A touch on the lawyer's wrinkled hand as he stands in the dark room,
irresolute, makes him start and say, "What's that?"

"It's me," returns the old man of the house, whose breath is in his
ear. "Can't you wake him?"

"No."

"What have you done with your candle?"

"It's gone out. Here it is."

Krook takes it, goes to the fire, stoops over the red embers, and
tries to get a light. The dying ashes have no light to spare, and his
endeavours are vain. Muttering, after an ineffectual call to his
lodger, that he will go downstairs and bring a lighted candle from
the shop, the old man departs. Mr. Tulkinghorn, for some new reason
that he has, does not await his return in the room, but on the stairs
outside.

The welcome light soon shines upon the wall, as Krook comes slowly up
with his green-eyed cat following at his heels. "Does the man
generally sleep like this?" inquired the lawyer in a low voice. "Hi!
I don't know," says Krook, shaking his head and lifting his eyebrows.
"I know next to nothing of his habits except that he keeps himself
very close."

Thus whispering, they both go in together. As the light goes in, the
great eyes in the shutters, darkening, seem to close. Not so the eyes
upon the bed.

"God save us!" exclaims Mr. Tulkinghorn. "He is dead!" Krook drops
the heavy hand he has taken up so suddenly that the arm swings over
the bedside.

They look at one another for a moment.

"Send for some doctor! Call for Miss Flite up the stairs, sir. Here's
poison by the bed! Call out for Flite, will you?" says Krook, with
his lean hands spread out above the body like a vampire's wings.

Mr. Tulkinghorn hurries to the landing and calls, "Miss Flite! Flite!
Make haste, here, whoever you are! Flite!" Krook follows him with his
eyes, and while he is calling, finds opportunity to steal to the old
portmanteau and steal back again.

"Run, Flite, run! The nearest doctor! Run!" So Mr. Krook addresses a
crazy little woman who is his female lodger, who appears and vanishes
in a breath, who soon returns accompanied by a testy medical man
brought from his dinner, with a broad, snuffy upper lip and a broad
Scotch tongue.

"Ey! Bless the hearts o' ye," says the medical man, looking up at
them after a moment's examination. "He's just as dead as Phairy!"

Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has
been dead any time.

"Any time, sir?" says the medical gentleman. "It's probable he wull
have been dead aboot three hours."

"About that time, I should say," observes a dark young man on the
other side of the bed.

"Air you in the maydickle prayfession yourself, sir?" inquires the
first.

The dark young man says yes.

"Then I'll just tak' my depairture," replies the other, "for I'm nae
gude here!" With which remark he finishes his brief attendance and
returns to finish his dinner.

The dark young surgeon passes the candle across and across the face
and carefully examines the law-writer, who has established his
pretensions to his name by becoming indeed No one.

"I knew this person by sight very well," says he. "He has purchased
opium of me for the last year and a half. Was anybody present related
to him?" glancing round upon the three bystanders.

"I was his landlord," grimly answers Krook, taking the candle from
the surgeon's outstretched hand. "He told me once I was the nearest
relation he had."

"He has died," says the surgeon, "of an over-dose of opium, there is
no doubt. The room is strongly flavoured with it. There is enough
here now," taking an old tea-pot from Mr. Krook, "to kill a dozen
people."

"Do you think he did it on purpose?" asks Krook.

"Took the over-dose?"

"Yes!" Krook almost smacks his lips with the unction of a horrible
interest.

"I can't say. I should think it unlikely, as he has been in the habit
of taking so much. But nobody can tell. He was very poor, I suppose?"

"I suppose he was. His room--don't look rich," says Krook, who might
have changed eyes with his cat, as he casts his sharp glance around.
"But I have never been in it since he had it, and he was too close to
name his circumstances to me."

"Did he owe you any rent?"

"Six weeks."

"He will never pay it!" says the young man, resuming his examination.
"It is beyond a doubt that he is indeed as dead as Pharaoh; and to
judge from his appearance and condition, I should think it a happy
release. Yet he must have been a good figure when a youth, and I dare
say, good-looking." He says this, not unfeelingly, while sitting on
the bedstead's edge with his face towards that other face and his
hand upon the region of the heart. "I recollect once thinking there
was something in his manner, uncouth as it was, that denoted a fall
in life. Was that so?" he continues, looking round.

Krook replies, "You might as well ask me to describe the ladies whose
heads of hair I have got in sacks downstairs. Than that he was my
lodger for a year and a half and lived--or didn't live--by
law-writing, I know no more of him."

During this dialogue Mr. Tulkinghorn has stood aloof by the old
portmanteau, with his hands behind him, equally removed, to all
appearance, from all three kinds of interest exhibited near the
bed--from the young surgeon's professional interest in death,
noticeable as being quite apart from his remarks on the deceased as
an individual; from the old man's unction; and the little crazy
woman's awe. His imperturbable face has been as inexpressive as his
rusty clothes. One could not even say he has been thinking all this
while. He has shown neither patience nor impatience, nor attention
nor abstraction. He has shown nothing but his shell. As easily might
the tone of a delicate musical instrument be inferred from its case,
as the tone of Mr. Tulkinghorn from his case.

He now interposes, addressing the young surgeon in his unmoved,
professional way.

"I looked in here," he observes, "just before you, with the
intention of giving this deceased man, whom I never saw alive, some
employment at his trade of copying. I had heard of him from my
stationer--Snagsby of Cook's Court. Since no one here knows anything
about him, it might be as well to send for Snagsby. Ah!" to the
little crazy woman, who has often seen him in court, and whom he has
often seen, and who proposes, in frightened dumb-show, to go for the
law-stationer. "Suppose you do!"

While she is gone, the surgeon abandons his hopeless investigation
and covers its subject with the patchwork counterpane. Mr. Krook and
he interchange a word or two. Mr. Tulkinghorn says nothing, but
stands, ever, near the old portmanteau.

Mr. Snagsby arrives hastily in his grey coat and his black sleeves.
"Dear me, dear me," he says; "and it has come to this, has it! Bless
my soul!"

"Can you give the person of the house any information about this
unfortunate creature, Snagsby?" inquires Mr. Tulkinghorn. "He was in
arrears with his rent, it seems. And he must be buried, you know."

"Well, sir," says Mr. Snagsby, coughing his apologetic cough behind
his hand, "I really don't know what advice I could offer, except
sending for the beadle."

"I don't speak of advice," returns Mr. Tulkinghorn. "I could
advise--"

"No one better, sir, I am sure," says Mr. Snagsby, with his
deferential cough.

"I speak of affording some clue to his connexions, or to where he
came from, or to anything concerning him."

"I assure you, sir," says Mr. Snagsby after prefacing his reply with
his cough of general propitiation, "that I no more know where he came
from than I know--"

"Where he has gone to, perhaps," suggests the surgeon to help him
out.

A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook,
with his mouth open, looking for somebody to speak next.

"As to his connexions, sir," says Mr. Snagsby, "if a person was to
say to me, 'Snagsby, here's twenty thousand pound down, ready for you
in the Bank of England if you'll only name one of 'em,' I couldn't do
it, sir! About a year and a half ago--to the best of my belief, at
the time when he first came to lodge at the present rag and bottle
shop--"

"That was the time!" says Krook with a nod.

"About a year and a half ago," says Mr. Snagsby, strengthened, "he
came into our place one morning after breakfast, and finding my
little woman (which I name Mrs. Snagsby when I use that appellation)
in our shop, produced a specimen of his handwriting and gave her to
understand that he was in want of copying work to do and was, not to
put too fine a point upon it," a favourite apology for plain speaking
with Mr. Snagsby, which he always offers with a sort of argumentative
frankness, "hard up! My little woman is not in general partial to
strangers, particular--not to put too fine a point upon it--when they
want anything. But she was rather took by something about this
person, whether by his being unshaved, or by his hair being in want
of attention, or by what other ladies' reasons, I leave you to judge;
and she accepted of the specimen, and likewise of the address. My
little woman hasn't a good ear for names," proceeds Mr. Snagsby after
consulting his cough of consideration behind his hand, "and she
considered Nemo equally the same as Nimrod. In consequence of which,
she got into a habit of saying to me at meals, 'Mr. Snagsby, you
haven't found Nimrod any work yet!' or 'Mr. Snagsby, why didn't you
give that eight and thirty Chancery folio in Jarndyce to Nimrod?' or
such like. And that is the way he gradually fell into job-work at our
place; and that is the most I know of him except that he was a quick
hand, and a hand not sparing of night-work, and that if you gave him
out, say, five and forty folio on the Wednesday night, you would have
it brought in on the Thursday morning. All of which--" Mr. Snagsby
concludes by politely motioning with his hat towards the bed, as much
as to add, "I have no doubt my honourable friend would confirm if he
were in a condition to do it."

"Hadn't you better see," says Mr. Tulkinghorn to Krook, "whether he
had any papers that may enlighten you? There will be an inquest, and
you will be asked the question. You can read?"

"No, I can't," returns the old man with a sudden grin.

"Snagsby," says Mr. Tulkinghorn, "look over the room for him. He will
get into some trouble or difficulty otherwise. Being here, I'll wait
if you make haste, and then I can testify on his behalf, if it should
ever be necessary, that all was fair and right. If you will hold the
candle for Mr. Snagsby, my friend, he'll soon see whether there is
anything to help you."

"In the first place, here's an old portmanteau, sir," says Snagsby.

Ah, to be sure, so there is! Mr. Tulkinghorn does not appear to have
seen it before, though he is standing so close to it, and though
there is very little else, heaven knows.

The marine-store merchant holds the light, and the law-stationer
conducts the search. The surgeon leans against the corner of the
chimney-piece; Miss Flite peeps and trembles just within the door.
The apt old scholar of the old school, with his dull black breeches
tied with ribbons at the knees, his large black waistcoat, his
long-sleeved black coat, and his wisp of limp white neckerchief tied
in the bow the peerage knows so well, stands in exactly the same
place and attitude.

There are some worthless articles of clothing in the old portmanteau;
there is a bundle of pawnbrokers' duplicates, those turnpike tickets
on the road of poverty; there is a crumpled paper, smelling of opium,
on which are scrawled rough memoranda--as, took, such a day, so many
grains; took, such another day, so many more--begun some time ago, as
if with the intention of being regularly continued, but soon left
off. There are a few dirty scraps of newspapers, all referring to
coroners' inquests; there is nothing else. They search the cupboard
and the drawer of the ink-splashed table. There is not a morsel of an
old letter or of any other writing in either. The young surgeon
examines the dress on the law-writer. A knife and some odd halfpence
are all he finds. Mr. Snagsby's suggestion is the practical
suggestion after all, and the beadle must be called in.

So the little crazy lodger goes for the beadle, and the rest come out
of the room. "Don't leave the cat there!" says the surgeon; "that
won't do!" Mr. Krook therefore drives her out before him, and she
goes furtively downstairs, winding her lithe tail and licking her
lips.

"Good night!" says Mr. Tulkinghorn, and goes home to Allegory and
meditation.

