We were to pass the night, Mr. Kenge told us when we arrived in his
room, at Mrs. Jellyby's; and then he turned to me and said he took it
for granted I knew who Mrs. Jellyby was.

"I really don't, sir," I returned. "Perhaps Mr. Carstone--or Miss
Clare--"

But no, they knew nothing whatever about Mrs. Jellyby. "In-deed! Mrs.
Jellyby," said Mr. Kenge, standing with his back to the fire and
casting his eyes over the dusty hearth-rug as if it were Mrs.
Jellyby's biography, "is a lady of very remarkable strength of
character who devotes herself entirely to the public. She has devoted
herself to an extensive variety of public subjects at various times
and is at present (until something else attracts her) devoted to the
subject of Africa, with a view to the general cultivation of the
coffee berry--AND the natives--and the happy settlement, on the banks
of the African rivers, of our superabundant home population. Mr.
Jarndyce, who is desirous to aid any work that is considered likely
to be a good work and who is much sought after by philanthropists,
has, I believe, a very high opinion of Mrs. Jellyby."

Mr. Kenge, adjusting his cravat, then looked at us.

"And Mr. Jellyby, sir?" suggested Richard.

"Ah! Mr. Jellyby," said Mr. Kenge, "is--a--I don't know that I can
describe him to you better than by saying that he is the husband of
Mrs. Jellyby."

"A nonentity, sir?" said Richard with a droll look.

"I don't say that," returned Mr. Kenge gravely. "I can't say that,
indeed, for I know nothing whatever OF Mr. Jellyby. I never, to my
knowledge, had the pleasure of seeing Mr. Jellyby. He may be a very
superior man, but he is, so to speak, merged--merged--in the more
shining qualities of his wife." Mr. Kenge proceeded to tell us that
as the road to Bleak House would have been very long, dark, and
tedious on such an evening, and as we had been travelling already,
Mr. Jarndyce had himself proposed this arrangement. A carriage would
be at Mrs. Jellyby's to convey us out of town early in the forenoon
of to-morrow.

He then rang a little bell, and the young gentleman came in.
Addressing him by the name of Guppy, Mr. Kenge inquired whether Miss
Summerson's boxes and the rest of the baggage had been "sent round."
Mr. Guppy said yes, they had been sent round, and a coach was waiting
to take us round too as soon as we pleased.

"Then it only remains," said Mr. Kenge, shaking hands with us, "for
me to express my lively satisfaction in (good day, Miss Clare!) the
arrangement this day concluded and my (GOOD-bye to you, Miss
Summerson!) lively hope that it will conduce to the happiness, the
(glad to have had the honour of making your acquaintance, Mr.
Carstone!) welfare, the advantage in all points of view, of all
concerned! Guppy, see the party safely there."

"Where IS 'there,' Mr. Guppy?" said Richard as we went downstairs.

"No distance," said Mr. Guppy; "round in Thavies Inn, you know."

"I can't say I know where it is, for I come from Winchester and am
strange in London."

"Only round the corner," said Mr. Guppy. "We just twist up Chancery
Lane, and cut along Holborn, and there we are in four minutes' time,
as near as a toucher. This is about a London particular NOW, ain't
it, miss?" He seemed quite delighted with it on my account.

"The fog is very dense indeed!" said I.

"Not that it affects you, though, I'm sure," said Mr. Guppy, putting
up the steps. "On the contrary, it seems to do you good, miss,
judging from your appearance."

I knew he meant well in paying me this compliment, so I laughed at
myself for blushing at it when he had shut the door and got upon the
box; and we all three laughed and chatted about our inexperience and
the strangeness of London until we turned up under an archway to our
destination--a narrow street of high houses like an oblong cistern to
hold the fog. There was a confused little crowd of people,
principally children, gathered about the house at which we stopped,
which had a tarnished brass plate on the door with the inscription
JELLYBY.

"Don't be frightened!" said Mr. Guppy, looking in at the
coach-window. "One of the young Jellybys been and got his head
through the area railings!"

"Oh, poor child," said I; "let me out, if you please!"

"Pray be careful of yourself, miss. The young Jellybys are always up
to something," said Mr. Guppy.

I made my way to the poor child, who was one of the dirtiest little
unfortunates I ever saw, and found him very hot and frightened and
crying loudly, fixed by the neck between two iron railings, while a
milkman and a beadle, with the kindest intentions possible, were
endeavouring to drag him back by the legs, under a general impression
that his skull was compressible by those means. As I found (after
pacifying him) that he was a little boy with a naturally large head,
I thought that perhaps where his head could go, his body could
follow, and mentioned that the best mode of extrication might be to
push him forward. This was so favourably received by the milkman and
beadle that he would immediately have been pushed into the area if I
had not held his pinafore while Richard and Mr. Guppy ran down
through the kitchen to catch him when he should be released. At last
he was happily got down without any accident, and then he began to
beat Mr. Guppy with a hoop-stick in quite a frantic manner.

Nobody had appeared belonging to the house except a person in
pattens, who had been poking at the child from below with a broom; I
don't know with what object, and I don't think she did. I therefore
supposed that Mrs. Jellyby was not at home, and was quite surprised
when the person appeared in the passage without the pattens, and
going up to the back room on the first floor before Ada and me,
announced us as, "Them two young ladies, Missis Jellyby!" We passed
several more children on the way up, whom it was difficult to avoid
treading on in the dark; and as we came into Mrs. Jellyby's presence,
one of the poor little things fell downstairs--down a whole flight
(as it sounded to me), with a great noise.

Mrs. Jellyby, whose face reflected none of the uneasiness which we
could not help showing in our own faces as the dear child's head
recorded its passage with a bump on every stair--Richard afterwards
said he counted seven, besides one for the landing--received us with
perfect equanimity. She was a pretty, very diminutive, plump woman of
from forty to fifty, with handsome eyes, though they had a curious
habit of seeming to look a long way off. As if--I am quoting Richard
again--they could see nothing nearer than Africa!

"I am very glad indeed," said Mrs. Jellyby in an agreeable voice, "to
have the pleasure of receiving you. I have a great respect for Mr.
Jarndyce, and no one in whom he is interested can be an object of
indifference to me."

We expressed our acknowledgments and sat down behind the door, where
there was a lame invalid of a sofa. Mrs. Jellyby had very good hair
but was too much occupied with her African duties to brush it. The
shawl in which she had been loosely muffled dropped onto her chair
when she advanced to us; and as she turned to resume her seat, we
could not help noticing that her dress didn't nearly meet up the back
and that the open space was railed across with a lattice-work of
stay-lace--like a summer-house.

The room, which was strewn with papers and nearly filled by a great
writing-table covered with similar litter, was, I must say, not only
very untidy but very dirty. We were obliged to take notice of that
with our sense of sight, even while, with our sense of hearing, we
followed the poor child who had tumbled downstairs: I think into the
back kitchen, where somebody seemed to stifle him.

But what principally struck us was a jaded and unhealthy-looking
though by no means plain girl at the writing-table, who sat biting
the feather of her pen and staring at us. I suppose nobody ever was
in such a state of ink. And from her tumbled hair to her pretty feet,
which were disfigured with frayed and broken satin slippers trodden
down at heel, she really seemed to have no article of dress upon her,
from a pin upwards, that was in its proper condition or its right
place.

"You find me, my dears," said Mrs. Jellyby, snuffing the two great
office candles in tin candlesticks, which made the room taste
strongly of hot tallow (the fire had gone out, and there was nothing
in the grate but ashes, a bundle of wood, and a poker), "you find me,
my dears, as usual, very busy; but that you will excuse. The African
project at present employs my whole time. It involves me in
correspondence with public bodies and with private individuals
anxious for the welfare of their species all over the country. I am
happy to say it is advancing. We hope by this time next year to have
from a hundred and fifty to two hundred healthy families cultivating
coffee and educating the natives of Borrioboola-Gha, on the left bank
of the Niger."

As Ada said nothing, but looked at me, I said it must be very
gratifying.

