THE PLAN THAT FAILED

"But now," said Kemp, with a side glance out of the window, "what
are we to do?"

He moved nearer his guest as he spoke in such a manner as to
prevent the possibility of a sudden glimpse of the three men who
were advancing up the hill road--with an intolerable slowness, as
it seemed to Kemp.

"What were you planning to do when you were heading for Port
Burdock? _Had_ you any plan?"

"I was going to clear out of the country. But I have altered that
plan rather since seeing you. I thought it would be wise, now the
weather is hot and invisibility possible, to make for the South.
Especially as my secret was known, and everyone would be on the
lookout for a masked and muffled man. You have a line of steamers
from here to France. My idea was to get aboard one and run the
risks of the passage. Thence I could go by train into Spain, or else
get to Algiers. It would not be difficult. There a man might always
be invisible--and yet live. And do things. I was using that tramp
as a money box and luggage carrier, until I decided how to get my
books and things sent over to meet me."

"That's clear."

"And then the filthy brute must needs try and rob me! He _has_ hidden
my books, Kemp. Hidden my books! If I can lay my hands on him!"

"Best plan to get the books out of him first."

"But where is he? Do you know?"

"He's in the town police station, locked up, by his own request, in
the strongest cell in the place."

"Cur!" said the Invisible Man.

"But that hangs up your plans a little."

"We must get those books; those books are vital."

"Certainly," said Kemp, a little nervously, wondering if he heard
footsteps outside. "Certainly we must get those books. But that
won't be difficult, if he doesn't know they're for you."

"No," said the Invisible Man, and thought.

Kemp tried to think of something to keep the talk going, but the
Invisible Man resumed of his own accord.

"Blundering into your house, Kemp," he said, "changes all my plans.
For you are a man that can understand. In spite of all that has
happened, in spite of this publicity, of the loss of my books, of
what I have suffered, there still remain great possibilities, huge
possibilities--"

"You have told no one I am here?" he asked abruptly.

Kemp hesitated. "That was implied," he said.

"No one?" insisted Griffin.

"Not a soul."

"Ah! Now--" The Invisible Man stood up, and sticking his arms akimbo
began to pace the study.

"I made a mistake, Kemp, a huge mistake, in carrying this thing
through alone. I have wasted strength, time, opportunities. Alone--it
is wonderful how little a man can do alone! To rob a little,
to hurt a little, and there is the end.

"What I want, Kemp, is a goal-keeper, a helper, and a hiding-place,
an arrangement whereby I can sleep and eat and rest in peace, and
unsuspected. I must have a confederate. With a confederate, with
food and rest--a thousand things are possible.

"Hitherto I have gone on vague lines. We have to consider all that
invisibility means, all that it does not mean. It means little
advantage for eavesdropping and so forth--one makes sounds. It's
of little help--a little help perhaps--in housebreaking and so
forth. Once you've caught me you could easily imprison me. But on
the other hand I am hard to catch. This invisibility, in fact, is
only good in two cases: It's useful in getting away, it's useful in
approaching. It's particularly useful, therefore, in killing. I can
walk round a man, whatever weapon he has, choose my point, strike
as I like. Dodge as I like. Escape as I like."

Kemp's hand went to his moustache. Was that a movement
downstairs?

"And it is killing we must do, Kemp."

"It is killing we must do," repeated Kemp. "I'm listening to your
plan, Griffin, but I'm not agreeing, mind. _Why_ killing?"

"Not wanton killing, but a judicious slaying. The point is, they
know there is an Invisible Man--as well as we know there is an
Invisible Man. And that Invisible Man, Kemp, must now establish a
Reign of Terror. Yes; no doubt it's startling. But I mean it. A
Reign of Terror. He must take some town like your Burdock and
terrify and dominate it. He must issue his orders. He can do that
in a thousand ways--scraps of paper thrust under doors would
suffice. And all who disobey his orders he must kill, and kill
all who would defend them."

"Humph!" said Kemp, no longer listening to Griffin but to the sound
of his front door opening and closing.

"It seems to me, Griffin," he said, to cover his wandering
attention, "that your confederate would be in a difficult
position."

"No one would know he was a confederate," said the Invisible Man,
eagerly. And then suddenly, "Hush! What's that downstairs?"

"Nothing," said Kemp, and suddenly began to speak loud and fast.
"I don't agree to this, Griffin," he said. "Understand me, I don't
agree to this. Why dream of playing a game against the race? How
can you hope to gain happiness? Don't be a lone wolf. Publish
your results; take the world--take the nation at least--into your
confidence. Think what you might do with a million helpers--"

The Invisible Man interrupted--arm extended. "There are
footsteps coming upstairs," he said in a low voice.

"Nonsense," said Kemp.

"Let me see," said the Invisible Man, and advanced, arm extended,
to the door.

And then things happened very swiftly. Kemp hesitated for a second
and then moved to intercept him. The Invisible Man started and stood
still. "Traitor!" cried the Voice, and suddenly the dressing-gown
opened, and sitting down the Unseen began to disrobe. Kemp made
three swift steps to the door, and forthwith the Invisible Man--his
legs had vanished--sprang to his feet with a shout. Kemp flung the
door open.

As it opened, there came a sound of hurrying feet downstairs and
voices.

With a quick movement Kemp thrust the Invisible Man back, sprang
aside, and slammed the door. The key was outside and ready. In
another moment Griffin would have been alone in the belvedere
study, a prisoner. Save for one little thing. The key had been
slipped in hastily that morning. As Kemp slammed the door it fell
noisily upon the carpet.

Kemp's face became white. He tried to grip the door handle with
both hands. For a moment he stood lugging. Then the door gave six
inches. But he got it closed again. The second time it was jerked a
foot wide, and the dressing-gown came wedging itself into the
opening. His throat was gripped by invisible fingers, and he left
his hold on the handle to defend himself. He was forced back,
tripped and pitched heavily into the corner of the landing. The
empty dressing-gown was flung on the top of him.

Halfway up the staircase was Colonel Adye, the recipient of Kemp's
letter, the chief of the Burdock police. He was staring aghast at
the sudden appearance of Kemp, followed by the extraordinary sight
of clothing tossing empty in the air. He saw Kemp felled, and
struggling to his feet. He saw him rush forward, and go down again,
felled like an ox.

Then suddenly he was struck violently. By nothing! A vast weight,
it seemed, leapt upon him, and he was hurled headlong down the
staircase, with a grip on his throat and a knee in his groin. An
invisible foot trod on his back, a ghostly patter passed downstairs,
he heard the two police officers in the hall shout and run, and the
front door of the house slammed violently.

He rolled over and sat up staring. He saw, staggering down the
staircase, Kemp, dusty and disheveled, one side of his face white
from a blow, his lip bleeding, and a pink dressing-gown and some
underclothing held in his arms.

"My God!" cried Kemp, "the game's up! He's gone!"

THE HUNTING OF THE INVISIBLE MAN

For a space Kemp was too inarticulate to make Adye understand the
swift things that had just happened. They stood on the landing,
Kemp speaking swiftly, the grotesque swathings of Griffin still on
his arm. But presently Adye began to grasp something of the
situation.

"He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks
of nothing but his own advantage, his own safety. I have listened
to such a story this morning of brutal self-seeking.... He has wounded
men. He will kill them unless we can prevent him. He will create a
panic. Nothing can stop him. He is going out now--furious!"

"He must be caught," said Adye. "That is certain."

"But how?" cried Kemp, and suddenly became full of ideas. "You must
begin at once. You must set every available man to work; you must
prevent his leaving this district. Once he gets away, he may go
through the countryside as he wills, killing and maiming. He dreams
of a reign of terror! A reign of terror, I tell you. You must set a
watch on trains and roads and shipping. The garrison must help. You
must wire for help. The only thing that may keep him here is the
thought of recovering some books of notes he counts of value. I will
tell you of that! There is a man in your police station--Marvel."

"I know," said Adye, "I know. Those books--yes. But the tramp...."

"Says he hasn't them. But he thinks the tramp has. And you must
prevent him from eating or sleeping; day and night the country must
be astir for him. Food must be locked up and secured, all food, so
that he will have to break his way to it. The houses everywhere must
be barred against him. Heaven send us cold nights and rain! The
whole country-side must begin hunting and keep hunting. I tell you,
Adye, he is a danger, a disaster; unless he is pinned and secured,
it is frightful to think of the things that may happen."

"What else can we do?" said Adye. "I must go down at once and begin
organising. But why not come? Yes--you come too! Come, and we
must hold a sort of council of war--get Hopps to help--and the
railway managers. By Jove! it's urgent. Come along--tell me as we
go. What else is there we can do? Put that stuff down."

In another moment Adye was leading the way downstairs. They found
the front door open and the policemen standing outside staring at
empty air. "He's got away, sir," said one.

"We must go to the central station at once," said Adye. "One of you
go on down and get a cab to come up and meet us--quickly. And
now, Kemp, what else?"

"Dogs," said Kemp. "Get dogs. They don't see him, but they wind
him. Get dogs."

"Good," said Adye. "It's not generally known, but the prison
officials over at Halstead know a man with bloodhounds. Dogs. What
else?"

"Bear in mind," said Kemp, "his food shows. After eating, his food
shows until it is assimilated. So that he has to hide after eating.
You must keep on beating. Every thicket, every quiet corner. And
put all weapons--all implements that might be weapons, away. He
can't carry such things for long. And what he can snatch up and
strike men with must be hidden away."

"Good again," said Adye. "We shall have him yet!"

"And on the roads," said Kemp, and hesitated.

"Yes?" said Adye.

"Powdered glass," said Kemp. "It's cruel, I know. But think of what
he may do!"

Adye drew the air in sharply between his teeth. "It's
unsportsmanlike. I don't know. But I'll have powdered glass got
ready. If he goes too far...."

"The man's become inhuman, I tell you," said Kemp. "I am as sure he
will establish a reign of terror--so soon as he has got over the
emotions of this escape--as I am sure I am talking to you. Our
only chance is to be ahead. He has cut himself off from his kind.
His blood be upon his own head."