By this time the news has got into the court. Groups of its
inhabitants assemble to discuss the thing, and the outposts of the
army of observation (principally boys) are pushed forward to Mr.
Krook's window, which they closely invest. A policeman has already
walked up to the room, and walked down again to the door, where he
stands like a tower, only condescending to see the boys at his base
occasionally; but whenever he does see them, they quail and fall
back. Mrs. Perkins, who has not been for some weeks on speaking terms
with Mrs. Piper in consequence for an unpleasantness originating in
young Perkins' having "fetched" young Piper "a crack," renews her
friendly intercourse on this auspicious occasion. The potboy at the
corner, who is a privileged amateur, as possessing official knowledge
of life and having to deal with drunken men occasionally, exchanges
confidential communications with the policeman and has the appearance
of an impregnable youth, unassailable by truncheons and unconfinable
in station-houses. People talk across the court out of window, and
bare-headed scouts come hurrying in from Chancery Lane to know what's
the matter. The general feeling seems to be that it's a blessing Mr.
Krook warn't made away with first, mingled with a little natural
disappointment that he was not. In the midst of this sensation, the
beadle arrives.

The beadle, though generally understood in the neighbourhood to be a
ridiculous institution, is not without a certain popularity for the
moment, if it were only as a man who is going to see the body. The
policeman considers him an imbecile civilian, a remnant of the
barbarous watchmen times, but gives him admission as something that
must be borne with until government shall abolish him. The sensation
is heightened as the tidings spread from mouth to mouth that the
beadle is on the ground and has gone in.

By and by the beadle comes out, once more intensifying the sensation,
which has rather languished in the interval. He is understood to be
in want of witnesses for the inquest to-morrow who can tell the
coroner and jury anything whatever respecting the deceased. Is
immediately referred to innumerable people who can tell nothing
whatever. Is made more imbecile by being constantly informed that
Mrs. Green's son "was a law-writer his-self and knowed him better
than anybody," which son of Mrs. Green's appears, on inquiry, to be
at the present time aboard a vessel bound for China, three months
out, but considered accessible by telegraph on application to the
Lords of the Admiralty. Beadle goes into various shops and parlours,
examining the inhabitants, always shutting the door first, and by
exclusion, delay, and general idiotcy exasperating the public.
Policeman seen to smile to potboy. Public loses interest and
undergoes reaction. Taunts the beadle in shrill youthful voices with
having boiled a boy, choruses fragments of a popular song to that
effect and importing that the boy was made into soup for the
workhouse. Policeman at last finds it necessary to support the law
and seize a vocalist, who is released upon the flight of the rest on
condition of his getting out of this then, come, and cutting it--a
condition he immediately observes. So the sensation dies off for the
time; and the unmoved policeman (to whom a little opium, more or
less, is nothing), with his shining hat, stiff stock, inflexible
great-coat, stout belt and bracelet, and all things fitting, pursues
his lounging way with a heavy tread, beating the palms of his white
gloves one against the other and stopping now and then at a
street-corner to look casually about for anything between a lost
child and a murder.

Under cover of the night, the feeble-minded beadle comes flitting
about Chancery Lane with his summonses, in which every juror's name
is wrongly spelt, and nothing rightly spelt but the beadle's own
name, which nobody can read or wants to know. The summonses served
and his witnesses forewarned, the beadle goes to Mr. Krook's to keep
a small appointment he has made with certain paupers, who, presently
arriving, are conducted upstairs, where they leave the great eyes in
the shutter something new to stare at, in that last shape which
earthly lodgings take for No one--and for Every one.

And all that night the coffin stands ready by the old portmanteau;
and the lonely figure on the bed, whose path in life has lain through
five and forty years, lies there with no more track behind him that
any one can trace than a deserted infant.

Next day the court is all alive--is like a fair, as Mrs. Perkins,
more than reconciled to Mrs. Piper, says in amicable conversation
with that excellent woman. The coroner is to sit in the first-floor
room at the Sol's Arms, where the Harmonic Meetings take place twice
a week and where the chair is filled by a gentleman of professional
celebrity, faced by Little Swills, the comic vocalist, who hopes
(according to the bill in the window) that his friends will rally
round him and support first-rate talent. The Sol's Arms does a brisk
stroke of business all the morning. Even children so require
sustaining under the general excitement that a pieman who has
established himself for the occasion at the corner of the court says
his brandy-balls go off like smoke. What time the beadle, hovering
between the door of Mr. Krook's establishment and the door of the
Sol's Arms, shows the curiosity in his keeping to a few discreet
spirits and accepts the compliment of a glass of ale or so in return.

At the appointed hour arrives the coroner, for whom the jurymen are
waiting and who is received with a salute of skittles from the good
dry skittle-ground attached to the Sol's Arms. The coroner frequents
more public-houses than any man alive. The smell of sawdust, beer,
tobacco-smoke, and spirits is inseparable in his vocation from death
in its most awful shapes. He is conducted by the beadle and the
landlord to the Harmonic Meeting Room, where he puts his hat on the
piano and takes a Windsor-chair at the head of a long table formed of
several short tables put together and ornamented with glutinous rings
in endless involutions, made by pots and glasses. As many of the jury
as can crowd together at the table sit there. The rest get among the
spittoons and pipes or lean against the piano. Over the coroner's
head is a small iron garland, the pendant handle of a bell, which
rather gives the majesty of the court the appearance of going to be
hanged presently.

Call over and swear the jury! While the ceremony is in progress,
sensation is created by the entrance of a chubby little man in a
large shirt-collar, with a moist eye and an inflamed nose, who
modestly takes a position near the door as one of the general public,
but seems familiar with the room too. A whisper circulates that this
is Little Swills. It is considered not unlikely that he will get up
an imitation of the coroner and make it the principal feature of the
Harmonic Meeting in the evening.

"Well, gentlemen--" the coroner begins.

"Silence there, will you!" says the beadle. Not to the coroner,
though it might appear so.

"Well, gentlemen," resumes the coroner. "You are impanelled here to
inquire into the death of a certain man. Evidence will be given
before you as to the circumstances attending that death, and you will
give your verdict according to the--skittles; they must be stopped,
you know, beadle!--evidence, and not according to anything else. The
first thing to be done is to view the body."

"Make way there!" cries the beadle.

So they go out in a loose procession, something after the manner of a
straggling funeral, and make their inspection in Mr. Krook's back
second floor, from which a few of the jurymen retire pale and
precipitately. The beadle is very careful that two gentlemen not very
neat about the cuffs and buttons (for whose accommodation he has
provided a special little table near the coroner in the Harmonic
Meeting Room) should see all that is to be seen. For they are the
public chroniclers of such inquiries by the line; and he is not
superior to the universal human infirmity, but hopes to read in print
what "Mooney, the active and intelligent beadle of the district,"
said and did and even aspires to see the name of Mooney as familiarly
and patronizingly mentioned as the name of the hangman is, according
to the latest examples.

Little Swills is waiting for the coroner and jury on their return.
Mr. Tulkinghorn, also. Mr. Tulkinghorn is received with distinction
and seated near the coroner between that high judicial officer, a
bagatelle-board, and the coal-box. The inquiry proceeds. The jury
learn how the subject of their inquiry died, and learn no more about
him. "A very eminent solicitor is in attendance, gentlemen," says the
coroner, "who, I am informed, was accidentally present when discovery
of the death was made, but he could only repeat the evidence you have
already heard from the surgeon, the landlord, the lodger, and the
law-stationer, and it is not necessary to trouble him. Is anybody in
attendance who knows anything more?"

Mrs. Piper pushed forward by Mrs. Perkins. Mrs. Piper sworn.

Anastasia Piper, gentlemen. Married woman. Now, Mrs. Piper, what have
you got to say about this?

Why, Mrs. Piper has a good deal to say, chiefly in parentheses and
without punctuation, but not much to tell. Mrs. Piper lives in the
court (which her husband is a cabinet-maker), and it has long been
well beknown among the neighbours (counting from the day next but one
before the half-baptizing of Alexander James Piper aged eighteen
months and four days old on accounts of not being expected to live
such was the sufferings gentlemen of that child in his gums) as the
plaintive--so Mrs. Piper insists on calling the deceased--was
reported to have sold himself. Thinks it was the plaintive's air in
which that report originatinin. See the plaintive often and
considered as his air was feariocious and not to be allowed to go
about some children being timid (and if doubted hoping Mrs. Perkins
may be brought forard for she is here and will do credit to her
husband and herself and family). Has seen the plaintive wexed and
worrited by the children (for children they will ever be and you
cannot expect them specially if of playful dispositions to be
Methoozellers which you was not yourself). On accounts of this and
his dark looks has often dreamed as she see him take a pick-axe from
his pocket and split Johnny's head (which the child knows not fear
and has repeatually called after him close at his eels). Never
however see the plaintive take a pick-axe or any other wepping far
from it. Has seen him hurry away when run and called after as if not
partial to children and never see him speak to neither child nor
grown person at any time (excepting the boy that sweeps the crossing
down the lane over the way round the corner which if he was here
would tell you that he has been seen a-speaking to him frequent).

Says the coroner, is that boy here? Says the beadle, no, sir, he is
not here. Says the coroner, go and fetch him then. In the absence of
the active and intelligent, the coroner converses with Mr.
Tulkinghorn.

Oh! Here's the boy, gentlemen!

Here he is, very muddy, very hoarse, very ragged. Now, boy! But stop
a minute. Caution. This boy must be put through a few preliminary
paces.

Name, Jo. Nothing else that he knows on. Don't know that everybody
has two names. Never heerd of sich a think. Don't know that Jo is
short for a longer name. Thinks it long enough for HIM. HE don't find
no fault with it. Spell it? No. HE can't spell it. No father, no
mother, no friends. Never been to school. What's home? Knows a
broom's a broom, and knows it's wicked to tell a lie. Don't recollect
who told him about the broom or about the lie, but knows both. Can't
exactly say what'll be done to him arter he's dead if he tells a lie
to the gentlemen here, but believes it'll be something wery bad to
punish him, and serve him right--and so he'll tell the truth.

"This won't do, gentlemen!" says the coroner with a melancholy shake
of the head.

"Don't you think you can receive his evidence, sir?" asks an
attentive juryman.

"Out of the question," says the coroner. "You have heard the boy.
'Can't exactly say' won't do, you know. We can't take THAT in a court
of justice, gentlemen. It's terrible depravity. Put the boy aside."

Boy put aside, to the great edification of the audience, especially
of Little Swills, the comic vocalist.

Now. Is there any other witness? No other witness.

Very well, gentlemen! Here's a man unknown, proved to have been in
the habit of taking opium in large quantities for a year and a half,
found dead of too much opium. If you think you have any evidence to
lead you to the conclusion that he committed suicide, you will come
to that conclusion. If you think it is a case of accidental death,
you will find a verdict accordingly.

Verdict accordingly. Accidental death. No doubt. Gentlemen, you are
discharged. Good afternoon.

While the coroner buttons his great-coat, Mr. Tulkinghorn and he give
private audience to the rejected witness in a corner.