"It IS gratifying," said Mrs. Jellyby. "It involves the devotion of
all my energies, such as they are; but that is nothing, so that it
succeeds; and I am more confident of success every day. Do you know,
Miss Summerson, I almost wonder that YOU never turned your thoughts
to Africa."

This application of the subject was really so unexpected to me that I
was quite at a loss how to receive it. I hinted that the climate--

"The finest climate in the world!" said Mrs. Jellyby.

"Indeed, ma'am?"

"Certainly. With precaution," said Mrs. Jellyby. "You may go into
Holborn, without precaution, and be run over. You may go into
Holborn, with precaution, and never be run over. Just so with
Africa."

I said, "No doubt." I meant as to Holborn.

"If you would like," said Mrs. Jellyby, putting a number of papers
towards us, "to look over some remarks on that head, and on the
general subject, which have been extensively circulated, while I
finish a letter I am now dictating to my eldest daughter, who is my
amanuensis--"

The girl at the table left off biting her pen and made a return to
our recognition, which was half bashful and half sulky.

"--I shall then have finished for the present," proceeded Mrs.
Jellyby with a sweet smile, "though my work is never done. Where are
you, Caddy?"

"'Presents her compliments to Mr. Swallow, and begs--'" said Caddy.

"'And begs,'" said Mrs. Jellyby, dictating, "'to inform him, in
reference to his letter of inquiry on the African project--' No,
Peepy! Not on my account!"

Peepy (so self-named) was the unfortunate child who had fallen
downstairs, who now interrupted the correspondence by presenting
himself, with a strip of plaster on his forehead, to exhibit his
wounded knees, in which Ada and I did not know which to pity
most--the bruises or the dirt. Mrs. Jellyby merely added, with the
serene composure with which she said everything, "Go along, you
naughty Peepy!" and fixed her fine eyes on Africa again.

However, as she at once proceeded with her dictation, and as I
interrupted nothing by doing it, I ventured quietly to stop poor
Peepy as he was going out and to take him up to nurse. He looked very
much astonished at it and at Ada's kissing him, but soon fell fast
asleep in my arms, sobbing at longer and longer intervals, until he
was quiet. I was so occupied with Peepy that I lost the letter in
detail, though I derived such a general impression from it of the
momentous importance of Africa, and the utter insignificance of all
other places and things, that I felt quite ashamed to have thought so
little about it.

"Six o'clock!" said Mrs. Jellyby. "And our dinner hour is nominally
(for we dine at all hours) five! Caddy, show Miss Clare and Miss
Summerson their rooms. You will like to make some change, perhaps?
You will excuse me, I know, being so much occupied. Oh, that very bad
child! Pray put him down, Miss Summerson!"

I begged permission to retain him, truly saying that he was not at
all troublesome, and carried him upstairs and laid him on my bed. Ada
and I had two upper rooms with a door of communication between. They
were excessively bare and disorderly, and the curtain to my window
was fastened up with a fork.

"You would like some hot water, wouldn't you?" said Miss Jellyby,
looking round for a jug with a handle to it, but looking in vain.

"If it is not being troublesome," said we.

"Oh, it's not the trouble," returned Miss Jellyby; "the question is,
if there IS any."

The evening was so very cold and the rooms had such a marshy smell
that I must confess it was a little miserable, and Ada was half
crying. We soon laughed, however, and were busily unpacking when Miss
Jellyby came back to say that she was sorry there was no hot water,
but they couldn't find the kettle, and the boiler was out of order.

We begged her not to mention it and made all the haste we could to
get down to the fire again. But all the little children had come up
to the landing outside to look at the phenomenon of Peepy lying on my
bed, and our attention was distracted by the constant apparition of
noses and fingers in situations of danger between the hinges of the
doors. It was impossible to shut the door of either room, for my
lock, with no knob to it, looked as if it wanted to be wound up; and
though the handle of Ada's went round and round with the greatest
smoothness, it was attended with no effect whatever on the door.
Therefore I proposed to the children that they should come in and be
very good at my table, and I would tell them the story of Little Red
Riding Hood while I dressed; which they did, and were as quiet as
mice, including Peepy, who awoke opportunely before the appearance of
the wolf.

When we went downstairs we found a mug with "A Present from Tunbridge
Wells" on it lighted up in the staircase window with a floating wick,
and a young woman, with a swelled face bound up in a flannel bandage
blowing the fire of the drawing-room (now connected by an open door
with Mrs. Jellyby's room) and choking dreadfully. It smoked to that
degree, in short, that we all sat coughing and crying with the
windows open for half an hour, during which Mrs. Jellyby, with the
same sweetness of temper, directed letters about Africa. Her being so
employed was, I must say, a great relief to me, for Richard told us
that he had washed his hands in a pie-dish and that they had found
the kettle on his dressing-table, and he made Ada laugh so that they
made me laugh in the most ridiculous manner.

Soon after seven o'clock we went down to dinner, carefully, by Mrs.
Jellyby's advice, for the stair-carpets, besides being very deficient
in stair-wires, were so torn as to be absolute traps. We had a fine
cod-fish, a piece of roast beef, a dish of cutlets, and a pudding; an
excellent dinner, if it had had any cooking to speak of, but it was
almost raw. The young woman with the flannel bandage waited, and
dropped everything on the table wherever it happened to go, and never
moved it again until she put it on the stairs. The person I had seen
in pattens, who I suppose to have been the cook, frequently came and
skirmished with her at the door, and there appeared to be ill will
between them.

All through dinner--which was long, in consequence of such accidents
as the dish of potatoes being mislaid in the coal skuttle and the
handle of the corkscrew coming off and striking the young woman in
the chin--Mrs. Jellyby preserved the evenness of her disposition. She
told us a great deal that was interesting about Borrioboola-Gha and
the natives, and received so many letters that Richard, who sat by
her, saw four envelopes in the gravy at once. Some of the letters
were proceedings of ladies' committees or resolutions of ladies'
meetings, which she read to us; others were applications from people
excited in various ways about the cultivation of coffee, and natives;
others required answers, and these she sent her eldest daughter from
the table three or four times to write. She was full of business and
undoubtedly was, as she had told us, devoted to the cause.

I was a little curious to know who a mild bald gentleman in
spectacles was, who dropped into a vacant chair (there was no top or
bottom in particular) after the fish was taken away and seemed
passively to submit himself to Borrioboola-Gha but not to be actively
interested in that settlement. As he never spoke a word, he might
have been a native but for his complexion. It was not until we left
the table and he remained alone with Richard that the possibility of
his being Mr. Jellyby ever entered my head. But he WAS Mr. Jellyby;
and a loquacious young man called Mr. Quale, with large shining knobs
for temples and his hair all brushed to the back of his head, who
came in the evening, and told Ada he was a philanthropist, also
informed her that he called the matrimonial alliance of Mrs. Jellyby
with Mr. Jellyby the union of mind and matter.

This young man, besides having a great deal to say for himself about
Africa and a project of his for teaching the coffee colonists to
teach the natives to turn piano-forte legs and establish an export
trade, delighted in drawing Mrs. Jellyby out by saying, "I believe
now, Mrs. Jellyby, you have received as many as from one hundred and
fifty to two hundred letters respecting Africa in a single day, have
you not?" or, "If my memory does not deceive me, Mrs. Jellyby, you
once mentioned that you had sent off five thousand circulars from one
post-office at one time?"--always repeating Mrs. Jellyby's answer to
us like an interpreter. During the whole evening, Mr. Jellyby sat in
a corner with his head against the wall as if he were subject to low
spirits. It seemed that he had several times opened his mouth when
alone with Richard after dinner, as if he had something on his mind,
but had always shut it again, to Richard's extreme confusion, without
saying anything.

Mrs. Jellyby, sitting in quite a nest of waste paper, drank coffee
all the evening and dictated at intervals to her eldest daughter. She
also held a discussion with Mr. Quale, of which the subject seemed to
be--if I understood it--the brotherhood of humanity, and gave
utterance to some beautiful sentiments. I was not so attentive an
auditor as I might have wished to be, however, for Peepy and the
other children came flocking about Ada and me in a corner of the
drawing-room to ask for another story; so we sat down among them and
told them in whispers "Puss in Boots" and I don't know what else
until Mrs. Jellyby, accidentally remembering them, sent them to bed.
As Peepy cried for me to take him to bed, I carried him upstairs,
where the young woman with the flannel bandage charged into the midst
of the little family like a dragon and overturned them into cribs.