While it pains him to see Harlem fall apart, the protagonist enacts his plan by deceiving the Brotherhood and making them feel as if everything is going well in Harlem. He also attends Jack's birthday party at the Chthonian. He meets Sybil, the wife of one of the more powerful leaders, and intends to use her as his informant. They go back to his apartment and he clumsily attempts to seduce her. During this interaction, Sybil tells a story about a friend of hers who was raped by a black man and she reveals to the protagonist that in some ways she desired to be raped like her friend was. Seeing that the situation is a poor one, the protagonist serves Sybil drinks until she is intoxicated and attempts to pry information from her. He realizes that this is a useless attempt and eventually gets her into a cab and he returns to Harlem. . Chapter Twenty-Five . The protagonist arrives in Harlem and sees the chaos that has erupted. He is hit by a bullet and is slightly injured. Bystanders attempt to help him. Around him, there is rioting and he joins with a group who is attempting to burn their tenement building down. People begin to recognize him and Ras also sees him. Ras is now dressed in an elaborate costume of an Abyssinian chieftain and is riding on a black horse. He confronts the protagonist, and at this point the protagonist denies affiliation with the Brotherhood; however Ras insists on persecuting him. He calls for his hanging. In defense, the protagonist throws a spear back at Ras that the other man had thrown at him earlier. It pierces Ras and the protagonist flees the scene. This leads to more danger because he then encounters a group of men who chase him to find out what is in his briefcase. In order to escape, the protagonist jumps into an open manhole. . Once he escapes into the manhole, he falls into a deep sleep. He wakes and realizes that he is still underground but completely in the dark. In order to have light, he burns everything in his briefcase-his high school diploma, Clifton's doll, the anonymous letter, and his Brotherhood name. He also realizes that the handwriting on the anonymous letter and the Brotherhood name are the same and that they belong to Jack. The protagonist resolves to survive this experience. . At the end of this chapter, the protagonist has a dream in which he is a prisoner of all those who have attempted to define him. The protagonist proclaims that he is done with illusion, and to this Jack asks in response, "How does it feel to be free of illusion. . .". The protagonist retorts that he is no longer afraid. The dream ends with an iron robot trudging along. . He awakes and resolves to stay underground to think things through. .

. This section brings an end to a very long struggle for the protagonist. The encounter with Sybil demonstrates to him that he will always be seen for something other than who or what he is. Sybil sees him as a rapist, the Brotherhood desires that he be a puppet, and he can't seem to articulate his identity in the midst of the chaos literally happening in Harlem and the chaos he is experiencing mentally by not being able to define himself. His journey underground brings to a close his attempts to negotiate life in a world that seeks to tell him who he is and who he should be.


THE BURGLARY AT THE VICARAGE

The facts of the burglary at the vicarage came to us chiefly
through the medium of the vicar and his wife. It occurred in the
small hours of Whit Monday, the day devoted in Iping to the Club
festivities. Mrs. Bunting, it seems, woke up suddenly in the
stillness that comes before the dawn, with the strong impression
that the door of their bedroom had opened and closed. She did not
arouse her husband at first, but sat up in bed listening. She then
distinctly heard the pad, pad, pad of bare feet coming out of the
adjoining dressing-room and walking along the passage towards the
staircase. As soon as she felt assured of this, she aroused the
Rev. Mr. Bunting as quietly as possible. He did not strike a light,
but putting on his spectacles, her dressing-gown and his bath
slippers, he went out on the landing to listen. He heard quite
distinctly a fumbling going on at his study desk down-stairs, and
then a violent sneeze.

At that he returned to his bedroom, armed himself with the most
obvious weapon, the poker, and descended the staircase as
noiselessly as possible. Mrs. Bunting came out on the landing.

The hour was about four, and the ultimate darkness of the night was
past. There was a faint shimmer of light in the hall, but the study
doorway yawned impenetrably black. Everything was still except the
faint creaking of the stairs under Mr. Bunting's tread, and the
slight movements in the study. Then something snapped, the drawer
was opened, and there was a rustle of papers. Then came an
imprecation, and a match was struck and the study was flooded with
yellow light. Mr. Bunting was now in the hall, and through the
crack of the door he could see the desk and the open drawer and a
candle burning on the desk. But the robber he could not see. He
stood there in the hall undecided what to do, and Mrs. Bunting, her
face white and intent, crept slowly downstairs after him. One thing
kept Mr. Bunting's courage; the persuasion that this burglar was a
resident in the village.

They heard the chink of money, and realised that the robber had
found the housekeeping reserve of gold--two pounds ten in half
sovereigns altogether. At that sound Mr. Bunting was nerved to
abrupt action. Gripping the poker firmly, he rushed into the room,
closely followed by Mrs. Bunting. "Surrender!" cried Mr. Bunting,
fiercely, and then stooped amazed. Apparently the room was
perfectly empty.

Yet their conviction that they had, that very moment, heard somebody
moving in the room had amounted to a certainty. For half a minute,
perhaps, they stood gaping, then Mrs. Bunting went across the room
and looked behind the screen, while Mr. Bunting, by a kindred
impulse, peered under the desk. Then Mrs. Bunting turned back the
window-curtains, and Mr. Bunting looked up the chimney and probed it
with the poker. Then Mrs. Bunting scrutinised the waste-paper basket
and Mr. Bunting opened the lid of the coal-scuttle. Then they came
to a stop and stood with eyes interrogating each other.

"I could have sworn--" said Mr. Bunting.

"The candle!" said Mr. Bunting. "Who lit the candle?"

"The drawer!" said Mrs. Bunting. "And the money's gone!"

She went hastily to the doorway.

"Of all the strange occurrences--"

There was a violent sneeze in the passage. They rushed out, and as
they did so the kitchen door slammed. "Bring the candle," said Mr.
Bunting, and led the way. They both heard a sound of bolts being
hastily shot back.

As he opened the kitchen door he saw through the scullery that
the back door was just opening, and the faint light of early dawn
displayed the dark masses of the garden beyond. He is certain that
nothing went out of the door. It opened, stood open for a moment,
and then closed with a slam. As it did so, the candle Mrs. Bunting
was carrying from the study flickered and flared. It was a minute
or more before they entered the kitchen.

The place was empty. They refastened the back door, examined the
kitchen, pantry, and scullery thoroughly, and at last went down
into the cellar. There was not a soul to be found in the house,
search as they would.

Daylight found the vicar and his wife, a quaintly-costumed little
couple, still marvelling about on their own ground floor by the
unnecessary light of a guttering candle.

The narrator walks to chapel with the other students, but he feels isolated from them; it is like he is guilty of some crime or great sin. In the chapel, he seats himself on a hard pew and waits for the ceremony, a ritual wherein rich white men are honored and praised for giving help to the black students. Dr. Bledsoe sits among the honored white men, commanding fear and admiration from all the students. Soon a black man walks to the podium, commanding the same reverence and attention as Dr. Bledsoe. The man, Reverend Homer A. Barbee, gives a sermon on the founder's life, comparing it to the life of each student present. The sermon makes the narrator feel ashamed for letting the events of the day get so far out of his control. He resents the reverend for making him feel so guilty. As the sermon closes and Reverend Barbee walks back to his seat, he falls. The narrator looks into the preachers eyes and realizes that the man is blind. As the narrator leaves the chapel, he anticipates that Dr. Bledsoe will be merciless after hearing this sermon. He does not know what he will do if he has to leave the school.


THE FURNITURE THAT WENT MAD

Now it happened that in the early hours of Whit Monday, before
Millie was hunted out for the day, Mr. Hall and Mrs. Hall both rose
and went noiselessly down into the cellar. Their business there was
of a private nature, and had something to do with the specific
gravity of their beer. They had hardly entered the cellar when Mrs.
Hall found she had forgotten to bring down a bottle of sarsaparilla
from their joint-room. As she was the expert and principal operator
in this affair, Hall very properly went upstairs for it.

On the landing he was surprised to see that the stranger's door was
ajar. He went on into his own room and found the bottle as he had
been directed.

But returning with the bottle, he noticed that the bolts of the
front door had been shot back, that the door was in fact simply on
the latch. And with a flash of inspiration he connected this with
the stranger's room upstairs and the suggestions of Mr. Teddy
Henfrey. He distinctly remembered holding the candle while Mrs.
Hall shot these bolts overnight. At the sight he stopped, gaping,
then with the bottle still in his hand went upstairs again. He
rapped at the stranger's door. There was no answer. He rapped
again; then pushed the door wide open and entered.

It was as he expected. The bed, the room also, was empty. And what
was stranger, even to his heavy intelligence, on the bedroom chair
and along the rail of the bed were scattered the garments, the only
garments so far as he knew, and the bandages of their guest. His
big slouch hat even was cocked jauntily over the bed-post.

As Hall stood there he heard his wife's voice coming out of the
depth of the cellar, with that rapid telescoping of the syllables
and interrogative cocking up of the final words to a high note,
by which the West Sussex villager is wont to indicate a brisk
impatience. "George! You gart whad a wand?"

At that he turned and hurried down to her. "Janny," he said, over
the rail of the cellar steps, "'tas the truth what Henfrey sez.
'E's not in uz room, 'e en't. And the front door's onbolted."

At first Mrs. Hall did not understand, and as soon as she did she
resolved to see the empty room for herself. Hall, still holding the
bottle, went first. "If 'e en't there," he said, "'is close are.
And what's 'e doin' 'ithout 'is close, then? 'Tas a most curious
business."

As they came up the cellar steps they both, it was afterwards
ascertained, fancied they heard the front door open and shut, but
seeing it closed and nothing there, neither said a word to the other
about it at the time. Mrs. Hall passed her husband in the passage
and ran on first upstairs. Someone sneezed on the staircase. Hall,
following six steps behind, thought that he heard her sneeze. She,
going on first, was under the impression that Hall was sneezing.
She flung open the door and stood regarding the room. "Of all the
curious!" she said.

She heard a sniff close behind her head as it seemed, and turning,
was surprised to see Hall a dozen feet off on the topmost stair.
But in another moment he was beside her. She bent forward and put
her hand on the pillow and then under the clothes.

"Cold," she said. "He's been up this hour or more."

As she did so, a most extraordinary thing happened. The bed-clothes
gathered themselves together, leapt up suddenly into a sort of peak,
and then jumped headlong over the bottom rail. It was exactly as if
a hand had clutched them in the centre and flung them aside.
Immediately after, the stranger's hat hopped off the bed-post,
described a whirling flight in the air through the better part of
a circle, and then dashed straight at Mrs. Hall's face. Then as
swiftly came the sponge from the washstand; and then the chair,
flinging the stranger's coat and trousers carelessly aside, and
laughing drily in a voice singularly like the stranger's, turned
itself up with its four legs at Mrs. Hall, seemed to take aim at her
for a moment, and charged at her. She screamed and turned, and then
the chair legs came gently but firmly against her back and impelled
her and Hall out of the room. The door slammed violently and was
locked. The chair and bed seemed to be executing a dance of triumph
for a moment, and then abruptly everything was still.

Mrs. Hall was left almost in a fainting condition in Mr. Hall's
arms on the landing. It was with the greatest difficulty that Mr.
Hall and Millie, who had been roused by her scream of alarm,
succeeded in getting her downstairs, and applying the restoratives
customary in such cases.