That graceless creature only knows that the dead man (whom he
recognized just now by his yellow face and black hair) was sometimes
hooted and pursued about the streets. That one cold winter night when
he, the boy, was shivering in a doorway near his crossing, the man
turned to look at him, and came back, and having questioned him and
found that he had not a friend in the world, said, "Neither have I.
Not one!" and gave him the price of a supper and a night's lodging.
That the man had often spoken to him since and asked him whether he
slept sound at night, and how he bore cold and hunger, and whether he
ever wished to die, and similar strange questions. That when the man
had no money, he would say in passing, "I am as poor as you to-day,
Jo," but that when he had any, he had always (as the boy most
heartily believes) been glad to give him some.

"He was wery good to me," says the boy, wiping his eyes with his
wretched sleeve. "Wen I see him a-layin' so stritched out just now, I
wished he could have heerd me tell him so. He wos wery good to me, he
wos!"

As he shuffles downstairs, Mr. Snagsby, lying in wait for him, puts a
half-crown in his hand. "If you ever see me coming past your crossing
with my little woman--I mean a lady--" says Mr. Snagsby with his
finger on his nose, "don't allude to it!"

For some little time the jurymen hang about the Sol's Arms
colloquially. In the sequel, half-a-dozen are caught up in a cloud of
pipe-smoke that pervades the parlour of the Sol's Arms; two stroll to
Hampstead; and four engage to go half-price to the play at night, and
top up with oysters. Little Swills is treated on several hands. Being
asked what he thinks of the proceedings, characterizes them (his
strength lying in a slangular direction) as "a rummy start." The
landlord of the Sol's Arms, finding Little Swills so popular,
commends him highly to the jurymen and public, observing that for a
song in character he don't know his equal and that that man's
character-wardrobe would fill a cart.

Thus, gradually the Sol's Arms melts into the shadowy night and then
flares out of it strong in gas. The Harmonic Meeting hour arriving,
the gentleman of professional celebrity takes the chair, is faced
(red-faced) by Little Swills; their friends rally round them and
support first-rate talent. In the zenith of the evening, Little
Swills says, "Gentlemen, if you'll permit me, I'll attempt a short
description of a scene of real life that came off here to-day." Is
much applauded and encouraged; goes out of the room as Swills; comes
in as the coroner (not the least in the world like him); describes
the inquest, with recreative intervals of piano-forte accompaniment,
to the refrain: With his (the coroner's) tippy tol li doll, tippy tol
lo doll, tippy tol li doll, Dee!

The jingling piano at last is silent, and the Harmonic friends rally
round their pillows. Then there is rest around the lonely figure, now
laid in its last earthly habitation; and it is watched by the gaunt
eyes in the shutters through some quiet hours of night. If this
forlorn man could have been prophetically seen lying here by the
mother at whose breast he nestled, a little child, with eyes upraised
to her loving face, and soft hand scarcely knowing how to close upon
the neck to which it crept, what an impossibility the vision would
have seemed! Oh, if in brighter days the now-extinguished fire within
him ever burned for one woman who held him in her heart, where is
she, while these ashes are above the ground!

It is anything but a night of rest at Mr. Snagsby's, in Cook's Court,
where Guster murders sleep by going, as Mr. Snagsby himself
allows--not to put too fine a point upon it--out of one fit into
twenty. The occasion of this seizure is that Guster has a tender
heart and a susceptible something that possibly might have been
imagination, but for Tooting and her patron saint. Be it what it may,
now, it was so direfully impressed at tea-time by Mr. Snagsby's
account of the inquiry at which he had assisted that at supper-time
she projected herself into the kitchen, preceded by a flying Dutch
cheese, and fell into a fit of unusual duration, which she only came
out of to go into another, and another, and so on through a chain of
fits, with short intervals between, of which she has pathetically
availed herself by consuming them in entreaties to Mrs. Snagsby not
to give her warning "when she quite comes to," and also in appeals to
the whole establishment to lay her down on the stones and go to bed.
Hence, Mr. Snagsby, at last hearing the cock at the little dairy in
Cursitor Street go into that disinterested ecstasy of his on the
subject of daylight, says, drawing a long breath, though the most
patient of men, "I thought you was dead, I am sure!"

What question this enthusiastic fowl supposes he settles when he
strains himself to such an extent, or why he should thus crow (so men
crow on various triumphant public occasions, however) about what
cannot be of any moment to him, is his affair. It is enough that
daylight comes, morning comes, noon comes.

Then the active and intelligent, who has got into the morning papers
as such, comes with his pauper company to Mr. Krook's and bears off
the body of our dear brother here departed to a hemmed-in churchyard,
pestiferous and obscene, whence malignant diseases are communicated
to the bodies of our dear brothers and sisters who have not departed,
while our dear brothers and sisters who hang about official
back-stairs--would to heaven they HAD departed!--are very complacent
and agreeable. Into a beastly scrap of ground which a Turk would
reject as a savage abomination and a Caffre would shudder at, they
bring our dear brother here departed to receive Christian burial.

With houses looking on, on every side, save where a reeking little
tunnel of a court gives access to the iron gate--with every villainy
of life in action close on death, and every poisonous element of
death in action close on life--here they lower our dear brother down
a foot or two, here sow him in corruption, to be raised in
corruption: an avenging ghost at many a sick-bedside, a shameful
testimony to future ages how civilization and barbarism walked this
boastful island together.

Come night, come darkness, for you cannot come too soon or stay too
long by such a place as this! Come, straggling lights into the
windows of the ugly houses; and you who do iniquity therein, do it at
least with this dread scene shut out! Come, flame of gas, burning so
sullenly above the iron gate, on which the poisoned air deposits its
witch-ointment slimy to the touch! It is well that you should call to
every passerby, "Look here!"

With the night comes a slouching figure through the tunnel-court to
the outside of the iron gate. It holds the gate with its hands and
looks in between the bars, stands looking in for a little while.

It then, with an old broom it carries, softly sweeps the step and
makes the archway clean. It does so very busily and trimly, looks in
again a little while, and so departs.

Jo, is it thou? Well, well! Though a rejected witness, who "can't
exactly say" what will be done to him in greater hands than men's,
thou art not quite in outer darkness. There is something like a
distant ray of light in thy muttered reason for this: "He wos wery
good to me, he wos!"

It has left off raining down in Lincolnshire at last, and Chesney
Wold has taken heart. Mrs. Rouncewell is full of hospitable cares,
for Sir Leicester and my Lady are coming home from Paris. The
fashionable intelligence has found it out and communicates the glad
tidings to benighted England. It has also found out that they will
entertain a brilliant and distinguished circle of the ELITE of the
BEAU MONDE (the fashionable intelligence is weak in English, but a
giant refreshed in French) at the ancient and hospitable family seat
in Lincolnshire.

For the greater honour of the brilliant and distinguished circle, and
of Chesney Wold into the bargain, the broken arch of the bridge in
the park is mended; and the water, now retired within its proper
limits and again spanned gracefully, makes a figure in the prospect
from the house. The clear, cold sunshine glances into the brittle
woods and approvingly beholds the sharp wind scattering the leaves
and drying the moss. It glides over the park after the moving shadows
of the clouds, and chases them, and never catches them, all day. It
looks in at the windows and touches the ancestral portraits with bars
and patches of brightness never contemplated by the painters. Athwart
the picture of my Lady, over the great chimney-piece, it throws a
broad bend-sinister of light that strikes down crookedly into the
hearth and seems to rend it.

Through the same cold sunshine and the same sharp wind, my Lady and
Sir Leicester, in their travelling chariot (my Lady's woman and Sir
Leicester's man affectionate in the rumble), start for home. With a
considerable amount of jingling and whip-cracking, and many plunging
demonstrations on the part of two bare-backed horses and two centaurs
with glazed hats, jack-boots, and flowing manes and tails, they
rattle out of the yard of the Hotel Bristol in the Place Vendome and
canter between the sun-and-shadow-chequered colonnade of the Rue de
Rivoli and the garden of the ill-fated palace of a headless king and
queen, off by the Place of Concord, and the Elysian Fields, and the
Gate of the Star, out of Paris.

Sooth to say, they cannot go away too fast, for even here my Lady
Dedlock has been bored to death. Concert, assembly, opera, theatre,
drive, nothing is new to my Lady under the worn-out heavens. Only
last Sunday, when poor wretches were gay--within the walls playing
with children among the clipped trees and the statues in the Palace
Garden; walking, a score abreast, in the Elysian Fields, made more
Elysian by performing dogs and wooden horses; between whiles
filtering (a few) through the gloomy Cathedral of Our Lady to say a
word or two at the base of a pillar within flare of a rusty little
gridiron-full of gusty little tapers; without the walls encompassing
Paris with dancing, love-making, wine-drinking, tobacco-smoking,
tomb-visiting, billiard card and domino playing, quack-doctoring, and
much murderous refuse, animate and inanimate--only last Sunday, my
Lady, in the desolation of Boredom and the clutch of Giant Despair,
almost hated her own maid for being in spirits.

She cannot, therefore, go too fast from Paris. Weariness of soul lies
before her, as it lies behind--her Ariel has put a girdle of it round
the whole earth, and it cannot be unclasped--but the imperfect remedy
is always to fly from the last place where it has been experienced.
Fling Paris back into the distance, then, exchanging it for endless
avenues and cross-avenues of wintry trees! And, when next beheld, let
it be some leagues away, with the Gate of the Star a white speck
glittering in the sun, and the city a mere mound in a plain--two dark
square towers rising out of it, and light and shadow descending on it
aslant, like the angels in Jacob's dream!

Sir Leicester is generally in a complacent state, and rarely bored.
When he has nothing else to do, he can always contemplate his own
greatness. It is a considerable advantage to a man to have so
inexhaustible a subject. After reading his letters, he leans back in
his corner of the carriage and generally reviews his importance to
society.

"You have an unusual amount of correspondence this morning?" says my
Lady after a long time. She is fatigued with reading. Has almost read
a page in twenty miles.

"Nothing in it, though. Nothing whatever."

"I saw one of Mr. Tulkinghorn's long effusions, I think?"

"You see everything," says Sir Leicester with admiration.

"Ha!" sighs my Lady. "He is the most tiresome of men!"

"He sends--I really beg your pardon--he sends," says Sir Leicester,
selecting the letter and unfolding it, "a message to you. Our
stopping to change horses as I came to his postscript drove it out of
my memory. I beg you'll excuse me. He says--" Sir Leicester is so
long in taking out his eye-glass and adjusting it that my Lady looks
a little irritated. "He says 'In the matter of the right of way--' I
beg your pardon, that's not the place. He says--yes! Here I have it!
He says, 'I beg my respectful compliments to my Lady, who, I hope,
has benefited by the change. Will you do me the favour to mention (as
it may interest her) that I have something to tell her on her return
in reference to the person who copied the affidavit in the Chancery
suit, which so powerfully stimulated her curiosity. I have seen
him.'"

My Lady, leaning forward, looks out of her window.

"That's the message," observes Sir Leicester.

"I should like to walk a little," says my Lady, still looking out of
her window.

"Walk?" repeats Sir Leicester in a tone of surprise.

"I should like to walk a little," says my Lady with unmistakable
distinctness. "Please to stop the carriage."