After that I occupied myself in making our room a little tidy and in
coaxing a very cross fire that had been lighted to burn, which at
last it did, quite brightly. On my return downstairs, I felt that
Mrs. Jellyby looked down upon me rather for being so frivolous, and I
was sorry for it, though at the same time I knew that I had no higher
pretensions.

It was nearly midnight before we found an opportunity of going to
bed, and even then we left Mrs. Jellyby among her papers drinking
coffee and Miss Jellyby biting the feather of her pen.

"What a strange house!" said Ada when we got upstairs. "How curious
of my cousin Jarndyce to send us here!"

"My love," said I, "it quite confuses me. I want to understand it,
and I can't understand it at all."

"What?" asked Ada with her pretty smile.

"All this, my dear," said I. "It MUST be very good of Mrs. Jellyby to
take such pains about a scheme for the benefit of natives--and
yet--Peepy and the housekeeping!"

Ada laughed and put her arm about my neck as I stood looking at the
fire, and told me I was a quiet, dear, good creature and had won her
heart. "You are so thoughtful, Esther," she said, "and yet so
cheerful! And you do so much, so unpretendingly! You would make a
home out of even this house."

My simple darling! She was quite unconscious that she only praised
herself and that it was in the goodness of her own heart that she
made so much of me!

"May I ask you a question?" said I when we had sat before the fire a
little while.

"Five hundred," said Ada.

"Your cousin, Mr. Jarndyce. I owe so much to him. Would you mind
describing him to me?"

Shaking her golden hair, Ada turned her eyes upon me with such
laughing wonder that I was full of wonder too, partly at her beauty,
partly at her surprise.

"Esther!" she cried.

"My dear!"

"You want a description of my cousin Jarndyce?"

"My dear, I never saw him."

"And I never saw him!" returned Ada.

Well, to be sure!

No, she had never seen him. Young as she was when her mama died, she
remembered how the tears would come into her eyes when she spoke of
him and of the noble generosity of his character, which she had said
was to be trusted above all earthly things; and Ada trusted it. Her
cousin Jarndyce had written to her a few months ago--"a plain, honest
letter," Ada said--proposing the arrangement we were now to enter on
and telling her that "in time it might heal some of the wounds made
by the miserable Chancery suit." She had replied, gratefully
accepting his proposal. Richard had received a similar letter and had
made a similar response. He HAD seen Mr. Jarndyce once, but only
once, five years ago, at Winchester school. He had told Ada, when
they were leaning on the screen before the fire where I found them,
that he recollected him as "a bluff, rosy fellow." This was the
utmost description Ada could give me.

It set me thinking so that when Ada was asleep, I still remained
before the fire, wondering and wondering about Bleak House, and
wondering and wondering that yesterday morning should seem so long
ago. I don't know where my thoughts had wandered when they were
recalled by a tap at the door.

I opened it softly and found Miss Jellyby shivering there with a
broken candle in a broken candlestick in one hand and an egg-cup in
the other.

"Good night!" she said very sulkily.

"Good night!" said I.

"May I come in?" she shortly and unexpectedly asked me in the same
sulky way.

"Certainly," said I. "Don't wake Miss Clare."

She would not sit down, but stood by the fire dipping her inky middle
finger in the egg-cup, which contained vinegar, and smearing it over
the ink stains on her face, frowning the whole time and looking very
gloomy.

"I wish Africa was dead!" she said on a sudden.

I was going to remonstrate.

"I do!" she said "Don't talk to me, Miss Summerson. I hate it and
detest it. It's a beast!"

I told her she was tired, and I was sorry. I put my hand upon her
head, and touched her forehead, and said it was hot now but would be
cool to-morrow. She still stood pouting and frowning at me, but
presently put down her egg-cup and turned softly towards the bed
where Ada lay.

"She is very pretty!" she said with the same knitted brow and in the
same uncivil manner.

I assented with a smile.

"An orphan. Ain't she?"

"Yes."

"But knows a quantity, I suppose? Can dance, and play music, and
sing? She can talk French, I suppose, and do geography, and globes,
and needlework, and everything?"

"No doubt," said I.

"I can't," she returned. "I can't do anything hardly, except write.
I'm always writing for Ma. I wonder you two were not ashamed of
yourselves to come in this afternoon and see me able to do nothing
else. It was like your ill nature. Yet you think yourselves very
fine, I dare say!"

I could see that the poor girl was near crying, and I resumed my
chair without speaking and looked at her (I hope) as mildly as I felt
towards her.

"It's disgraceful," she said. "You know it is. The whole house is
disgraceful. The children are disgraceful. I'M disgraceful. Pa's
miserable, and no wonder! Priscilla drinks--she's always drinking.
It's a great shame and a great story of you if you say you didn't
smell her to-day. It was as bad as a public-house, waiting at dinner;
you know it was!"

"My dear, I don't know it," said I.

"You do," she said very shortly. "You shan't say you don't. You do!"

"Oh, my dear!" said I. "If you won't let me speak--"

"You're speaking now. You know you are. Don't tell stories, Miss
Summerson."

"My dear," said I, "as long as you won't hear me out--"

"I don't want to hear you out."

"Oh, yes, I think you do," said I, "because that would be so very
unreasonable. I did not know what you tell me because the servant did
not come near me at dinner; but I don't doubt what you tell me, and I
am sorry to hear it."

"You needn't make a merit of that," said she.

"No, my dear," said I. "That would be very foolish."

She was still standing by the bed, and now stooped down (but still
with the same discontented face) and kissed Ada. That done, she came
softly back and stood by the side of my chair. Her bosom was heaving
in a distressful manner that I greatly pitied, but I thought it
better not to speak.

"I wish I was dead!" she broke out. "I wish we were all dead. It
would be a great deal better for us."

In a moment afterwards, she knelt on the ground at my side, hid her
face in my dress, passionately begged my pardon, and wept. I
comforted her and would have raised her, but she cried no, no; she
wanted to stay there!

"You used to teach girls," she said, "If you could only have taught
me, I could have learnt from you! I am so very miserable, and I like
you so much!"

I could not persuade her to sit by me or to do anything but move a
ragged stool to where she was kneeling, and take that, and still hold
my dress in the same manner. By degrees the poor tired girl fell
asleep, and then I contrived to raise her head so that it should rest
on my lap, and to cover us both with shawls. The fire went out, and
all night long she slumbered thus before the ashy grate. At first I
was painfully awake and vainly tried to lose myself, with my eyes
closed, among the scenes of the day. At length, by slow degrees, they
became indistinct and mingled. I began to lose the identity of the
sleeper resting on me. Now it was Ada, now one of my old Reading
friends from whom I could not believe I had so recently parted. Now
it was the little mad woman worn out with curtsying and smiling, now
some one in authority at Bleak House. Lastly, it was no one, and I
was no one.

The purblind day was feebly struggling with the fog when I opened my
eyes to encounter those of a dirty-faced little spectre fixed upon
me. Peepy had scaled his crib, and crept down in his bed-gown and
cap, and was so cold that his teeth were chattering as if he had cut
them all.

