The day had brightened very much, and still brightened as we went
westward. We went our way through the sunshine and the fresh air,
wondering more and more at the extent of the streets, the brilliancy
of the shops, the great traffic, and the crowds of people whom the
pleasanter weather seemed to have brought out like many-coloured
flowers. By and by we began to leave the wonderful city and to
proceed through suburbs which, of themselves, would have made a
pretty large town in my eyes; and at last we got into a real country
road again, with windmills, rick-yards, milestones, farmers' waggons,
scents of old hay, swinging signs, and horse troughs: trees, fields,
and hedge-rows. It was delightful to see the green landscape before
us and the immense metropolis behind; and when a waggon with a train
of beautiful horses, furnished with red trappings and clear-sounding
bells, came by us with its music, I believe we could all three have
sung to the bells, so cheerful were the influences around.

"The whole road has been reminding me of my namesake Whittington,"
said Richard, "and that waggon is the finishing touch. Halloa! What's
the matter?"

We had stopped, and the waggon had stopped too. Its music changed as
the horses came to a stand, and subsided to a gentle tinkling, except
when a horse tossed his head or shook himself and sprinkled off a
little shower of bell-ringing.

"Our postilion is looking after the waggoner," said Richard, "and the
waggoner is coming back after us. Good day, friend!" The waggoner was
at our coach-door. "Why, here's an extraordinary thing!" added
Richard, looking closely at the man. "He has got your name, Ada, in
his hat!"

He had all our names in his hat. Tucked within the band were three
small notes--one addressed to Ada, one to Richard, one to me. These
the waggoner delivered to each of us respectively, reading the name
aloud first. In answer to Richard's inquiry from whom they came, he
briefly answered, "Master, sir, if you please"; and putting on his
hat again (which was like a soft bowl), cracked his whip, re-awakened
his music, and went melodiously away.

"Is that Mr. Jarndyce's waggon?" said Richard, calling to our
post-boy.

"Yes, sir," he replied. "Going to London."

We opened the notes. Each was a counterpart of the other and
contained these words in a solid, plain hand.

   I look forward, my dear, to our meeting easily and
   without constraint on either side. I therefore have to
   propose that we meet as old friends and take the past for
   granted. It will be a relief to you possibly, and to me
   certainly, and so my love to you.

   John Jarndyce

I had perhaps less reason to be surprised than either of my
companions, having never yet enjoyed an opportunity of thanking one
who had been my benefactor and sole earthly dependence through so
many years. I had not considered how I could thank him, my gratitude
lying too deep in my heart for that; but I now began to consider how
I could meet him without thanking him, and felt it would be very
difficult indeed.

The notes revived in Richard and Ada a general impression that they
both had, without quite knowing how they came by it, that their
cousin Jarndyce could never bear acknowledgments for any kindness he
performed and that sooner than receive any he would resort to the
most singular expedients and evasions or would even run away. Ada
dimly remembered to have heard her mother tell, when she was a very
little child, that he had once done her an act of uncommon generosity
and that on her going to his house to thank him, he happened to see
her through a window coming to the door, and immediately escaped by
the back gate, and was not heard of for three months. This discourse
led to a great deal more on the same theme, and indeed it lasted us
all day, and we talked of scarcely anything else. If we did by any
chance diverge into another subject, we soon returned to this, and
wondered what the house would be like, and when we should get there,
and whether we should see Mr. Jarndyce as soon as we arrived or after
a delay, and what he would say to us, and what we should say to him.
All of which we wondered about, over and over again.

The roads were very heavy for the horses, but the pathway was
generally good, so we alighted and walked up all the hills, and liked
it so well that we prolonged our walk on the level ground when we got
to the top. At Barnet there were other horses waiting for us, but as
they had only just been fed, we had to wait for them too, and got a
long fresh walk over a common and an old battle-field before the
carriage came up. These delays so protracted the journey that the
short day was spent and the long night had closed in before we came
to St. Albans, near to which town Bleak House was, we knew.

By that time we were so anxious and nervous that even Richard
confessed, as we rattled over the stones of the old street, to
feeling an irrational desire to drive back again. As to Ada and me,
whom he had wrapped up with great care, the night being sharp and
frosty, we trembled from head to foot. When we turned out of the
town, round a corner, and Richard told us that the post-boy, who had
for a long time sympathized with our heightened expectation, was
looking back and nodding, we both stood up in the carriage (Richard
holding Ada lest she should be jolted down) and gazed round upon the
open country and the starlight night for our destination. There was a
light sparkling on the top of a hill before us, and the driver,
pointing to it with his whip and crying, "That's Bleak House!" put
his horses into a canter and took us forward at such a rate, uphill
though it was, that the wheels sent the road drift flying about our
heads like spray from a water-mill. Presently we lost the light,
presently saw it, presently lost it, presently saw it, and turned
into an avenue of trees and cantered up towards where it was beaming
brightly. It was in a window of what seemed to be an old-fashioned
house with three peaks in the roof in front and a circular sweep
leading to the porch. A bell was rung as we drew up, and amidst the
sound of its deep voice in the still air, and the distant barking of
some dogs, and a gush of light from the opened door, and the smoking
and steaming of the heated horses, and the quickened beating of our
own hearts, we alighted in no inconsiderable confusion.

"Ada, my love, Esther, my dear, you are welcome. I rejoice to see
you! Rick, if I had a hand to spare at present, I would give it you!"

The gentleman who said these words in a clear, bright, hospitable
voice had one of his arms round Ada's waist and the other round mine,
and kissed us both in a fatherly way, and bore us across the hall
into a ruddy little room, all in a glow with a blazing fire. Here he
kissed us again, and opening his arms, made us sit down side by side
on a sofa ready drawn out near the hearth. I felt that if we had been
at all demonstrative, he would have run away in a moment.

"Now, Rick!" said he. "I have a hand at liberty. A word in earnest is
as good as a speech. I am heartily glad to see you. You are at home.
Warm yourself!"

Richard shook him by both hands with an intuitive mixture of respect
and frankness, and only saying (though with an earnestness that
rather alarmed me, I was so afraid of Mr. Jarndyce's suddenly
disappearing), "You are very kind, sir! We are very much obliged to
you!" laid aside his hat and coat and came up to the fire.

"And how did you like the ride? And how did you like Mrs. Jellyby, my
dear?" said Mr. Jarndyce to Ada.

While Ada was speaking to him in reply, I glanced (I need not say
with how much interest) at his face. It was a handsome, lively, quick
face, full of change and motion; and his hair was a silvered
iron-grey. I took him to be nearer sixty than fifty, but he was
upright, hearty, and robust. From the moment of his first speaking to
us his voice had connected itself with an association in my mind that
I could not define; but now, all at once, a something sudden in his
manner and a pleasant expression in his eyes recalled the gentleman
in the stagecoach six years ago on the memorable day of my journey to
Reading. I was certain it was he. I never was so frightened in my
life as when I made the discovery, for he caught my glance, and
appearing to read my thoughts, gave such a look at the door that I
thought we had lost him.

However, I am happy to say he remained where he was, and asked me
what I thought of Mrs. Jellyby.

"She exerts herself very much for Africa, sir," I said.

"Nobly!" returned Mr. Jarndyce. "But you answer like Ada." Whom I had
not heard. "You all think something else, I see."

"We rather thought," said I, glancing at Richard and Ada, who
entreated me with their eyes to speak, "that perhaps she was a little
unmindful of her home."

"Floored!" cried Mr. Jarndyce.

I was rather alarmed again.

"Well! I want to know your real thoughts, my dear. I may have sent
you there on purpose."

"We thought that, perhaps," said I, hesitating, "it is right to begin
with the obligations of home, sir; and that, perhaps, while those are
overlooked and neglected, no other duties can possibly be substituted
for them."

"The little Jellybys," said Richard, coming to my relief, "are
really--I can't help expressing myself strongly, sir--in a devil of a
state."

"She means well," said Mr. Jarndyce hastily. "The wind's in the
east."

"It was in the north, sir, as we came down," observed Richard.

"My dear Rick," said Mr. Jarndyce, poking the fire, "I'll take an
oath it's either in the east or going to be. I am always conscious of
an uncomfortable sensation now and then when the wind is blowing in
the east."

"Rheumatism, sir?" said Richard.

"I dare say it is, Rick. I believe it is. And so the little Jell--I
had my doubts about 'em--are in a--oh, Lord, yes, it's easterly!"
said Mr. Jarndyce.

He had taken two or three undecided turns up and down while uttering
these broken sentences, retaining the poker in one hand and rubbing
his hair with the other, with a good-natured vexation at once so
whimsical and so lovable that I am sure we were more delighted with
him than we could possibly have expressed in any words. He gave an
arm to Ada and an arm to me, and bidding Richard bring a candle, was
leading the way out when he suddenly turned us all back again.

"Those little Jellybys. Couldn't you--didn't you--now, if it had
rained sugar-plums, or three-cornered raspberry tarts, or anything of
that sort!" said Mr. Jarndyce.

"Oh, cousin--" Ada hastily began.

"Good, my pretty pet. I like cousin. Cousin John, perhaps, is
better."

"Then, cousin John--" Ada laughingly began again.

"Ha, ha! Very good indeed!" said Mr. Jarndyce with great enjoyment.
"Sounds uncommonly natural. Yes, my dear?"

"It did better than that. It rained Esther."

"Aye?" said Mr. Jarndyce. "What did Esther do?"

"Why, cousin John," said Ada, clasping her hands upon his arm and
shaking her head at me across him--for I wanted her to be
quiet--"Esther was their friend directly. Esther nursed them, coaxed
them to sleep, washed and dressed them, told them stories, kept them
quiet, bought them keepsakes"--My dear girl! I had only gone out with
Peepy after he was found and given him a little, tiny horse!--"and,
cousin John, she softened poor Caroline, the eldest one, so much and
was so thoughtful for me and so amiable! No, no, I won't be
contradicted, Esther dear! You know, you know, it's true!"

The warm-hearted darling leaned across her cousin John and kissed me,
and then looking up in his face, boldly said, "At all events, cousin
John, I WILL thank you for the companion you have given me." I felt
as if she challenged him to run away. But he didn't.

"Where did you say the wind was, Rick?" asked Mr. Jarndyce.

"In the north as we came down, sir."

"You are right. There's no east in it. A mistake of mine. Come,
girls, come and see your home!"

