary light, never omitting others' praises or affections for her. In chapter 13, however, when she blatantly neglects to mention the young surgeon at the Badgers' dinner, she shows herself to be unreliable, perhaps more concerned with keeping her own secrets private than with telling the entire story. At the end of chapter 14, she leaves out information again when she tells us that she has not mentioned that the young surgeon is actually Mr. Woodcourt, Miss Flite's doctor. Then, when Ada begins to tease her, Esther simply cuts her off and tells us that what Ada said doesn't matter. Here we begin to see that even though we must rely on Esther to lead us through this meandering tale, we must also understand that she may not be telling us the whole story. Orphaned, courageous children seem to be everywhere in Bleak House, and their presence lends an atmosphere of genuine pathos to the novel. For example, Jo, the street urchin who testifies that the dead lodger was very good to him, is shunned by society and must fend for himself. A man who had shown him kindness is dead, and Jo has no real outlet for his mourning, nor any real way of expressing how he feels. He knows only simple truths, such as that "a broom's a broom" and "it's wicked to tell a lie." All he gets in return for his honesty is a coin from Mr. Snagsby, on the condition that he keep quiet if he sees something he shouldn't. The Neckett children are orphans as well, and although they have each other and Mr. Gridley, the brunt of the caretaking falls to young Charlotte. She too values hard work and believes it's the only way to survive. These and other children seem to exist in a bleak universe parallel to the adult world of the novel. Although some of the portraits Dickens draws of children are comical, such as of the put-upon Pardiggle children, more often the children are in genuine distress.

Our Dear Brother Tulkinghorn and Krook go to look at the body of Nemo, realize he is dead, with the opium by his side. They send Miss Flite, the mad woman from upstairs, to find the doctor. A dark young surgeon says the man has been dead three hours. He had been getting opium from him for a year and a half and has died from an overdose. Krook asks if he did it on purpose. The doctor says it was probably an accident and speculates that the man had a fall in fortune, for he looks like he could have been good looking and respectable. Krook knew nothing about him, though he lived with him for a year and a half. Tulkinghorn lies and says he came to have the man do some work for him. He proposes to send for Snagsby who employed him. Snagsby says that the man Nemo worked for him and was desperate for work. They search the room for papers to say who he was but find nothing. There will have to be an inquest, says Tulkinghorn. They call for the beadle, and soon there is a crowd around Krook's shop, a general holiday feel. The corpse lies alone on the bed all night. The next day is the inquest, and it is like a fair around Krook's shop, with peddlers and kids and clowns. The Coroner sets up at the local tavern and hears testimony. There is only one ragged boy that knows anything of the man, but he is not allowed to testify because he has only one name: Jo. The Coroner rules accidental death, and the body is removed. Tulkinghorn and the Coroner listen to the boy Jo say off the record that he and the man were street buddies, for the nameless man had pity on him on cold nights and gave him coins for meals. They spoke as one homeless person to another and gave each other cheer. The boy keeps saying, "He wos wery good to me" .

Commentary on Chapter XI Tulkinghorn lies about why he is visiting Nemo, not wanting to explain that he is investigating Lady Dedlock's secrets. The sensitive surgeon, Mr. Woodcourt, as we find out his name later, is sympathetic to Nemo, guessing that he had a fall in life, for he obviously came from a better background. He had been giving him opium, a common pain killer at that time. The man took an overdose. He owed rent and was obviously addicted, taking large doses of opium. From the testimony of both Krook and the street boy, Jo, Nemo was lonely and an outcast. He was kind to Jo, saying that neither of them had a friend in the world. Nemo told Krook that he was his nearest relation. And yet Krook, his landlord, knows nothing of him. Nemo does just enough copying of legal documents to stay alive. The man's lonely death is further made grotesque by the holiday air of the neighbors rejoicing that some incident has happened. It brings them into the street where they can sell their wares, gossip, and drink. Nemo is truly "no man," with no one to care whether he lives or dies. This is another of Dickens's dark portraits of London and the impersonality of city life, in which people ignore the suffering of others. Nemo, in his misery, at least reached out in charity to the waif, Jo, as a fellow human being. It is left up in the air whether or not he committed suicide. He had reason to, but the Coroner rules leniently. Dickens has a tendency to introduce characters long before we hear their names or who they are. The crazy woman is Miss Flite, a Jarndyce suitor, and the dark surgeon is Mr. Woodcourt, both major characters.


It has left off raining down in Lincolnshire at last, and Chesney
Wold has taken heart. Mrs. Rouncewell is full of hospitable cares,
for Sir Leicester and my Lady are coming home from Paris. The
fashionable intelligence has found it out and communicates the glad
tidings to benighted England. It has also found out that they will
entertain a brilliant and distinguished circle of the ELITE of the
BEAU MONDE (the fashionable intelligence is weak in English, but a
giant refreshed in French) at the ancient and hospitable family seat
in Lincolnshire.