Kenge tells the gang that since Jarndyce's place is far away, they'll be spending the night at Mrs. Jellyby's. When no one seems to know who she is, Kenge explains that she is a super-awesome philanthropist who is devoted to all sorts of causes. The cause of the moment is Africa. When they get to the Jellyby house there is a commotion over the youngest Jellyby, who's gotten his head stuck in a railing. The other kids are concerned and the neighborhood tradesmen are trying to help. Pretty much everyone is involved except Mrs. Jellyby herself. Esther directs the freeing of the kid and goes inside. OK everyone, we're about to get to one of the novel's big themes, which is expressed here in the form of a chapter-long joke. The Jellyby house is the dirtiest, messiest, most ridiculously upside-down piece of disgustingness ever, complete with totally neglected and endangered children and a completely silent and almost invisible husband. It makes Ada, who is a delicate flower, cry to have to stay there. Meanwhile Mrs. Jellyby is totally chillaxing, dressed in ill-fitting clothes and spending all of her time writing letters about totally impractical and ridiculous-sounding schemes to help Africans in the colony of Borrioboola-Gha . So - get it? She's trying to help people who are really far away but has no concern for her own domestic problems. She acts like she's more important than her husband, who has no control over her. Chicks, man! Also, do-gooders, man. The person who takes down her dictation is her eldest daughter, Caddy Jellyby. She looks angry and unhappy to Esther. Finally, it's dinnertime. Mrs. Jellyby announces that she has no idea where the hot water, kettle, or water jug are, and that the boiler is broken, so her guests can't wash up before eating. Esther and Ada try to freshen up as well as they can and discover that the doors of their bedrooms don't work. Esther ends up telling fairy tales to the Jellyby kids while getting ready. The food is gross and totally uncooked, although Esther is generous enough to say that if someone had actually prepared it, it would probably have been yummy. There is a very silent, passive man sitting at the table who eventually turns out to be Mr. Jellyby. He is really a nonentity. Mrs. Jellyby spends dinner drinking coffee, rifling through papers, and sending Caddy off to write letters. Esther tells some more stories to the kids and puts them to bed. Then Esther asks Ada to explain why Mrs. Jellyby is supposed to be this amazing person when her kids and her house are falling to pieces. It sounds really snide when we write this, but in the novel Esther is genuinely confused. She's all naive and innocent and sweet, so everything she says is totally non-sarcastic. Ada laughs at her. Ada has a little bit of that beautiful-girl-gets-to-be-a-jerk quality. Late at night Caddy comes to see Esther and busts out with some super-angry ranting. Basically she says: 1) I know the house is a disgusting mess, 2) I wish our family were more normal , and 3) I wish you could teach me about stuff like you're going to teach Ada. Then Caddy starts crying and falls asleep in Esther's lap. Esther falls asleep too, and dreams about turning into Ada, then her school friends, then the mad woman at the courthouse, then no one.

En route to Bleak House, Esther, Ada, and Richard spend the night at the Jellyby house. Mrs. Jellyby, a friend of John Jarndyce, neglects her house and children and is obsessed with projects designed to benefit Africa. Esther is affectionate and helpful to the Jellyby children, especially to the accident-prone Peepy and to the oldest daughter, Caddy. Serving as her mother's secretary, and badly overworked, Caddy is wretched. Esther, Ada, and Richard continue to wonder what sort of person John Jarndyce is. Richard saw him briefly once but retains no distinct impression. Desperate in her impossible home and situation, a tearful Caddy finds solace in the compassionate Esther.

Dickens maintained that people devoted to distant  philanthropy very often show a tendency to neglect the crying needs of those around them -- and charity should begin at home. In this chapter, Dickens satirizes Mrs. Jellyby as a type of misguided "do-gooder." The chapter expertly blends satiric humor and effective pathos. The portrayal of the Jellyby children is another variation on one of Dickens' recurring themes: the vulnerability and suffering of children in a world mismanaged by adults. Caddy emerges as a memorable character, and the comfort she and the other children receive from Esther strengthens the reader's impression of Esther's beautiful spirit.

"Telescopic Philanthropy" Kenge tells Esther, Ada, and Richard that they will spend the night at the Jellybys' house and says goodbye, leaving them to Mr. Guppy, the driver. At the Jellybys', a child has his head stuck in a railing, and Esther helps him. Many dirty children are swarming through the house when Mrs. Jellyby introduces herself. Esther observes an older child, pale and quiet, sitting at a writing desk. Mrs. Jellyby tells them about her charity work in Africa and ignores her children. Caddy, the girl at the writing desk, is writing out a letter that Mrs. Jellyby dictates. The Jellybys' house is in utter disarray, and there is no hot water or heat. Dinner is chaotic. Priscilla, the cook, is drunk. A man named Mr. Quayle discusses Africa with Mrs. Jellyby, while Mr. Jellyby sits silently. That night, Caddy appears at Esther's door and professes her unhappiness at home. She says she wishes the whole family were dead

Telescopic Philanthropy Mr. Kenge tells the young people they will stay the night with Mrs. Jellyby, a very great philanthropist who devotes herself to the African subject. When Richard asks what Mr. Jellyby does, Kenge says, "he is the husband of Mrs. Jellyby" . Kenge tells Guppy, the clerk, to take the young people to the Jellybys. When they arrive, one of the Jellyby children has his head caught in a railing, and Esther helps him get free. Another child is tumbling downstairs. The entire house is in chaos and the seven children uncared for. Mrs. Jellyby is busy dictating letters on the African question to her eldest daughter, Caddy. Caddy shows Ada and Esther to their rooms to wash for dinner. Everything in the house is cold and dirty, and the guests try to find what they need on their own. Esther gathers the children and tells them a story as she dresses, and they begin to love her. Dinner is a disaster; the food is half-cooked. Mr. Jellyby is neglected and silent while a guest, Mr. Quale, another philanthropist, praises Mrs. Jellyby's work. Ada and Esther retire to their rooms and talk of Mr. Jarndyce, neither of whom has met him. He is apparently a noble man who is to be trusted. Caddy Jellyby joins them, saying, "I wish Africa was dead!" . She and the other children and the husband are miserable with neglect while the mother lavishes all her attention on Africa.

Commentary on Chapter IV This is one of Dickens's great satires on English philanthropy, which likes to interfere in other countries while neglecting the misery of its own. Mrs. Jellyby and Mr. Quale discuss "The Brotherhood of Humanity" as philosophy, but the mother ignores the needs of her family. The natives of Borrioboola-Gha are to be given an English education, but Caddy complains that she must take dictation all day and never is sent to school herself. Esther is the mother they miss, and the children take to her. The orphans Ada and Esther discuss their benefactor, Mr. Jarndyce, and it comes out that he desires to "heal some of the wounds made by the miserable Chancery suit" by gathering together all these Chancery orphans under his protection. Ada also praises Esther for being kind and good to the Jellyby children. Esther is not used to praise and love and finds it difficult to accept, as does the shy Mr. Jarndyce. She is only a year older than Ada but will soon be the mother figure in the new household at Bleak House.


Although the morning was raw, and although the fog still seemed
heavy--I say seemed, for the windows were so encrusted with dirt that
they would have made midsummer sunshine dim--I was sufficiently
forewarned of the discomfort within doors at that early hour and
sufficiently curious about London to think it a good idea on the part
of Miss Jellyby when she proposed that we should go out for a walk.

"Ma won't be down for ever so long," she said, "and then it's a
chance if breakfast's ready for an hour afterwards, they dawdle so.
As to Pa, he gets what he can and goes to the office. He never has
what you would call a regular breakfast. Priscilla leaves him out the
loaf and some milk, when there is any, overnight. Sometimes there
isn't any milk, and sometimes the cat drinks it. But I'm afraid you
must be tired, Miss Summerson, and perhaps you would rather go to
bed."

"I am not at all tired, my dear," said I, "and would much prefer to
go out."

"If you're sure you would," returned Miss Jellyby, "I'll get my
things on."

Ada said she would go too, and was soon astir. I made a proposal to
Peepy, in default of being able to do anything better for him, that
he should let me wash him and afterwards lay him down on my bed
again. To this he submitted with the best grace possible, staring at
me during the whole operation as if he never had been, and never
could again be, so astonished in his life--looking very miserable
also, certainly, but making no complaint, and going snugly to sleep
as soon as it was over. At first I was in two minds about taking such
a liberty, but I soon reflected that nobody in the house was likely
to notice it.

What with the bustle of dispatching Peepy and the bustle of getting
myself ready and helping Ada, I was soon quite in a glow. We found
Miss Jellyby trying to warm herself at the fire in the writing-room,
which Priscilla was then lighting with a smutty parlour candlestick,
throwing the candle in to make it burn better. Everything was just as
we had left it last night and was evidently intended to remain so.
Below-stairs the dinner-cloth had not been taken away, but had been
left ready for breakfast. Crumbs, dust, and waste-paper were all over
the house. Some pewter pots and a milk-can hung on the area railings;
the door stood open; and we met the cook round the corner coming out
of a public-house, wiping her mouth. She mentioned, as she passed us,
that she had been to see what o'clock it was.