The carriage is stopped, the affectionate man alights from the
rumble, opens the door, and lets down the steps, obedient to an
impatient motion of my Lady's hand. My Lady alights so quickly and
walks away so quickly that Sir Leicester, for all his scrupulous
politeness, is unable to assist her, and is left behind. A space of a
minute or two has elapsed before he comes up with her. She smiles,
looks very handsome, takes his arm, lounges with him for a quarter of
a mile, is very much bored, and resumes her seat in the carriage.

The rattle and clatter continue through the greater part of three
days, with more or less of bell-jingling and whip-cracking, and more
or less plunging of centaurs and bare-backed horses. Their courtly
politeness to each other at the hotels where they tarry is the theme
of general admiration. Though my Lord IS a little aged for my Lady,
says Madame, the hostess of the Golden Ape, and though he might be
her amiable father, one can see at a glance that they love each
other. One observes my Lord with his white hair, standing, hat in
hand, to help my Lady to and from the carriage. One observes my Lady,
how recognisant of my Lord's politeness, with an inclination of her
gracious head and the concession of her so-genteel fingers! It is
ravishing!

The sea has no appreciation of great men, but knocks them about like
the small fry. It is habitually hard upon Sir Leicester, whose
countenance it greenly mottles in the manner of sage-cheese and in
whose aristocratic system it effects a dismal revolution. It is the
Radical of Nature to him. Nevertheless, his dignity gets over it
after stopping to refit, and he goes on with my Lady for Chesney
Wold, lying only one night in London on the way to Lincolnshire.

Through the same cold sunlight, colder as the day declines, and
through the same sharp wind, sharper as the separate shadows of bare
trees gloom together in the woods, and as the Ghost's Walk, touched
at the western corner by a pile of fire in the sky, resigns itself to
coming night, they drive into the park. The rooks, swinging in their
lofty houses in the elm-tree avenue, seem to discuss the question of
the occupancy of the carriage as it passes underneath, some agreeing
that Sir Leicester and my Lady are come down, some arguing with
malcontents who won't admit it, now all consenting to consider the
question disposed of, now all breaking out again in violent debate,
incited by one obstinate and drowsy bird who will persist in putting
in a last contradictory croak. Leaving them to swing and caw, the
travelling chariot rolls on to the house, where fires gleam warmly
through some of the windows, though not through so many as to give an
inhabited expression to the darkening mass of front. But the
brilliant and distinguished circle will soon do that.

Mrs. Rouncewell is in attendance and receives Sir Leicester's
customary shake of the hand with a profound curtsy.

"How do you do, Mrs. Rouncewell? I am glad to see you."

"I hope I have the honour of welcoming you in good health, Sir
Leicester?"

"In excellent health, Mrs. Rouncewell."

"My Lady is looking charmingly well," says Mrs. Rouncewell with
another curtsy.

My Lady signifies, without profuse expenditure of words, that she is
as wearily well as she can hope to be.

But Rosa is in the distance, behind the housekeeper; and my Lady, who
has not subdued the quickness of her observation, whatever else she
may have conquered, asks, "Who is that girl?"

"A young scholar of mine, my Lady. Rosa."

"Come here, Rosa!" Lady Dedlock beckons her, with even an appearance
of interest. "Why, do you know how pretty you are, child?" she says,
touching her shoulder with her two forefingers.

Rosa, very much abashed, says, "No, if you please, my Lady!" and
glances up, and glances down, and don't know where to look, but looks
all the prettier.

"How old are you?"

"Nineteen, my Lady."

"Nineteen," repeats my Lady thoughtfully. "Take care they don't spoil
you by flattery."

"Yes, my Lady."

My Lady taps her dimpled cheek with the same delicate gloved fingers
and goes on to the foot of the oak staircase, where Sir Leicester
pauses for her as her knightly escort. A staring old Dedlock in a
panel, as large as life and as dull, looks as if he didn't know what
to make of it, which was probably his general state of mind in the
days of Queen Elizabeth.

That evening, in the housekeeper's room, Rosa can do nothing but
murmur Lady Dedlock's praises. She is so affable, so graceful, so
beautiful, so elegant; has such a sweet voice and such a thrilling
touch that Rosa can feel it yet! Mrs. Rouncewell confirms all this,
not without personal pride, reserving only the one point of
affability. Mrs. Rouncewell is not quite sure as to that. Heaven
forbid that she should say a syllable in dispraise of any member of
that excellent family, above all, of my Lady, whom the whole world
admires; but if my Lady would only be "a little more free," not quite
so cold and distant, Mrs. Rouncewell thinks she would be more
affable.

"'Tis almost a pity," Mrs. Rouncewell adds--only "almost" because it
borders on impiety to suppose that anything could be better than it
is, in such an express dispensation as the Dedlock affairs--"that my
Lady has no family. If she had had a daughter now, a grown young
lady, to interest her, I think she would have had the only kind of
excellence she wants."

"Might not that have made her still more proud, grandmother?" says
Watt, who has been home and come back again, he is such a good
grandson.

"More and most, my dear," returns the housekeeper with dignity, "are
words it's not my place to use--nor so much as to hear--applied to
any drawback on my Lady."

"I beg your pardon, grandmother. But she is proud, is she not?"

"If she is, she has reason to be. The Dedlock family have always
reason to be."

"Well," says Watt, "it's to be hoped they line out of their
prayer-books a certain passage for the common people about pride and
vainglory. Forgive me, grandmother! Only a joke!"

"Sir Leicester and Lady Dedlock, my dear, are not fit subjects for
joking."

"Sir Leicester is no joke by any means," says Watt, "and I humbly ask
his pardon. I suppose, grandmother, that even with the family and
their guests down here, there is no objection to my prolonging my
stay at the Dedlock Arms for a day or two, as any other traveller
might?"

"Surely, none in the world, child."

"I am glad of that," says Watt, "because I have an inexpressible
desire to extend my knowledge of this beautiful neighbourhood."

He happens to glance at Rosa, who looks down and is very shy indeed.
But according to the old superstition, it should be Rosa's ears that
burn, and not her fresh bright cheeks, for my Lady's maid is holding
forth about her at this moment with surpassing energy.

My Lady's maid is a Frenchwoman of two and thirty, from somewhere in
the southern country about Avignon and Marseilles, a large-eyed brown
woman with black hair who would be handsome but for a certain feline
mouth and general uncomfortable tightness of face, rendering the jaws
too eager and the skull too prominent. There is something indefinably
keen and wan about her anatomy, and she has a watchful way of looking
out of the corners of her eyes without turning her head which could
be pleasantly dispensed with, especially when she is in an ill humour
and near knives. Through all the good taste of her dress and little
adornments, these objections so express themselves that she seems to
go about like a very neat she-wolf imperfectly tamed. Besides being
accomplished in all the knowledge appertaining to her post, she is
almost an Englishwoman in her acquaintance with the language;
consequently, she is in no want of words to shower upon Rosa for
having attracted my Lady's attention, and she pours them out with
such grim ridicule as she sits at dinner that her companion, the
affectionate man, is rather relieved when she arrives at the spoon
stage of that performance.

Ha, ha, ha! She, Hortense, been in my Lady's service since five years
and always kept at the distance, and this doll, this puppet,
caressed--absolutely caressed--by my Lady on the moment of her
arriving at the house! Ha, ha, ha! "And do you know how pretty you
are, child?" "No, my Lady." You are right there! "And how old are
you, child! And take care they do not spoil you by flattery, child!"
Oh, how droll! It is the BEST thing altogether.

In short, it is such an admirable thing that Mademoiselle Hortense
can't forget it; but at meals for days afterwards, even among her
countrywomen and others attached in like capacity to the troop of
visitors, relapses into silent enjoyment of the joke--an enjoyment
expressed, in her own convivial manner, by an additional tightness of
face, thin elongation of compressed lips, and sidewise look, which
intense appreciation of humour is frequently reflected in my Lady's
mirrors when my Lady is not among them.

All the mirrors in the house are brought into action now, many of
them after a long blank. They reflect handsome faces, simpering
faces, youthful faces, faces of threescore and ten that will not
submit to be old; the entire collection of faces that have come to
pass a January week or two at Chesney Wold, and which the fashionable
intelligence, a mighty hunter before the Lord, hunts with a keen
scent, from their breaking cover at the Court of St. James's to their
being run down to death. The place in Lincolnshire is all alive. By
day guns and voices are heard ringing in the woods, horsemen and
carriages enliven the park roads, servants and hangers-on pervade the
village and the Dedlock Arms. Seen by night from distant openings in
the trees, the row of windows in the long drawing-room, where my
Lady's picture hangs over the great chimney-piece, is like a row of
jewels set in a black frame. On Sunday the chill little church is
almost warmed by so much gallant company, and the general flavour of
the Dedlock dust is quenched in delicate perfumes.

The brilliant and distinguished circle comprehends within it no
contracted amount of education, sense, courage, honour, beauty, and
virtue. Yet there is something a little wrong about it in despite of
its immense advantages. What can it be?

Dandyism? There is no King George the Fourth now (more the pity) to
set the dandy fashion; there are no clear-starched jack-towel
neckcloths, no short-waisted coats, no false calves, no stays. There
are no caricatures, now, of effeminate exquisites so arrayed,
swooning in opera boxes with excess of delight and being revived by
other dainty creatures poking long-necked scent-bottles at their
noses. There is no beau whom it takes four men at once to shake into
his buckskins, or who goes to see all the executions, or who is
troubled with the self-reproach of having once consumed a pea. But is
there dandyism in the brilliant and distinguished circle
notwithstanding, dandyism of a more mischievous sort, that has got
below the surface and is doing less harmless things than
jack-towelling itself and stopping its own digestion, to which no
rational person need particularly object?

Why, yes. It cannot be disguised. There ARE at Chesney Wold this
January week some ladies and gentlemen of the newest fashion, who
have set up a dandyism--in religion, for instance. Who in mere
lackadaisical want of an emotion have agreed upon a little dandy talk
about the vulgar wanting faith in things in general, meaning in the
things that have been tried and found wanting, as though a low fellow
should unaccountably lose faith in a bad shilling after finding it
out! Who would make the vulgar very picturesque and faithful by
putting back the hands upon the clock of time and cancelling a few
hundred years of history.

There are also ladies and gentlemen of another fashion, not so new,
but very elegant, who have agreed to put a smooth glaze on the world
and to keep down all its realities. For whom everything must be
languid and pretty. Who have found out the perpetual stoppage. Who
are to rejoice at nothing and be sorry for nothing. Who are not to be
disturbed by ideas. On whom even the fine arts, attending in powder
and walking backward like the Lord Chamberlain, must array themselves
in the milliners' and tailors' patterns of past generations and be
particularly careful not to be in earnest or to receive any impress
from the moving age.