"'Tas sperits," said Mrs. Hall. "I know 'tas sperits. I've read in
papers of en. Tables and chairs leaping and dancing..."

"Take a drop more, Janny," said Hall. "'Twill steady ye."

"Lock him out," said Mrs. Hall. "Don't let him come in again.
I half guessed--I might ha' known. With them goggling eyes and
bandaged head, and never going to church of a Sunday. And all
they bottles--more'n it's right for any one to have. He's put the
sperits into the furniture.... My good old furniture! 'Twas in
that very chair my poor dear mother used to sit when I was a
little girl. To think it should rise up against me now!"

"Just a drop more, Janny," said Hall. "Your nerves is all upset."

They sent Millie across the street through the golden five o'clock
sunshine to rouse up Mr. Sandy Wadgers, the blacksmith. Mr.
Hall's compliments and the furniture upstairs was behaving most
extraordinary. Would Mr. Wadgers come round? He was a knowing man,
was Mr. Wadgers, and very resourceful. He took quite a grave view
of the case. "Arm darmed if thet ent witchcraft," was the view of
Mr. Sandy Wadgers. "You warnt horseshoes for such gentry as he."

He came round greatly concerned. They wanted him to lead the way
upstairs to the room, but he didn't seem to be in any hurry. He
preferred to talk in the passage. Over the way Huxter's apprentice
came out and began taking down the shutters of the tobacco window.
He was called over to join the discussion. Mr. Huxter naturally
followed over in the course of a few minutes. The Anglo-Saxon
genius for parliamentary government asserted itself; there was a
great deal of talk and no decisive action. "Let's have the facts
first," insisted Mr. Sandy Wadgers. "Let's be sure we'd be acting
perfectly right in bustin' that there door open. A door onbust is
always open to bustin', but ye can't onbust a door once you've
busted en."

And suddenly and most wonderfully the door of the room upstairs
opened of its own accord, and as they looked up in amazement,
they saw descending the stairs the muffled figure of the stranger
staring more blackly and blankly than ever with those unreasonably
large blue glass eyes of his. He came down stiffly and slowly,
staring all the time; he walked across the passage staring, then
stopped.

"Look there!" he said, and their eyes followed the direction of his
gloved finger and saw a bottle of sarsaparilla hard by the cellar
door. Then he entered the parlour, and suddenly, swiftly,
viciously, slammed the door in their faces.

Not a word was spoken until the last echoes of the slam had died
away. They stared at one another. "Well, if that don't lick
everything!" said Mr. Wadgers, and left the alternative unsaid.

"I'd go in and ask'n 'bout it," said Wadgers, to Mr. Hall. "I'd
d'mand an explanation."

It took some time to bring the landlady's husband up to that pitch.
At last he rapped, opened the door, and got as far as, "Excuse me--"

"Go to the devil!" said the stranger in a tremendous voice, and
"Shut that door after you." So that brief interview terminated.

The narrator goes to Dr. Bledsoe's office. He is questioned about his intentions, called degrading names, and accused of trying to ruin the college. Dr. Bledsoe tells him that to please white men, he must lie to them. The narrator is confused, for he holds fast to a belief in honesty. Dr. Bledsoe questions the narrator about the black surgeon at Golden Day; he comments that this man should be locked away from society for speaking so directly to a white man. He then tells the narrator that he is being dismissed from the college. The narrator explodes and threatens to tell Mr. Norton the truth, to which Dr. Bledsoe responds with nervous and shocked laughter. Dr. Bledsoe believes he has power over the white men because he has told them the lies they want to hear; he does not want the narrator to tell the truth. Dr. Bledsoe tells the narrator that he has obviously not been taught much of anything about the world. He then tells the narrator he does not exist, because he has no place in this power hierarchy. The narrator is so disillusioned he begins to stop listening to Dr. Bledsoe as he rambles on. As the narrator gets up to leave, Dr. Bledsoe announces that he will spare the narrator some of his humiliation by sending him to New York for the summer to get a job, even going so far as to offer some letters of recommendation. The narrator is given two days to leave campus. He walks away from the office wondering how he strayed from what seemed like the perfect path. He suddenly feels his grandfather's presence haunting him. He decides to accept the guilt of putting the school at risk and acknowledging his punishment as fair. He goes to his dorm, counts his money, and decides to leave first thing in the morning. The narrator arrives at Dr. Bledsoe's office early the next day. Dr. Bledsoe prefaces the conversation by stressing that he will not change his mind. The narrator assures Dr. Bledsoe that he is in strict agreement with his decisions. Dr. Bledsoe tells the narrator he has made the right decision by not fighting him. He then tells the narrator that two things make black men successful: accepting responsibility and not being bitter. The narrator then asks for the letters of recommendation. Dr. Bledsoe instructs him to return later and pick them up, but never unseal them. He returns for the letters, seven in all, and leaves to catch his bus, oblivious to the fact that the letters betray him.


THE UNVEILING OF THE STRANGER

The stranger went into the little parlour of the "Coach and Horses"
about half-past five in the morning, and there he remained until
near midday, the blinds down, the door shut, and none, after Hall's
repulse, venturing near him.

All that time he must have fasted. Thrice he rang his bell, the
third time furiously and continuously, but no one answered him.
"Him and his 'go to the devil' indeed!" said Mrs. Hall. Presently
came an imperfect rumour of the burglary at the vicarage, and two
and two were put together. Hall, assisted by Wadgers, went off to
find Mr. Shuckleforth, the magistrate, and take his advice. No one
ventured upstairs. How the stranger occupied himself is unknown.
Now and then he would stride violently up and down, and twice came
an outburst of curses, a tearing of paper, and a violent smashing
of bottles.

The little group of scared but curious people increased. Mrs. Huxter
came over; some gay young fellows resplendent in black ready-made
jackets and _pique_ paper ties--for it was Whit Monday--joined
the group with confused interrogations. Young Archie Harker
distinguished himself by going up the yard and trying to peep
under the window-blinds. He could see nothing, but gave reason
for supposing that he did, and others of the Iping youth
presently joined him.

It was the finest of all possible Whit Mondays, and down the
village street stood a row of nearly a dozen booths, a shooting
gallery, and on the grass by the forge were three yellow and
chocolate waggons and some picturesque strangers of both sexes
putting up a cocoanut shy. The gentlemen wore blue jerseys, the
ladies white aprons and quite fashionable hats with heavy plumes.
Wodger, of the "Purple Fawn," and Mr. Jaggers, the cobbler, who
also sold old second-hand ordinary bicycles, were stretching a
string of union-jacks and royal ensigns (which had originally
celebrated the first Victorian Jubilee) across the road.

And inside, in the artificial darkness of the parlour, into which
only one thin jet of sunlight penetrated, the stranger, hungry we
must suppose, and fearful, hidden in his uncomfortable hot wrappings,
pored through his dark glasses upon his paper or chinked his dirty
little bottles, and occasionally swore savagely at the boys, audible
if invisible, outside the windows. In the corner by the fireplace
lay the fragments of half a dozen smashed bottles, and a pungent
twang of chlorine tainted the air. So much we know from what was
heard at the time and from what was subsequently seen in the room.

About noon he suddenly opened his parlour door and stood glaring
fixedly at the three or four people in the bar. "Mrs. Hall," he
said. Somebody went sheepishly and called for Mrs. Hall.

Mrs. Hall appeared after an interval, a little short of breath, but
all the fiercer for that. Hall was still out. She had deliberated
over this scene, and she came holding a little tray with an
unsettled bill upon it. "Is it your bill you're wanting, sir?" she
said.

"Why wasn't my breakfast laid? Why haven't you prepared my meals
and answered my bell? Do you think I live without eating?"

"Why isn't my bill paid?" said Mrs. Hall. "That's what I want to
know."

"I told you three days ago I was awaiting a remittance--"

"I told you two days ago I wasn't going to await no remittances.
You can't grumble if your breakfast waits a bit, if my bill's been
waiting these five days, can you?"

The stranger swore briefly but vividly.

"Nar, nar!" from the bar.

"And I'd thank you kindly, sir, if you'd keep your swearing to
yourself, sir," said Mrs. Hall.

The stranger stood looking more like an angry diving-helmet than
ever. It was universally felt in the bar that Mrs. Hall had the
better of him. His next words showed as much.

"Look here, my good woman--" he began.

"Don't 'good woman' _me_," said Mrs. Hall.

"I've told you my remittance hasn't come."

"Remittance indeed!" said Mrs. Hall.

"Still, I daresay in my pocket--"

"You told me three days ago that you hadn't anything but a
sovereign's worth of silver upon you."

"Well, I've found some more--"

"'Ul-lo!" from the bar.

"I wonder where you found it," said Mrs. Hall.

That seemed to annoy the stranger very much. He stamped his foot.
"What do you mean?" he said.

"That I wonder where you found it," said Mrs. Hall. "And before I
take any bills or get any breakfasts, or do any such things
whatsoever, you got to tell me one or two things I don't understand,
and what nobody don't understand, and what everybody is very anxious
to understand. I want to know what you been doing t'my chair
upstairs, and I want to know how 'tis your room was empty, and how
you got in again. Them as stops in this house comes in by the
doors--that's the rule of the house, and that you _didn't_ do, and
what I want to know is how you _did_ come in. And I want to know--"

Suddenly the stranger raised his gloved hands clenched, stamped his
foot, and said, "Stop!" with such extraordinary violence that he
silenced her instantly.

"You don't understand," he said, "who I am or what I am. I'll show
you. By Heaven! I'll show you." Then he put his open palm over his
face and withdrew it. The centre of his face became a black cavity.
"Here," he said. He stepped forward and handed Mrs. Hall something
which she, staring at his metamorphosed face, accepted automatically.
Then, when she saw what it was, she screamed loudly, dropped it, and
staggered back. The nose--it was the stranger's nose! pink and
shining--rolled on the floor.

Then he removed his spectacles, and everyone in the bar gasped. He
took off his hat, and with a violent gesture tore at his whiskers
and bandages. For a moment they resisted him. A flash of horrible
anticipation passed through the bar. "Oh, my Gard!" said some one.
Then off they came.

It was worse than anything. Mrs. Hall, standing open-mouthed and
horror-struck, shrieked at what she saw, and made for the door of
the house. Everyone began to move. They were prepared for scars,
disfigurements, tangible horrors, but nothing! The bandages and
false hair flew across the passage into the bar, making a
hobbledehoy jump to avoid them. Everyone tumbled on everyone else
down the steps. For the man who stood there shouting some incoherent
explanation, was a solid gesticulating figure up to the coat-collar
of him, and then--nothingness, no visible thing at all!