But before we met the cook, we met Richard, who was dancing up and
down Thavies Inn to warm his feet. He was agreeably surprised to see
us stirring so soon and said he would gladly share our walk. So he
took care of Ada, and Miss Jellyby and I went first. I may mention
that Miss Jellyby had relapsed into her sulky manner and that I
really should not have thought she liked me much unless she had told
me so.

"Where would you wish to go?" she asked.

"Anywhere, my dear," I replied.

"Anywhere's nowhere," said Miss Jellyby, stopping perversely.

"Let us go somewhere at any rate," said I.

She then walked me on very fast.

"I don't care!" she said. "Now, you are my witness, Miss Summerson, I
say I don't care--but if he was to come to our house with his great,
shining, lumpy forehead night after night till he was as old as
Methuselah, I wouldn't have anything to say to him. Such ASSES as he
and Ma make of themselves!"

"My dear!" I remonstrated, in allusion to the epithet and the
vigorous emphasis Miss Jellyby set upon it. "Your duty as a child--"

"Oh! Don't talk of duty as a child, Miss Summerson; where's Ma's duty
as a parent? All made over to the public and Africa, I suppose! Then
let the public and Africa show duty as a child; it's much more their
affair than mine. You are shocked, I dare say! Very well, so am I
shocked too; so we are both shocked, and there's an end of it!"

She walked me on faster yet.

"But for all that, I say again, he may come, and come, and come, and
I won't have anything to say to him. I can't bear him. If there's any
stuff in the world that I hate and detest, it's the stuff he and Ma
talk. I wonder the very paving-stones opposite our house can have the
patience to stay there and be a witness of such inconsistencies and
contradictions as all that sounding nonsense, and Ma's management!"

I could not but understand her to refer to Mr. Quale, the young
gentleman who had appeared after dinner yesterday. I was saved the
disagreeable necessity of pursuing the subject by Richard and Ada
coming up at a round pace, laughing and asking us if we meant to run
a race. Thus interrupted, Miss Jellyby became silent and walked
moodily on at my side while I admired the long successions and
varieties of streets, the quantity of people already going to and
fro, the number of vehicles passing and repassing, the busy
preparations in the setting forth of shop windows and the sweeping
out of shops, and the extraordinary creatures in rags secretly
groping among the swept-out rubbish for pins and other refuse.

"So, cousin," said the cheerful voice of Richard to Ada behind me.
"We are never to get out of Chancery! We have come by another way to
our place of meeting yesterday, and--by the Great Seal, here's the
old lady again!"

Truly, there she was, immediately in front of us, curtsying, and
smiling, and saying with her yesterday's air of patronage, "The wards
in Jarndyce! Ve-ry happy, I am sure!"

"You are out early, ma'am," said I as she curtsied to me.

"Ye-es! I usually walk here early. Before the court sits. It's
retired. I collect my thoughts here for the business of the day,"
said the old lady mincingly. "The business of the day requires a
great deal of thought. Chancery justice is so ve-ry difficult to
follow."

"Who's this, Miss Summerson?" whispered Miss Jellyby, drawing my arm
tighter through her own.

The little old lady's hearing was remarkably quick. She answered for
herself directly.

"A suitor, my child. At your service. I have the honour to attend
court regularly. With my documents. Have I the pleasure of addressing
another of the youthful parties in Jarndyce?" said the old lady,
recovering herself, with her head on one side, from a very low
curtsy.

Richard, anxious to atone for his thoughtlessness of yesterday,
good-naturedly explained that Miss Jellyby was not connected with the
suit.

"Ha!" said the old lady. "She does not expect a judgment? She will
still grow old. But not so old. Oh, dear, no! This is the garden of
Lincoln's Inn. I call it my garden. It is quite a bower in the
summer-time. Where the birds sing melodiously. I pass the greater
part of the long vacation here. In contemplation. You find the long
vacation exceedingly long, don't you?"

We said yes, as she seemed to expect us to say so.

"When the leaves are falling from the trees and there are no more
flowers in bloom to make up into nosegays for the Lord Chancellor's
court," said the old lady, "the vacation is fulfilled and the sixth
seal, mentioned in the Revelations, again prevails. Pray come and see
my lodging. It will be a good omen for me. Youth, and hope, and
beauty are very seldom there. It is a long, long time since I had a
visit from either."

She had taken my hand, and leading me and Miss Jellyby away, beckoned
Richard and Ada to come too. I did not know how to excuse myself and
looked to Richard for aid. As he was half amused and half curious and
all in doubt how to get rid of the old lady without offence, she
continued to lead us away, and he and Ada continued to follow, our
strange conductress informing us all the time, with much smiling
condescension, that she lived close by.

It was quite true, as it soon appeared. She lived so close by that we
had not time to have done humouring her for a few moments before she
was at home. Slipping us out at a little side gate, the old lady
stopped most unexpectedly in a narrow back street, part of some
courts and lanes immediately outside the wall of the inn, and said,
"This is my lodging. Pray walk up!"

She had stopped at a shop over which was written KROOK, RAG AND
BOTTLE WAREHOUSE. Also, in long thin letters, KROOK, DEALER IN MARINE
STORES. In one part of the window was a picture of a red paper mill
at which a cart was unloading a quantity of sacks of old rags. In
another was the inscription BONES BOUGHT. In another, KITCHEN-STUFF
BOUGHT. In another, OLD IRON BOUGHT. In another, WASTE-PAPER BOUGHT.
In another, LADIES' AND GENTLEMEN'S WARDROBES BOUGHT. Everything
seemed to be bought and nothing to be sold there. In all parts of the
window were quantities of dirty bottles--blacking bottles, medicine
bottles, ginger-beer and soda-water bottles, pickle bottles, wine
bottles, ink bottles; I am reminded by mentioning the latter that the
shop had in several little particulars the air of being in a legal
neighbourhood and of being, as it were, a dirty hanger-on and
disowned relation of the law. There were a great many ink bottles.
There was a little tottering bench of shabby old volumes outside the
door, labelled "Law Books, all at 9d." Some of the inscriptions I
have enumerated were written in law-hand, like the papers I had seen
in Kenge and Carboy's office and the letters I had so long received
from the firm. Among them was one, in the same writing, having
nothing to do with the business of the shop, but announcing that a
respectable man aged forty-five wanted engrossing or copying to
execute with neatness and dispatch: Address to Nemo, care of Mr.
Krook, within. There were several second-hand bags, blue and red,
hanging up. A little way within the shop-door lay heaps of old
crackled parchment scrolls and discoloured and dog's-eared
law-papers. I could have fancied that all the rusty keys, of which
there must have been hundreds huddled together as old iron, had once
belonged to doors of rooms or strong chests in lawyers' offices. The
litter of rags tumbled partly into and partly out of a one-legged
wooden scale, hanging without any counterpoise from a beam, might
have been counsellors' bands and gowns torn up. One had only to
fancy, as Richard whispered to Ada and me while we all stood looking
in, that yonder bones in a corner, piled together and picked very
clean, were the bones of clients, to make the picture complete.

As it was still foggy and dark, and as the shop was blinded besides
by the wall of Lincoln's Inn, intercepting the light within a couple
of yards, we should not have seen so much but for a lighted lantern
that an old man in spectacles and a hairy cap was carrying about in
the shop. Turning towards the door, he now caught sight of us. He was
short, cadaverous, and withered, with his head sunk sideways between
his shoulders and the breath issuing in visible smoke from his mouth
as if he were on fire within. His throat, chin, and eyebrows were so
frosted with white hairs and so gnarled with veins and puckered skin
that he looked from his breast upward like some old root in a fall of
snow.

"Hi, hi!" said the old man, coming to the door. "Have you anything to
sell?"