For the greater honour of the brilliant and distinguished circle, and
of Chesney Wold into the bargain, the broken arch of the bridge in
the park is mended; and the water, now retired within its proper
limits and again spanned gracefully, makes a figure in the prospect
from the house. The clear, cold sunshine glances into the brittle
woods and approvingly beholds the sharp wind scattering the leaves
and drying the moss. It glides over the park after the moving shadows
of the clouds, and chases them, and never catches them, all day. It
looks in at the windows and touches the ancestral portraits with bars
and patches of brightness never contemplated by the painters. Athwart
the picture of my Lady, over the great chimney-piece, it throws a
broad bend-sinister of light that strikes down crookedly into the
hearth and seems to rend it.

Through the same cold sunshine and the same sharp wind, my Lady and
Sir Leicester, in their travelling chariot (my Lady's woman and Sir
Leicester's man affectionate in the rumble), start for home. With a
considerable amount of jingling and whip-cracking, and many plunging
demonstrations on the part of two bare-backed horses and two centaurs
with glazed hats, jack-boots, and flowing manes and tails, they
rattle out of the yard of the Hotel Bristol in the Place Vendome and
canter between the sun-and-shadow-chequered colonnade of the Rue de
Rivoli and the garden of the ill-fated palace of a headless king and
queen, off by the Place of Concord, and the Elysian Fields, and the
Gate of the Star, out of Paris.

Sooth to say, they cannot go away too fast, for even here my Lady
Dedlock has been bored to death. Concert, assembly, opera, theatre,
drive, nothing is new to my Lady under the worn-out heavens. Only
last Sunday, when poor wretches were gay--within the walls playing
with children among the clipped trees and the statues in the Palace
Garden; walking, a score abreast, in the Elysian Fields, made more
Elysian by performing dogs and wooden horses; between whiles
filtering (a few) through the gloomy Cathedral of Our Lady to say a
word or two at the base of a pillar within flare of a rusty little
gridiron-full of gusty little tapers; without the walls encompassing
Paris with dancing, love-making, wine-drinking, tobacco-smoking,
tomb-visiting, billiard card and domino playing, quack-doctoring, and
much murderous refuse, animate and inanimate--only last Sunday, my
Lady, in the desolation of Boredom and the clutch of Giant Despair,
almost hated her own maid for being in spirits.

She cannot, therefore, go too fast from Paris. Weariness of soul lies
before her, as it lies behind--her Ariel has put a girdle of it round
the whole earth, and it cannot be unclasped--but the imperfect remedy
is always to fly from the last place where it has been experienced.
Fling Paris back into the distance, then, exchanging it for endless
avenues and cross-avenues of wintry trees! And, when next beheld, let
it be some leagues away, with the Gate of the Star a white speck
glittering in the sun, and the city a mere mound in a plain--two dark
square towers rising out of it, and light and shadow descending on it
aslant, like the angels in Jacob's dream!

Sir Leicester is generally in a complacent state, and rarely bored.
When he has nothing else to do, he can always contemplate his own
greatness. It is a considerable advantage to a man to have so
inexhaustible a subject. After reading his letters, he leans back in
his corner of the carriage and generally reviews his importance to
society.

"You have an unusual amount of correspondence this morning?" says my
Lady after a long time. She is fatigued with reading. Has almost read
a page in twenty miles.

"Nothing in it, though. Nothing whatever."

"I saw one of Mr. Tulkinghorn's long effusions, I think?"

"You see everything," says Sir Leicester with admiration.

"Ha!" sighs my Lady. "He is the most tiresome of men!"

"He sends--I really beg your pardon--he sends," says Sir Leicester,
selecting the letter and unfolding it, "a message to you. Our
stopping to change horses as I came to his postscript drove it out of
my memory. I beg you'll excuse me. He says--" Sir Leicester is so
long in taking out his eye-glass and adjusting it that my Lady looks
a little irritated. "He says 'In the matter of the right of way--' I
beg your pardon, that's not the place. He says--yes! Here I have it!
He says, 'I beg my respectful compliments to my Lady, who, I hope,
has benefited by the change. Will you do me the favour to mention (as
it may interest her) that I have something to tell her on her return
in reference to the person who copied the affidavit in the Chancery
suit, which so powerfully stimulated her curiosity. I have seen
him.'"

My Lady, leaning forward, looks out of her window.

"That's the message," observes Sir Leicester.

"I should like to walk a little," says my Lady, still looking out of
her window.

"Walk?" repeats Sir Leicester in a tone of surprise.

"I should like to walk a little," says my Lady with unmistakable
distinctness. "Please to stop the carriage."

The carriage is stopped, the affectionate man alights from the
rumble, opens the door, and lets down the steps, obedient to an
impatient motion of my Lady's hand. My Lady alights so quickly and
walks away so quickly that Sir Leicester, for all his scrupulous
politeness, is unable to assist her, and is left behind. A space of a
minute or two has elapsed before he comes up with her. She smiles,
looks very handsome, takes his arm, lounges with him for a quarter of
a mile, is very much bored, and resumes her seat in the carriage.