People down the village heard shouts and shrieks, and looking up
the street saw the "Coach and Horses" violently firing out its
humanity. They saw Mrs. Hall fall down and Mr. Teddy Henfrey jump
to avoid tumbling over her, and then they heard the frightful
screams of Millie, who, emerging suddenly from the kitchen at the
noise of the tumult, had come upon the headless stranger from
behind. These increased suddenly.

Forthwith everyone all down the street, the sweetstuff seller,
cocoanut shy proprietor and his assistant, the swing man, little
boys and girls, rustic dandies, smart wenches, smocked elders
and aproned gipsies--began running towards the inn, and in a
miraculously short space of time a crowd of perhaps forty people,
and rapidly increasing, swayed and hooted and inquired and
exclaimed and suggested, in front of Mrs. Hall's establishment.
Everyone seemed eager to talk at once, and the result was Babel. A
small group supported Mrs. Hall, who was picked up in a state of
collapse. There was a conference, and the incredible evidence of a
vociferous eye-witness. "O Bogey!" "What's he been doin', then?"
"Ain't hurt the girl, 'as 'e?" "Run at en with a knife, I believe."
"No 'ed, I tell ye. I don't mean no manner of speaking. I mean _marn
'ithout a 'ed_!" "Narnsense! 'tis some conjuring trick." "Fetched
off 'is wrapping, 'e did--"

In its struggles to see in through the open door, the crowd formed
itself into a straggling wedge, with the more adventurous apex
nearest the inn. "He stood for a moment, I heerd the gal scream,
and he turned. I saw her skirts whisk, and he went after her.
Didn't take ten seconds. Back he comes with a knife in uz hand and
a loaf; stood just as if he was staring. Not a moment ago. Went in
that there door. I tell 'e, 'e ain't gart no 'ed at all. You just
missed en--"

There was a disturbance behind, and the speaker stopped to step
aside for a little procession that was marching very resolutely
towards the house; first Mr. Hall, very red and determined, then
Mr. Bobby Jaffers, the village constable, and then the wary Mr.
Wadgers. They had come now armed with a warrant.

People shouted conflicting information of the recent circumstances.
"'Ed or no 'ed," said Jaffers, "I got to 'rest en, and 'rest en I
_will_."

Mr. Hall marched up the steps, marched straight to the door of the
parlour and flung it open. "Constable," he said, "do your duty."

Jaffers marched in. Hall next, Wadgers last. They saw in the dim
light the headless figure facing them, with a gnawed crust of bread
in one gloved hand and a chunk of cheese in the other.

"That's him!" said Hall.

"What the devil's this?" came in a tone of angry expostulation from
above the collar of the figure.

"You're a damned rum customer, mister," said Mr. Jaffers. "But 'ed
or no 'ed, the warrant says 'body,' and duty's duty--"

"Keep off!" said the figure, starting back.

Abruptly he whipped down the bread and cheese, and Mr. Hall just
grasped the knife on the table in time to save it. Off came the
stranger's left glove and was slapped in Jaffers' face. In another
moment Jaffers, cutting short some statement concerning a warrant,
had gripped him by the handless wrist and caught his invisible
throat. He got a sounding kick on the shin that made him shout, but
he kept his grip. Hall sent the knife sliding along the table to
Wadgers, who acted as goal-keeper for the offensive, so to speak,
and then stepped forward as Jaffers and the stranger swayed and
staggered towards him, clutching and hitting in. A chair stood in
the way, and went aside with a crash as they came down together.

"Get the feet," said Jaffers between his teeth.

Mr. Hall, endeavouring to act on instructions, received a sounding
kick in the ribs that disposed of him for a moment, and Mr.
Wadgers, seeing the decapitated stranger had rolled over and got
the upper side of Jaffers, retreated towards the door, knife in
hand, and so collided with Mr. Huxter and the Sidderbridge carter
coming to the rescue of law and order. At the same moment down came
three or four bottles from the chiffonnier and shot a web of
pungency into the air of the room.

"I'll surrender," cried the stranger, though he had Jaffers down,
and in another moment he stood up panting, a strange figure,
headless and handless--for he had pulled off his right glove now
as well as his left. "It's no good," he said, as if sobbing for
breath.

It was the strangest thing in the world to hear that voice coming
as if out of empty space, but the Sussex peasants are perhaps the
most matter-of-fact people under the sun. Jaffers got up also and
produced a pair of handcuffs. Then he stared.

"I say!" said Jaffers, brought up short by a dim realization of the
incongruity of the whole business, "Darn it! Can't use 'em as I can
see."

The stranger ran his arm down his waistcoat, and as if by a miracle
the buttons to which his empty sleeve pointed became undone. Then
he said something about his shin, and stooped down. He seemed to be
fumbling with his shoes and socks.

"Why!" said Huxter, suddenly, "that's not a man at all. It's just
empty clothes. Look! You can see down his collar and the linings of
his clothes. I could put my arm--"

He extended his hand; it seemed to meet something in mid-air, and
he drew it back with a sharp exclamation. "I wish you'd keep your
fingers out of my eye," said the aerial voice, in a tone of savage
expostulation. "The fact is, I'm all here--head, hands, legs, and
all the rest of it, but it happens I'm invisible. It's a confounded
nuisance, but I am. That's no reason why I should be poked to
pieces by every stupid bumpkin in Iping, is it?"

The suit of clothes, now all unbuttoned and hanging loosely upon
its unseen supports, stood up, arms akimbo.

Several other of the men folks had now entered the room, so that it
was closely crowded. "Invisible, eh?" said Huxter, ignoring the
stranger's abuse. "Who ever heard the likes of that?"

"It's strange, perhaps, but it's not a crime. Why am I assaulted by
a policeman in this fashion?"

"Ah! that's a different matter," said Jaffers. "No doubt you are a
bit difficult to see in this light, but I got a warrant and it's
all correct. What I'm after ain't no invisibility,--it's burglary.
There's a house been broke into and money took."

"Well?"

"And circumstances certainly point--"

"Stuff and nonsense!" said the Invisible Man.

"I hope so, sir; but I've got my instructions."

"Well," said the stranger, "I'll come. I'll _come_. But no
handcuffs."

"It's the regular thing," said Jaffers.

"No handcuffs," stipulated the stranger.

"Pardon me," said Jaffers.

Abruptly the figure sat down, and before any one could realise was
was being done, the slippers, socks, and trousers had been kicked
off under the table. Then he sprang up again and flung off his coat.

"Here, stop that," said Jaffers, suddenly realising what was
happening. He gripped at the waistcoat; it struggled, and the shirt
slipped out of it and left it limp and empty in his hand. "Hold
him!" said Jaffers, loudly. "Once he gets the things off--"

"Hold him!" cried everyone, and there was a rush at the fluttering
white shirt which was now all that was visible of the stranger.

The shirt-sleeve planted a shrewd blow in Hall's face that stopped
his open-armed advance, and sent him backward into old Toothsome
the sexton, and in another moment the garment was lifted up and
became convulsed and vacantly flapping about the arms, even as a
shirt that is being thrust over a man's head. Jaffers clutched at
it, and only helped to pull it off; he was struck in the mouth out
of the air, and incontinently threw his truncheon and smote Teddy
Henfrey savagely upon the crown of his head.

"Look out!" said everybody, fencing at random and hitting at
nothing. "Hold him! Shut the door! Don't let him loose! I got
something! Here he is!" A perfect Babel of noises they made.
Everybody, it seemed, was being hit all at once, and Sandy Wadgers,
knowing as ever and his wits sharpened by a frightful blow in the
nose, reopened the door and led the rout. The others, following
incontinently, were jammed for a moment in the corner by the
doorway. The hitting continued. Phipps, the Unitarian, had a front
tooth broken, and Henfrey was injured in the cartilage of his ear.
Jaffers was struck under the jaw, and, turning, caught at something
that intervened between him and Huxter in the melee, and prevented
their coming together. He felt a muscular chest, and in another
moment the whole mass of struggling, excited men shot out into the
crowded hall.

"I got him!" shouted Jaffers, choking and reeling through them all,
and wrestling with purple face and swelling veins against his
unseen enemy.

Men staggered right and left as the extraordinary conflict swayed
swiftly towards the house door, and went spinning down the
half-dozen steps of the inn. Jaffers cried in a strangled
voice--holding tight, nevertheless, and making play with his
knee--spun around, and fell heavily undermost with his head on
the gravel. Only then did his fingers relax.

There were excited cries of "Hold him!" "Invisible!" and so forth,
and a young fellow, a stranger in the place whose name did not come
to light, rushed in at once, caught something, missed his hold,
and fell over the constable's prostrate body. Half-way across the
road a woman screamed as something pushed by her; a dog, kicked
apparently, yelped and ran howling into Huxter's yard, and with
that the transit of the Invisible Man was accomplished. For a space
people stood amazed and gesticulating, and then came panic, and
scattered them abroad through the village as a gust scatters dead
leaves.

But Jaffers lay quite still, face upward and knees bent, at the foot
of the steps of the inn.

The narrator arrives at the bus station and recognizes the veteran surgeon from the Golden Day. Though he does not want to sit by the man since the experience from the day before still haunts him, he has no choice, for blacks are relegated to a small section in the rear. When he sits next to him, the narrator learns that the veteran is being transferred to another mental institution. The veteran begins to tease the narrator about traveling north to seek freedom. He also warns the young black man to wake up and be aware of the lying that goes on; he insists that he does not have to believe in the lies to succeed. He explains that the reality is that people do not see the narrator, for he is black; he then tries to explain the advantages of being invisible. The narrator, confused, ignores the old man. Before getting off at the first stop, the veteran acts in a nurturing manner towards the narrator, putting his hand on his shoulder and offering some last advice. He tells the narrator to be his person, for the world is full of possibility. He also warns him to stay away from the Mr. Nortons in life. When the narrator leaves the bus, he heads towards Harlem, feeling worldly and sophisticated with his suitcase and leather briefcase in hand. Entering the subway system, he struggles against the crowd. He is afraid of standing close to the woman on the subway and thinks that riots must regularly happen because of such crowded situations. He decides that next time he will enter the subway with his hands on the lapels of his jacket. Walking into Harlem, he is shocked to see the multitudes of black people living and working as normal employees, such as cashiers and police officers. Perhaps he can believe what the veteran has said about a world of possibility. The narrator is suddenly jolted by the voice of Ras, a West Indian man standing on a soapbox and yelling angry words about the government. The narrator feels sure the speech will spark a riot; however, he notices two white police officers calmly talking amongst themselves with their backs turned to the scene. The policemen see him staring and question him. He asks for directions to the Men's House. Upon getting there, he relaxes, realizing he will not be able to take in Harlem all at once.