Then there is my Lord Boodle, of considerable reputation with his
party, who has known what office is and who tells Sir Leicester
Dedlock with much gravity, after dinner, that he really does not see
to what the present age is tending. A debate is not what a debate
used to be; the House is not what the House used to be; even a
Cabinet is not what it formerly was. He perceives with astonishment
that supposing the present government to be overthrown, the limited
choice of the Crown, in the formation of a new ministry, would lie
between Lord Coodle and Sir Thomas Doodle--supposing it to be
impossible for the Duke of Foodle to act with Goodle, which may be
assumed to be the case in consequence of the breach arising out of
that affair with Hoodle. Then, giving the Home Department and the
leadership of the House of Commons to Joodle, the Exchequer to
Koodle, the Colonies to Loodle, and the Foreign Office to Moodle,
what are you to do with Noodle? You can't offer him the Presidency of
the Council; that is reserved for Poodle. You can't put him in the
Woods and Forests; that is hardly good enough for Quoodle. What
follows? That the country is shipwrecked, lost, and gone to pieces
(as is made manifest to the patriotism of Sir Leicester Dedlock)
because you can't provide for Noodle!

On the other hand, the Right Honourable William Buffy, M.P., contends
across the table with some one else that the shipwreck of the
country--about which there is no doubt; it is only the manner of it
that is in question--is attributable to Cuffy. If you had done with
Cuffy what you ought to have done when he first came into Parliament,
and had prevented him from going over to Duffy, you would have got
him into alliance with Fuffy, you would have had with you the weight
attaching as a smart debater to Guffy, you would have brought to bear
upon the elections the wealth of Huffy, you would have got in for
three counties Juffy, Kuffy, and Luffy, and you would have
strengthened your administration by the official knowledge and the
business habits of Muffy. All this, instead of being as you now are,
dependent on the mere caprice of Puffy!

As to this point, and as to some minor topics, there are differences
of opinion; but it is perfectly clear to the brilliant and
distinguished circle, all round, that nobody is in question but
Boodle and his retinue, and Buffy and HIS retinue. These are the
great actors for whom the stage is reserved. A People there are, no
doubt--a certain large number of supernumeraries, who are to be
occasionally addressed, and relied upon for shouts and choruses, as
on the theatrical stage; but Boodle and Buffy, their followers and
families, their heirs, executors, administrators, and assigns, are
the born first-actors, managers, and leaders, and no others can
appear upon the scene for ever and ever.

In this, too, there is perhaps more dandyism at Chesney Wold than the
brilliant and distinguished circle will find good for itself in the
long run. For it is, even with the stillest and politest circles, as
with the circle the necromancer draws around him--very strange
appearances may be seen in active motion outside. With this
difference, that being realities and not phantoms, there is the
greater danger of their breaking in.

Chesney Wold is quite full anyhow, so full that a burning sense of
injury arises in the breasts of ill-lodged ladies'-maids, and is not
to be extinguished. Only one room is empty. It is a turret chamber of
the third order of merit, plainly but comfortably furnished and
having an old-fashioned business air. It is Mr. Tulkinghorn's room,
and is never bestowed on anybody else, for he may come at any time.
He is not come yet. It is his quiet habit to walk across the park
from the village in fine weather, to drop into this room as if he had
never been out of it since he was last seen there, to request a
servant to inform Sir Leicester that he is arrived in case he should
be wanted, and to appear ten minutes before dinner in the shadow of
the library-door. He sleeps in his turret with a complaining
flag-staff over his head, and has some leads outside on which, any
fine morning when he is down here, his black figure may be seen
walking before breakfast like a larger species of rook.

Every day before dinner, my Lady looks for him in the dusk of the
library, but he is not there. Every day at dinner, my Lady glances
down the table for the vacant place that would be waiting to receive
him if he had just arrived, but there is no vacant place. Every night
my Lady casually asks her maid, "Is Mr. Tulkinghorn come?"

Every night the answer is, "No, my Lady, not yet."

One night, while having her hair undressed, my Lady loses herself in
deep thought after this reply until she sees her own brooding face in
the opposite glass, and a pair of black eyes curiously observing her.

"Be so good as to attend," says my Lady then, addressing the
reflection of Hortense, "to your business. You can contemplate your
beauty at another time."

"Pardon! It was your Ladyship's beauty."

"That," says my Lady, "you needn't contemplate at all."

At length, one afternoon a little before sunset, when the bright
groups of figures which have for the last hour or two enlivened the
Ghost's Walk are all dispersed and only Sir Leicester and my Lady
remain upon the terrace, Mr. Tulkinghorn appears. He comes towards
them at his usual methodical pace, which is never quickened, never
slackened. He wears his usual expressionless mask--if it be a
mask--and carries family secrets in every limb of his body and every
crease of his dress. Whether his whole soul is devoted to the great
or whether he yields them nothing beyond the services he sells is his
personal secret. He keeps it, as he keeps the secrets of his clients;
he is his own client in that matter, and will never betray himself.

"How do you do, Mr. Tulkinghorn?" says Sir Leicester, giving him his
hand.

Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady
is quite well. All highly satisfactory. The lawyer, with his hands
behind him, walks at Sir Leicester's side along the terrace. My Lady
walks upon the other side.

"We expected you before," says Sir Leicester. A gracious observation.
As much as to say, "Mr. Tulkinghorn, we remember your existence when
you are not here to remind us of it by your presence. We bestow a
fragment of our minds upon you, sir, you see!"

Mr. Tulkinghorn, comprehending it, inclines his head and says he is
much obliged.

"I should have come down sooner," he explains, "but that I have been
much engaged with those matters in the several suits between yourself
and Boythorn."

"A man of a very ill-regulated mind," observes Sir Leicester with
severity. "An extremely dangerous person in any community. A man of a
very low character of mind."

"He is obstinate," says Mr. Tulkinghorn.

"It is natural to such a man to be so," says Sir Leicester, looking
most profoundly obstinate himself. "I am not at all surprised to hear
it."

"The only question is," pursues the lawyer, "whether you will give up
anything."

"No, sir," replies Sir Leicester. "Nothing. I give up?"

"I don't mean anything of importance. That, of course, I know you
would not abandon. I mean any minor point."

"Mr. Tulkinghorn," returns Sir Leicester, "there can be no minor
point between myself and Mr. Boythorn. If I go farther, and observe
that I cannot readily conceive how ANY right of mine can be a minor
point, I speak not so much in reference to myself as an individual as
in reference to the family position I have it in charge to maintain."

Mr. Tulkinghorn inclines his head again. "I have now my
instructions," he says. "Mr. Boythorn will give us a good deal of
trouble--"

"It is the character of such a mind, Mr. Tulkinghorn," Sir Leicester
interrupts him, "TO give trouble. An exceedingly ill-conditioned,
levelling person. A person who, fifty years ago, would probably have
been tried at the Old Bailey for some demagogue proceeding, and
severely punished--if not," adds Sir Leicester after a moment's
pause, "if not hanged, drawn, and quartered."

Sir Leicester appears to discharge his stately breast of a burden in
passing this capital sentence, as if it were the next satisfactory
thing to having the sentence executed.

"But night is coming on," says he, "and my Lady will take cold. My
dear, let us go in."

As they turn towards the hall-door, Lady Dedlock addresses Mr.
Tulkinghorn for the first time.

"You sent me a message respecting the person whose writing I happened
to inquire about. It was like you to remember the circumstance; I had
quite forgotten it. Your message reminded me of it again. I can't
imagine what association I had with a hand like that, but I surely
had some."

"You had some?" Mr. Tulkinghorn repeats.

"Oh, yes!" returns my Lady carelessly. "I think I must have had some.
And did you really take the trouble to find out the writer of that
actual thing--what is it!--affidavit?"

"Yes."

"How very odd!"

They pass into a sombre breakfast-room on the ground floor, lighted
in the day by two deep windows. It is now twilight. The fire glows
brightly on the panelled wall and palely on the window-glass, where,
through the cold reflection of the blaze, the colder landscape
shudders in the wind and a grey mist creeps along, the only traveller
besides the waste of clouds.

My Lady lounges in a great chair in the chimney-corner, and Sir
Leicester takes another great chair opposite. The lawyer stands
before the fire with his hand out at arm's length, shading his face.
He looks across his arm at my Lady.

"Yes," he says, "I inquired about the man, and found him. And, what
is very strange, I found him--"

"Not to be any out-of-the-way person, I am afraid!" Lady Dedlock
languidly anticipates.

"I found him dead."

"Oh, dear me!" remonstrated Sir Leicester. Not so much shocked by the
fact as by the fact of the fact being mentioned.

"I was directed to his lodging--a miserable, poverty-stricken
place--and I found him dead."

"You will excuse me, Mr. Tulkinghorn," observes Sir Leicester. "I
think the less said--"

"Pray, Sir Leicester, let me hear the story out" (it is my Lady
speaking). "It is quite a story for twilight. How very shocking!
Dead?"

Mr. Tulkinghorn re-asserts it by another inclination of his head.
"Whether by his own hand--"

"Upon my honour!" cries Sir Leicester. "Really!"

"Do let me hear the story!" says my Lady.

"Whatever you desire, my dear. But, I must say--"

"No, you mustn't say! Go on, Mr. Tulkinghorn."

Sir Leicester's gallantry concedes the point, though he still feels
that to bring this sort of squalor among the upper classes is
really--really--

"I was about to say," resumes the lawyer with undisturbed calmness,
"that whether he had died by his own hand or not, it was beyond my
power to tell you. I should amend that phrase, however, by saying
that he had unquestionably died of his own act, though whether by his
own deliberate intention or by mischance can never certainly be
known. The coroner's jury found that he took the poison
accidentally."

"And what kind of man," my Lady asks, "was this deplorable creature?"

"Very difficult to say," returns the lawyer, shaking his head. "He
had lived so wretchedly and was so neglected, with his gipsy colour
and his wild black hair and beard, that I should have considered him
the commonest of the common. The surgeon had a notion that he had
once been something better, both in appearance and condition."

"What did they call the wretched being?"

"They called him what he had called himself, but no one knew his
name."

"Not even any one who had attended on him?"

"No one had attended on him. He was found dead. In fact, I found
him."

"Without any clue to anything more?"

"Without any; there was," says the lawyer meditatively, "an old
portmanteau, but--No, there were no papers."

During the utterance of every word of this short dialogue, Lady
Dedlock and Mr. Tulkinghorn, without any other alteration in their
customary deportment, have looked very steadily at one another--as
was natural, perhaps, in the discussion of so unusual a subject. Sir
Leicester has looked at the fire, with the general expression of the
Dedlock on the staircase. The story being told, he renews his stately
protest, saying that as it is quite clear that no association in my
Lady's mind can possibly be traceable to this poor wretch (unless he
was a begging-letter writer), he trusts to hear no more about a
subject so far removed from my Lady's station.

"Certainly, a collection of horrors," says my Lady, gathering up her
mantles and furs, "but they interest one for the moment! Have the
kindness, Mr. Tulkinghorn, to open the door for me."