The rattle and clatter continue through the greater part of three
days, with more or less of bell-jingling and whip-cracking, and more
or less plunging of centaurs and bare-backed horses. Their courtly
politeness to each other at the hotels where they tarry is the theme
of general admiration. Though my Lord IS a little aged for my Lady,
says Madame, the hostess of the Golden Ape, and though he might be
her amiable father, one can see at a glance that they love each
other. One observes my Lord with his white hair, standing, hat in
hand, to help my Lady to and from the carriage. One observes my Lady,
how recognisant of my Lord's politeness, with an inclination of her
gracious head and the concession of her so-genteel fingers! It is
ravishing!

The sea has no appreciation of great men, but knocks them about like
the small fry. It is habitually hard upon Sir Leicester, whose
countenance it greenly mottles in the manner of sage-cheese and in
whose aristocratic system it effects a dismal revolution. It is the
Radical of Nature to him. Nevertheless, his dignity gets over it
after stopping to refit, and he goes on with my Lady for Chesney
Wold, lying only one night in London on the way to Lincolnshire.

Through the same cold sunlight, colder as the day declines, and
through the same sharp wind, sharper as the separate shadows of bare
trees gloom together in the woods, and as the Ghost's Walk, touched
at the western corner by a pile of fire in the sky, resigns itself to
coming night, they drive into the park. The rooks, swinging in their
lofty houses in the elm-tree avenue, seem to discuss the question of
the occupancy of the carriage as it passes underneath, some agreeing
that Sir Leicester and my Lady are come down, some arguing with
malcontents who won't admit it, now all consenting to consider the
question disposed of, now all breaking out again in violent debate,
incited by one obstinate and drowsy bird who will persist in putting
in a last contradictory croak. Leaving them to swing and caw, the
travelling chariot rolls on to the house, where fires gleam warmly
through some of the windows, though not through so many as to give an
inhabited expression to the darkening mass of front. But the
brilliant and distinguished circle will soon do that.

Mrs. Rouncewell is in attendance and receives Sir Leicester's
customary shake of the hand with a profound curtsy.

"How do you do, Mrs. Rouncewell? I am glad to see you."

"I hope I have the honour of welcoming you in good health, Sir
Leicester?"

"In excellent health, Mrs. Rouncewell."

"My Lady is looking charmingly well," says Mrs. Rouncewell with
another curtsy.

My Lady signifies, without profuse expenditure of words, that she is
as wearily well as she can hope to be.

But Rosa is in the distance, behind the housekeeper; and my Lady, who
has not subdued the quickness of her observation, whatever else she
may have conquered, asks, "Who is that girl?"

"A young scholar of mine, my Lady. Rosa."

"Come here, Rosa!" Lady Dedlock beckons her, with even an appearance
of interest. "Why, do you know how pretty you are, child?" she says,
touching her shoulder with her two forefingers.

Rosa, very much abashed, says, "No, if you please, my Lady!" and
glances up, and glances down, and don't know where to look, but looks
all the prettier.

"How old are you?"

"Nineteen, my Lady."

"Nineteen," repeats my Lady thoughtfully. "Take care they don't spoil
you by flattery."

"Yes, my Lady."

My Lady taps her dimpled cheek with the same delicate gloved fingers
and goes on to the foot of the oak staircase, where Sir Leicester
pauses for her as her knightly escort. A staring old Dedlock in a
panel, as large as life and as dull, looks as if he didn't know what
to make of it, which was probably his general state of mind in the
days of Queen Elizabeth.

That evening, in the housekeeper's room, Rosa can do nothing but
murmur Lady Dedlock's praises. She is so affable, so graceful, so
beautiful, so elegant; has such a sweet voice and such a thrilling
touch that Rosa can feel it yet! Mrs. Rouncewell confirms all this,
not without personal pride, reserving only the one point of
affability. Mrs. Rouncewell is not quite sure as to that. Heaven
forbid that she should say a syllable in dispraise of any member of
that excellent family, above all, of my Lady, whom the whole world
admires; but if my Lady would only be "a little more free," not quite
so cold and distant, Mrs. Rouncewell thinks she would be more
affable.

"'Tis almost a pity," Mrs. Rouncewell adds--only "almost" because it
borders on impiety to suppose that anything could be better than it
is, in such an express dispensation as the Dedlock affairs--"that my
Lady has no family. If she had had a daughter now, a grown young
lady, to interest her, I think she would have had the only kind of
excellence she wants."

"Might not that have made her still more proud, grandmother?" says
Watt, who has been home and come back again, he is such a good
grandson.

"More and most, my dear," returns the housekeeper with dignity, "are
words it's not my place to use--nor so much as to hear--applied to
any drawback on my Lady."

"I beg your pardon, grandmother. But she is proud, is she not?"

"If she is, she has reason to be. The Dedlock family have always
reason to be."

"Well," says Watt, "it's to be hoped they line out of their
prayer-books a certain passage for the common people about pride and
vainglory. Forgive me, grandmother! Only a joke!"