IN TRANSIT

The eighth chapter is exceedingly brief, and relates that Gibbons,
the amateur naturalist of the district, while lying out on the
spacious open downs without a soul within a couple of miles of him,
as he thought, and almost dozing, heard close to him the sound as
of a man coughing, sneezing, and then swearing savagely to himself;
and looking, beheld nothing. Yet the voice was indisputable. It
continued to swear with that breadth and variety that distinguishes
the swearing of a cultivated man. It grew to a climax, diminished
again, and died away in the distance, going as it seemed to him in
the direction of Adderdean. It lifted to a spasmodic sneeze and
ended. Gibbons had heard nothing of the morning's occurrences, but
the phenomenon was so striking and disturbing that his philosophical
tranquillity vanished; he got up hastily, and hurried down the
steepness of the hill towards the village, as fast as he could go.

The narrator prepares to interview for jobs. He goes out in the morning to offices of the men to whom his letters are addressed. Each time he gets to an office, he is met by a secretary. His letter is taken and he is told he will be written a letter of response. Walking down the street, he begins to wonder about the white in New York. He eats next to them and rides the subway with them. They do not seem to have an air of too much self-importance, and they apologize whenever they bump into him. Yet he feels certain they do not acknowledge him in their politeness. Their reactions are mechanical, for he is invisible to them. The narrator grows impatient, not hearing from the employers to whom he has given his letters. He only has one letter remaining. He does not send this last one, for he knows the man is out of town, and he suspects his letters rarely make it past the secretaries. He spends some time typing a perfect letter to the last man, requesting an appointment wherein he will pass on a message from Dr. Bledsoe. He waits anxiously and finally a letter from this man, Mr. Emerson, arrives.


MR. THOMAS MARVEL

You must picture Mr. Thomas Marvel as a person of copious, flexible
visage, a nose of cylindrical protrusion, a liquorish, ample,
fluctuating mouth, and a beard of bristling eccentricity. His figure
inclined to embonpoint; his short limbs accentuated this inclination.
He wore a furry silk hat, and the frequent substitution of twine and
shoe-laces for buttons, apparent at critical points of his costume,
marked a man essentially bachelor.

Mr. Thomas Marvel was sitting with his feet in a ditch by the
roadside over the down towards Adderdean, about a mile and a half
out of Iping. His feet, save for socks of irregular open-work, were
bare, his big toes were broad, and pricked like the ears of a
watchful dog. In a leisurely manner--he did everything in a
leisurely manner--he was contemplating trying on a pair of boots.
They were the soundest boots he had come across for a long time, but
too large for him; whereas the ones he had were, in dry weather, a
very comfortable fit, but too thin-soled for damp. Mr. Thomas Marvel
hated roomy shoes, but then he hated damp. He had never properly
thought out which he hated most, and it was a pleasant day, and
there was nothing better to do. So he put the four shoes in a
graceful group on the turf and looked at them. And seeing them there
among the grass and springing agrimony, it suddenly occurred to him
that both pairs were exceedingly ugly to see. He was not at all
startled by a voice behind him.

"They're boots, anyhow," said the Voice.

"They are--charity boots," said Mr. Thomas Marvel, with his head
on one side regarding them distastefully; "and which is the ugliest
pair in the whole blessed universe, I'm darned if I know!"

"H'm," said the Voice.

"I've worn worse--in fact, I've worn none. But none so owdacious
ugly--if you'll allow the expression. I've been cadging boots--in
particular--for days. Because I was sick of _them_. They're sound
enough, of course. But a gentleman on tramp sees such a thundering
lot of his boots. And if you'll believe me, I've raised nothing in
the whole blessed country, try as I would, but _them_. Look at 'em!
And a good country for boots, too, in a general way. But it's just
my promiscuous luck. I've got my boots in this country ten years or
more. And then they treat you like this."

"It's a beast of a country," said the Voice. "And pigs for people."

"Ain't it?" said Mr. Thomas Marvel. "Lord! But them boots! It beats
it."

He turned his head over his shoulder to the right, to look at the
boots of his interlocutor with a view to comparisons, and lo! where
the boots of his interlocutor should have been were neither legs
nor boots. He was irradiated by the dawn of a great amazement.
"Where _are_ yer?" said Mr. Thomas Marvel over his shoulder and
coming on all fours. He saw a stretch of empty downs with the wind
swaying the remote green-pointed furze bushes.

"Am I drunk?" said Mr. Marvel. "Have I had visions? Was I talking
to myself? What the--"

"Don't be alarmed," said a Voice.

"None of your ventriloquising _me_," said Mr. Thomas Marvel, rising
sharply to his feet. "Where _are_ yer? Alarmed, indeed!"

"Don't be alarmed," repeated the Voice.

"_You'll_ be alarmed in a minute, you silly fool," said Mr. Thomas
Marvel. "Where _are_ yer? Lemme get my mark on yer...

"Are yer _buried_?" said Mr. Thomas Marvel, after an interval.

There was no answer. Mr. Thomas Marvel stood bootless and amazed,
his jacket nearly thrown off.

"Peewit," said a peewit, very remote.

"Peewit, indeed!" said Mr. Thomas Marvel. "This ain't no time for
foolery." The down was desolate, east and west, north and south;
the road with its shallow ditches and white bordering stakes, ran
smooth and empty north and south, and, save for that peewit, the
blue sky was empty too. "So help me," said Mr. Thomas Marvel,
shuffling his coat on to his shoulders again. "It's the drink!
I might ha' known."

"It's not the drink," said the Voice. "You keep your nerves
steady."

"Ow!" said Mr. Marvel, and his face grew white amidst its patches.
"It's the drink!" his lips repeated noiselessly. He remained staring
about him, rotating slowly backwards. "I could have _swore_ I heard
a voice," he whispered.

"Of course you did."

"It's there again," said Mr. Marvel, closing his eyes and clasping
his hand on his brow with a tragic gesture. He was suddenly taken
by the collar and shaken violently, and left more dazed than ever.
"Don't be a fool," said the Voice.

"I'm--off--my--blooming--chump," said Mr. Marvel. "It's no good.
It's fretting about them blarsted boots. I'm off my blessed blooming
chump. Or it's spirits."

"Neither one thing nor the other," said the Voice. "Listen!"

"Chump," said Mr. Marvel.

"One minute," said the Voice, penetratingly, tremulous with
self-control.

"Well?" said Mr. Thomas Marvel, with a strange feeling of having
been dug in the chest by a finger.

"You think I'm just imagination? Just imagination?"

"What else _can_ you be?" said Mr. Thomas Marvel, rubbing the back of
his neck.

"Very well," said the Voice, in a tone of relief. "Then I'm going
to throw flints at you till you think differently."

"But where _are_ yer?"

The Voice made no answer. Whizz came a flint, apparently out of
the air, and missed Mr. Marvel's shoulder by a hair's-breadth.
Mr. Marvel, turning, saw a flint jerk up into the air, trace a
complicated path, hang for a moment, and then fling at his feet
with almost invisible rapidity. He was too amazed to dodge. Whizz
it came, and ricochetted from a bare toe into the ditch. Mr. Thomas
Marvel jumped a foot and howled aloud. Then he started to run,
tripped over an unseen obstacle, and came head over heels into a
sitting position.

"_Now_," said the Voice, as a third stone curved upward and hung in
the air above the tramp. "Am I imagination?"

Mr. Marvel by way of reply struggled to his feet, and was
immediately rolled over again. He lay quiet for a moment. "If you
struggle any more," said the Voice, "I shall throw the flint at
your head."

"It's a fair do," said Mr. Thomas Marvel, sitting up, taking his
wounded toe in hand and fixing his eye on the third missile. "I
don't understand it. Stones flinging themselves. Stones talking.
Put yourself down. Rot away. I'm done."

The third flint fell.

"It's very simple," said the Voice. "I'm an invisible man."

"Tell us something I don't know," said Mr. Marvel, gasping with
pain. "Where you've hid--how you do it--I _don't_ know. I'm beat."

"That's all," said the Voice. "I'm invisible. That's what I want
you to understand."

"Anyone could see that. There is no need for you to be so confounded
impatient, mister. _Now_ then. Give us a notion. How are you hid?"

"I'm invisible. That's the great point. And what I want you to
understand is this--"

"But whereabouts?" interrupted Mr. Marvel.

"Here! Six yards in front of you."

"Oh, _come_! I ain't blind. You'll be telling me next you're just
thin air. I'm not one of your ignorant tramps--"

"Yes, I am--thin air. You're looking through me."

"What! Ain't there any stuff to you. _Vox et_--what is it?--jabber.
Is it that?"

"I am just a human being--solid, needing food and drink, needing
covering too--But I'm invisible. You see? Invisible. Simple idea.
Invisible."

"What, real like?"

"Yes, real."

"Let's have a hand of you," said Marvel, "if you _are_ real. It won't
be so darn out-of-the-way like, then--_Lord_!" he said, "how you made
me jump!--gripping me like that!"

He felt the hand that had closed round his wrist with his disengaged
fingers, and his fingers went timorously up the arm, patted a
muscular chest, and explored a bearded face. Marvel's face was
astonishment.

"I'm dashed!" he said. "If this don't beat cock-fighting! Most
remarkable!--And there I can see a rabbit clean through you, 'arf
a mile away! Not a bit of you visible--except--"

He scrutinised the apparently empty space keenly. "You 'aven't been
eatin' bread and cheese?" he asked, holding the invisible arm.

"You're quite right, and it's not quite assimilated into the system."

"Ah!" said Mr. Marvel. "Sort of ghostly, though."

"Of course, all this isn't half so wonderful as you think."

"It's quite wonderful enough for _my_ modest wants," said Mr. Thomas
Marvel. "Howjer manage it! How the dooce is it done?"

"It's too long a story. And besides--"

"I tell you, the whole business fairly beats me," said Mr. Marvel.

"What I want to say at present is this: I need help. I have come to
that--I came upon you suddenly. I was wandering, mad with rage,
naked, impotent. I could have murdered. And I saw you--"

"_Lord_!" said Mr. Marvel.

"I came up behind you--hesitated--went on--"

Mr. Marvel's expression was eloquent.

"--then stopped. 'Here,' I said, 'is an outcast like myself. This is
the man for me.' So I turned back and came to you--you. And--"

"_Lord_!" said Mr. Marvel. "But I'm all in a tizzy. May I ask--How
is it? And what you may be requiring in the way of help?--Invisible!"

"I want you to help me get clothes--and shelter--and then, with
other things. I've left them long enough. If you won't--well! But
you _will--must_."