It was one of those delightfully irregular houses where you go up and
down steps out of one room into another, and where you come upon more
rooms when you think you have seen all there are, and where there is
a bountiful provision of little halls and passages, and where you
find still older cottage-rooms in unexpected places with lattice
windows and green growth pressing through them. Mine, which we
entered first, was of this kind, with an up-and-down roof that had
more corners in it than I ever counted afterwards and a chimney
(there was a wood fire on the hearth) paved all around with pure
white tiles, in every one of which a bright miniature of the fire was
blazing. Out of this room, you went down two steps into a charming
little sitting-room looking down upon a flower-garden, which room was
henceforth to belong to Ada and me. Out of this you went up three
steps into Ada's bedroom, which had a fine broad window commanding a
beautiful view (we saw a great expanse of darkness lying underneath
the stars), to which there was a hollow window-seat, in which, with a
spring-lock, three dear Adas might have been lost at once. Out of
this room you passed into a little gallery, with which the other best
rooms (only two) communicated, and so, by a little staircase of
shallow steps with a number of corner stairs in it, considering its
length, down into the hall. But if instead of going out at Ada's door
you came back into my room, and went out at the door by which you had
entered it, and turned up a few crooked steps that branched off in an
unexpected manner from the stairs, you lost yourself in passages,
with mangles in them, and three-cornered tables, and a native Hindu
chair, which was also a sofa, a box, and a bedstead, and looked in
every form something between a bamboo skeleton and a great bird-cage,
and had been brought from India nobody knew by whom or when. From
these you came on Richard's room, which was part library, part
sitting-room, part bedroom, and seemed indeed a comfortable compound
of many rooms. Out of that you went straight, with a little interval
of passage, to the plain room where Mr. Jarndyce slept, all the year
round, with his window open, his bedstead without any furniture
standing in the middle of the floor for more air, and his cold bath
gaping for him in a smaller room adjoining. Out of that you came into
another passage, where there were back-stairs and where you could
hear the horses being rubbed down outside the stable and being told
to "Hold up" and "Get over," as they slipped about very much on the
uneven stones. Or you might, if you came out at another door (every
room had at least two doors), go straight down to the hall again by
half-a-dozen steps and a low archway, wondering how you got back
there or had ever got out of it.

The furniture, old-fashioned rather than old, like the house, was as
pleasantly irregular. Ada's sleeping-room was all flowers--in chintz
and paper, in velvet, in needlework, in the brocade of two stiff
courtly chairs which stood, each attended by a little page of a stool
for greater state, on either side of the fire-place. Our sitting-room
was green and had framed and glazed upon the walls numbers of
surprising and surprised birds, staring out of pictures at a real
trout in a case, as brown and shining as if it had been served with
gravy; at the death of Captain Cook; and at the whole process of
preparing tea in China, as depicted by Chinese artists. In my room
there were oval engravings of the months--ladies haymaking in short
waists and large hats tied under the chin, for June; smooth-legged
noblemen pointing with cocked-hats to village steeples, for October.
Half-length portraits in crayons abounded all through the house, but
were so dispersed that I found the brother of a youthful officer of
mine in the china-closet and the grey old age of my pretty young
bride, with a flower in her bodice, in the breakfast-room. As
substitutes, I had four angels, of Queen Anne's reign, taking a
complacent gentleman to heaven, in festoons, with some difficulty;
and a composition in needlework representing fruit, a kettle, and an
alphabet. All the movables, from the wardrobes to the chairs and
tables, hangings, glasses, even to the pincushions and scent-bottles
on the dressing-tables, displayed the same quaint variety. They
agreed in nothing but their perfect neatness, their display of the
whitest linen, and their storing-up, wheresoever the existence of a
drawer, small or large, rendered it possible, of quantities of
rose-leaves and sweet lavender. Such, with its illuminated windows,
softened here and there by shadows of curtains, shining out upon the
starlight night; with its light, and warmth, and comfort; with its
hospitable jingle, at a distance, of preparations for dinner; with
the face of its generous master brightening everything we saw; and
just wind enough without to sound a low accompaniment to everything
we heard, were our first impressions of Bleak House.

"I am glad you like it," said Mr. Jarndyce when he had brought us
round again to Ada's sitting-room. "It makes no pretensions, but it
is a comfortable little place, I hope, and will be more so with such
bright young looks in it. You have barely half an hour before dinner.
There's no one here but the finest creature upon earth--a child."

"More children, Esther!" said Ada.

"I don't mean literally a child," pursued Mr. Jarndyce; "not a child
in years. He is grown up--he is at least as old as I am--but in
simplicity, and freshness, and enthusiasm, and a fine guileless
inaptitude for all worldly affairs, he is a perfect child."

We felt that he must be very interesting.

"He knows Mrs. Jellyby," said Mr. Jarndyce. "He is a musical man, an
amateur, but might have been a professional. He is an artist too, an
amateur, but might have been a professional. He is a man of
attainments and of captivating manners. He has been unfortunate in
his affairs, and unfortunate in his pursuits, and unfortunate in his
family; but he don't care--he's a child!"

"Did you imply that he has children of his own, sir?" inquired
Richard.

"Yes, Rick! Half-a-dozen. More! Nearer a dozen, I should think. But
he has never looked after them. How could he? He wanted somebody to
look after HIM. He is a child, you know!" said Mr. Jarndyce.

"And have the children looked after themselves at all, sir?" inquired
Richard.

"Why, just as you may suppose," said Mr. Jarndyce, his countenance
suddenly falling. "It is said that the children of the very poor are
not brought up, but dragged up. Harold Skimpole's children have
tumbled up somehow or other. The wind's getting round again, I am
afraid. I feel it rather!"

Richard observed that the situation was exposed on a sharp night.

"It IS exposed," said Mr. Jarndyce. "No doubt that's the cause. Bleak
House has an exposed sound. But you are coming my way. Come along!"

Our luggage having arrived and being all at hand, I was dressed in a
few minutes and engaged in putting my worldly goods away when a maid
(not the one in attendance upon Ada, but another, whom I had not
seen) brought a basket into my room with two bunches of keys in it,
all labelled.

"For you, miss, if you please," said she.

"For me?" said I.

"The housekeeping keys, miss."

I showed my surprise, for she added with some little surprise on her
own part, "I was told to bring them as soon as you was alone, miss.
Miss Summerson, if I don't deceive myself?"

"Yes," said I. "That is my name."

"The large bunch is the housekeeping, and the little bunch is the
cellars, miss. Any time you was pleased to appoint to-morrow morning,
I was to show you the presses and things they belong to."

I said I would be ready at half-past six, and after she was gone,
stood looking at the basket, quite lost in the magnitude of my trust.
Ada found me thus and had such a delightful confidence in me when I
showed her the keys and told her about them that it would have been
insensibility and ingratitude not to feel encouraged. I knew, to be
sure, that it was the dear girl's kindness, but I liked to be so
pleasantly cheated.

When we went downstairs, we were presented to Mr. Skimpole, who was
standing before the fire telling Richard how fond he used to be, in
his school-time, of football. He was a little bright creature with a
rather large head, but a delicate face and a sweet voice, and there
was a perfect charm in him. All he said was so free from effort and
spontaneous and was said with such a captivating gaiety that it was
fascinating to hear him talk. Being of a more slender figure than Mr.
Jarndyce and having a richer complexion, with browner hair, he looked
younger. Indeed, he had more the appearance in all respects of a
damaged young man than a well-preserved elderly one. There was an
easy negligence in his manner and even in his dress (his hair
carelessly disposed, and his neck-kerchief loose and flowing, as I
have seen artists paint their own portraits) which I could not
separate from the idea of a romantic youth who had undergone some
unique process of depreciation. It struck me as being not at all like
the manner or appearance of a man who had advanced in life by the
usual road of years, cares, and experiences.

I gathered from the conversation that Mr. Skimpole had been educated
for the medical profession and had once lived, in his professional
capacity, in the household of a German prince. He told us, however,
that as he had always been a mere child in point of weights and
measures and had never known anything about them (except that they
disgusted him), he had never been able to prescribe with the
requisite accuracy of detail. In fact, he said, he had no head for
detail. And he told us, with great humour, that when he was wanted to
bleed the prince or physic any of his people, he was generally found
lying on his back in bed, reading the newspapers or making
fancy-sketches in pencil, and couldn't come. The prince, at last,
objecting to this, "in which," said Mr. Skimpole, in the frankest
manner, "he was perfectly right," the engagement terminated, and Mr.
Skimpole having (as he added with delightful gaiety) "nothing to live
upon but love, fell in love, and married, and surrounded himself with
rosy cheeks." His good friend Jarndyce and some other of his good
friends then helped him, in quicker or slower succession, to several
openings in life, but to no purpose, for he must confess to two of
the oldest infirmities in the world: one was that he had no idea of
time, the other that he had no idea of money. In consequence of which
he never kept an appointment, never could transact any business, and
never knew the value of anything! Well! So he had got on in life, and
here he was! He was very fond of reading the papers, very fond of
making fancy-sketches with a pencil, very fond of nature, very fond
of art. All he asked of society was to let him live. THAT wasn't
much. His wants were few. Give him the papers, conversation, music,
mutton, coffee, landscape, fruit in the season, a few sheets of
Bristol-board, and a little claret, and he asked no more. He was a
mere child in the world, but he didn't cry for the moon. He said to
the world, "Go your several ways in peace! Wear red coats, blue
coats, lawn sleeves; put pens behind your ears, wear aprons; go after
glory, holiness, commerce, trade, any object you prefer; only--let
Harold Skimpole live!"

All this and a great deal more he told us, not only with the
utmost brilliancy and enjoyment, but with a certain vivacious
candour--speaking of himself as if he were not at all his own affair,
as if Skimpole were a third person, as if he knew that Skimpole had
his singularities but still had his claims too, which were the
general business of the community and must not be slighted. He was
quite enchanting. If I felt at all confused at that early time in
endeavouring to reconcile anything he said with anything I had
thought about the duties and accountabilities of life (which I am far
from sure of), I was confused by not exactly understanding why he was
free of them. That he WAS free of them, I scarcely doubted; he was so
very clear about it himself.