"Sir Leicester and Lady Dedlock, my dear, are not fit subjects for
joking."

"Sir Leicester is no joke by any means," says Watt, "and I humbly ask
his pardon. I suppose, grandmother, that even with the family and
their guests down here, there is no objection to my prolonging my
stay at the Dedlock Arms for a day or two, as any other traveller
might?"

"Surely, none in the world, child."

"I am glad of that," says Watt, "because I have an inexpressible
desire to extend my knowledge of this beautiful neighbourhood."

He happens to glance at Rosa, who looks down and is very shy indeed.
But according to the old superstition, it should be Rosa's ears that
burn, and not her fresh bright cheeks, for my Lady's maid is holding
forth about her at this moment with surpassing energy.

My Lady's maid is a Frenchwoman of two and thirty, from somewhere in
the southern country about Avignon and Marseilles, a large-eyed brown
woman with black hair who would be handsome but for a certain feline
mouth and general uncomfortable tightness of face, rendering the jaws
too eager and the skull too prominent. There is something indefinably
keen and wan about her anatomy, and she has a watchful way of looking
out of the corners of her eyes without turning her head which could
be pleasantly dispensed with, especially when she is in an ill humour
and near knives. Through all the good taste of her dress and little
adornments, these objections so express themselves that she seems to
go about like a very neat she-wolf imperfectly tamed. Besides being
accomplished in all the knowledge appertaining to her post, she is
almost an Englishwoman in her acquaintance with the language;
consequently, she is in no want of words to shower upon Rosa for
having attracted my Lady's attention, and she pours them out with
such grim ridicule as she sits at dinner that her companion, the
affectionate man, is rather relieved when she arrives at the spoon
stage of that performance.

Ha, ha, ha! She, Hortense, been in my Lady's service since five years
and always kept at the distance, and this doll, this puppet,
caressed--absolutely caressed--by my Lady on the moment of her
arriving at the house! Ha, ha, ha! "And do you know how pretty you
are, child?" "No, my Lady." You are right there! "And how old are
you, child! And take care they do not spoil you by flattery, child!"
Oh, how droll! It is the BEST thing altogether.

In short, it is such an admirable thing that Mademoiselle Hortense
can't forget it; but at meals for days afterwards, even among her
countrywomen and others attached in like capacity to the troop of
visitors, relapses into silent enjoyment of the joke--an enjoyment
expressed, in her own convivial manner, by an additional tightness of
face, thin elongation of compressed lips, and sidewise look, which
intense appreciation of humour is frequently reflected in my Lady's
mirrors when my Lady is not among them.

All the mirrors in the house are brought into action now, many of
them after a long blank. They reflect handsome faces, simpering
faces, youthful faces, faces of threescore and ten that will not
submit to be old; the entire collection of faces that have come to
pass a January week or two at Chesney Wold, and which the fashionable
intelligence, a mighty hunter before the Lord, hunts with a keen
scent, from their breaking cover at the Court of St. James's to their
being run down to death. The place in Lincolnshire is all alive. By
day guns and voices are heard ringing in the woods, horsemen and
carriages enliven the park roads, servants and hangers-on pervade the
village and the Dedlock Arms. Seen by night from distant openings in
the trees, the row of windows in the long drawing-room, where my
Lady's picture hangs over the great chimney-piece, is like a row of
jewels set in a black frame. On Sunday the chill little church is
almost warmed by so much gallant company, and the general flavour of
the Dedlock dust is quenched in delicate perfumes.

The brilliant and distinguished circle comprehends within it no
contracted amount of education, sense, courage, honour, beauty, and
virtue. Yet there is something a little wrong about it in despite of
its immense advantages. What can it be?

Dandyism? There is no King George the Fourth now (more the pity) to
set the dandy fashion; there are no clear-starched jack-towel
neckcloths, no short-waisted coats, no false calves, no stays. There
are no caricatures, now, of effeminate exquisites so arrayed,
swooning in opera boxes with excess of delight and being revived by
other dainty creatures poking long-necked scent-bottles at their
noses. There is no beau whom it takes four men at once to shake into
his buckskins, or who goes to see all the executions, or who is
troubled with the self-reproach of having once consumed a pea. But is
there dandyism in the brilliant and distinguished circle
notwithstanding, dandyism of a more mischievous sort, that has got
below the surface and is doing less harmless things than
jack-towelling itself and stopping its own digestion, to which no
rational person need particularly object?

Why, yes. It cannot be disguised. There ARE at Chesney Wold this
January week some ladies and gentlemen of the newest fashion, who
have set up a dandyism--in religion, for instance. Who in mere
lackadaisical want of an emotion have agreed upon a little dandy talk
about the vulgar wanting faith in things in general, meaning in the
things that have been tried and found wanting, as though a low fellow
should unaccountably lose faith in a bad shilling after finding it
out! Who would make the vulgar very picturesque and faithful by
putting back the hands upon the clock of time and cancelling a few
hundred years of history.