"Look here," said Mr. Marvel. "I'm too flabbergasted. Don't knock
me about any more. And leave me go. I must get steady a bit. And
you've pretty near broken my toe. It's all so unreasonable. Empty
downs, empty sky. Nothing visible for miles except the bosom of
Nature. And then comes a voice. A voice out of heaven! And stones!
And a fist--Lord!"

"Pull yourself together," said the Voice, "for you have to do the
job I've chosen for you."

Mr. Marvel blew out his cheeks, and his eyes were round.

"I've chosen you," said the Voice. "You are the only man except
some of those fools down there, who knows there is such a thing as
an invisible man. You have to be my helper. Help me--and I will
do great things for you. An invisible man is a man of power." He
stopped for a moment to sneeze violently.

"But if you betray me," he said, "if you fail to do as I direct you--"
He paused and tapped Mr. Marvel's shoulder smartly. Mr. Marvel
gave a yelp of terror at the touch. "I don't want to betray you,"
said Mr. Marvel, edging away from the direction of the fingers.
"Don't you go a-thinking that, whatever you do. All I want to do is
to help you--just tell me what I got to do. (Lord!) Whatever you
want done, that I'm most willing to do."

The narrator is walking along to his appointment with Mr. Emerson when he encounters a black man pushing a shopping cart and singing the blues. The man reminds the narrator of home, but also disturbs him much like the Golden Day veterans had disturbed him. The narrator feels himself smiling at the man's rhymes, wondering what they really mean; he also thinks of the freedom the man has in this city. The narrator, however, determines he will not become too attached to New York, for he plans to return to school and believes that his experience in the city will make him better prepared for college. Entering a diner to have breakfast before his meeting, he finds the service insulting. When he leaves, the narrator wonders if a tip from a black man to a white waitress would be insulting. The narrator goes to Mr. Emerson's office and hands his letter to a young man who appears to be the secretary. He is then interviewed briefly by this man, who turns out to be Mr. Emerson's son. The younger Mr. Emerson gives in to his impulse and shows the narrator the letter that Dr. Bledsoe has written. It says to the addressee to please help sever this former student's ties to the college because of crimes he has committed. The younger Mr. Emerson wants to help somehow and suggests that the narrator look for employment at Liberty Paint. The narrator is too shocked about the letter to listen to the suggestion; he quickly leaves the office. Out on the street, the narrator begins singing a folk song, again wondering about its meaning. He begins drawing connections between his life and the fate of the Robin in his song. Anger over Dr. Bledsoe fills him, and he dreams of getting revenge; however, he decides he must first find employment. He successfully applies for a job at Liberty Paint and is told to report to work early the next morning.


MR. MARVEL'S VISIT TO IPING

After the first gusty panic had spent itself Iping became
argumentative. Scepticism suddenly reared its head--rather nervous
scepticism, not at all assured of its back, but scepticism
nevertheless. It is so much easier not to believe in an invisible
man; and those who had actually seen him dissolve into air, or felt
the strength of his arm, could be counted on the fingers of two
hands. And of these witnesses Mr. Wadgers was presently missing,
having retired impregnably behind the bolts and bars of his own
house, and Jaffers was lying stunned in the parlour of the "Coach
and Horses." Great and strange ideas transcending experience often
have less effect upon men and women than smaller, more tangible
considerations. Iping was gay with bunting, and everybody was in
gala dress. Whit Monday had been looked forward to for a month or
more. By the afternoon even those who believed in the Unseen were
beginning to resume their little amusements in a tentative fashion,
on the supposition that he had quite gone away, and with the
sceptics he was already a jest. But people, sceptics and believers
alike, were remarkably sociable all that day.

Haysman's meadow was gay with a tent, in which Mrs. Bunting and
other ladies were preparing tea, while, without, the Sunday-school
children ran races and played games under the noisy guidance of the
curate and the Misses Cuss and Sackbut. No doubt there was a slight
uneasiness in the air, but people for the most part had the sense
to conceal whatever imaginative qualms they experienced. On the
village green an inclined strong [rope?], down which, clinging
the while to a pulley-swung handle, one could be hurled violently against
a sack at the other end, came in for considerable favour among the
adolescents, as also did the swings and the cocoanut shies. There
was also promenading, and the steam organ attached to a small
roundabout filled the air with a pungent flavour of oil and with
equally pungent music. Members of the club, who had attended
church in the morning, were splendid in badges of pink and green,
and some of the gayer-minded had also adorned their bowler hats
with brilliant-coloured favours of ribbon. Old Fletcher, whose
conceptions of holiday-making were severe, was visible through the
jasmine about his window or through the open door (whichever way
you chose to look), poised delicately on a plank supported on two
chairs, and whitewashing the ceiling of his front room.

About four o'clock a stranger entered the village from the direction
of the downs. He was a short, stout person in an extraordinarily
shabby top hat, and he appeared to be very much out of breath. His
cheeks were alternately limp and tightly puffed. His mottled face
was apprehensive, and he moved with a sort of reluctant alacrity. He
turned the corner of the church, and directed his way to the "Coach
and Horses." Among others old Fletcher remembers seeing him, and
indeed the old gentleman was so struck by his peculiar agitation
that he inadvertently allowed a quantity of whitewash to run down
the brush into the sleeve of his coat while regarding him.

This stranger, to the perceptions of the proprietor of the cocoanut
shy, appeared to be talking to himself, and Mr. Huxter remarked the
same thing. He stopped at the foot of the "Coach and Horses" steps,
and, according to Mr. Huxter, appeared to undergo a severe internal
struggle before he could induce himself to enter the house. Finally
he marched up the steps, and was seen by Mr. Huxter to turn to the
left and open the door of the parlour. Mr. Huxter heard voices from
within the room and from the bar apprising the man of his error.
"That room's private!" said Hall, and the stranger shut the door
clumsily and went into the bar.

In the course of a few minutes he reappeared, wiping his lips with
the back of his hand with an air of quiet satisfaction that somehow
impressed Mr. Huxter as assumed. He stood looking about him for
some moments, and then Mr. Huxter saw him walk in an oddly furtive
manner towards the gates of the yard, upon which the parlour window
opened. The stranger, after some hesitation, leant against one of
the gate-posts, produced a short clay pipe, and prepared to fill
it. His fingers trembled while doing so. He lit it clumsily, and
folding his arms began to smoke in a languid attitude, an attitude
which his occasional glances up the yard altogether belied.

All this Mr. Huxter saw over the canisters of the tobacco window,
and the singularity of the man's behaviour prompted him to maintain
his observation.

Presently the stranger stood up abruptly and put his pipe in his
pocket. Then he vanished into the yard. Forthwith Mr. Huxter,
conceiving he was witness of some petty larceny, leapt round his
counter and ran out into the road to intercept the thief. As he did
so, Mr. Marvel reappeared, his hat askew, a big bundle in a blue
table-cloth in one hand, and three books tied together--as it proved
afterwards with the Vicar's braces--in the other. Directly he saw
Huxter he gave a sort of gasp, and turning sharply to the left,
began to run. "Stop, thief!" cried Huxter, and set off after him.
Mr. Huxter's sensations were vivid but brief. He saw the man just
before him and spurting briskly for the church corner and the hill
road. He saw the village flags and festivities beyond, and a face or
so turned towards him. He bawled, "Stop!" again. He had hardly gone
ten strides before his shin was caught in some mysterious fashion,
and he was no longer running, but flying with inconceivable rapidity
through the air. He saw the ground suddenly close to his face. The
world seemed to splash into a million whirling specks of light, and
subsequent proceedings interested him no more.

The narrator arrives at the Liberty Paint factory and learns he is one of several young black men brought in to the plant to replace striking union workers. Shortly after arriving, he gets an assignment with Mr. Kimbro, a very loud and angry man. He learns to mix chemicals into paint to make it white. However, Mr. Kimbro does not explain everything properly, and the narrator ends up making batches of useless gray paint. After he finishes correcting his work by adding a darker paint, he is sent back to the main office where he is assigned another position in the plant, as Lucius Brockway's assistant. Lucius Brockway does not really want an assistant, fearing that personnel is trying to replace him from his job. He accepts this young man, since the narrator does not appear threatening. His first assignment is to read the gauges in the basement. Mr. Brockway talks a little more about himself and the company before the narrator leaves to take his lunch in the break room, where he is stopped by members holding a union meeting. Fearing he is a traitor, they hassle him. Eventually, he has lunch and returns to the basement. Mr. Brockway threatens to kill him when he hears that he encountered a union meeting. They engage in a physical fight, until Mr. Brockway gives in. Then Mr. Brockway leaves the scene laughing when the narrator loses control of a machine. There is an explosion of machine parts, which fall on him, and the narrator loses consciousness.


IN THE "COACH AND HORSES"

Now in order clearly to understand what had happened in the inn, it
is necessary to go back to the moment when Mr. Marvel first came
into view of Mr. Huxter's window.

At that precise moment Mr. Cuss and Mr. Bunting were in the parlour.
They were seriously investigating the strange occurrences of the
morning, and were, with Mr. Hall's permission, making a thorough
examination of the Invisible Man's belongings. Jaffers had partially
recovered from his fall and had gone home in the charge of his
sympathetic friends. The stranger's scattered garments had been
removed by Mrs. Hall and the room tidied up. And on the table under
the window where the stranger had been wont to work, Cuss had hit
almost at once on three big books in manuscript labelled "Diary."

"Diary!" said Cuss, putting the three books on the table. "Now, at
any rate, we shall learn something." The Vicar stood with his hands
on the table.

"Diary," repeated Cuss, sitting down, putting two volumes to
support the third, and opening it. "H'm--no name on the fly-leaf.
Bother!--cypher. And figures."

The vicar came round to look over his shoulder.

Cuss turned the pages over with a face suddenly disappointed.
"I'm--dear me! It's all cypher, Bunting."

"There are no diagrams?" asked Mr. Bunting. "No illustrations
throwing light--"

"See for yourself," said Mr. Cuss. "Some of it's mathematical and
some of it's Russian or some such language (to judge by the
letters), and some of it's Greek. Now the Greek I thought _you_--"

"Of course," said Mr. Bunting, taking out and wiping his spectacles
and feeling suddenly very uncomfortable--for he had no Greek
left in his mind worth talking about; "yes--the Greek, of course,
may furnish a clue."

"I'll find you a place."

"I'd rather glance through the volumes first," said Mr. Bunting,
still wiping. "A general impression first, Cuss, and _then_, you
know, we can go looking for clues."

He coughed, put on his glasses, arranged them fastidiously, coughed
again, and wished something would happen to avert the seemingly
inevitable exposure. Then he took the volume Cuss handed him in a
leisurely manner. And then something did happen.