"I covet nothing," said Mr. Skimpole in the same light way.
"Possession is nothing to me. Here is my friend Jarndyce's excellent
house. I feel obliged to him for possessing it. I can sketch it and
alter it. I can set it to music. When I am here, I have sufficient
possession of it and have neither trouble, cost, nor responsibility.
My steward's name, in short, is Jarndyce, and he can't cheat me. We
have been mentioning Mrs. Jellyby. There is a bright-eyed woman, of a
strong will and immense power of business detail, who throws herself
into objects with surprising ardour! I don't regret that I have not a
strong will and an immense power of business detail to throw myself
into objects with surprising ardour. I can admire her without envy. I
can sympathize with the objects. I can dream of them. I can lie down
on the grass--in fine weather--and float along an African river,
embracing all the natives I meet, as sensible of the deep silence and
sketching the dense overhanging tropical growth as accurately as if I
were there. I don't know that it's of any direct use my doing so, but
it's all I can do, and I do it thoroughly. Then, for heaven's sake,
having Harold Skimpole, a confiding child, petitioning you, the
world, an agglomeration of practical people of business habits, to
let him live and admire the human family, do it somehow or other,
like good souls, and suffer him to ride his rocking-horse!"

It was plain enough that Mr. Jarndyce had not been neglectful of the
adjuration. Mr. Skimpole's general position there would have rendered
it so without the addition of what he presently said.

"It's only you, the generous creatures, whom I envy," said Mr.
Skimpole, addressing us, his new friends, in an impersonal manner. "I
envy you your power of doing what you do. It is what I should revel
in myself. I don't feel any vulgar gratitude to you. I almost feel as
if YOU ought to be grateful to ME for giving you the opportunity of
enjoying the luxury of generosity. I know you like it. For anything I
can tell, I may have come into the world expressly for the purpose of
increasing your stock of happiness. I may have been born to be a
benefactor to you by sometimes giving you an opportunity of assisting
me in my little perplexities. Why should I regret my incapacity for
details and worldly affairs when it leads to such pleasant
consequences? I don't regret it therefore."

Of all his playful speeches (playful, yet always fully meaning what
they expressed) none seemed to be more to the taste of Mr. Jarndyce
than this. I had often new temptations, afterwards, to wonder whether
it was really singular, or only singular to me, that he, who was
probably the most grateful of mankind upon the least occasion, should
so desire to escape the gratitude of others.

We were all enchanted. I felt it a merited tribute to the engaging
qualities of Ada and Richard that Mr. Skimpole, seeing them for the
first time, should be so unreserved and should lay himself out to be
so exquisitely agreeable. They (and especially Richard) were
naturally pleased, for similar reasons, and considered it no common
privilege to be so freely confided in by such an attractive man. The
more we listened, the more gaily Mr. Skimpole talked. And what with
his fine hilarious manner and his engaging candour and his genial way
of lightly tossing his own weaknesses about, as if he had said, "I am
a child, you know! You are designing people compared with me" (he
really made me consider myself in that light) "but I am gay and
innocent; forget your worldly arts and play with me!" the effect was
absolutely dazzling.

He was so full of feeling too and had such a delicate sentiment for
what was beautiful or tender that he could have won a heart by that
alone. In the evening, when I was preparing to make tea and Ada was
touching the piano in the adjoining room and softly humming a tune to
her cousin Richard, which they had happened to mention, he came and
sat down on the sofa near me and so spoke of Ada that I almost loved
him.

"She is like the morning," he said. "With that golden hair, those
blue eyes, and that fresh bloom on her cheek, she is like the summer
morning. The birds here will mistake her for it. We will not call
such a lovely young creature as that, who is a joy to all mankind, an
orphan. She is the child of the universe."

Mr. Jarndyce, I found, was standing near us with his hands behind him
and an attentive smile upon his face.

"The universe," he observed, "makes rather an indifferent parent, I
am afraid."

"Oh! I don't know!" cried Mr. Skimpole buoyantly.

"I think I do know," said Mr. Jarndyce.

"Well!" cried Mr. Skimpole. "You know the world (which in your sense
is the universe), and I know nothing of it, so you shall have your
way. But if I had mine," glancing at the cousins, "there should be no
brambles of sordid realities in such a path as that. It should be
strewn with roses; it should lie through bowers, where there was no
spring, autumn, nor winter, but perpetual summer. Age or change
should never wither it. The base word money should never be breathed
near it!"

Mr. Jarndyce patted him on the head with a smile, as if he had been
really a child, and passing a step or two on, and stopping a moment,
glanced at the young cousins. His look was thoughtful, but had a
benignant expression in it which I often (how often!) saw again,
which has long been engraven on my heart. The room in which they
were, communicating with that in which he stood, was only lighted by
the fire. Ada sat at the piano; Richard stood beside her, bending
down. Upon the wall, their shadows blended together, surrounded by
strange forms, not without a ghostly motion caught from the unsteady
fire, though reflecting from motionless objects. Ada touched the
notes so softly and sang so low that the wind, sighing away to the
distant hills, was as audible as the music. The mystery of the future
and the little clue afforded to it by the voice of the present seemed
expressed in the whole picture.

But it is not to recall this fancy, well as I remember it, that I
recall the scene. First, I was not quite unconscious of the contrast
in respect of meaning and intention between the silent look directed
that way and the flow of words that had preceded it. Secondly, though
Mr. Jarndyce's glance as he withdrew it rested for but a moment on
me, I felt as if in that moment he confided to me--and knew that he
confided to me and that I received the confidence--his hope that Ada
and Richard might one day enter on a dearer relationship.

Mr. Skimpole could play on the piano and the violoncello, and he was
a composer--had composed half an opera once, but got tired of it--and
played what he composed with taste. After tea we had quite a little
concert, in which Richard--who was enthralled by Ada's singing and
told me that she seemed to know all the songs that ever were
written--and Mr. Jarndyce, and I were the audience. After a little
while I missed first Mr. Skimpole and afterwards Richard, and while I
was thinking how could Richard stay away so long and lose so much,
the maid who had given me the keys looked in at the door, saying, "If
you please, miss, could you spare a minute?"

When I was shut out with her in the hall, she said, holding up her
hands, "Oh, if you please, miss, Mr. Carstone says would you come
upstairs to Mr. Skimpole's room. He has been took, miss!"

"Took?" said I.

"Took, miss. Sudden," said the maid.

I was apprehensive that his illness might be of a dangerous kind, but
of course I begged her to be quiet and not disturb any one and
collected myself, as I followed her quickly upstairs, sufficiently to
consider what were the best remedies to be applied if it should prove
to be a fit. She threw open a door and I went into a chamber, where,
to my unspeakable surprise, instead of finding Mr. Skimpole stretched
upon the bed or prostrate on the floor, I found him standing before
the fire smiling at Richard, while Richard, with a face of great
embarrassment, looked at a person on the sofa, in a white great-coat,
with smooth hair upon his head and not much of it, which he was
wiping smoother and making less of with a pocket-handkerchief.

"Miss Summerson," said Richard hurriedly, "I am glad you are come.
You will be able to advise us. Our friend Mr. Skimpole--don't be
alarmed!--is arrested for debt."

"And really, my dear Miss Summerson," said Mr. Skimpole with his
agreeable candour, "I never was in a situation in which that
excellent sense and quiet habit of method and usefulness, which
anybody must observe in you who has the happiness of being a quarter
of an hour in your society, was more needed."

The person on the sofa, who appeared to have a cold in his head, gave
such a very loud snort that he startled me.

"Are you arrested for much, sir?" I inquired of Mr. Skimpole.

"My dear Miss Summerson," said he, shaking his head pleasantly, "I
don't know. Some pounds, odd shillings, and halfpence, I think, were
mentioned."

"It's twenty-four pound, sixteen, and sevenpence ha'penny," observed
the stranger. "That's wot it is."

"And it sounds--somehow it sounds," said Mr. Skimpole, "like a small
sum?"

The strange man said nothing but made another snort. It was such a
powerful one that it seemed quite to lift him out of his seat.

"Mr. Skimpole," said Richard to me, "has a delicacy in applying to my
cousin Jarndyce because he has lately--I think, sir, I understood you
that you had lately--"

"Oh, yes!" returned Mr. Skimpole, smiling. "Though I forgot how much
it was and when it was. Jarndyce would readily do it again, but I
have the epicure-like feeling that I would prefer a novelty in help,
that I would rather," and he looked at Richard and me, "develop
generosity in a new soil and in a new form of flower."

"What do you think will be best, Miss Summerson?" said Richard,
aside.

I ventured to inquire, generally, before replying, what would happen
if the money were not produced.

"Jail," said the strange man, coolly putting his handkerchief into
his hat, which was on the floor at his feet. "Or Coavinses."

"May I ask, sir, what is--"

"Coavinses?" said the strange man. "A 'ouse."

Richard and I looked at one another again. It was a most singular
thing that the arrest was our embarrassment and not Mr. Skimpole's.
He observed us with a genial interest, but there seemed, if I may
venture on such a contradiction, nothing selfish in it. He had
entirely washed his hands of the difficulty, and it had become ours.

"I thought," he suggested, as if good-naturedly to help us out, "that
being parties in a Chancery suit concerning (as people say) a large
amount of property, Mr. Richard or his beautiful cousin, or both,
could sign something, or make over something, or give some sort of
undertaking, or pledge, or bond? I don't know what the business name
of it may be, but I suppose there is some instrument within their
power that would settle this?"

"Not a bit on it," said the strange man.

"Really?" returned Mr. Skimpole. "That seems odd, now, to one who is
no judge of these things!"

"Odd or even," said the stranger gruffly, "I tell you, not a bit on
it!"

"Keep your temper, my good fellow, keep your temper!" Mr. Skimpole
gently reasoned with him as he made a little drawing of his head on
the fly-leaf of a book. "Don't be ruffled by your occupation. We can
separate you from your office; we can separate the individual from
the pursuit. We are not so prejudiced as to suppose that in private
life you are otherwise than a very estimable man, with a great deal
of poetry in your nature, of which you may not be conscious."

The stranger only answered with another violent snort, whether in
acceptance of the poetry-tribute or in disdainful rejection of it, he
did not express to me.

"Now, my dear Miss Summerson, and my dear Mr. Richard," said Mr.
Skimpole gaily, innocently, and confidingly as he looked at his
drawing with his head on one side, "here you see me utterly incapable
of helping myself, and entirely in your hands! I only ask to be free.
The butterflies are free. Mankind will surely not deny to Harold
Skimpole what it concedes to the butterflies!"

"My dear Miss Summerson," said Richard in a whisper, "I have ten
pounds that I received from Mr. Kenge. I must try what that will do."

I possessed fifteen pounds, odd shillings, which I had saved from my
quarterly allowance during several years. I had always thought that
some accident might happen which would throw me suddenly, without any
relation or any property, on the world and had always tried to keep
some little money by me that I might not be quite penniless. I told
Richard of my having this little store and having no present need of
it, and I asked him delicately to inform Mr. Skimpole, while I should
be gone to fetch it, that we would have the pleasure of paying his
debt.