There are also ladies and gentlemen of another fashion, not so new,
but very elegant, who have agreed to put a smooth glaze on the world
and to keep down all its realities. For whom everything must be
languid and pretty. Who have found out the perpetual stoppage. Who
are to rejoice at nothing and be sorry for nothing. Who are not to be
disturbed by ideas. On whom even the fine arts, attending in powder
and walking backward like the Lord Chamberlain, must array themselves
in the milliners' and tailors' patterns of past generations and be
particularly careful not to be in earnest or to receive any impress
from the moving age.

Then there is my Lord Boodle, of considerable reputation with his
party, who has known what office is and who tells Sir Leicester
Dedlock with much gravity, after dinner, that he really does not see
to what the present age is tending. A debate is not what a debate
used to be; the House is not what the House used to be; even a
Cabinet is not what it formerly was. He perceives with astonishment
that supposing the present government to be overthrown, the limited
choice of the Crown, in the formation of a new ministry, would lie
between Lord Coodle and Sir Thomas Doodle--supposing it to be
impossible for the Duke of Foodle to act with Goodle, which may be
assumed to be the case in consequence of the breach arising out of
that affair with Hoodle. Then, giving the Home Department and the
leadership of the House of Commons to Joodle, the Exchequer to
Koodle, the Colonies to Loodle, and the Foreign Office to Moodle,
what are you to do with Noodle? You can't offer him the Presidency of
the Council; that is reserved for Poodle. You can't put him in the
Woods and Forests; that is hardly good enough for Quoodle. What
follows? That the country is shipwrecked, lost, and gone to pieces
(as is made manifest to the patriotism of Sir Leicester Dedlock)
because you can't provide for Noodle!

On the other hand, the Right Honourable William Buffy, M.P., contends
across the table with some one else that the shipwreck of the
country--about which there is no doubt; it is only the manner of it
that is in question--is attributable to Cuffy. If you had done with
Cuffy what you ought to have done when he first came into Parliament,
and had prevented him from going over to Duffy, you would have got
him into alliance with Fuffy, you would have had with you the weight
attaching as a smart debater to Guffy, you would have brought to bear
upon the elections the wealth of Huffy, you would have got in for
three counties Juffy, Kuffy, and Luffy, and you would have
strengthened your administration by the official knowledge and the
business habits of Muffy. All this, instead of being as you now are,
dependent on the mere caprice of Puffy!

As to this point, and as to some minor topics, there are differences
of opinion; but it is perfectly clear to the brilliant and
distinguished circle, all round, that nobody is in question but
Boodle and his retinue, and Buffy and HIS retinue. These are the
great actors for whom the stage is reserved. A People there are, no
doubt--a certain large number of supernumeraries, who are to be
occasionally addressed, and relied upon for shouts and choruses, as
on the theatrical stage; but Boodle and Buffy, their followers and
families, their heirs, executors, administrators, and assigns, are
the born first-actors, managers, and leaders, and no others can
appear upon the scene for ever and ever.

In this, too, there is perhaps more dandyism at Chesney Wold than the
brilliant and distinguished circle will find good for itself in the
long run. For it is, even with the stillest and politest circles, as
with the circle the necromancer draws around him--very strange
appearances may be seen in active motion outside. With this
difference, that being realities and not phantoms, there is the
greater danger of their breaking in.

Chesney Wold is quite full anyhow, so full that a burning sense of
injury arises in the breasts of ill-lodged ladies'-maids, and is not
to be extinguished. Only one room is empty. It is a turret chamber of
the third order of merit, plainly but comfortably furnished and
having an old-fashioned business air. It is Mr. Tulkinghorn's room,
and is never bestowed on anybody else, for he may come at any time.
He is not come yet. It is his quiet habit to walk across the park
from the village in fine weather, to drop into this room as if he had
never been out of it since he was last seen there, to request a
servant to inform Sir Leicester that he is arrived in case he should
be wanted, and to appear ten minutes before dinner in the shadow of
the library-door. He sleeps in his turret with a complaining
flag-staff over his head, and has some leads outside on which, any
fine morning when he is down here, his black figure may be seen
walking before breakfast like a larger species of rook.

Every day before dinner, my Lady looks for him in the dusk of the
library, but he is not there. Every day at dinner, my Lady glances
down the table for the vacant place that would be waiting to receive
him if he had just arrived, but there is no vacant place. Every night
my Lady casually asks her maid, "Is Mr. Tulkinghorn come?"

Every night the answer is, "No, my Lady, not yet."

One night, while having her hair undressed, my Lady loses herself in
deep thought after this reply until she sees her own brooding face in
the opposite glass, and a pair of black eyes curiously observing her.

"Be so good as to attend," says my Lady then, addressing the
reflection of Hortense, "to your business. You can contemplate your
beauty at another time."

"Pardon! It was your Ladyship's beauty."

"That," says my Lady, "you needn't contemplate at all."