We naturally drew back and glanced at our conductress, who had been
trying to open the house-door with a key she had taken from her
pocket, and to whom Richard now said that as we had had the pleasure
of seeing where she lived, we would leave her, being pressed for
time. But she was not to be so easily left. She became so
fantastically and pressingly earnest in her entreaties that we would
walk up and see her apartment for an instant, and was so bent, in her
harmless way, on leading me in, as part of the good omen she desired,
that I (whatever the others might do) saw nothing for it but to
comply. I suppose we were all more or less curious; at any rate, when
the old man added his persuasions to hers and said, "Aye, aye! Please
her! It won't take a minute! Come in, come in! Come in through the
shop if t'other door's out of order!" we all went in, stimulated by
Richard's laughing encouragement and relying on his protection.

"My landlord, Krook," said the little old lady, condescending to him
from her lofty station as she presented him to us. "He is called
among the neighbours the Lord Chancellor. His shop is called the
Court of Chancery. He is a very eccentric person. He is very odd. Oh,
I assure you he is very odd!"

She shook her head a great many times and tapped her forehead with
her finger to express to us that we must have the goodness to excuse
him, "For he is a little--you know--M!" said the old lady with great
stateliness. The old man overheard, and laughed.

"It's true enough," he said, going before us with the lantern, "that
they call me the Lord Chancellor and call my shop Chancery. And why
do you think they call me the Lord Chancellor and my shop Chancery?"

"I don't know, I am sure!" said Richard rather carelessly.

"You see," said the old man, stopping and turning round, "they--Hi!
Here's lovely hair! I have got three sacks of ladies' hair below, but
none so beautiful and fine as this. What colour, and what texture!"

"That'll do, my good friend!" said Richard, strongly disapproving of
his having drawn one of Ada's tresses through his yellow hand. "You
can admire as the rest of us do without taking that liberty."

The old man darted at him a sudden look which even called my
attention from Ada, who, startled and blushing, was so remarkably
beautiful that she seemed to fix the wandering attention of the
little old lady herself. But as Ada interposed and laughingly said
she could only feel proud of such genuine admiration, Mr. Krook
shrunk into his former self as suddenly as he had leaped out of it.

"You see, I have so many things here," he resumed, holding up the
lantern, "of so many kinds, and all as the neighbours think (but THEY
know nothing), wasting away and going to rack and ruin, that that's
why they have given me and my place a christening. And I have so many
old parchmentses and papers in my stock. And I have a liking for rust
and must and cobwebs. And all's fish that comes to my net. And I
can't abear to part with anything I once lay hold of (or so my
neighbours think, but what do THEY know?) or to alter anything, or to
have any sweeping, nor scouring, nor cleaning, nor repairing going on
about me. That's the way I've got the ill name of Chancery. I don't
mind. I go to see my noble and learned brother pretty well every day,
when he sits in the Inn. He don't notice me, but I notice him.
There's no great odds betwixt us. We both grub on in a muddle. Hi,
Lady Jane!"

A large grey cat leaped from some neighbouring shelf on his shoulder
and startled us all.

"Hi! Show 'em how you scratch. Hi! Tear, my lady!" said her master.

The cat leaped down and ripped at a bundle of rags with her tigerish
claws, with a sound that it set my teeth on edge to hear.

"She'd do as much for any one I was to set her on," said the old man.
"I deal in cat-skins among other general matters, and hers was
offered to me. It's a very fine skin, as you may see, but I didn't
have it stripped off! THAT warn't like Chancery practice though, says
you!"

He had by this time led us across the shop, and now opened a door in
the back part of it, leading to the house-entry. As he stood with his
hand upon the lock, the little old lady graciously observed to him
before passing out, "That will do, Krook. You mean well, but are
tiresome. My young friends are pressed for time. I have none to spare
myself, having to attend court very soon. My young friends are the
wards in Jarndyce."

"Jarndyce!" said the old man with a start.

"Jarndyce and Jarndyce. The great suit, Krook," returned his lodger.

"Hi!" exclaimed the old man in a tone of thoughtful amazement and
with a wider stare than before. "Think of it!"

He seemed so rapt all in a moment and looked so curiously at us that
Richard said, "Why, you appear to trouble yourself a good deal about
the causes before your noble and learned brother, the other
Chancellor!"

"Yes," said the old man abstractedly. "Sure! YOUR name now will be--"

"Richard Carstone."

"Carstone," he repeated, slowly checking off that name upon his
forefinger; and each of the others he went on to mention upon a
separate finger. "Yes. There was the name of Barbary, and the name of
Clare, and the name of Dedlock, too, I think."

"He knows as much of the cause as the real salaried Chancellor!" said
Richard, quite astonished, to Ada and me.

"Aye!" said the old man, coming slowly out of his abstraction. "Yes!
Tom Jarndyce--you'll excuse me, being related; but he was never known
about court by any other name, and was as well known there as--she is
now," nodding slightly at his lodger. "Tom Jarndyce was often in
here. He got into a restless habit of strolling about when the cause
was on, or expected, talking to the little shopkeepers and telling
'em to keep out of Chancery, whatever they did. 'For,' says he, 'it's
being ground to bits in a slow mill; it's being roasted at a slow
fire; it's being stung to death by single bees; it's being drowned by
drops; it's going mad by grains.' He was as near making away with
himself, just where the young lady stands, as near could be."

We listened with horror.

"He come in at the door," said the old man, slowly pointing an
imaginary track along the shop, "on the day he did it--the whole
neighbourhood had said for months before that he would do it, of a
certainty sooner or later--he come in at the door that day, and
walked along there, and sat himself on a bench that stood there, and
asked me (you'll judge I was a mortal sight younger then) to fetch
him a pint of wine. 'For,' says he, 'Krook, I am much depressed; my
cause is on again, and I think I'm nearer judgment than I ever was.'
I hadn't a mind to leave him alone; and I persuaded him to go to the
tavern over the way there, t'other side my lane (I mean Chancery
Lane); and I followed and looked in at the window, and saw him,
comfortable as I thought, in the arm-chair by the fire, and company
with him. I hadn't hardly got back here when I heard a shot go
echoing and rattling right away into the inn. I ran out--neighbours
ran out--twenty of us cried at once, 'Tom Jarndyce!'"

The old man stopped, looked hard at us, looked down into the lantern,
blew the light out, and shut the lantern up.

"We were right, I needn't tell the present hearers. Hi! To be sure,
how the neighbourhood poured into court that afternoon while the
cause was on! How my noble and learned brother, and all the rest of
'em, grubbed and muddled away as usual and tried to look as if they
hadn't heard a word of the last fact in the case or as if they
had--Oh, dear me!--nothing at all to do with it if they had heard of
it by any chance!"

Ada's colour had entirely left her, and Richard was scarcely less
pale. Nor could I wonder, judging even from my emotions, and I was no
party in the suit, that to hearts so untried and fresh it was a shock
to come into the inheritance of a protracted misery, attended in the
minds of many people with such dreadful recollections. I had another
uneasiness, in the application of the painful story to the poor
half-witted creature who had brought us there; but, to my surprise,
she seemed perfectly unconscious of that and only led the way
upstairs again, informing us with the toleration of a superior
creature for the infirmities of a common mortal that her landlord was
"a little M, you know!"

She lived at the top of the house, in a pretty large room, from which
she had a glimpse of Lincoln's Inn Hall. This seemed to have been her
principal inducement, originally, for taking up her residence there.
She could look at it, she said, in the night, especially in the
moonshine. Her room was clean, but very, very bare. I noticed the
scantiest necessaries in the way of furniture; a few old prints from
books, of Chancellors and barristers, wafered against the wall; and
some half-dozen reticles and work-bags, "containing documents," as
she informed us. There were neither coals nor ashes in the grate, and
I saw no articles of clothing anywhere, nor any kind of food. Upon a
shelf in an open cupboard were a plate or two, a cup or two, and so
forth, but all dry and empty. There was a more affecting meaning in
her pinched appearance, I thought as I looked round, than I had
understood before.