When I came back, Mr. Skimpole kissed my hand and seemed quite
touched. Not on his own account (I was again aware of that perplexing
and extraordinary contradiction), but on ours, as if personal
considerations were impossible with him and the contemplation of our
happiness alone affected him. Richard, begging me, for the greater
grace of the transaction, as he said, to settle with Coavinses (as
Mr. Skimpole now jocularly called him), I counted out the money and
received the necessary acknowledgment. This, too, delighted Mr.
Skimpole.

His compliments were so delicately administered that I blushed less
than I might have done and settled with the stranger in the white
coat without making any mistakes. He put the money in his pocket and
shortly said, "Well, then, I'll wish you a good evening, miss.

"My friend," said Mr. Skimpole, standing with his back to the fire
after giving up the sketch when it was half finished, "I should like
to ask you something, without offence."

I think the reply was, "Cut away, then!"

"Did you know this morning, now, that you were coming out on this
errand?" said Mr. Skimpole.

"Know'd it yes'day aft'noon at tea-time," said Coavinses.

"It didn't affect your appetite? Didn't make you at all uneasy?"

"Not a bit," said Coavinses. "I know'd if you wos missed to-day, you
wouldn't be missed to-morrow. A day makes no such odds."

"But when you came down here," proceeded Mr. Skimpole, "it was a fine
day. The sun was shining, the wind was blowing, the lights and
shadows were passing across the fields, the birds were singing."

"Nobody said they warn't, in MY hearing," returned Coavinses.

"No," observed Mr. Skimpole. "But what did you think upon the road?"

"Wot do you mean?" growled Coavinses with an appearance of strong
resentment. "Think! I've got enough to do, and little enough to get
for it without thinking. Thinking!" (with profound contempt).

"Then you didn't think, at all events," proceeded Mr. Skimpole, "to
this effect: 'Harold Skimpole loves to see the sun shine, loves to
hear the wind blow, loves to watch the changing lights and shadows,
loves to hear the birds, those choristers in Nature's great
cathedral. And does it seem to me that I am about to deprive Harold
Skimpole of his share in such possessions, which are his only
birthright!' You thought nothing to that effect?"

"I--certainly--did--NOT," said Coavinses, whose doggedness in utterly
renouncing the idea was of that intense kind that he could only give
adequate expression to it by putting a long interval between each
word, and accompanying the last with a jerk that might have
dislocated his neck.

"Very odd and very curious, the mental process is, in you men of
business!" said Mr. Skimpole thoughtfully. "Thank you, my friend.
Good night."

As our absence had been long enough already to seem strange
downstairs, I returned at once and found Ada sitting at work by the
fireside talking to her cousin John. Mr. Skimpole presently appeared,
and Richard shortly after him. I was sufficiently engaged during the
remainder of the evening in taking my first lesson in backgammon from
Mr. Jarndyce, who was very fond of the game and from whom I wished of
course to learn it as quickly as I could in order that I might be of
the very small use of being able to play when he had no better
adversary. But I thought, occasionally, when Mr. Skimpole played some
fragments of his own compositions or when, both at the piano and the
violoncello, and at our table, he preserved with an absence of all
effort his delightful spirits and his easy flow of conversation, that
Richard and I seemed to retain the transferred impression of having
been arrested since dinner and that it was very curious altogether.

It was late before we separated, for when Ada was going at eleven
o'clock, Mr. Skimpole went to the piano and rattled hilariously that
the best of all ways to lengthen our days was to steal a few hours
from night, my dear! It was past twelve before he took his candle and
his radiant face out of the room, and I think he might have kept us
there, if he had seen fit, until daybreak. Ada and Richard were
lingering for a few moments by the fire, wondering whether Mrs.
Jellyby had yet finished her dictation for the day, when Mr.
Jarndyce, who had been out of the room, returned.

"Oh, dear me, what's this, what's this!" he said, rubbing his head
and walking about with his good-humoured vexation. "What's this they
tell me? Rick, my boy, Esther, my dear, what have you been doing? Why
did you do it? How could you do it? How much apiece was it? The
wind's round again. I feel it all over me!"

We neither of us quite knew what to answer.

"Come, Rick, come! I must settle this before I sleep. How much are
you out of pocket? You two made the money up, you know! Why did you?
How could you? Oh, Lord, yes, it's due east--must be!"

"Really, sir," said Richard, "I don't think it would be honourable in
me to tell you. Mr. Skimpole relied upon us--"

"Lord bless you, my dear boy! He relies upon everybody!" said Mr.
Jarndyce, giving his head a great rub and stopping short.

"Indeed, sir?"

"Everybody! And he'll be in the same scrape again next week!" said
Mr. Jarndyce, walking again at a great pace, with a candle in his
hand that had gone out. "He's always in the same scrape. He was born
in the same scrape. I verily believe that the announcement in the
newspapers when his mother was confined was 'On Tuesday last, at her
residence in Botheration Buildings, Mrs. Skimpole of a son in
difficulties.'"

Richard laughed heartily but added, "Still, sir, I don't want to
shake his confidence or to break his confidence, and if I submit to
your better knowledge again, that I ought to keep his secret, I hope
you will consider before you press me any more. Of course, if you do
press me, sir, I shall know I am wrong and will tell you."

"Well!" cried Mr. Jarndyce, stopping again, and making several absent
endeavours to put his candlestick in his pocket. "I--here! Take it
away, my dear. I don't know what I am about with it; it's all the
wind--invariably has that effect--I won't press you, Rick; you may be
right. But really--to get hold of you and Esther--and to squeeze you
like a couple of tender young Saint Michael's oranges! It'll blow a
gale in the course of the night!"

He was now alternately putting his hands into his pockets as if he
were going to keep them there a long time, and taking them out again
and vehemently rubbing them all over his head.

I ventured to take this opportunity of hinting that Mr. Skimpole,
being in all such matters quite a child--

"Eh, my dear?" said Mr. Jarndyce, catching at the word.

"Being quite a child, sir," said I, "and so different from other
people--"

"You are right!" said Mr. Jarndyce, brightening. "Your woman's wit
hits the mark. He is a child--an absolute child. I told you he was a
child, you know, when I first mentioned him."

Certainly! Certainly! we said.

"And he IS a child. Now, isn't he?" asked Mr. Jarndyce, brightening
more and more.

He was indeed, we said.

"When you come to think of it, it's the height of childishness in
you--I mean me--" said Mr. Jarndyce, "to regard him for a moment as a
man. You can't make HIM responsible. The idea of Harold Skimpole with
designs or plans, or knowledge of consequences! Ha, ha, ha!"

It was so delicious to see the clouds about his bright face clearing,
and to see him so heartily pleased, and to know, as it was impossible
not to know, that the source of his pleasure was the goodness which
was tortured by condemning, or mistrusting, or secretly accusing any
one, that I saw the tears in Ada's eyes, while she echoed his laugh,
and felt them in my own.

"Why, what a cod's head and shoulders I am," said Mr. Jarndyce, "to
require reminding of it! The whole business shows the child from
beginning to end. Nobody but a child would have thought of singling
YOU two out for parties in the affair! Nobody but a child would have
thought of YOUR having the money! If it had been a thousand pounds,
it would have been just the same!" said Mr. Jarndyce with his whole
face in a glow.

We all confirmed it from our night's experience.

"To be sure, to be sure!" said Mr. Jarndyce. "However, Rick, Esther,
and you too, Ada, for I don't know that even your little purse is
safe from his inexperience--I must have a promise all round that
nothing of this sort shall ever be done any more. No advances! Not
even sixpences."

We all promised faithfully, Richard with a merry glance at me
touching his pocket as if to remind me that there was no danger of
OUR transgressing.

"As to Skimpole," said Mr. Jarndyce, "a habitable doll's house with
good board and a few tin people to get into debt with and borrow
money of would set the boy up in life. He is in a child's sleep by
this time, I suppose; it's time I should take my craftier head to my
more worldly pillow. Good night, my dears. God bless you!"

He peeped in again, with a smiling face, before we had lighted our
candles, and said, "Oh! I have been looking at the weather-cock. I
find it was a false alarm about the wind. It's in the south!" And
went away singing to himself.

Ada and I agreed, as we talked together for a little while upstairs,
that this caprice about the wind was a fiction and that he used the
pretence to account for any disappointment he could not conceal,
rather than he would blame the real cause of it or disparage or
depreciate any one. We thought this very characteristic of his
eccentric gentleness and of the difference between him and those
petulant people who make the weather and the winds (particularly that
unlucky wind which he had chosen for such a different purpose) the
stalking-horses of their splenetic and gloomy humours.

Indeed, so much affection for him had been added in this one evening
to my gratitude that I hoped I already began to understand him
through that mingled feeling. Any seeming inconsistencies in Mr.
Skimpole or in Mrs. Jellyby I could not expect to be able to
reconcile, having so little experience or practical knowledge.
Neither did I try, for my thoughts were busy when I was alone, with
Ada and Richard and with the confidence I had seemed to receive
concerning them. My fancy, made a little wild by the wind perhaps,
would not consent to be all unselfish, either, though I would have
persuaded it to be so if I could. It wandered back to my godmother's
house and came along the intervening track, raising up shadowy
speculations which had sometimes trembled there in the dark as to
what knowledge Mr. Jarndyce had of my earliest history--even as to
the possibility of his being my father, though that idle dream was
quite gone now.

It was all gone now, I remembered, getting up from the fire. It was
not for me to muse over bygones, but to act with a cheerful spirit
and a grateful heart. So I said to myself, "Esther, Esther, Esther!
Duty, my dear!" and gave my little basket of housekeeping keys such a
shake that they sounded like little bells and rang me hopefully to
bed.