At length, one afternoon a little before sunset, when the bright
groups of figures which have for the last hour or two enlivened the
Ghost's Walk are all dispersed and only Sir Leicester and my Lady
remain upon the terrace, Mr. Tulkinghorn appears. He comes towards
them at his usual methodical pace, which is never quickened, never
slackened. He wears his usual expressionless mask--if it be a
mask--and carries family secrets in every limb of his body and every
crease of his dress. Whether his whole soul is devoted to the great
or whether he yields them nothing beyond the services he sells is his
personal secret. He keeps it, as he keeps the secrets of his clients;
he is his own client in that matter, and will never betray himself.

"How do you do, Mr. Tulkinghorn?" says Sir Leicester, giving him his
hand.

Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady
is quite well. All highly satisfactory. The lawyer, with his hands
behind him, walks at Sir Leicester's side along the terrace. My Lady
walks upon the other side.

"We expected you before," says Sir Leicester. A gracious observation.
As much as to say, "Mr. Tulkinghorn, we remember your existence when
you are not here to remind us of it by your presence. We bestow a
fragment of our minds upon you, sir, you see!"

Mr. Tulkinghorn, comprehending it, inclines his head and says he is
much obliged.

"I should have come down sooner," he explains, "but that I have been
much engaged with those matters in the several suits between yourself
and Boythorn."

"A man of a very ill-regulated mind," observes Sir Leicester with
severity. "An extremely dangerous person in any community. A man of a
very low character of mind."

"He is obstinate," says Mr. Tulkinghorn.

"It is natural to such a man to be so," says Sir Leicester, looking
most profoundly obstinate himself. "I am not at all surprised to hear
it."

"The only question is," pursues the lawyer, "whether you will give up
anything."

"No, sir," replies Sir Leicester. "Nothing. I give up?"

"I don't mean anything of importance. That, of course, I know you
would not abandon. I mean any minor point."

"Mr. Tulkinghorn," returns Sir Leicester, "there can be no minor
point between myself and Mr. Boythorn. If I go farther, and observe
that I cannot readily conceive how ANY right of mine can be a minor
point, I speak not so much in reference to myself as an individual as
in reference to the family position I have it in charge to maintain."

Mr. Tulkinghorn inclines his head again. "I have now my
instructions," he says. "Mr. Boythorn will give us a good deal of
trouble--"

"It is the character of such a mind, Mr. Tulkinghorn," Sir Leicester
interrupts him, "TO give trouble. An exceedingly ill-conditioned,
levelling person. A person who, fifty years ago, would probably have
been tried at the Old Bailey for some demagogue proceeding, and
severely punished--if not," adds Sir Leicester after a moment's
pause, "if not hanged, drawn, and quartered."

Sir Leicester appears to discharge his stately breast of a burden in
passing this capital sentence, as if it were the next satisfactory
thing to having the sentence executed.

"But night is coming on," says he, "and my Lady will take cold. My
dear, let us go in."

As they turn towards the hall-door, Lady Dedlock addresses Mr.
Tulkinghorn for the first time.

"You sent me a message respecting the person whose writing I happened
to inquire about. It was like you to remember the circumstance; I had
quite forgotten it. Your message reminded me of it again. I can't
imagine what association I had with a hand like that, but I surely
had some."

"You had some?" Mr. Tulkinghorn repeats.

"Oh, yes!" returns my Lady carelessly. "I think I must have had some.
And did you really take the trouble to find out the writer of that
actual thing--what is it!--affidavit?"

"Yes."

"How very odd!"

They pass into a sombre breakfast-room on the ground floor, lighted
in the day by two deep windows. It is now twilight. The fire glows
brightly on the panelled wall and palely on the window-glass, where,
through the cold reflection of the blaze, the colder landscape
shudders in the wind and a grey mist creeps along, the only traveller
besides the waste of clouds.

My Lady lounges in a great chair in the chimney-corner, and Sir
Leicester takes another great chair opposite. The lawyer stands
before the fire with his hand out at arm's length, shading his face.
He looks across his arm at my Lady.

"Yes," he says, "I inquired about the man, and found him. And, what
is very strange, I found him--"

"Not to be any out-of-the-way person, I am afraid!" Lady Dedlock
languidly anticipates.

"I found him dead."

"Oh, dear me!" remonstrated Sir Leicester. Not so much shocked by the
fact as by the fact of the fact being mentioned.

"I was directed to his lodging--a miserable, poverty-stricken
place--and I found him dead."

"You will excuse me, Mr. Tulkinghorn," observes Sir Leicester. "I
think the less said--"

"Pray, Sir Leicester, let me hear the story out" (it is my Lady
speaking). "It is quite a story for twilight. How very shocking!
Dead?"

Mr. Tulkinghorn re-asserts it by another inclination of his head.
"Whether by his own hand--"

"Upon my honour!" cries Sir Leicester. "Really!"

"Do let me hear the story!" says my Lady.

"Whatever you desire, my dear. But, I must say--"

"No, you mustn't say! Go on, Mr. Tulkinghorn."