Mr. Tulkinghorn does so with deference and holds it open while she
passes out. She passes close to him, with her usual fatigued manner
and insolent grace. They meet again at dinner--again, next
day--again, for many days in succession. Lady Dedlock is always the
same exhausted deity, surrounded by worshippers, and terribly liable
to be bored to death, even while presiding at her own shrine. Mr.
Tulkinghorn is always the same speechless repository of noble
confidences, so oddly out of place and yet so perfectly at home. They
appear to take as little note of one another as any two people
enclosed within the same walls could. But whether each evermore
watches and suspects the other, evermore mistrustful of some great
reservation; whether each is evermore prepared at all points for the
other, and never to be taken unawares; what each would give to know
how much the other knows--all this is hidden, for the time, in their
own hearts.

We held many consultations about what Richard was to be, first
without Mr. Jarndyce, as he had requested, and afterwards with him,
but it was a long time before we seemed to make progress. Richard
said he was ready for anything. When Mr. Jarndyce doubted whether he
might not already be too old to enter the Navy, Richard said he had
thought of that, and perhaps he was. When Mr. Jarndyce asked him what
he thought of the Army, Richard said he had thought of that, too, and
it wasn't a bad idea. When Mr. Jarndyce advised him to try and decide
within himself whether his old preference for the sea was an ordinary
boyish inclination or a strong impulse, Richard answered, Well he
really HAD tried very often, and he couldn't make out.

"How much of this indecision of character," Mr. Jarndyce said to me,
"is chargeable on that incomprehensible heap of uncertainty and
procrastination on which he has been thrown from his birth, I don't
pretend to say; but that Chancery, among its other sins, is
responsible for some of it, I can plainly see. It has engendered or
confirmed in him a habit of putting off--and trusting to this, that,
and the other chance, without knowing what chance--and dismissing
everything as unsettled, uncertain, and confused. The character of
much older and steadier people may be even changed by the
circumstances surrounding them. It would be too much to expect that a
boy's, in its formation, should be the subject of such influences and
escape them."

I felt this to be true; though if I may venture to mention what I
thought besides, I thought it much to be regretted that Richard's
education had not counteracted those influences or directed his
character. He had been eight years at a public school and had learnt,
I understood, to make Latin verses of several sorts in the most
admirable manner. But I never heard that it had been anybody's
business to find out what his natural bent was, or where his failings
lay, or to adapt any kind of knowledge to HIM. HE had been adapted to
the verses and had learnt the art of making them to such perfection
that if he had remained at school until he was of age, I suppose he
could only have gone on making them over and over again unless he had
enlarged his education by forgetting how to do it. Still, although I
had no doubt that they were very beautiful, and very improving, and
very sufficient for a great many purposes of life, and always
remembered all through life, I did doubt whether Richard would not
have profited by some one studying him a little, instead of his
studying them quite so much.

To be sure, I knew nothing of the subject and do not even now know
whether the young gentlemen of classic Rome or Greece made verses to
the same extent--or whether the young gentlemen of any country ever
did.

"I haven't the least idea," said Richard, musing, "what I had better
be. Except that I am quite sure I don't want to go into the Church,
it's a toss-up."

"You have no inclination in Mr. Kenge's way?" suggested Mr. Jarndyce.

"I don't know that, sir!" replied Richard. "I am fond of boating.
Articled clerks go a good deal on the water. It's a capital
profession!"

"Surgeon--" suggested Mr. Jarndyce.

"That's the thing, sir!" cried Richard.

I doubt if he had ever once thought of it before.

"That's the thing, sir," repeated Richard with the greatest
enthusiasm. "We have got it at last. M.R.C.S.!"

He was not to be laughed out of it, though he laughed at it heartily.
He said he had chosen his profession, and the more he thought of it,
the more he felt that his destiny was clear; the art of healing was
the art of all others for him. Mistrusting that he only came to this
conclusion because, having never had much chance of finding out for
himself what he was fitted for and having never been guided to the
discovery, he was taken by the newest idea and was glad to get rid of
the trouble of consideration, I wondered whether the Latin verses
often ended in this or whether Richard's was a solitary case.

Mr. Jarndyce took great pains to talk with him seriously and to put
it to his good sense not to deceive himself in so important a matter.
Richard was a little grave after these interviews, but invariably
told Ada and me that it was all right, and then began to talk about
something else.

"By heaven!" cried Mr. Boythorn, who interested himself strongly in
the subject--though I need not say that, for he could do nothing
weakly; "I rejoice to find a young gentleman of spirit and gallantry
devoting himself to that noble profession! The more spirit there is
in it, the better for mankind and the worse for those mercenary
task-masters and low tricksters who delight in putting that
illustrious art at a disadvantage in the world. By all that is base
and despicable," cried Mr. Boythorn, "the treatment of surgeons
aboard ship is such that I would submit the legs--both legs--of every
member of the Admiralty Board to a compound fracture and render it a
transportable offence in any qualified practitioner to set them if
the system were not wholly changed in eight and forty hours!"

"Wouldn't you give them a week?" asked Mr. Jarndyce.

"No!" cried Mr. Boythorn firmly. "Not on any consideration! Eight and
forty hours! As to corporations, parishes, vestry-boards, and similar
gatherings of jolter-headed clods who assemble to exchange such
speeches that, by heaven, they ought to be worked in quicksilver
mines for the short remainder of their miserable existence, if it
were only to prevent their detestable English from contaminating a
language spoken in the presence of the sun--as to those fellows, who
meanly take advantage of the ardour of gentlemen in the pursuit of
knowledge to recompense the inestimable services of the best years of
their lives, their long study, and their expensive education with
pittances too small for the acceptance of clerks, I would have the
necks of every one of them wrung and their skulls arranged in
Surgeons' Hall for the contemplation of the whole profession in order
that its younger members might understand from actual measurement, in
early life, HOW thick skulls may become!"

He wound up this vehement declaration by looking round upon us with a
most agreeable smile and suddenly thundering, "Ha, ha, ha!" over and
over again, until anybody else might have been expected to be quite
subdued by the exertion.

As Richard still continued to say that he was fixed in his choice
after repeated periods for consideration had been recommended by Mr.
Jarndyce and had expired, and he still continued to assure Ada and me
in the same final manner that it was "all right," it became advisable
to take Mr. Kenge into council. Mr. Kenge, therefore, came down to
dinner one day, and leaned back in his chair, and turned his
eye-glasses over and over, and spoke in a sonorous voice, and did
exactly what I remembered to have seen him do when I was a little
girl.

"Ah!" said Mr. Kenge. "Yes. Well! A very good profession, Mr.
Jarndyce, a very good profession."

"The course of study and preparation requires to be diligently
pursued," observed my guardian with a glance at Richard.

"Oh, no doubt," said Mr. Kenge. "Diligently."

"But that being the case, more or less, with all pursuits that are
worth much," said Mr. Jarndyce, "it is not a special consideration
which another choice would be likely to escape."

"Truly," said Mr. Kenge. "And Mr. Richard Carstone, who has so
meritoriously acquitted himself in the--shall I say the classic
shades?--in which his youth had been passed, will, no doubt, apply
the habits, if not the principles and practice, of versification in
that tongue in which a poet was said (unless I mistake) to be born,
not made, to the more eminently practical field of action on which he
enters."

"You may rely upon it," said Richard in his off-hand manner, "that I
shall go at it and do my best."

"Very well, Mr. Jarndyce!" said Mr. Kenge, gently nodding his head.
"Really, when we are assured by Mr. Richard that he means to go at it
and to do his best," nodding feelingly and smoothly over those
expressions, "I would submit to you that we have only to inquire into
the best mode of carrying out the object of his ambition. Now, with
reference to placing Mr. Richard with some sufficiently eminent
practitioner. Is there any one in view at present?"

"No one, Rick, I think?" said my guardian.

"No one, sir," said Richard.

"Quite so!" observed Mr. Kenge. "As to situation, now. Is there any
particular feeling on that head?"

"N--no," said Richard.

"Quite so!" observed Mr. Kenge again.

"I should like a little variety," said Richard; "I mean a good range
of experience."

"Very requisite, no doubt," returned Mr. Kenge. "I think this may be
easily arranged, Mr. Jarndyce? We have only, in the first place, to
discover a sufficiently eligible practitioner; and as soon as we make
our want--and shall I add, our ability to pay a premium?--known, our
only difficulty will be in the selection of one from a large number.
We have only, in the second place, to observe those little
formalities which are rendered necessary by our time of life and our
being under the guardianship of the court. We shall soon be--shall I
say, in Mr. Richard's own light-hearted manner, 'going at it'--to our
heart's content. It is a coincidence," said Mr. Kenge with a tinge of
melancholy in his smile, "one of those coincidences which may or may
not require an explanation beyond our present limited faculties, that
I have a cousin in the medical profession. He might be deemed
eligible by you and might be disposed to respond to this proposal. I
can answer for him as little as for you, but he MIGHT!"

As this was an opening in the prospect, it was arranged that Mr.
Kenge should see his cousin. And as Mr. Jarndyce had before proposed
to take us to London for a few weeks, it was settled next day that we
should make our visit at once and combine Richard's business with it.

Mr. Boythorn leaving us within a week, we took up our abode at a
cheerful lodging near Oxford Street over an upholsterer's shop.
London was a great wonder to us, and we were out for hours and hours
at a time, seeing the sights, which appeared to be less capable of
exhaustion than we were. We made the round of the principal theatres,
too, with great delight, and saw all the plays that were worth
seeing. I mention this because it was at the theatre that I began to
be made uncomfortable again by Mr. Guppy.

I was sitting in front of the box one night with Ada, and Richard was
in the place he liked best, behind Ada's chair, when, happening to
look down into the pit, I saw Mr. Guppy, with his hair flattened down
upon his head and woe depicted in his face, looking up at me. I felt
all through the performance that he never looked at the actors but
constantly looked at me, and always with a carefully prepared
expression of the deepest misery and the profoundest dejection.

It quite spoiled my pleasure for that night because it was so very
embarrassing and so very ridiculous. But from that time forth, we
never went to the play without my seeing Mr. Guppy in the pit, always
with his hair straight and flat, his shirt-collar turned down, and a
general feebleness about him. If he were not there when we went in,
and I began to hope he would not come and yielded myself for a little
while to the interest of the scene, I was certain to encounter his
languishing eyes when I least expected it and, from that time, to be
quite sure that they were fixed upon me all the evening.

I really cannot express how uneasy this made me. If he would only
have brushed up his hair or turned up his collar, it would have been
bad enough; but to know that that absurd figure was always gazing at
me, and always in that demonstrative state of despondency, put such a
constraint upon me that I did not like to laugh at the play, or to
cry at it, or to move, or to speak. I seemed able to do nothing
naturally. As to escaping Mr. Guppy by going to the back of the box,
I could not bear to do that because I knew Richard and Ada relied on
having me next them and that they could never have talked together so
happily if anybody else had been in my place. So there I sat, not
knowing where to look--for wherever I looked, I knew Mr. Guppy's eyes
were following me--and thinking of the dreadful expense to which this
young man was putting himself on my account.