"Extremely honoured, I am sure," said our poor hostess with the
greatest suavity, "by this visit from the wards in Jarndyce. And very
much indebted for the omen. It is a retired situation. Considering. I
am limited as to situation. In consequence of the necessity of
attending on the Chancellor. I have lived here many years. I pass my
days in court, my evenings and my nights here. I find the nights
long, for I sleep but little and think much. That is, of course,
unavoidable, being in Chancery. I am sorry I cannot offer chocolate.
I expect a judgment shortly and shall then place my establishment on
a superior footing. At present, I don't mind confessing to the wards
in Jarndyce (in strict confidence) that I sometimes find it difficult
to keep up a genteel appearance. I have felt the cold here. I have
felt something sharper than cold. It matters very little. Pray excuse
the introduction of such mean topics."

She partly drew aside the curtain of the long, low garret window and
called our attention to a number of bird-cages hanging there, some
containing several birds. There were larks, linnets, and
goldfinches--I should think at least twenty.

"I began to keep the little creatures," she said, "with an object
that the wards will readily comprehend. With the intention of
restoring them to liberty. When my judgment should be given. Ye-es!
They die in prison, though. Their lives, poor silly things, are so
short in comparison with Chancery proceedings that, one by one, the
whole collection has died over and over again. I doubt, do you know,
whether one of these, though they are all young, will live to be
free! Ve-ry mortifying, is it not?"

Although she sometimes asked a question, she never seemed to expect a
reply, but rambled on as if she were in the habit of doing so when no
one but herself was present.

"Indeed," she pursued, "I positively doubt sometimes, I do assure
you, whether while matters are still unsettled, and the sixth or
Great Seal still prevails, I may not one day be found lying stark and
senseless here, as I have found so many birds!"

Richard, answering what he saw in Ada's compassionate eyes, took the
opportunity of laying some money, softly and unobserved, on the
chimney-piece. We all drew nearer to the cages, feigning to examine
the birds.

"I can't allow them to sing much," said the little old lady, "for
(you'll think this curious) I find my mind confused by the idea that
they are singing while I am following the arguments in court. And my
mind requires to be so very clear, you know! Another time, I'll tell
you their names. Not at present. On a day of such good omen, they
shall sing as much as they like. In honour of youth," a smile and
curtsy, "hope," a smile and curtsy, "and beauty," a smile and curtsy.
"There! We'll let in the full light."

The birds began to stir and chirp.

"I cannot admit the air freely," said the little old lady--the room
was close, and would have been the better for it--"because the cat
you saw downstairs, called Lady Jane, is greedy for their lives. She
crouches on the parapet outside for hours and hours. I have
discovered," whispering mysteriously, "that her natural cruelty is
sharpened by a jealous fear of their regaining their liberty. In
consequence of the judgment I expect being shortly given. She is sly
and full of malice. I half believe, sometimes, that she is no cat,
but the wolf of the old saying. It is so very difficult to keep her
from the door."

Some neighbouring bells, reminding the poor soul that it was
half-past nine, did more for us in the way of bringing our visit to
an end than we could easily have done for ourselves. She hurriedly
took up her little bag of documents, which she had laid upon the
table on coming in, and asked if we were also going into court. On
our answering no, and that we would on no account detain her, she
opened the door to attend us downstairs.

"With such an omen, it is even more necessary than usual that I
should be there before the Chancellor comes in," said she, "for he
might mention my case the first thing. I have a presentiment that he
WILL mention it the first thing this morning."

She stopped to tell us in a whisper as we were going down that the
whole house was filled with strange lumber which her landlord had
bought piecemeal and had no wish to sell, in consequence of being a
little M. This was on the first floor. But she had made a previous
stoppage on the second floor and had silently pointed at a dark door
there.

"The only other lodger," she now whispered in explanation, "a
law-writer. The children in the lanes here say he has sold himself to
the devil. I don't know what he can have done with the money. Hush!"

She appeared to mistrust that the lodger might hear her even there,
and repeating "Hush!" went before us on tiptoe as though even the
sound of her footsteps might reveal to him what she had said.

Passing through the shop on our way out, as we had passed through it
on our way in, we found the old man storing a quantity of packets of
waste-paper in a kind of well in the floor. He seemed to be working
hard, with the perspiration standing on his forehead, and had a piece
of chalk by him, with which, as he put each separate package or
bundle down, he made a crooked mark on the panelling of the wall.

Richard and Ada, and Miss Jellyby, and the little old lady had gone
by him, and I was going when he touched me on the arm to stay me, and
chalked the letter J upon the wall--in a very curious manner,
beginning with the end of the letter and shaping it backward. It was
a capital letter, not a printed one, but just such a letter as any
clerk in Messrs. Kenge and Carboy's office would have made.

"Can you read it?" he asked me with a keen glance.

"Surely," said I. "It's very plain."

"What is it?"

"J."

With another glance at me, and a glance at the door, he rubbed it out
and turned an "a" in its place (not a capital letter this time), and
said, "What's that?"

I told him. He then rubbed that out and turned the letter "r," and
asked me the same question. He went on quickly until he had formed in
the same curious manner, beginning at the ends and bottoms of the
letters, the word Jarndyce, without once leaving two letters on the
wall together.

"What does that spell?" he asked me.

When I told him, he laughed. In the same odd way, yet with the same
rapidity, he then produced singly, and rubbed out singly, the letters
forming the words Bleak House. These, in some astonishment, I also
read; and he laughed again.

"Hi!" said the old man, laying aside the chalk. "I have a turn for
copying from memory, you see, miss, though I can neither read nor
write."

He looked so disagreeable and his cat looked so wickedly at me, as if
I were a blood-relation of the birds upstairs, that I was quite
relieved by Richard's appearing at the door and saying, "Miss
Summerson, I hope you are not bargaining for the sale of your hair.
Don't be tempted. Three sacks below are quite enough for Mr. Krook!"

I lost no time in wishing Mr. Krook good morning and joining my
friends outside, where we parted with the little old lady, who gave
us her blessing with great ceremony and renewed her assurance of
yesterday in reference to her intention of settling estates on Ada
and me. Before we finally turned out of those lanes, we looked back
and saw Mr. Krook standing at his shop-door, in his spectacles,
looking after us, with his cat upon his shoulder, and her tail
sticking up on one side of his hairy cap like a tall feather.

"Quite an adventure for a morning in London!" said Richard with a
sigh. "Ah, cousin, cousin, it's a weary word this Chancery!"

"It is to me, and has been ever since I can remember," returned Ada.
"I am grieved that I should be the enemy--as I suppose I am--of a
great number of relations and others, and that they should be my
enemies--as I suppose they are--and that we should all be ruining one
another without knowing how or why and be in constant doubt and
discord all our lives. It seems very strange, as there must be right
somewhere, that an honest judge in real earnest has not been able to
find out through all these years where it is."

"Ah, cousin!" said Richard. "Strange, indeed! All this wasteful,
wanton chess-playing IS very strange. To see that composed court
yesterday jogging on so serenely and to think of the wretchedness of
the pieces on the board gave me the headache and the heartache both
together. My head ached with wondering how it happened, if men were
neither fools nor rascals; and my heart ached to think they could
possibly be either. But at all events, Ada--I may call you Ada?"

"Of course you may, cousin Richard."

"At all events, Chancery will work none of its bad influences on US.
We have happily been brought together, thanks to our good kinsman,
and it can't divide us now!"

"Never, I hope, cousin Richard!" said Ada gently.

Miss Jellyby gave my arm a squeeze and me a very significant look. I
smiled in return, and we made the rest of the way back very
pleasantly.

In half an hour after our arrival, Mrs. Jellyby appeared; and in the
course of an hour the various things necessary for breakfast
straggled one by one into the dining-room. I do not doubt that Mrs.
Jellyby had gone to bed and got up in the usual manner, but she
presented no appearance of having changed her dress. She was greatly
occupied during breakfast, for the morning's post brought a heavy
correspondence relative to Borrioboola-Gha, which would occasion her
(she said) to pass a busy day. The children tumbled about, and
notched memoranda of their accidents in their legs, which were
perfect little calendars of distress; and Peepy was lost for an hour
and a half, and brought home from Newgate market by a policeman. The
equable manner in which Mrs. Jellyby sustained both his absence and
his restoration to the family circle surprised us all.