Sir Leicester's gallantry concedes the point, though he still feels
that to bring this sort of squalor among the upper classes is
really--really--

"I was about to say," resumes the lawyer with undisturbed calmness,
"that whether he had died by his own hand or not, it was beyond my
power to tell you. I should amend that phrase, however, by saying
that he had unquestionably died of his own act, though whether by his
own deliberate intention or by mischance can never certainly be
known. The coroner's jury found that he took the poison
accidentally."

"And what kind of man," my Lady asks, "was this deplorable creature?"

"Very difficult to say," returns the lawyer, shaking his head. "He
had lived so wretchedly and was so neglected, with his gipsy colour
and his wild black hair and beard, that I should have considered him
the commonest of the common. The surgeon had a notion that he had
once been something better, both in appearance and condition."

"What did they call the wretched being?"

"They called him what he had called himself, but no one knew his
name."

"Not even any one who had attended on him?"

"No one had attended on him. He was found dead. In fact, I found
him."

"Without any clue to anything more?"

"Without any; there was," says the lawyer meditatively, "an old
portmanteau, but--No, there were no papers."

During the utterance of every word of this short dialogue, Lady
Dedlock and Mr. Tulkinghorn, without any other alteration in their
customary deportment, have looked very steadily at one another--as
was natural, perhaps, in the discussion of so unusual a subject. Sir
Leicester has looked at the fire, with the general expression of the
Dedlock on the staircase. The story being told, he renews his stately
protest, saying that as it is quite clear that no association in my
Lady's mind can possibly be traceable to this poor wretch (unless he
was a begging-letter writer), he trusts to hear no more about a
subject so far removed from my Lady's station.

"Certainly, a collection of horrors," says my Lady, gathering up her
mantles and furs, "but they interest one for the moment! Have the
kindness, Mr. Tulkinghorn, to open the door for me."

Mr. Tulkinghorn does so with deference and holds it open while she
passes out. She passes close to him, with her usual fatigued manner
and insolent grace. They meet again at dinner--again, next
day--again, for many days in succession. Lady Dedlock is always the
same exhausted deity, surrounded by worshippers, and terribly liable
to be bored to death, even while presiding at her own shrine. Mr.
Tulkinghorn is always the same speechless repository of noble
confidences, so oddly out of place and yet so perfectly at home. They
appear to take as little note of one another as any two people
enclosed within the same walls could. But whether each evermore
watches and suspects the other, evermore mistrustful of some great
reservation; whether each is evermore prepared at all points for the
other, and never to be taken unawares; what each would give to know
how much the other knows--all this is hidden, for the time, in their
own hearts.

The Dedlocks are coming back to Chesney Wold from Paris. Turns out that however exciting Paris was, it was still far too dull for Lady Dedlock. She goes through life totally bored, closed in, and cold, despite being at the heart of the upper echelons of England's social elite. Oh, and also a bunch of people are coming to Chesney Wold with the Dedlocks to spend a few weeks hanging out. Sir Leicester reads letters in the carriage. Lady Dedlock notices a letter from Tulkinghorn and asks him about it. The letter has a little P.S. in it for her - that Tulkinghorn has something to tell her about the copied letter she was curious about. Lady Dedlock all of a sudden stops the carriage and says she wants to walk. Dedlock goes out after her and offers her his hand. He is very gentlemanly and chivalrous to her. When they travel, everyone can tell how he loves her, despite being so much older . Finally they get to the house and say hi to Mrs. Rouncewell, and Lady Dedlock notices the new maid Rosa. Then out of the blue, she pets Rosa's face, tells her she's so pretty, and generally is all nice to her. This is way, way out of character. That night Rosa is psyched at how nice Lady Dedlock was to her , and Watt Rouncewell decides to stay at Chesney Wold longer because ... ahem...it's so pretty there... ahem. That night Lady Dedlock's maid Hortense, a vicious-looking French woman, rants and raves furiously about Rosa. Hortense has been with Lady Dedlock for five years and has never received any such niceness. She is angry, resentful, and way overreacting - and she stays that way for weeks and weeks. Meanwhile the house party is going on. There's some hunting for the dudes, some music and art for the ladies, and some totally annoying and elitist political conversation for everyone. The narrator mocks these guys hardcore for not knowing or caring about real people. Lady Dedlock, meanwhile, is on pins and needles waiting for Tulkinghorn to come. Finally he does and apologizes for not coming sooner. He's been busy dealing with Sir Leicester's many lawsuits with Boythorn. Sir Leicester gets all hot and bothered talking about his neighbor and they are both as obstinate as obstinate can be about the random nonsense they are fighting about. Finally Lady Dedlock buts in and tries to be really smooth, asking Tulkinghorn about this handwriting he was talking about. Lady Dedlock hardly ever cares about anything, so any time she does express an interest in something, it's a red flag. Tulkinghorn tells her that he found the law writer dead and that there was no way of figuring out who he was or even his name. Tulkinghorn and Lady Dedlock spend the rest of the house party pretending to ignore each other but secretly watching each other's every movement. They are each suspicious of the other.