OK, so the troupe gets the heck out of Dodge, and with every mile out of the city the weather looks nicer and the outdoors greener and more pleasant. Richard and Ada discuss the fact that Mr. Jarndyce's least-favorite thing in the world is to be thanked for the many good things he does. Like, one time he saw Ada's mom coming to say thanks and ran away from his house for three months. Um, OK. They prepare themselves to not thank him for anything. When they get to Bleak House, Mr. Jarndyce meets them, calls them by their first names, which was a huge deal back then, and really only reserved for family - meaning he's super warm and friendly and wants to be close. Ada kind of very slightly hints at possibly being grateful to him, and he almost bolts but doesn't. Mr. Jarndyce asks the gang about Mrs. Jellyby. They all kind of hem and haw about how dedicated she is to the Africans and then finally confess that she's an off-putting mess. He seems concerned and talks about how the wind is suddenly in the east. OK, a little Shmooptastic aside. This whole wind-in-the-east business is Jarndyce's way of indicating that he's upset about something. Once he calms down, he says the wind is no longer in the east. It's based on a proverbial idea that an east wind blows disease and bad odors or something. Fun brain snack: the east wind is also an evil force in the Old Testament and The Lord of the Rings trilogy. Then again, it's the east wind that blows Mary Poppins to the Banks children, so it's not always a bad thing. OK, then, where were we? Oh, yes. Ada calms Jarndyce down about the Jellybys by telling him that Esther was super awesome in dealing with the kids there. Esther is all shy and denies doing much. She says Ada is just being nice, but Ada insists. Mutual admiration society. Jarndyce takes them on a tour of the house, which is old and irregular, with additions built onto the original structure in no particular sense or order. Esther loves it. Jarndyce announces dinner in a half an hour and tells them about his friend Harold Skimpole who will join them. First, though, Esther gets the keys to the castle, literally. Every wonder what that expression means? Well, in a large household, the person running the place was the housekeeper, who managed the servants, the kitchen, the cleaning of the house, etc. And to do all that, the housekeeper would have keys to all the doors, closets, storage rooms, the wine cellar, the linen cupboards, the pantry, the silverware drawers, and whatever else. Basically, it's a big deal. Esther can't believe the crazy honor and huge responsibility of the keys. It's far, far more important than just being a governess. Dinnertime. Our friends meet Harold Skimpole, who is an easy-going, totally relaxed dude who happily tells them that he is a naive imbecile when it comes to money, property, time, duty, responsibility, or any of the other things grownups have to deal with. He's tried being a doctor and a painter but isn't really into working or supporting his wife and children, so he just sponges off Jarndyce. He actually tells them all of this. Of course, our first reaction is ewww, what a horrible person. But Esther is charmed by the fact that he's telling them these seemingly personal things up front and that he's so friendly. Exactly how good-looking would he have to be to make all of this sound delightful rather than disgusting? Moving along. After dinner, Esther is suddenly called to take care of Skimpole, who has been "took." She thinks that means he's had some kind of fit, but when she gets to his room, she finds him about to be arrested for debts. Richard is already there. Skimpole is not embarrassed in the least by the situation, which totally floors Esther, who feels doubly embarrassed on his behalf. Actually he's so unembarrassed that he hits Richard and Esther up for money to avoid going to debtors' prison. He is completely unselfconscious about the whole matter. They spend what little they have paying the man who has come to arrest him. Skimpole nicknames this man Coavinses, after the name of the prison where he was about to go. He then asks Coavinses whether he felt bad about coming to arrest him. Coavinses says no. Later that night Jarndyce finds out this nonsense and is upset that Richard and Esther paid the money instead of just going to find him. He tells them that Skimpole has this sort of problem almost every week and that they shouldn't bail him out any more, but should just tell him and he'll do it. Because that's just the kind of enabling friend he is. He's kind of mad at Skimpole for asking Richard and Esther for money in the first place but then decides that this just shows how naive and innocent the guy is. For the record, Skimpole is not innocent or naive. It's pretty clear from his conversation that he knows everything about everything and this whole naive shtick is an act. Finally everyone goes to bed, and Esther wonders how Skimpole has managed to avoid having any responsibilities whatsoever.

Esther, Ada, and Richard arrive at Bleak House and meet the benevolent, self-effacing Mr. Jarndyce. Esther recognizes him as the kindly gentleman who shared a stagecoach with her six years ago. The young people find the old-fashioned house much to their liking. They meet Mr. Skimpole, a gracious but irresponsible dilettante whom John Jarndyce has taken under his protection. Under arrest for a small debt, Skimpole appeals to Richard and Esther; they combine their pocket money to save him from imprisonment. Learning of this incident, Mr. Jarndyce warns the young people never to advance any money whatever for Skimpole's debts. Esther looks forward cheerfully to her new role as housekeeper.

Having presented the dreary, inhumane, and maddening world of Chancery and the equally intolerable world of the Jellybys, Dickens needs to put such disorder fully into perspective. He does so -- again using sharp contrast: Bleak House and its owner symbolize the lively contentedness, hope, and creativity that prevail when human affairs are rightly ordered. Through the figure of Mr. Jarndyce, Dickens reinforces the optimistic message already implied in the portrayal of Esther: It is possible for goodness to triumph completely within the individual, and when it does, the individual will naturally seek to rescue and comfort those who are victimized by the operations of false values. To be effective -- to make a difference in the world -- human goodness requires a sense of responsibility and an active will. Mr. Skimpole, though effusively warm and vaguely good-natured, does not have these qualities; Mr. Jarndyce does. Harold Skimpole's irresponsibility is so extreme that it is dangerous; thus Chapter 6 is humorous, but it is also morally instructive.

"Quite at Home" Esther, Richard, and Ada leave the city and head deep into the country. The wagon stops, and the driver comes around to talk to them. In his hat are three notes, one for each child. The notes are from Richard and Ada's cousin, John Jarndyce, and contain a message welcoming each child to his home. Richard and Ada have the impression that their cousin is chronically unable to accept thanks and that he will go to great lengths to avoid having people express gratitude. The three are excited and nervous to meet him. Bleak House sits atop a hill and finally comes into view. Mr. Jarndyce greets the trio enthusiastically and takes them all inside. Esther recognizes him as a man she had seen in a stagecoach many years ago. Mr. Jarndyce encourages them to say what they really think about Mrs. Jellyby, then worries that the wind is in the east. Ada extols Esther's behavior, telling Mr. Jarndyce that she cared for the children and made herself useful. Mr. Jarndyce asks Richard about the wind and is relieved that it is coming from the north, not the east. Esther describes Bleak House, which is made up of a complex warren of rooms that one can easily get lost in. She, Ada, and Richard like the house. Mr. Jarndyce announces a visitor for dinner, who he claims is a child but not a real child. He says that this person has many children but doesn't look after them because he himself is a child. He then notes that the wind seems to be stirring up. Mr. Jarndyce gives Esther two bunches of keys for the housekeeping. Esther is pleased that he trusts her so much. Harold Skimpole, the childlike man, arrives. He describes himself and says that he has no idea about time or money and has therefore never made much of himself. He just wants to live freely. Everyone is enchanted by him. Richard and Ada sing together by the piano, and Mr. Skimpole greatly admires Ada's beauty. Esther thinks Mr. Jarndyce gives her a look suggesting that he hopes Richard and Ada's relationship will grow deeper someday. Richard and Mr. Skimpole go off together and eventually Richard sends for Esther. He tells her that Mr. Skimpole has been arrested for debt and needs money. She and Richard gather the sum he needs and give it to him so that he doesn't have to go to jail or to Coavinses, a poorhouse. Later, Mr. Jarndyce is horrified that they have given him money and says that Mr. Skimpole relies on everyone to keep him out of debt. He then complains of the wind. Then he relaxes and claims that Mr. Skimpole's irresponsibility is just part of his childishness and must be excused. Everyone goes to bed

When Esther, Richard, and Ada arrive at Bleak House, they have many chances to form first impressions of places and people. They first see Bleak House in the distance, on a hill. As they head quickly toward it, the house appears to disappear in the trees. The house's initial elusiveness suggests that seeing it completely--that is, understanding the house, its inhabitants, and what goes on within its walls--will prove difficult once the trio finally makes it their home. Their first impression of Mr. Jarndyce is formed in the chaos of their arrival, although his instant effusiveness and affection set them all at ease. Esther's description of the house, its many rooms, and the abundance of mismatched furniture suggests an overload of first impressions. As the house is confusing and mazelike, so too are Esther's first impressions, although Mr. Jarndyce is so welcoming that the impressions are in no way negative. Despite its name, Bleak House proves to be unintimidating and warm. Even though Esther frequently claims to be modest and uncomfortable with talking so much about herself, she clearly relishes the chance to do so and never misses an opportunity to mention her own good deeds and the praise others give her. When Mr. Jarndyce asks about their stay with the Jellybys in chapter 6, for example, Ada breathlessly tells him how wonderful Esther was with the children--details that Esther recounts in their entirety. When Mr. Jarndyce confides in Esther in the Growlery in chapter 8, he compliments her cleverness, discretion, and good advice, accolades that Esther vehemently denies but includes in her narrative nonetheless. In chapter 9, Esther goes so far as to claim, "I try to think about myself as little as possible," a claim that seems blatantly at odds with her narration so far. Esther's overabundance of self-denigration suggests that she actually holds the opposite view of herself. Mr. Skimpole and Mr. Boythorn, two vibrant characters Esther meets at Bleak House, are pleasant company but suggest that contradictions are inherent in every person. Skimpole has created a childlike image for himself, which allows him to avoid all responsibility and the consequences of his actions. He also sees himself as beneficent, although he always takes, never gives. For example, he depends on others to pay his debts for him, then believes that those people should be the grateful ones because he has given them the opportunity to be generous. Esther is confused by his twisted logic, calling it a "perplexing and extraordinary contradiction." However, she blames her confusion on her lack of cleverness. Mr. Boythorn exhibits contradictions in a less manipulative way, as his broken heart and the small pet bird that rest on his head belie his loud voice, explosive anger, and hyperbolic way of speaking. Esther herself reveals her own internal contradictions in her profession of modesty but clearly enjoys her own narration and inclusion in the tale. The story of the Ghost's Walk in chapter 7 is the first supernatural element in Bleak House and adds a layer of dark intrigue to the story. Since Bleak House was originally published as a serial, it makes sense for Dickens to include such a mystery, since it would surely compel readers to look forward to the next installment. Indeed, the second installment of the serial ends after chapter 7. Similarly, Mr. Guppy's out-of-the-blue marriage proposal in chapter 9 seems intended to add a bit of romance and melodrama to the tale. Mr. Guppy's affection seems so surprising that it's difficult to understand why Dickens would have included such a scene. On the other hand, the image of Esther sobbing to herself after Mr. Guppy leaves provides a touching, emotional moment with our heroine.