The door opened suddenly.

Both gentlemen started violently, looked round, and were relieved
to see a sporadically rosy face beneath a furry silk hat. "Tap?"
asked the face, and stood staring.

"No," said both gentlemen at once.

"Over the other side, my man," said Mr. Bunting. And "Please shut
that door," said Mr. Cuss, irritably.

"All right," said the intruder, as it seemed in a low voice
curiously different from the huskiness of its first inquiry. "Right
you are," said the intruder in the former voice. "Stand clear!" and
he vanished and closed the door.

"A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they
are. Stand clear! indeed. A nautical term, referring to his getting
back out of the room, I suppose."

"I daresay so," said Cuss. "My nerves are all loose to-day. It quite
made me jump--the door opening like that."

Mr. Bunting smiled as if he had not jumped. "And now," he said with
a sigh, "these books."

Someone sniffed as he did so.

"One thing is indisputable," said Bunting, drawing up a chair next
to that of Cuss. "There certainly have been very strange things
happen in Iping during the last few days--very strange. I cannot
of course believe in this absurd invisibility story--"

"It's incredible," said Cuss--"incredible. But the fact remains
that I saw--I certainly saw right down his sleeve--"

"But did you--are you sure? Suppose a mirror, for instance--
hallucinations are so easily produced. I don't know if you
have ever seen a really good conjuror--"

"I won't argue again," said Cuss. "We've thrashed that out,
Bunting. And just now there's these books--Ah! here's some of
what I take to be Greek! Greek letters certainly."

He pointed to the middle of the page. Mr. Bunting flushed slightly
and brought his face nearer, apparently finding some difficulty
with his glasses. Suddenly he became aware of a strange feeling at
the nape of his neck. He tried to raise his head, and encountered
an immovable resistance. The feeling was a curious pressure, the
grip of a heavy, firm hand, and it bore his chin irresistibly to
the table. "Don't move, little men," whispered a voice, "or I'll
brain you both!" He looked into the face of Cuss, close to his own,
and each saw a horrified reflection of his own sickly astonishment.

"I'm sorry to handle you so roughly," said the Voice, "but it's
unavoidable."

"Since when did you learn to pry into an investigator's private
memoranda," said the Voice; and two chins struck the table
simultaneously, and two sets of teeth rattled.

"Since when did you learn to invade the private rooms of a man in
misfortune?" and the concussion was repeated.

"Where have they put my clothes?"

"Listen," said the Voice. "The windows are fastened and I've taken
the key out of the door. I am a fairly strong man, and I have the
poker handy--besides being invisible. There's not the slightest
doubt that I could kill you both and get away quite easily if I
wanted to--do you understand? Very well. If I let you go will you
promise not to try any nonsense and do what I tell you?"

The vicar and the doctor looked at one another, and the doctor
pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it.
Then the pressure on the necks relaxed, and the doctor and the
vicar sat up, both very red in the face and wriggling their heads.

"Please keep sitting where you are," said the Invisible Man.
"Here's the poker, you see."

"When I came into this room," continued the Invisible Man, after
presenting the poker to the tip of the nose of each of his visitors,
"I did not expect to find it occupied, and I expected to find, in
addition to my books of memoranda, an outfit of clothing. Where is
it? No--don't rise. I can see it's gone. Now, just at present,
though the days are quite warm enough for an invisible man to run
about stark, the evenings are quite chilly. I want clothing--and
other accommodation; and I must also have those three books."

The narrator returns to consciousness in the factory laboratory. Several physicians wander in and out, talking about him as if he is not there. He is strapped down inside a glass box. At one point, the talk of treating the narrator turns to lobotomies and experimental electric shock therapy. The procedure is painful, taking him in and out of consciousness. Eventually, the narrator has totally forgotten his own identity; he wonders if he will be set free once he remembers who he is. However, the doctors ask him his name, and when he doesnt know, they let him go. He leaves the hospital and wonders out into the Harlem streets.


THE INVISIBLE MAN LOSES HIS TEMPER

It is unavoidable that at this point the narrative should break off
again, for a certain very painful reason that will presently be
apparent. While these things were going on in the parlour, and
while Mr. Huxter was watching Mr. Marvel smoking his pipe against
the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey
discussing in a state of cloudy puzzlement the one Iping topic.

Suddenly there came a violent thud against the door of the parlour,
a sharp cry, and then--silence.

"Hul-lo!" said Teddy Henfrey.

"Hul-lo!" from the Tap.

Mr. Hall took things in slowly but surely. "That ain't right," he
said, and came round from behind the bar towards the parlour door.

He and Teddy approached the door together, with intent faces. Their
eyes considered. "Summat wrong," said Hall, and Henfrey nodded
agreement. Whiffs of an unpleasant chemical odour met them, and
there was a muffled sound of conversation, very rapid and subdued.

"You all right thur?" asked Hall, rapping.

The muttered conversation ceased abruptly, for a moment silence,
then the conversation was resumed, in hissing whispers, then a
sharp cry of "No! no, you don't!" There came a sudden motion and
the oversetting of a chair, a brief struggle. Silence again.

"What the dooce?" exclaimed Henfrey, _sotto voce_.

"You--all--right thur?" asked Mr. Hall, sharply, again.

The Vicar's voice answered with a curious jerking intonation:
"Quite ri-right. Please don't--interrupt."

"Odd!" said Mr. Henfrey.

"Odd!" said Mr. Hall.

"Says, 'Don't interrupt,'" said Henfrey.

"I heerd'n," said Hall.

"And a sniff," said Henfrey.

They remained listening. The conversation was rapid and subdued.
"I _can't_," said Mr. Bunting, his voice rising; "I tell you, sir,
I _will_ not."

"What was that?" asked Henfrey.

"Says he wi' nart," said Hall. "Warn't speaking to us, wuz he?"

"Disgraceful!" said Mr. Bunting, within.

"'Disgraceful,'" said Mr. Henfrey. "I heard it--distinct."

"Who's that speaking now?" asked Henfrey.

"Mr. Cuss, I s'pose," said Hall. "Can you hear--anything?"

Silence. The sounds within indistinct and perplexing.

"Sounds like throwing the table-cloth about," said Hall.

Mrs. Hall appeared behind the bar. Hall made gestures of silence and
invitation. This aroused Mrs. Hall's wifely opposition. "What yer
listenin' there for, Hall?" she asked. "Ain't you nothin' better to
do--busy day like this?"

Hall tried to convey everything by grimaces and dumb show, but Mrs.
Hall was obdurate. She raised her voice. So Hall and Henfrey, rather
crestfallen, tiptoed back to the bar, gesticulating to explain to
her.

At first she refused to see anything in what they had heard at
all. Then she insisted on Hall keeping silence, while Henfrey told
her his story. She was inclined to think the whole business
nonsense--perhaps they were just moving the furniture about. "I
heerd'n say 'disgraceful'; _that_ I did," said Hall.

"_I_ heerd that, Mrs. Hall," said Henfrey.

"Like as not--" began Mrs. Hall.

"Hsh!" said Mr. Teddy Henfrey. "Didn't I hear the window?"

"What window?" asked Mrs. Hall.

"Parlour window," said Henfrey.

Everyone stood listening intently. Mrs. Hall's eyes, directed
straight before her, saw without seeing the brilliant oblong of the
inn door, the road white and vivid, and Huxter's shop-front
blistering in the June sun. Abruptly Huxter's door opened and Huxter
appeared, eyes staring with excitement, arms gesticulating. "Yap!"
cried Huxter. "Stop thief!" and he ran obliquely across the oblong
towards the yard gates, and vanished.

Simultaneously came a tumult from the parlour, and a sound of
windows being closed.

Hall, Henfrey, and the human contents of the tap rushed out at once
pell-mell into the street. They saw someone whisk round the corner
towards the road, and Mr. Huxter executing a complicated leap in
the air that ended on his face and shoulder. Down the street people
were standing astonished or running towards them.

Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall
and the two labourers from the Tap rushed at once to the corner,
shouting incoherent things, and saw Mr. Marvel vanishing by the
corner of the church wall. They appear to have jumped to the
impossible conclusion that this was the Invisible Man suddenly
become visible, and set off at once along the lane in pursuit. But
Hall had hardly run a dozen yards before he gave a loud shout of
astonishment and went flying headlong sideways, clutching one of
the labourers and bringing him to the ground. He had been charged
just as one charges a man at football. The second labourer came
round in a circle, stared, and conceiving that Hall had tumbled
over of his own accord, turned to resume the pursuit, only to be
tripped by the ankle just as Huxter had been. Then, as the first
labourer struggled to his feet, he was kicked sideways by a blow
that might have felled an ox.

As he went down, the rush from the direction of the village green
came round the corner. The first to appear was the proprietor of
the cocoanut shy, a burly man in a blue jersey. He was astonished
to see the lane empty save for three men sprawling absurdly on the
ground. And then something happened to his rear-most foot, and he
went headlong and rolled sideways just in time to graze the feet
of his brother and partner, following headlong. The two were then
kicked, knelt on, fallen over, and cursed by quite a number of
over-hasty people.

Now when Hall and Henfrey and the labourers ran out of the house,
Mrs. Hall, who had been disciplined by years of experience,
remained in the bar next the till. And suddenly the parlour door
was opened, and Mr. Cuss appeared, and without glancing at her
rushed at once down the steps toward the corner. "Hold him!" he
cried. "Don't let him drop that parcel."

He knew nothing of the
existence of Marvel. For the Invisible Man had handed over the
books and bundle in the yard. The face of Mr. Cuss was angry and
resolute, but his costume was defective, a sort of limp white kilt
that could only have passed muster in Greece. "Hold him!" he
bawled. "He's got my trousers! And every stitch of the Vicar's
clothes!"

"'Tend to him in a minute!" he cried to Henfrey as he passed the
prostrate Huxter, and, coming round the corner to join the tumult,
was promptly knocked off his feet into an indecorous sprawl.
Somebody in full flight trod heavily on his finger. He yelled,
struggled to regain his feet, was knocked against and thrown on all
fours again, and became aware that he was involved not in a capture,
but a rout. Everyone was running back to the village. He rose again
and was hit severely behind the ear. He staggered and set off back
to the "Coach and Horses" forthwith, leaping over the deserted
Huxter, who was now sitting up, on his way.

Behind him as he was halfway up the inn steps he heard a sudden
yell of rage, rising sharply out of the confusion of cries, and a
sounding smack in someone's face. He recognised the voice as that
of the Invisible Man, and the note was that of a man suddenly
infuriated by a painful blow.