The Dedlocks return from Paris, prepare Chesney Wold for guests, and then entertain them. Still, however, Lady Dedlock is bored. One evening Tulkinghorn brings news about Boythorn's legal action against Sir Leicester. While the lawyer is there, Lady Dedlock thanks him for sending her a message about the handwriting that caught her interest earlier. When she hears about Nemo's death, she insists on hearing the whole story. She pretends to be only "casually" interested, but Tulkinghorn sees this is only a deception.

In the Snagsbys and their maid Guster, Dickens again shows his penchant for oddity, caricature, and the grotesque. Like other Victorian novelists, Dickens gives far more attention to such minor characters than is demanded by the plot. Such generosity in creation was more acceptable to Dickens' readers than to today's. The Victorian age, recall, was less hurried than ours and, in any event, it took more delight in reading. The main plot develops further as Tulkinghorn intensifies his interest in the legal handwriting and in Lady Dedlock's curiosity about the copyist . The ridiculously conducted inquest continues Dickens' disdainful satire of legal institutions and procedures. The same satire is conveyed by the tone which Dickens adopts when he depicts the legal stationery items sold in Snagsby's shop.

"On the Watch" The narrator describes the rainy scene at Chesney Wold. Lady Dedlock and Sir Leicester are returning from Paris. Lady Dedlock couldn't wait to leave Paris because she was so bored, a common complaint. In the carriage, Sir Leicester tells Lady Dedlock while looking through his mail that Mr. Tulkinghorn sends his greetings and has something to tell her when she returns. At Chesney Wold, Mrs. Rouncewell introduces Rosa to Lady Dedlock, who thinks Rosa is beautiful and strokes her cheek before going upstairs. Later, Lady Dedlock's maid, a Frenchwoman named Hortense, is bitterly jealous of Rosa. Hortense has worked for Lady Dedlock for five years, but Lady Dedlock has always distanced herself from Hortense. Lady Dedlock and Sir Leicester invite many people to Chesney Wold to spend a week or two. Every night, Lady Dedlock asks if Mr. Tulkinghorn has arrived yet; he tends to arrive unannounced and goes straight to the tower room that is always reserved for him. Mr. Tulkinghorn eventually does arrive. The narrator describes Tulkinghorn as looking as though he has secrets everywhere in his body. Mr. Tulkinghorn discusses the lawsuit concerning Mr. Boythorn with Sir Leicester. Sir Leicester is unwilling to compromise in any way. Lady Dedlock asks Mr. Tulkinghorn what he wanted to tell her, and he says it has to do with some handwriting she had asked him about--when he went in search of the writer, he found him dead. They discuss the man and the fact that no one knew anything about him. During this conversation, Lady Dedlock and Mr. Tulkinghorn never look away from each other but seem to take little note of each other in the days that follow

On the Watch The Dedlocks are bored in Paris and ready to come back to Lincolnshire. Lady Dedlock suffers perpetual "Weariness of soul" and her "remedy is always to fly" . She receives a note from Tulkinghorn in Paris, read to her by her husband. Tulkinghorn has found the person who copied the affadavit, which drew her curiosity. Lady Dedlock asks the carriage be stopped, and gets out for a walk. When they get back to Chesney Wold, Lady Dedlock notices the pretty new maid, Rosa, and compliments her. Mrs. Rouncewell's grandson, Watt, has decided to stay on for a while, attracted by Rosa. Lady Dedlock's French maid, Hortense, is jealous of Lady Dedlock's notice of the young Rosa. She does not get the attention she deserves, in her opinion. The narrator goes into a satire on the party at Chesney Wold with the aristocracy and their "Dandyism" or affectation. They discuss topics like politics in a completely jaded and bored tone, without saying anything of importance. Meanwhile, Lady Dedlock nervously awaits the arrival of Tulkinghorn. He plays cat and mouse with her, finally telling her that the man who wrote the document is dead of poverty and neglect. No one knows if he died by his own hand, he says. And no one knows his identity. Tulkinghorn and Lady Dedlock play chess with this information, both pretending it is unimportant.

Commentary on Chapter XII It is now obvious Tulkinghorn is on to something, and that he could be in a position to blackmail Lady Dedlock. He gives the information to her in front of her husband, who does not really catch on to the significance. This reminds her that Tulkinghorn could ruin her with a word. She tries to act bored, but the two are fencing. Tulkinghorn could justify his action on the grounds that he has to protect Sir Leicester's family name, but like many of the unscrupulous lawyers in the story, he wants power. Lady Dedlock began in ascendancy, but her reputation is beginning to crack. She has enemies. Tulkinghorn is showing himself to her as an opponent, and her maid, Hortense, is jealous and spiteful. Lady Dedlock treats Hortense with arrogance. In addition, this news about Nemo is very distressing to her. We have also seen Guppy snooping around her house for information. There is a foreshadowing of trouble, as well, because of the legend of Ghost's Walk, and the fact that Lady Dedlock is connected to the Jarndyce case.