Quite at Home The day becomes brighter as they leave London for the green landscape of Hertfordshire and Bleak House. Each ward is given an identical letter by their guardian, John Jarndyce, explaining that they must all meet as old friends. Ada and Richard know that cousin John will not be thanked, that he actually runs out of the room if anyone expresses gratitude. Bleak House is old-fashioned, and they are met by cousin John with warm hospitality. He is about sixty but still handsome. He asks the young people to tell their real thoughts about the Jellybys, who have tried to get money from him for the cause. When they try to tell the cruelty to the Jellyby children, John mentions "the wind is in the east" , his phrase for anything bad that happens. The wards immediately love their guardian and settle into their new home. Esther is given the keys to the house, for she is now entrusted with the management of Bleak House. At dinner they are introduced to Harold Skimpole, a friend of John's, who is "a child," an "Amateur" who does not bother to do anything but sponge off his friends. He has a dozen children whom he does not look after. He is charming and negligent, explaining his philosophy that all he asked of society was to let him live. "The butterflies are free," he says . Skimpole gets Esther and Rick alone in an upstairs room where he is being threatened by the sheriff's man with arrest for debt. He manages to get them to pay the money and acts like he is doing them a favor to let them help him. Esther learns backgammon to be a partner for John, and Richard and Ada enjoy the music of her piano in the other room. In this happiness, Esther briefly wonders if John is her father.

Commentary on Chapter VI The warmth of Bleak House and its makeshift family is the kind of sentimental and homey scene Dickens does as well as he does the underworld. John is fatherly, as Esther is motherly. Richard and Ada are already falling in love. John, though generous, is no fool. He asks for a report about the Jellybys, and mentions that he sent them there on purpose to see what was going on. At the mention of the cruelty to the children, John sensitively turns away. He is a true-hearted innocent, as contrasted to the self-proclaimed innocent, Skimpole. Esther, though she claims not to be clever, is so acute that she is able to see through Skimpole's pose. He is proud of his irresponsibility, claiming to be a child, a "butterfly" and that it is society's duty to take care of him. Esther is skeptical of this philosophy. Skimpole is Dickens's satire on the figure of Leigh Hunt, the friend of freethinker Percy Bysshe Shelley, Byron, and John Keats. Hunt was a poet, critic, journalist, and liberal thinker of his time, though aging by the eighteen-fifties. He established one of the most famous periodicals, The Examiner, in which he published liberal writers. In poverty most of his life, with ten children, he had a charming personality, and a sort of gypsy and chaotic home, into which he invited young writers, among them Dickens, who helped organize a pension for him. The warmth of Bleak House contrasts with the coldness of the Dedlock home, Chesney Wold, in Lincolnshire, in the next chapter.


While Esther sleeps, and while Esther wakes, it is still wet weather
down at the place in Lincolnshire. The rain is ever falling--drip,
drip, drip--by day and night upon the broad flagged terrace-pavement,
the Ghost's Walk. The weather is so very bad down in Lincolnshire
that the liveliest imagination can scarcely apprehend its ever being
fine again. Not that there is any superabundant life of imagination
on the spot, for Sir Leicester is not here (and, truly, even if he
were, would not do much for it in that particular), but is in Paris
with my Lady; and solitude, with dusky wings, sits brooding upon
Chesney Wold.

There may be some motions of fancy among the lower animals at Chesney
Wold. The horses in the stables--the long stables in a barren,
red-brick court-yard, where there is a great bell in a turret, and a
clock with a large face, which the pigeons who live near it and who
love to perch upon its shoulders seem to be always consulting--THEY
may contemplate some mental pictures of fine weather on occasions,
and may be better artists at them than the grooms. The old roan, so
famous for cross-country work, turning his large eyeball to the
grated window near his rack, may remember the fresh leaves that
glisten there at other times and the scents that stream in, and may
have a fine run with the hounds, while the human helper, clearing out
the next stall, never stirs beyond his pitchfork and birch-broom. The
grey, whose place is opposite the door and who with an impatient
rattle of his halter pricks his ears and turns his head so wistfully
when it is opened, and to whom the opener says, "Woa grey, then,
steady! Noabody wants you to-day!" may know it quite as well as the
man. The whole seemingly monotonous and uncompanionable half-dozen,
stabled together, may pass the long wet hours when the door is shut
in livelier communication than is held in the servants' hall or at
the Dedlock Arms, or may even beguile the time by improving (perhaps
corrupting) the pony in the loose-box in the corner.

So the mastiff, dozing in his kennel in the court-yard with his large
head on his paws, may think of the hot sunshine when the shadows of
the stable-buildings tire his patience out by changing and leave him
at one time of the day no broader refuge than the shadow of his own
house, where he sits on end, panting and growling short, and very
much wanting something to worry besides himself and his chain. So
now, half-waking and all-winking, he may recall the house full of
company, the coach-houses full of vehicles, the stables full of
horses, and the out-buildings full of attendants upon horses, until
he is undecided about the present and comes forth to see how it is.
Then, with that impatient shake of himself, he may growl in the
spirit, "Rain, rain, rain! Nothing but rain--and no family here!" as
he goes in again and lies down with a gloomy yawn.

So with the dogs in the kennel-buildings across the park, who have
their restless fits and whose doleful voices when the wind has been
very obstinate have even made it known in the house itself--upstairs,
downstairs, and in my Lady's chamber. They may hunt the whole
country-side, while the raindrops are pattering round their
inactivity. So the rabbits with their self-betraying tails, frisking
in and out of holes at roots of trees, may be lively with ideas of
the breezy days when their ears are blown about or of those seasons
of interest when there are sweet young plants to gnaw. The turkey in
the poultry-yard, always troubled with a class-grievance (probably
Christmas), may be reminiscent of that summer morning wrongfully
taken from him when he got into the lane among the felled trees,
where there was a barn and barley. The discontented goose, who stoops
to pass under the old gateway, twenty feet high, may gabble out, if
we only knew it, a waddling preference for weather when the gateway
casts its shadow on the ground.

Be this as it may, there is not much fancy otherwise stirring at
Chesney Wold. If there be a little at any odd moment, it goes, like a
little noise in that old echoing place, a long way and usually leads
off to ghosts and mystery.

It has rained so hard and rained so long down in Lincolnshire that
Mrs. Rouncewell, the old housekeeper at Chesney Wold, has several
times taken off her spectacles and cleaned them to make certain that
the drops were not upon the glasses. Mrs. Rouncewell might have been
sufficiently assured by hearing the rain, but that she is rather
deaf, which nothing will induce her to believe. She is a fine old
lady, handsome, stately, wonderfully neat, and has such a back and
such a stomacher that if her stays should turn out when she dies to
have been a broad old-fashioned family fire-grate, nobody who knows
her would have cause to be surprised. Weather affects Mrs. Rouncewell
little. The house is there in all weathers, and the house, as she
expresses it, "is what she looks at." She sits in her room (in a side
passage on the ground floor, with an arched window commanding a
smooth quadrangle, adorned at regular intervals with smooth round
trees and smooth round blocks of stone, as if the trees were going to
play at bowls with the stones), and the whole house reposes on her
mind. She can open it on occasion and be busy and fluttered, but it
is shut up now and lies on the breadth of Mrs. Rouncewell's
iron-bound bosom in a majestic sleep.

It is the next difficult thing to an impossibility to imagine Chesney
Wold without Mrs. Rouncewell, but she has only been here fifty years.
Ask her how long, this rainy day, and she shall answer "fifty year,
three months, and a fortnight, by the blessing of heaven, if I live
till Tuesday." Mr. Rouncewell died some time before the decease of
the pretty fashion of pig-tails, and modestly hid his own (if he took
it with him) in a corner of the churchyard in the park near the
mouldy porch. He was born in the market-town, and so was his young
widow. Her progress in the family began in the time of the last Sir
Leicester and originated in the still-room.

The present representative of the Dedlocks is an excellent master. He
supposes all his dependents to be utterly bereft of individual
characters, intentions, or opinions, and is persuaded that he was
born to supersede the necessity of their having any. If he were to
make a discovery to the contrary, he would be simply stunned--would
never recover himself, most likely, except to gasp and die. But he is
an excellent master still, holding it a part of his state to be so.
He has a great liking for Mrs. Rouncewell; he says she is a most
respectable, creditable woman. He always shakes hands with her when
he comes down to Chesney Wold and when he goes away; and if he were
very ill, or if he were knocked down by accident, or run over, or
placed in any situation expressive of a Dedlock at a disadvantage, he
would say if he could speak, "Leave me, and send Mrs. Rouncewell
here!" feeling his dignity, at such a pass, safer with her than with
anybody else.

Mrs. Rouncewell has known trouble. She has had two sons, of whom the
younger ran wild, and went for a soldier, and never came back. Even
to this hour, Mrs. Rouncewell's calm hands lose their composure when
she speaks of him, and unfolding themselves from her stomacher, hover
about her in an agitated manner as she says what a likely lad, what a
fine lad, what a gay, good-humoured, clever lad he was! Her second
son would have been provided for at Chesney Wold and would have been
made steward in due season, but he took, when he was a schoolboy, to
constructing steam-engines out of saucepans and setting birds to draw
their own water with the least possible amount of labour, so
assisting them with artful contrivance of hydraulic pressure that a
thirsty canary had only, in a literal sense, to put his shoulder to
the wheel and the job was done. This propensity gave Mrs. Rouncewell
great uneasiness. She felt it with a mother's anguish to be a move in
the Wat Tyler direction, well knowing that Sir Leicester had that
general impression of an aptitude for any art to which smoke and a
tall chimney might be considered essential. But the doomed young
rebel (otherwise a mild youth, and very persevering), showing no sign
of grace as he got older but, on the contrary, constructing a model
of a power-loom, she was fain, with many tears, to mention his
backslidings to the baronet. "Mrs. Rouncewell," said Sir Leicester,
"I can never consent to argue, as you know, with any one on any
subject. You had better get rid of your boy; you had better get him
into some Works. The iron country farther north is, I suppose, the
congenial direction for a boy with these tendencies." Farther north
he went, and farther north he grew up; and if Sir Leicester Dedlock
ever saw him when he came to Chesney Wold to visit his mother, or
ever thought of him afterwards, it is certain that he only regarded
him as one of a body of some odd thousand conspirators, swarthy and
grim, who were in the habit of turning out by torchlight two or three
nights in the week for unlawful purposes.

Nevertheless, Mrs. Rouncewell's son has, in the course of nature and
art, grown up, and established himself, and married, and called unto
him Mrs. Rouncewell's grandson, who, being out of his apprenticeship,
and home from a journey in far countries, whither he was sent to
enlarge his knowledge and complete his preparations for the venture
of this life, stands leaning against the chimney-piece this very day
in Mrs. Rouncewell's room at Chesney Wold.