In another moment Mr. Cuss was back in the parlour. "He's coming
back, Bunting!" he said, rushing in. "Save yourself!"

Mr. Bunting was standing in the window engaged in an attempt to
clothe himself in the hearth-rug and a _West Surrey Gazette_. "Who's
coming?" he said, so startled that his costume narrowly escaped
disintegration.

"Invisible Man," said Cuss, and rushed on to the window. "We'd
better clear out from here! He's fighting mad! Mad!"

In another moment he was out in the yard.

"Good heavens!" said Mr. Bunting, hesitating between two horrible
alternatives. He heard a frightful struggle in the passage of the
inn, and his decision was made. He clambered out of the window,
adjusted his costume hastily, and fled up the village as fast as
his fat little legs would carry him.

From the moment when the Invisible Man screamed with rage and Mr.
Bunting made his memorable flight up the village, it became
impossible to give a consecutive account of affairs in Iping.
Possibly the Invisible Man's original intention was simply to cover
Marvel's retreat with the clothes and books. But his temper, at no
time very good, seems to have gone completely at some chance blow,
and forthwith he set to smiting and overthrowing, for the mere
satisfaction of hurting.

You must figure the street full of running figures, of doors
slamming and fights for hiding-places. You must figure the tumult
suddenly striking on the unstable equilibrium of old Fletcher's
planks and two chairs--with cataclysmic results. You must figure
an appalled couple caught dismally in a swing. And then the whole
tumultuous rush has passed and the Iping street with its gauds and
flags is deserted save for the still raging unseen, and littered
with cocoanuts, overthrown canvas screens, and the scattered stock
in trade of a sweetstuff stall. Everywhere there is a sound of
closing shutters and shoving bolts, and the only visible humanity
is an occasional flitting eye under a raised eyebrow in the corner
of a window pane.

The Invisible Man amused himself for a little while by breaking all
the windows in the "Coach and Horses," and then he thrust a street
lamp through the parlour window of Mrs. Gribble. He it must have
been who cut the telegraph wire to Adderdean just beyond Higgins'
cottage on the Adderdean road. And after that, as his peculiar
qualities allowed, he passed out of human perceptions altogether,
and he was neither heard, seen, nor felt in Iping any more. He
vanished absolutely.

But it was the best part of two hours before any human being
ventured out again into the desolation of Iping street.

The narrator faints and collapses on the street. A crowd gathers around him, and a kind woman helps him up and takes him to her home. Her name is Mary, and she offers him a room to rent. He accepts, realizing he can no longer board back at the Men's House. Mary talks incessantly of hope and responsibility. Though her endless talking annoys him, Mary at least treats him live a visible person. The narrator stays mostly in his room reading books. Since the incident in the paint factory, he has become obsessed with his identity and is stressed by contradictory voices within himself. Something is slowly beginning to change in him, but the only thing obvious to him is his growing anger and resentment. As he walks down the streets, angry words spew involuntarily from his mouth. He finds his passion for making speeches is returning.


MR. MARVEL DISCUSSES HIS RESIGNATION

When the dusk was gathering and Iping was just beginning to peep
timorously forth again upon the shattered wreckage of its Bank
Holiday, a short, thick-set man in a shabby silk hat was marching
painfully through the twilight behind the beechwoods on the road to
Bramblehurst. He carried three books bound together by some sort
of ornamental elastic ligature, and a bundle wrapped in a blue
table-cloth. His rubicund face expressed consternation and fatigue;
he appeared to be in a spasmodic sort of hurry. He was accompanied
by a voice other than his own, and ever and again he winced under
the touch of unseen hands.

"If you give me the slip again," said the Voice, "if you attempt to
give me the slip again--"

"Lord!" said Mr. Marvel. "That shoulder's a mass of bruises as it
is."

"On my honour," said the Voice, "I will kill you."

"I didn't try to give you the slip," said Marvel, in a voice that
was not far remote from tears. "I swear I didn't. I didn't know the
blessed turning, that was all! How the devil was I to know the
blessed turning? As it is, I've been knocked about--"

"You'll get knocked about a great deal more if you don't mind,"
said the Voice, and Mr. Marvel abruptly became silent. He blew out
his cheeks, and his eyes were eloquent of despair.

"It's bad enough to let these floundering yokels explode my little
secret, without _your_ cutting off with my books. It's lucky for some
of them they cut and ran when they did! Here am I ... No one knew I
was invisible! And now what am I to do?"

"What am _I_ to do?" asked Marvel, _sotto voce_.

"It's all about. It will be in the papers! Everybody will be
looking for me; everyone on their guard--" The Voice broke off
into vivid curses and ceased.

The despair of Mr. Marvel's face deepened, and his pace slackened.

"Go on!" said the Voice.

Mr. Marvel's face assumed a greyish tint between the ruddier
patches.

"Don't drop those books, stupid," said the Voice, sharply--overtaking
him.

"The fact is," said the Voice, "I shall have to make use of you....
You're a poor tool, but I must."

"I'm a _miserable_ tool," said Marvel.

"You are," said the Voice.

"I'm the worst possible tool you could have," said Marvel.

"I'm not strong," he said after a discouraging silence.

"I'm not over strong," he repeated.

"No?"

"And my heart's weak. That little business--I pulled it through,
of course--but bless you! I could have dropped."

"Well?"

"I haven't the nerve and strength for the sort of thing you want."

"_I'll_ stimulate you."

"I wish you wouldn't. I wouldn't like to mess up your plans, you
know. But I might--out of sheer funk and misery."

"You'd better not," said the Voice, with quiet emphasis.

"I wish I was dead," said Marvel.

"It ain't justice," he said; "you must admit.... It seems to me I've
a perfect right--"

"_Get_ on!" said the Voice.

Mr. Marvel mended his pace, and for a time they went in silence
again.

"It's devilish hard," said Mr. Marvel.

This was quite ineffectual. He tried another tack.

"What do I make by it?" he began again in a tone of unendurable
wrong.

"Oh! _shut up_!" said the Voice, with sudden amazing vigour. "I'll
see to you all right. You do what you're told. You'll do it all
right. You're a fool and all that, but you'll do--"

"I tell you, sir, I'm not the man for it. Respectfully--but
it _is_ so--"

"If you don't shut up I shall twist your wrist again," said the
Invisible Man. "I want to think."

Presently two oblongs of yellow light appeared through the trees,
and the square tower of a church loomed through the gloaming. "I
shall keep my hand on your shoulder," said the Voice, "all through
the village. Go straight through and try no foolery. It will be the
worse for you if you do."

"I know that," sighed Mr. Marvel, "I know all that."

The unhappy-looking figure in the obsolete silk hat passed up the
street of the little village with his burdens, and vanished into
the gathering darkness beyond the lights of the windows.

After a time, the narrator grows restless with just reading books. His thoughts center on tough questions about his identity. Out in the streets, he notices many store signs, many of which are religious or symbolic. One advertisement advocates "whiter" skin as the solution to happiness and beauty. He wants to punch the glass casing with his fist but continues down the road. He comes upon a peddler selling hot yams. He orders one and starts to eat it immediately. It creates a feeling of nostalgia in the narrator, which suddenly triggers a feeling of freedom. He is exhilarated to be walking down the street while eating a yam -- without fear and by himself. This is something he would have been ashamed to do in the past. Now he feels no shame and realizes that he likes who he is. As he orders two more yams, he wonders how much enjoyment he has missed in life because he has felt too ashamed to do anything other than what is expected. He thinks of Dr. Bledsoe and fantasizes about accusing him in public for being a chitterlings eater, crushing him emotionally with humiliation. As he walks further down the street, the narrator encounters a crowd. Two white men are carrying furniture out of an apartment. A woman sits in one of the chairs being carried out of the house, and she throws punches at the men. A second woman from the same apartment is also yelling. The narrator is filled with disgust as he watches the scene and the crowd, which is silent, self-conscious, and ashamed to be watching what is going on. The narrator feels bad that he has mistakenly identified their household items for junk. When one of the women makes eye contact with the narrator, he looks away out of embarrassment. Her crying affects him deeply. He feels drawn to her, but is afraid of his strong emotions. He wants to leave, but cannot make himself go away. He looks at the personal possessions on the ground, including old baby shoes and newspaper clippings. He is startled to see a paper that certifies that a slave has become a free person. The nausea of the narrator turns to rage. He overhears that the event being witnessed is an eviction. One of the women tries to go back into her apartment to pray. The white man tells her she is evicted and cannot re-enter. He threatens to hit her, but she charges ahead anyway. She is knocked back to the sidewalk, and someone yells that the white man hit her. Before a fight erupts, the narrator runs between the people and the marshal to intervene. He begins to deliver a speech, even though he fears they may laugh at him. Instead, people take him seriously and listen for a moment; they then storm up the steps anyway. Shots are fired, the marshal is beaten, and the narrator finds himself on the ground, having been trampled over. The narrator picks himself up and helps the others as they chase the marshal away. They then begin to carry furniture back into the apartment. There is a mood of excitement, empowerment, and pride amongst the blacks. Suddenly, the narrator notices other that other white men are present; they represent some organization and claim to be friends of all people. They encourage the blacks to hold a demonstration. Before they can march, a police officer arrives and orders everyone to clear the streets. The officer calls into headquarters to report a riot and questions the white people as to why they are in Harlem. In the midst of the confusion, the narrator escapes quietly into the apartment building and up the stairs. A woman recognizes him as the speechmaker and warns him that he is headed in the wrong direction; she encourages him to escape over the roof, so his identity will remain unknown. As he leaves by way of the roof, the narrator realizes he is being followed by a man who does not shoot or shout at him. Once he reaches the street, he believes he has escaped safely. A man standing at the corner compliments him for his speech; he realizes it is the same man who has followed him on the roof. The narrator pretends that he does not know what the man is talking about. The man compliments him again and invites him to talk in a coffee shop, because it is not safe to be seen together on the street. Once in the coffee shop, the narrator has a feeling that the man is not being totally himself and wonders how much he can trust him. The man, who calls himself Brother Jack, gives him the same compliment the woman at the roof gave him; he stirs people to action with his words. The man explains to the narrator that individuals are not important; he needs to focus his speech-making abilities on the masses. The narrator is offended by this statement, for he identifies himself with individuals, such the old people who have been evicted. The man tells him that while he may have been like those people once, he is different now. The narrator disagrees and distrusts the strange man; he also declines an offer to work for the man giving speeches and bringing local people to action by expressing their grievances. The man explains that the difference between individual and organized resistance means the difference between criminal activity and political activity. The narrator takes the man's phone number and leaves. Although he does not understand everything that has been said, the narrator believes that Brother Jack has spoken with confidence and assurance and feels intrigued.