Sometimes I thought of telling Mr. Jarndyce. Then I feared that the
young man would lose his situation and that I might ruin him.
Sometimes I thought of confiding in Richard, but was deterred by the
possibility of his fighting Mr. Guppy and giving him black eyes.
Sometimes I thought, should I frown at him or shake my head. Then I
felt I could not do it. Sometimes I considered whether I should write
to his mother, but that ended in my being convinced that to open a
correspondence would be to make the matter worse. I always came to
the conclusion, finally, that I could do nothing. Mr. Guppy's
perseverance, all this time, not only produced him regularly at any
theatre to which we went, but caused him to appear in the crowd as we
were coming out, and even to get up behind our fly--where I am sure I
saw him, two or three times, struggling among the most dreadful
spikes. After we got home, he haunted a post opposite our house. The
upholsterer's where we lodged being at the corner of two streets, and
my bedroom window being opposite the post, I was afraid to go near
the window when I went upstairs, lest I should see him (as I did one
moonlight night) leaning against the post and evidently catching
cold. If Mr. Guppy had not been, fortunately for me, engaged in the
daytime, I really should have had no rest from him.

While we were making this round of gaieties, in which Mr. Guppy so
extraordinarily participated, the business which had helped to bring
us to town was not neglected. Mr. Kenge's cousin was a Mr. Bayham
Badger, who had a good practice at Chelsea and attended a large
public institution besides. He was quite willing to receive Richard
into his house and to superintend his studies, and as it seemed that
those could be pursued advantageously under Mr. Badger's roof, and
Mr. Badger liked Richard, and as Richard said he liked Mr. Badger
"well enough," an agreement was made, the Lord Chancellor's consent
was obtained, and it was all settled.

On the day when matters were concluded between Richard and Mr.
Badger, we were all under engagement to dine at Mr. Badger's house.
We were to be "merely a family party," Mrs. Badger's note said; and
we found no lady there but Mrs. Badger herself. She was surrounded in
the drawing-room by various objects, indicative of her painting a
little, playing the piano a little, playing the guitar a little,
playing the harp a little, singing a little, working a little,
reading a little, writing poetry a little, and botanizing a little.
She was a lady of about fifty, I should think, youthfully dressed,
and of a very fine complexion. If I add to the little list of her
accomplishments that she rouged a little, I do not mean that there
was any harm in it.

Mr. Bayham Badger himself was a pink, fresh-faced, crisp-looking
gentleman with a weak voice, white teeth, light hair, and surprised
eyes, some years younger, I should say, than Mrs. Bayham Badger. He
admired her exceedingly, but principally, and to begin with, on the
curious ground (as it seemed to us) of her having had three husbands.
We had barely taken our seats when he said to Mr. Jarndyce quite
triumphantly, "You would hardly suppose that I am Mrs. Bayham
Badger's third!"

"Indeed?" said Mr. Jarndyce.

"Her third!" said Mr. Badger. "Mrs. Bayham Badger has not the
appearance, Miss Summerson, of a lady who has had two former
husbands?"

I said "Not at all!"

"And most remarkable men!" said Mr. Badger in a tone of confidence.
"Captain Swosser of the Royal Navy, who was Mrs. Badger's first
husband, was a very distinguished officer indeed. The name of
Professor Dingo, my immediate predecessor, is one of European
reputation."

Mrs. Badger overheard him and smiled.

"Yes, my dear!" Mr. Badger replied to the smile, "I was observing to
Mr. Jarndyce and Miss Summerson that you had had two former
husbands--both very distinguished men. And they found it, as people
generally do, difficult to believe."

"I was barely twenty," said Mrs. Badger, "when I married Captain
Swosser of the Royal Navy. I was in the Mediterranean with him; I am
quite a sailor. On the twelfth anniversary of my wedding-day, I
became the wife of Professor Dingo."

"Of European reputation," added Mr. Badger in an undertone.

"And when Mr. Badger and myself were married," pursued Mrs. Badger,
"we were married on the same day of the year. I had become attached
to the day."

"So that Mrs. Badger has been married to three husbands--two of them
highly distinguished men," said Mr. Badger, summing up the facts,
"and each time upon the twenty-first of March at eleven in the
forenoon!"

We all expressed our admiration.

"But for Mr. Badger's modesty," said Mr. Jarndyce, "I would take
leave to correct him and say three distinguished men."

"Thank you, Mr. Jarndyce! What I always tell him!" observed Mrs.
Badger.

"And, my dear," said Mr. Badger, "what do I always tell you? That
without any affectation of disparaging such professional distinction
as I may have attained (which our friend Mr. Carstone will have many
opportunities of estimating), I am not so weak--no, really," said Mr.
Badger to us generally, "so unreasonable--as to put my reputation on
the same footing with such first-rate men as Captain Swosser and
Professor Dingo. Perhaps you may be interested, Mr. Jarndyce,"
continued Mr. Bayham Badger, leading the way into the next
drawing-room, "in this portrait of Captain Swosser. It was taken on
his return home from the African station, where he had suffered from
the fever of the country. Mrs. Badger considers it too yellow. But
it's a very fine head. A very fine head!"

We all echoed, "A very fine head!"

"I feel when I look at it," said Mr. Badger, "'That's a man I should
like to have seen!' It strikingly bespeaks the first-class man that
Captain Swosser pre-eminently was. On the other side, Professor
Dingo. I knew him well--attended him in his last illness--a speaking
likeness! Over the piano, Mrs. Bayham Badger when Mrs. Swosser. Over
the sofa, Mrs. Bayham Badger when Mrs. Dingo. Of Mrs. Bayham Badger
IN ESSE, I possess the original and have no copy."

Dinner was now announced, and we went downstairs. It was a very
genteel entertainment, very handsomely served. But the captain and
the professor still ran in Mr. Badger's head, and as Ada and I had
the honour of being under his particular care, we had the full
benefit of them.

"Water, Miss Summerson? Allow me! Not in that tumbler, pray. Bring me
the professor's goblet, James!"

Ada very much admired some artificial flowers under a glass.

"Astonishing how they keep!" said Mr. Badger. "They were presented to
Mrs. Bayham Badger when she was in the Mediterranean."

He invited Mr. Jarndyce to take a glass of claret.

"Not that claret!" he said. "Excuse me! This is an occasion, and ON
an occasion I produce some very special claret I happen to have.
(James, Captain Swosser's wine!) Mr. Jarndyce, this is a wine that
was imported by the captain, we will not say how many years ago. You
will find it very curious. My dear, I shall be happy to take some of
this wine with you. (Captain Swosser's claret to your mistress,
James!) My love, your health!"

After dinner, when we ladies retired, we took Mrs. Badger's first and
second husband with us. Mrs. Badger gave us in the drawing-room a
biographical sketch of the life and services of Captain Swosser
before his marriage and a more minute account of him dating from the
time when he fell in love with her at a ball on board the Crippler,
given to the officers of that ship when she lay in Plymouth Harbour.

"The dear old Crippler!" said Mrs. Badger, shaking her head. "She was
a noble vessel. Trim, ship-shape, all a taunto, as Captain Swosser
used to say. You must excuse me if I occasionally introduce a
nautical expression; I was quite a sailor once. Captain Swosser loved
that craft for my sake. When she was no longer in commission, he
frequently said that if he were rich enough to buy her old hulk, he
would have an inscription let into the timbers of the quarter-deck
where we stood as partners in the dance to mark the spot where he
fell--raked fore and aft (Captain Swosser used to say) by the fire
from my tops. It was his naval way of mentioning my eyes."

Mrs. Badger shook her head, sighed, and looked in the glass.

"It was a great change from Captain Swosser to Professor Dingo," she
resumed with a plaintive smile. "I felt it a good deal at first. Such
an entire revolution in my mode of life! But custom, combined with
science--particularly science--inured me to it. Being the professor's
sole companion in his botanical excursions, I almost forgot that I
had ever been afloat, and became quite learned. It is singular that
the professor was the antipodes of Captain Swosser and that Mr.
Badger is not in the least like either!"

We then passed into a narrative of the deaths of Captain Swosser and
Professor Dingo, both of whom seem to have had very bad complaints.
In the course of it, Mrs. Badger signified to us that she had never
madly loved but once and that the object of that wild affection,
never to be recalled in its fresh enthusiasm, was Captain Swosser.
The professor was yet dying by inches in the most dismal manner, and
Mrs. Badger was giving us imitations of his way of saying, with great
difficulty, "Where is Laura? Let Laura give me my toast and water!"
when the entrance of the gentlemen consigned him to the tomb.

Now, I observed that evening, as I had observed for some days past,
that Ada and Richard were more than ever attached to each other's
society, which was but natural, seeing that they were going to be
separated so soon. I was therefore not very much surprised when we
got home, and Ada and I retired upstairs, to find Ada more silent
than usual, though I was not quite prepared for her coming into my
arms and beginning to speak to me, with her face hidden.

"My darling Esther!" murmured Ada. "I have a great secret to tell
you!"

A mighty secret, my pretty one, no doubt!

"What is it, Ada?"

"Oh, Esther, you would never guess!"

"Shall I try to guess?" said I.

"Oh, no! Don't! Pray don't!" cried Ada, very much startled by the
idea of my doing so.

"Now, I wonder who it can be about?" said I, pretending to consider.

"It's about--" said Ada in a whisper. "It's about--my cousin
Richard!"

"Well, my own!" said I, kissing her bright hair, which was all I
could see. "And what about him?"

"Oh, Esther, you would never guess!"

It was so pretty to have her clinging to me in that way, hiding her
face, and to know that she was not crying in sorrow but in a little
glow of joy, and pride, and hope, that I would not help her just yet.

"He says--I know it's very foolish, we are both so young--but he
says," with a burst of tears, "that he loves me dearly, Esther."

"Does he indeed?" said I. "I never heard of such a thing! Why, my pet
of pets, I could have told you that weeks and weeks ago!"

To see Ada lift up her flushed face in joyful surprise, and hold me
round the neck, and laugh, and cry, and blush, was so pleasant!

"Why, my darling," said I, "what a goose you must take me for! Your
cousin Richard has been loving you as plainly as he could for I don't
know how long!"

"And yet you never said a word about it!" cried Ada, kissing me.

"No, my love," said I. "I waited to be told."

"But now I have told you, you don't think it wrong of me, do you?"
returned Ada. She might have coaxed me to say no if I had been the
hardest-hearted duenna in the world. Not being that yet, I said no
very freely.

"And now," said I, "I know the worst of it."

"Oh, that's not quite the worst of it, Esther dear!" cried Ada,
holding me tighter and laying down her face again upon my breast.

"No?" said I. "Not even that?"

"No, not even that!" said Ada, shaking her head.

"Why, you never mean to say--" I was beginning in joke.

But Ada, looking up and smiling through her tears, cried, "Yes, I do!
You know, you know I do!" And then sobbed out, "With all my heart I
do! With all my whole heart, Esther!"

I told her, laughing, why I had known that, too, just as well as I
had known the other! And we sat before the fire, and I had all the
talking to myself for a little while (though there was not much of
it); and Ada was soon quiet and happy.

"Do you think my cousin John knows, dear Dame Durden?" she asked.

"Unless my cousin John is blind, my pet," said I, "I should think my
cousin John knows pretty well as much as we know."

"We want to speak to him before Richard goes," said Ada timidly, "and
we wanted you to advise us, and to tell him so. Perhaps you wouldn't
mind Richard's coming in, Dame Durden?"