"And, again and again, I am glad to see you, Watt! And, once again, I
am glad to see you, Watt!" says Mrs. Rouncewell. "You are a fine
young fellow. You are like your poor uncle George. Ah!" Mrs.
Rouncewell's hands unquiet, as usual, on this reference.

"They say I am like my father, grandmother."

"Like him, also, my dear--but most like your poor uncle George! And
your dear father." Mrs. Rouncewell folds her hands again. "He is
well?"

"Thriving, grandmother, in every way."

"I am thankful!" Mrs. Rouncewell is fond of her son but has a
plaintive feeling towards him, much as if he were a very honourable
soldier who had gone over to the enemy.

"He is quite happy?" says she.

"Quite."

"I am thankful! So he has brought you up to follow in his ways and
has sent you into foreign countries and the like? Well, he knows
best. There may be a world beyond Chesney Wold that I don't
understand. Though I am not young, either. And I have seen a quantity
of good company too!"

"Grandmother," says the young man, changing the subject, "what a very
pretty girl that was I found with you just now. You called her Rosa?"

"Yes, child. She is daughter of a widow in the village. Maids are so
hard to teach, now-a-days, that I have put her about me young. She's
an apt scholar and will do well. She shows the house already, very
pretty. She lives with me at my table here."

"I hope I have not driven her away?"

"She supposes we have family affairs to speak about, I dare say. She
is very modest. It is a fine quality in a young woman. And scarcer,"
says Mrs. Rouncewell, expanding her stomacher to its utmost limits,
"than it formerly was!"

The young man inclines his head in acknowledgment of the precepts of
experience. Mrs. Rouncewell listens.

"Wheels!" says she. They have long been audible to the younger ears
of her companion. "What wheels on such a day as this, for gracious
sake?"

After a short interval, a tap at the door. "Come in!" A dark-eyed,
dark-haired, shy, village beauty comes in--so fresh in her rosy and
yet delicate bloom that the drops of rain which have beaten on her
hair look like the dew upon a flower fresh gathered.

"What company is this, Rosa?" says Mrs. Rouncewell.

"It's two young men in a gig, ma'am, who want to see the house--yes,
and if you please, I told them so!" in quick reply to a gesture of
dissent from the housekeeper. "I went to the hall-door and told them
it was the wrong day and the wrong hour, but the young man who was
driving took off his hat in the wet and begged me to bring this card
to you."

"Read it, my dear Watt," says the housekeeper.

Rosa is so shy as she gives it to him that they drop it between them
and almost knock their foreheads together as they pick it up. Rosa is
shyer than before.

"Mr. Guppy" is all the information the card yields.

"Guppy!" repeats Mrs. Rouncewell, "MR. Guppy! Nonsense, I never heard
of him!"

"If you please, he told ME that!" says Rosa. "But he said that he and
the other young gentleman came from London only last night by the
mail, on business at the magistrates' meeting, ten miles off, this
morning, and that as their business was soon over, and they had heard
a great deal said of Chesney Wold, and really didn't know what to do
with themselves, they had come through the wet to see it. They are
lawyers. He says he is not in Mr. Tulkinghorn's office, but he is
sure he may make use of Mr. Tulkinghorn's name if necessary."
Finding, now she leaves off, that she has been making quite a long
speech, Rosa is shyer than ever.

Now, Mr. Tulkinghorn is, in a manner, part and parcel of the place,
and besides, is supposed to have made Mrs. Rouncewell's will. The old
lady relaxes, consents to the admission of the visitors as a favour,
and dismisses Rosa. The grandson, however, being smitten by a sudden
wish to see the house himself, proposes to join the party. The
grandmother, who is pleased that he should have that interest,
accompanies him--though to do him justice, he is exceedingly
unwilling to trouble her.

"Much obliged to you, ma'am!" says Mr. Guppy, divesting himself of
his wet dreadnought in the hall. "Us London lawyers don't often get
an out, and when we do, we like to make the most of it, you know."

The old housekeeper, with a gracious severity of deportment, waves
her hand towards the great staircase. Mr. Guppy and his friend follow
Rosa; Mrs. Rouncewell and her grandson follow them; a young gardener
goes before to open the shutters.

As is usually the case with people who go over houses, Mr. Guppy and
his friend are dead beat before they have well begun. They straggle
about in wrong places, look at wrong things, don't care for the right
things, gape when more rooms are opened, exhibit profound depression
of spirits, and are clearly knocked up. In each successive chamber
that they enter, Mrs. Rouncewell, who is as upright as the house
itself, rests apart in a window-seat or other such nook and listens
with stately approval to Rosa's exposition. Her grandson is so
attentive to it that Rosa is shyer than ever--and prettier. Thus they
pass on from room to room, raising the pictured Dedlocks for a few
brief minutes as the young gardener admits the light, and
reconsigning them to their graves as he shuts it out again. It
appears to the afflicted Mr. Guppy and his inconsolable friend that
there is no end to the Dedlocks, whose family greatness seems to
consist in their never having done anything to distinguish themselves
for seven hundred years.

Even the long drawing-room of Chesney Wold cannot revive Mr. Guppy's
spirits. He is so low that he droops on the threshold and has hardly
strength of mind to enter. But a portrait over the chimney-piece,
painted by the fashionable artist of the day, acts upon him like a
charm. He recovers in a moment. He stares at it with uncommon
interest; he seems to be fixed and fascinated by it.

"Dear me!" says Mr. Guppy. "Who's that?"

"The picture over the fire-place," says Rosa, "is the portrait of the
present Lady Dedlock. It is considered a perfect likeness, and the
best work of the master."

"Blest," says Mr. Guppy, staring in a kind of dismay at his friend,
"if I can ever have seen her. Yet I know her! Has the picture been
engraved, miss?"

"The picture has never been engraved. Sir Leicester has always
refused permission."

"Well!" says Mr. Guppy in a low voice. "I'll be shot if it ain't very
curious how well I know that picture! So that's Lady Dedlock, is it!"

"The picture on the right is the present Sir Leicester Dedlock. The
picture on the left is his father, the late Sir Leicester."

Mr. Guppy has no eyes for either of these magnates. "It's
unaccountable to me," he says, still staring at the portrait, "how
well I know that picture! I'm dashed," adds Mr. Guppy, looking round,
"if I don't think I must have had a dream of that picture, you know!"

As no one present takes any especial interest in Mr. Guppy's dreams,
the probability is not pursued. But he still remains so absorbed by
the portrait that he stands immovable before it until the young
gardener has closed the shutters, when he comes out of the room in a
dazed state that is an odd though a sufficient substitute for
interest and follows into the succeeding rooms with a confused stare,
as if he were looking everywhere for Lady Dedlock again.

He sees no more of her. He sees her rooms, which are the last shown,
as being very elegant, and he looks out of the windows from which she
looked out, not long ago, upon the weather that bored her to death.
All things have an end, even houses that people take infinite pains
to see and are tired of before they begin to see them. He has come to
the end of the sight, and the fresh village beauty to the end of her
description; which is always this: "The terrace below is much
admired. It is called, from an old story in the family, the Ghost's
Walk."

"No?" says Mr. Guppy, greedily curious. "What's the story, miss? Is
it anything about a picture?"

"Pray tell us the story," says Watt in a half whisper.

"I don't know it, sir." Rosa is shyer than ever.

"It is not related to visitors; it is almost forgotten," says the
housekeeper, advancing. "It has never been more than a family
anecdote."

"You'll excuse my asking again if it has anything to do with a
picture, ma'am," observes Mr. Guppy, "because I do assure you that
the more I think of that picture the better I know it, without
knowing how I know it!"

The story has nothing to do with a picture; the housekeeper can
guarantee that. Mr. Guppy is obliged to her for the information and
is, moreover, generally obliged. He retires with his friend, guided
down another staircase by the young gardener, and presently is heard
to drive away. It is now dusk. Mrs. Rouncewell can trust to the
discretion of her two young hearers and may tell THEM how the terrace
came to have that ghostly name.

She seats herself in a large chair by the fast-darkening window and
tells them: "In the wicked days, my dears, of King Charles the
First--I mean, of course, in the wicked days of the rebels who
leagued themselves against that excellent king--Sir Morbury Dedlock
was the owner of Chesney Wold. Whether there was any account of a
ghost in the family before those days, I can't say. I should think it
very likely indeed."

Mrs. Rouncewell holds this opinion because she considers that a
family of such antiquity and importance has a right to a ghost. She
regards a ghost as one of the privileges of the upper classes, a
genteel distinction to which the common people have no claim.

"Sir Morbury Dedlock," says Mrs. Rouncewell, "was, I have no occasion
to say, on the side of the blessed martyr. But it IS supposed that
his Lady, who had none of the family blood in her veins, favoured the
bad cause. It is said that she had relations among King Charles's
enemies, that she was in correspondence with them, and that she gave
them information. When any of the country gentlemen who followed his
Majesty's cause met here, it is said that my Lady was always nearer
to the door of their council-room than they supposed. Do you hear a
sound like a footstep passing along the terrace, Watt?"

Rosa draws nearer to the housekeeper.

"I hear the rain-drip on the stones," replies the young man, "and I
hear a curious echo--I suppose an echo--which is very like a halting
step."

The housekeeper gravely nods and continues: "Partly on account of
this division between them, and partly on other accounts, Sir Morbury
and his Lady led a troubled life. She was a lady of a haughty temper.
They were not well suited to each other in age or character, and they
had no children to moderate between them. After her favourite
brother, a young gentleman, was killed in the civil wars (by Sir
Morbury's near kinsman), her feeling was so violent that she hated
the race into which she had married. When the Dedlocks were about to
ride out from Chesney Wold in the king's cause, she is supposed to
have more than once stolen down into the stables in the dead of night
and lamed their horses; and the story is that once at such an hour,
her husband saw her gliding down the stairs and followed her into the
stall where his own favourite horse stood. There he seized her by the
wrist, and in a struggle or in a fall or through the horse being
frightened and lashing out, she was lamed in the hip and from that
hour began to pine away."

The housekeeper has dropped her voice to a little more than a
whisper.