"Oh! Richard is outside, is he, my dear?" said I.

"I am not quite certain," returned Ada with a bashful simplicity that
would have won my heart if she had not won it long before, "but I
think he's waiting at the door."

There he was, of course. They brought a chair on either side of me,
and put me between them, and really seemed to have fallen in love
with me instead of one another, they were so confiding, and so
trustful, and so fond of me. They went on in their own wild way for a
little while--I never stopped them; I enjoyed it too much myself--and
then we gradually fell to considering how young they were, and how
there must be a lapse of several years before this early love could
come to anything, and how it could come to happiness only if it were
real and lasting and inspired them with a steady resolution to do
their duty to each other, with constancy, fortitude, and
perseverance, each always for the other's sake. Well! Richard said
that he would work his fingers to the bone for Ada, and Ada said that
she would work her fingers to the bone for Richard, and they called
me all sorts of endearing and sensible names, and we sat there,
advising and talking, half the night. Finally, before we parted, I
gave them my promise to speak to their cousin John to-morrow.

So, when to-morrow came, I went to my guardian after breakfast, in
the room that was our town-substitute for the growlery, and told him
that I had it in trust to tell him something.

"Well, little woman," said he, shutting up his book, "if you have
accepted the trust, there can be no harm in it."

"I hope not, guardian," said I. "I can guarantee that there is no
secrecy in it. For it only happened yesterday."

"Aye? And what is it, Esther?"

"Guardian," said I, "you remember the happy night when first we came
down to Bleak House? When Ada was singing in the dark room?"

I wished to call to his remembrance the look he had given me then.
Unless I am much mistaken, I saw that I did so.

"Because--" said I with a little hesitation.

"Yes, my dear!" said he. "Don't hurry."

"Because," said I, "Ada and Richard have fallen in love. And have
told each other so."

"Already!" cried my guardian, quite astonished.

"Yes!" said I. "And to tell you the truth, guardian, I rather
expected it."

"The deuce you did!" said he.

He sat considering for a minute or two, with his smile, at once so
handsome and so kind, upon his changing face, and then requested me
to let them know that he wished to see them. When they came, he
encircled Ada with one arm in his fatherly way and addressed himself
to Richard with a cheerful gravity.

"Rick," said Mr. Jarndyce, "I am glad to have won your confidence. I
hope to preserve it. When I contemplated these relations between us
four which have so brightened my life and so invested it with new
interests and pleasures, I certainly did contemplate, afar off, the
possibility of you and your pretty cousin here (don't be shy, Ada,
don't be shy, my dear!) being in a mind to go through life together.
I saw, and do see, many reasons to make it desirable. But that was
afar off, Rick, afar off!"

"We look afar off, sir," returned Richard.

"Well!" said Mr. Jarndyce. "That's rational. Now, hear me, my dears!
I might tell you that you don't know your own minds yet, that a
thousand things may happen to divert you from one another, that it is
well this chain of flowers you have taken up is very easily broken,
or it might become a chain of lead. But I will not do that. Such
wisdom will come soon enough, I dare say, if it is to come at all. I
will assume that a few years hence you will be in your hearts to one
another what you are to-day. All I say before speaking to you
according to that assumption is, if you DO change--if you DO come to
find that you are more commonplace cousins to each other as man and
woman than you were as boy and girl (your manhood will excuse me,
Rick!)--don't be ashamed still to confide in me, for there will be
nothing monstrous or uncommon in it. I am only your friend and
distant kinsman. I have no power over you whatever. But I wish and
hope to retain your confidence if I do nothing to forfeit it."

"I am very sure, sir," returned Richard, "that I speak for Ada too
when I say that you have the strongest power over us both--rooted in
respect, gratitude, and affection--strengthening every day."

"Dear cousin John," said Ada, on his shoulder, "my father's place can
never be empty again. All the love and duty I could ever have
rendered to him is transferred to you."

"Come!" said Mr. Jarndyce. "Now for our assumption. Now we lift our
eyes up and look hopefully at the distance! Rick, the world is before
you; and it is most probable that as you enter it, so it will receive
you. Trust in nothing but in Providence and your own efforts. Never
separate the two, like the heathen waggoner. Constancy in love is a
good thing, but it means nothing, and is nothing, without constancy
in every kind of effort. If you had the abilities of all the great
men, past and present, you could do nothing well without sincerely
meaning it and setting about it. If you entertain the supposition
that any real success, in great things or in small, ever was or could
be, ever will or can be, wrested from Fortune by fits and starts,
leave that wrong idea here or leave your cousin Ada here."

"I will leave IT here, sir," replied Richard smiling, "if I brought
it here just now (but I hope I did not), and will work my way on to
my cousin Ada in the hopeful distance."

"Right!" said Mr. Jarndyce. "If you are not to make her happy, why
should you pursue her?"

"I wouldn't make her unhappy--no, not even for her love," retorted
Richard proudly.

"Well said!" cried Mr. Jarndyce. "That's well said! She remains here,
in her home with me. Love her, Rick, in your active life, no less
than in her home when you revisit it, and all will go well.
Otherwise, all will go ill. That's the end of my preaching. I think
you and Ada had better take a walk."

Ada tenderly embraced him, and Richard heartily shook hands with him,
and then the cousins went out of the room, looking back again
directly, though, to say that they would wait for me.

The door stood open, and we both followed them with our eyes as they
passed down the adjoining room, on which the sun was shining, and out
at its farther end. Richard with his head bent, and her hand drawn
through his arm, was talking to her very earnestly; and she looked up
in his face, listening, and seemed to see nothing else. So young, so
beautiful, so full of hope and promise, they went on lightly through
the sunlight as their own happy thoughts might then be traversing the
years to come and making them all years of brightness. So they passed
away into the shadow and were gone. It was only a burst of light that
had been so radiant. The room darkened as they went out, and the sun
was clouded over.

"Am I right, Esther?" said my guardian when they were gone.

He was so good and wise to ask ME whether he was right!

"Rick may gain, out of this, the quality he wants. Wants, at the core
of so much that is good!" said Mr. Jarndyce, shaking his head. "I
have said nothing to Ada, Esther. She has her friend and counsellor
always near." And he laid his hand lovingly upon my head.

I could not help showing that I was a little moved, though I did all
I could to conceal it.

"Tut tut!" said he. "But we must take care, too, that our little
woman's life is not all consumed in care for others."

"Care? My dear guardian, I believe I am the happiest creature in the
world!"

"I believe so, too," said he. "But some one may find out what Esther
never will--that the little woman is to be held in remembrance above
all other people!"

I have omitted to mention in its place that there was some one else
at the family dinner party. It was not a lady. It was a gentleman. It
was a gentleman of a dark complexion--a young surgeon. He was rather
reserved, but I thought him very sensible and agreeable. At least,
Ada asked me if I did not, and I said yes.

Tulkinghorn and Krook find Nemo dead, apparently from an overdose of opium. Krook claims no knowledge of Mr. Nemo's identity or habits, and is chagrined because Nemo owes him six weeks' rent. Dr. Woodcourt arrives on the scene and reveals that Nemo has bought opium from him for a year and a half. Tulkinghorn learns from the ragamuffin Jo, a crossing-sweeper, that Nemo was a kind man, and gave Jo money when he had it. "He wos wery good to me, he wos!" An inquest is held regarding Nemo's death, a silly proceeding in a tavern complete with a comic vocalist, and he is officially found dead by accident. Since Nemo had no money or family, he is buried in a pauper's grave. In Chapter 12, the scene returns to Chesney Wold. The Dedlocks have returned, and have guests. Meanwhile Lady Dedlock continues to suffer ennui. Lady Dedlock meets the young maid Rosa for the first time, and takes a liking to her. This causes jealousy to arise in Lady Dedlock's personal lady's maid, Mademoiselle Hortense. Tulkinghorn comes to Chesney Wold to inform Sir Leicester of the lawsuit brought upon him by his neighbor Boythorn. Tulkinghorn also has a message for Lady Dedlock concerning Nemo, whose handwriting was on the paper she had such interest in the last time he was at Chesney Wold, and tells of the law writer's death. She pretends that the death doesn't especially concern her; Tulkinghorn, unfooled, sees otherwise. The rest of the visit Lady Dedlock and Tulkinghorn watch each other carefully and surreptitiously. In Chapter 13 Richard's future is under futher discussion. His education has been soley the Classics . Richard knows nothing about what he would like to do, except that he doesn't want to become a minister in the Church of England. Mr. Jarndyce suggest the medical profession, and Richard quickly seizes upon the idea. Mr. Boythorn -- along with Mr. Kenge, who is also present -- is enthusiastic about Richard's proposed medical career and propounds the maltreatment of doctors aboard Navy ships. The men discuss how Richard is to be gotten into the profession, and Mr. Kenge plans for his cousin, Dr. Bayham Badger, to take Richard as an apprentice. As Mr. Badger lives in London, the party goes to London a few weeks later to get Richard settled. In London, Esther attends the theatre and is followed and stared at by the lovestruck Mr. Guppy. Ada and Richard's romance continues to blossom. At Mr. Badger's house the party meets Dr. Allan Woodcourt, and Esther finds him attractive. The talk at the Badgers' is of an unconventional kind -- namely the wealth and prestige of Mrs. Badgers two deceased husbands. Esther tells Mr. Jarndyce that Ada and Richard are in love, but he advises the lovers that because they are too young, and because Richard is not yet established, they should wait to be married.

Nemo's death, so eerie and sordid, leaves the reader thinking he can only be an ancillary and not central character in regards to Esther.  But Allan Woodcourt's assertion that "he must have been something better once" leaves the door open for interpretation as to who this mysterious No-One could have been. Lady Dedlock conceals her interest in Nemo's handwriting with consummate skill.  In her we see a brittle, hardened society creature, who is unwilling to show her weakness, especially in a matter so scandalous as a penniless law writer's death.  That Tulkinghorn could ever ferret out who Nemo might have been seems like a remote possibility to the reader, but Lady Dedlock has known Tulkinghorn for years, and she seems to fear that, even with only the barest hints of a mystery, the canny lawyer could find out the truth.  It is evident that her fashionable boredness is covering great emotions, but the nature of those emotions is not yet revealed. The Badgers, whose name implies a rooting, grumbling type of animal, are presented as interesting specimens of middle-class snobbery.  The bizarre nature of both of the Badgers' fascination with Mrs. Badger's former husbands mars the scene of Richard's new venture with a taint of indecency.  Dickens is fond of portraying fantastically illogical and objectionable wives  and, to a lesser extent husbands . Mr. Guppy's attentions, never welcome, have become abhorrent to Esther, and the only thing that keeps her from informing her guardian is the fear that Guppy will lose his job on account of her.  In this action, or lack of action, Esther shows another of her virtues -- her unwillingness to cause another person harm, even in though their actions may be injurious to herself. Ada and Richard are painted rather romantically, and no real shadow of their future has fallen across them yet.  They are not told that they may not marry, simply that they must wait.  Both Ada and Esther wish fervently for Richard to prosper in his new position.