"She had been a lady of a handsome figure and a noble carriage. She
never complained of the change; she never spoke to any one of being
crippled or of being in pain, but day by day she tried to walk upon
the terrace, and with the help of the stone balustrade, went up and
down, up and down, up and down, in sun and shadow, with greater
difficulty every day. At last, one afternoon her husband (to whom she
had never, on any persuasion, opened her lips since that night),
standing at the great south window, saw her drop upon the pavement.
He hastened down to raise her, but she repulsed him as he bent over
her, and looking at him fixedly and coldly, said, 'I will die here
where I have walked. And I will walk here, though I am in my grave. I
will walk here until the pride of this house is humbled. And when
calamity or when disgrace is coming to it, let the Dedlocks listen
for my step!'"

Watt looks at Rosa. Rosa in the deepening gloom looks down upon the
ground, half frightened and half shy.

"There and then she died. And from those days," says Mrs. Rouncewell,
"the name has come down--the Ghost's Walk. If the tread is an echo,
it is an echo that is only heard after dark, and is often unheard for
a long while together. But it comes back from time to time; and so
sure as there is sickness or death in the family, it will be heard
then."

"And disgrace, grandmother--" says Watt.

"Disgrace never comes to Chesney Wold," returns the housekeeper.

Her grandson apologizes with "True. True."

"That is the story. Whatever the sound is, it is a worrying sound,"
says Mrs. Rouncewell, getting up from her chair; "and what is to be
noticed in it is that it MUST BE HEARD. My Lady, who is afraid of
nothing, admits that when it is there, it must be heard. You cannot
shut it out. Watt, there is a tall French clock behind you (placed
there, 'a purpose) that has a loud beat when it is in motion and can
play music. You understand how those things are managed?"

"Pretty well, grandmother, I think."

"Set it a-going."

Watt sets it a-going--music and all.

"Now, come hither," says the housekeeper. "Hither, child, towards my
Lady's pillow. I am not sure that it is dark enough yet, but listen!
Can you hear the sound upon the terrace, through the music, and the
beat, and everything?"

"I certainly can!"

"So my Lady says."

It's raining cats and dogs in the world's least pleasant place to be, Chesney Wold, the Dedlocks' estate. Luckily they aren't there , but their housekeeper, Mrs. Rouncewell, is. She's been a servant with the Dedlocks for 50 years now and is obviously pretty committed to the whole lord-of-the-manor thing. She has two sons. One ran off and joined the army and was never heard from again. The other was a born engineer who left for "the North." The north of England is where the Industrial Revolution is happening as the novel takes place. Not sure what that is? Quick brain snack. In the middle of the 19th century, technologies for producing goods started to advance by leaps and bounds. Instead of small groups of highly skilled people making stuff in little workshops, factories were created, where many low-skilled workers could manufacture the same stuff by using division of labor . Cheap workers, sped-up production, and cheap raw materials from England's many colonies ended up lowering prices and in short order made England into the world's economic powerhouse. So Mrs. Rouncewell's son is all about that. She's kind of bummed though that he didn't go into the family business of being servants, which probably sounded less nuts back in the day than it does to our freedom-loving modern American ears. Mrs. Rouncewell's grandson Watt is visiting. He's psyched to see grandma and everything, but he's even more psyched to check out the hot new maid, Rosa. OK, maybe hot is the wrong word, since she's shy, modest, and all those awesome repressive things. Rosa is learning how to be a maid and so far she has learned how to show the house to visitors. Meaning what? Check it out - you know how nowadays when you go visiting castles and old estates in Europe they are all set up as museums and there are tour guides and gift shops and all that good stuff? Well, back in Victorian times, people still actually lived in those places, but because they were beautiful and had all kinds of fancy art and objects in them, you could stop by and take a tour without having to know the people who lived there. A special servant would take you around and tell you about what you were looking at. So servants would have to memorize the spiel - which is what Rosa has been doing. There is a knock at the door. Turns out it's Mr. Guppy and another guy. They are clerks who know Mr. Tulkinghorn, and since they happened to have a few hours free from a case nearby, they wanted to check out the sightseeing. Rosa takes them around the house and Watt joins the tour group. Guppy is totally bored the whole time until he sees a portrait of Lady Dedlock and... freaks out. He swears he's seen the painting or the woman herself before. But that's crazy talk, because how could he ever have seen Lady Dedlock? And no one had ever made a print of the portrait. Guppy can't get over it, though. Meanwhile Mrs. Rouncewell tells the gang the story of The Ghost's Walk, one of the mansion's terraces. Speaking of which, you know what's not a good name for a pretty terrace? "The Ghost's Walk." Also not awesome? The Ghoul's Crawl, The Demon's Run, or The Vampire's Creep. Seriously, people. Turns out, a few centuries ago, the then Lady Dedlock cursed the Dedlock family. She also said that her steps would forever be heard on the terrace whenever some horrible thing was about to happen to a Dedlock. Nice.

At Chesney Wold, the Dedlocks' estate in Lincolnshire, the rain continues. The old housekeeper, Mrs. Rouncewell, is assisted in her duties by Rosa, with whom Mrs. Rouncewell's grandson, Watt, is in love. Two visitors are admitted and given a tour of the house. One of them is Mr. Guppy, a law clerk at Kenge and Carboy. Mr. Guppy notices a portrait of Lady Dedlock and is sure that he has seen it before. When Guppy and his companion leave, Mrs. Rouncewell tells Watt and Rosa the story of The Ghost's Walk. In Oliver Cromwell's era , Sir Morbury Dedlock's wife once lamed some horses intended for the Cavaliers fighting against Cromwell. When her husband spied her slipping out to lame his favorite horse, they fought in the stall, and she suffered such a severe hip injury that she was painfully lame for the rest of her life. One day, while limping on the terrace of the Dedlock estate, she fell and died, vowing to haunt the terrace until "the pride of this house is humbled." Mrs. Rouncewell tells Watt to start the tall French clock. He does so, but above its loud beat and the music it plays, he can still hear the footsteps of the ghost.

The gloomy rain at Chesney Wold, the mystery of Guppy's reaction to Lady Dedlock's portrait, and the story of The Ghost's Walk enhance the reader's sense that misfortune is in store for the Dedlocks -- and perhaps for others.

"The Ghost's Walk" The narrator returns while Esther sleeps. He says it is raining on the Ghost Walk by a house called Chesney Wold in Lincolnshire. Sir Leicester is not there; both he and the lady are in Paris. The housekeeper, Mrs. Rouncewell, has been there more than fifty years. Mrs. Rouncewell had two sons. One became a soldier and never came home. The other became an engineer of sorts, which Mrs. Rouncewell sees as a failing. However, his wife gave a grandson, Watt, who visits her at Chesney Wold. Watt asks Mrs. Rouncewell to tell him about a young girl that he has seen at the house, and Mrs. Rouncewell tells him it is Rosa, a widow's daughter. She is a maid and lives with Mrs. Rouncewell. Rosa enters the room and tells Mrs. Rouncewell two men had come by, one of whom gave her a card for Mrs. Rouncewell. Watt reads the card, which says "Mr. Guppy. Rosa says that he and the other man were from London and had heard about Chesney Wold. Mr. Guppy said he was not from Mr. Tulkinghorn's office but that Mr. Tulkinghorn knows him. Mrs. Rouncewell invites the men in and they look around the house. She tells them that a portrait over the fireplace is of Lady Dedlock. Mr. Guppy recognizes her and is stunned. He admires a terrace, and Mrs. Rouncewell tells him it is called the Ghost's Walk, after an old family story. The men leave. Mrs. Rouncewell then tells the story to Watt and Rosa. She believes the family deserves a ghost. The story goes as follows: Sir Morbury Dedlock's wife betrayed the family by giving information to King Charles's enemies. She eavesdropped on conversations between her husband and the king's allies. She and Sir Morbury were not suited for each other. Sir Morbury's relative killed her favorite brother in the civil wars, and now she hates Sir Morbury's family and the king's cause. She often hurt the horses when Sir Morbury and other men were to ride out for the cause. One night, Sir Morbury caught her, grabbed her, and in the process her hip was hurt and she began to waste away. Every day she tried to walk on the terrace, and one day she collapsed. She declared that she would die where she had walked and would haunt the terrace until the house's pride was destroyed. Mrs. Rouncewell says that footsteps are always heard but that disgrace has never come to the house

The Ghost's Walk At the Dedlock estate, Chesney Wold, in Lincolnshire, the rain continues while the Dedlocks are in Paris. Their housekeeper, Mrs. Rouncewell, has been there for fifty years. She is a widow with two grown sons, the younger of whom ran wild. The other is an engineer making steam-engines. His son, Watt, comes to visit his grandmother at the estate. He has his eye on one of the pretty maids, Rosa. A visitor interrupts, Mr. Guppy, who uses Mr. Tulkinghorn's name to gain entrance, though he is not associated with his firm. He and his friend would like to look at the house in a tour. Mrs. Rouncewell shows Guppy and her grandson and Rosa around the mansion. Guppy is especially interested in the portrait of Lady Dedlock over the fireplace. He claims he has seen it before. The party looks at the outside terrace called "Ghost's Walk" and Mrs. Rouncewell tells the legend connected with it. Sir Morbury Dedlock was on the side of the Royalists in the time of Charles I. His wife's family were Puritans. She lamed the horses so her husband could not join the Royalists. When he caught her one time, they struggled; she was crippled and began to pine away. She walked up and down the terrace, claiming she would walk on the terrace after she died, until the house was humbled. The housekeeper concludes, however, that disgrace never comes to Chesney Wold.

Commentary on Chapter VII We continue meeting new characters who will weave together more and more. The narrative switches to third person for this chapter and then back to first person with Esther in the following chapter. The contrast of place and point of view is a modern technique of building mystery. Slowly puzzle pieces are put together to create a whole picture. The Rouncewells were family retainers, respected by Sir Leicester to run his home, and yet we are told that he has the prejudice that servants have no individuality or private opinions. Mrs. Rouncewell seems unaware that Watt is after the pretty maid, Rosa. She also seems a bit dense in letting Guppy come in and nose around on the pretext of wanting to admire the house. Guppy uses Tulkinghorn's name because he knows he is the family lawyer, but Guppy, though he implies he is a lawyer too, is merely a clerk for Kenge and Carboy. He is struck by the portrait of Lady Dedlock, implying he has seen this picture before. It seems likely he is investigating some mystery about Lady Dedlock. The legend of "Ghost's Walk" creates a feeling that the Dedlocks, thought respectable, have family secrets that could lead to their downfall. The name "Dedlock" like many of the names Dickens uses, has its own symbolism. Guppy feels, "there is no end to the Dedlocks, whose family greatness seems to consist in their never having done anything to distinguish themselves, for seven hundred years" . The aristocracy, too, comes under satirical fire for England's state of stagnancy.