She was by that time perseveringly dictating to Caddy, and Caddy was
fast relapsing into the inky condition in which we had found her. At
one o'clock an open carriage arrived for us, and a cart for our
luggage. Mrs. Jellyby charged us with many remembrances to her good
friend Mr. Jarndyce; Caddy left her desk to see us depart, kissed me
in the passage, and stood biting her pen and sobbing on the steps;
Peepy, I am happy to say, was asleep and spared the pain of
separation (I was not without misgivings that he had gone to Newgate
market in search of me); and all the other children got up behind the
barouche and fell off, and we saw them, with great concern, scattered
over the surface of Thavies Inn as we rolled out of its precincts.

The next morning the gang wakes up totally freezing in the horrible Jellyby house. Nothing from the dinner the night before has been cleared from the table. The cook is clearly drunk. There is no breakfast. At this point, none of this should shock anyone. Seriously, why didn't they stay in a hotel? Caddy suggests going for a walk, and so she, Esther, Ada, and Richard go out. Ada walks with Richard behind Caddy and Esther. Caddy rants and raves some more about how much she hates living the way they do. The four then find themselves again in the neighborhood of the Court of Chancery. They run into the crazy old woman, who is psyched to see "the wards in Jarndyce" . The woman does more of her shtick, conflating the Biblical and Chancery Days of Judgment, and acting alternately sweet, loopy, and very well-mannered. She invites them over to her place before she goes to court. It turns out she lives right around the corner, in a little apartment over Krook's shop. It's a shop in name only, really, since Krook mostly seems to be a crazed hoarder who only buys things; he doesn't actually sell them. Krook is a skeletal old man who keeps a vicious-looking cat named Lady Jane. The "shop" is jam-packed with pretty much every kind of detritus imaginable: bottles, clothes, law books, rags, maritime supplies, human hair, bones, parchment scrolls, old documents, and so on. Krook also has advertisements on the window, one of which is a kind of job-wanted ad from a copyist named Nemo. OK, brace yourselves for some symbolism. Krook is known around the neighborhood as the Lord Chancellor, and his shop is nicknamed the Court of Chancery! That's pretty deep, guys. All that human detritus, gathered up, rotting, and useless, is the same in this weird shop as in the real court. Anyhow, Krook kind of freaks out when he hears that the gang, or at least Ada and Richard, are involved in Jarndyce. He recites some facts about the case, shocking them all with his detailed knowledge. Then Krook tells the sad tale of Tom Jarndyce, who dealt with the case for a long time and eventually grew so depressed by the whole thing that he blew his brains out, saying that waiting for the settlement is like "being ground to bits in a slow mill; it's being roasted at a slow fire; it's being stung to death by single bees; it's being drowned by drops; it's going mad by grains" . Wow. Everyone is shaken up by this story, then the little old lady takes them up to her apartment on the third floor. There's almost nothing there, and Esther realizes that the lady is so thin because she's poor and doesn't have enough to eat. The woman shows them her many birds but won't tell them their names yet. She keeps the birds under cover so they don't sing when she's in court. She eventually wants to free the birds when the judgment is given but assumes they'll die in their cages. Finally the church bells ring and the woman has to rush off to get to court before the session starts. On the way down the stairs, she points to the second-floor apartment and tells them that a law-writer lives there. Esther is walking last, and Krook corners her and demonstrates that although he is totally illiterate he has a good memory: he can write the words "Jarndyce" and Bleak House one letter at a time. It's a little bizarre. As they leave, Ada gets sad about being involved in the court case and thus being made enemies with random relatives whom she doesn't even know. Richard agrees that the whole thing is a colossal waste of time, money, and sanity. They drop Caddy off at home, get into a carriage, and roll out of the city.

Before breakfast, Caddy Jellyby suggests to Esther that the two go for a morning walk. Ada and Richard join them, and, after walking a short distance, the four meet old Miss Flite. The somewhat daft but kindly old lady insists that they see her lodgings. These prove to be rooms rented above a grotesque "rag-and-bottle" shop owned by an aged eccentric, Mr. Krook. Krook speaks with the group and mentions the names Barbary, Clare, and Dedlock as figures in the Jarndyce and Jarndyce suit, and gives an account of Tom Jarndyce's shooting himself in a tavern after the suit had dragged on interminably. After visiting briefly with Miss Flite, the young people walk back to the Jellyby house. Richard, already affected adversely by the unending Jarndyce and Jarndyce suit, nevertheless states that the suit "will work none of its bad influence on us" and says that it "can't divide us." Early that afternoon, the three wards leave in an open carriage, bound for Bleak House.

Dickens creates Krook and his disordered, unproductive shop partly as macabre symbols of the legal system in general and the Lord High Chancellor and the Chancery Court in particular. The theme of the ruinous effects of Chancery is further developed through the presentation of the impoverished Miss Flite and the story of Tom Jamdyce's attempted suicide. Dickens prepares the reader for the story of "Nemo" by calling attention to the fact that Krook has another renter, a law copyist. Richard Carstone's attraction to Ada and his distress over the Jarndyce and Jarndyce suit foreshadow later developments.

"A Morning Adventure" Esther goes walking with Miss Jellyby after washing one of the children, Peepy. Miss Jellyby complains about Mr. Quayle. Richard and Ada join them. The old lady they'd seen days ago appears in front of them. She leads them to her house nearby and stops at a shop below, where a sign says "Krook, Rag and Bottle Warehouse" and "Krook, Dealer in Marine Stores. There are many signs requesting things to be bought; nothing seems to be sold. Dirty bottles fill the windows. Esther recognizes the handwriting on some of the law books scattered around as being the same as papers from Kenge. An old man opens the door and greets them, saying they should come into the shop. The old woman identifies the man as her landlord, Krook. He seems insane. He knows a lot about the Jarndyce case and tells them how Tom Jarndyce shot himself. In the old woman's room, she shows them her birdcages. She tells them that the other lodger is a law writer. Esther, Ada, Richard, and Miss Jellyby soon leave. Soon, Esther, Ada, and Richard leave the Jellybys' and continue on toward Bleak House.

Fog, which appears throughout the beginning of Bleak House, both sets the mood of the novel and highlights the muddled state of the Jarndyce and Jarndyce lawsuit. Fog literally covers London when the third-person narrator sets the scene on the first page of the novel. "Fog everywhere," he says simply. The narrator provides three paragraphs of gloomy, evocative description before introducing us to the Lord High Chancellor and the disaster that is the Jarndyce and Jarndyce case. Much as London is covered in fog, our own understanding of what, exactly, this case entails is unclear. The narrator doesn't tell us exactly who is involved in the case or exactly what issue the case addresses. Indeed, the narrator acknowledges that "no man alive knows what it means"--the fogginess of the case is chronic. The gloomy aspects of fog are also connected to this case, and the narrator tells us that "no man's nature has been made better" by the doings. This pervasive image sets the tone of the narrative to come and adds to the already gloomy atmosphere the novel's title suggests. In chapter 3, Esther Summerson replaces the third-person narrator, a shift that has the effect of pulling us deeper into the story. Although Esther claims to have difficulty in telling her story and asserts right away that she isn't very clever, her voice is clear and unhesitating as she tells us about herself and how she became involved in the Jarndyce case. Esther comes across as slightly self-pitying in her descriptions of her strict, emotionally distant godmother and her unhappy birthdays, but her self-deprecation and constant denial of her own intelligence are manipulative gestures that both endear us to her and give her an excuse in case we don't like the story. In other words, she is so insistent that she is not clever and is so doubtful of her ability to tell the story correctly that she has a lot of leeway to tell the story according to her own very subjective view. If things turn out to be different from the way she describes them, she can claim she warned us of her fallibility from the start. Also, even though Esther claims to be unimportant to the story, she clearly relishes talking about herself. In the space of just five chapters , Dickens manages to introduce us to a host of lively, vivid characters. For example, in chapter 2 we meet Mr. Tulkinghorn, who Dickens describes as "old school . . . generally meaning any school that seems never to have been young." The chaotic Jellybys appear in chapter 4, when Dickens introduces the unforgettable Mrs. Jellyby, who is more concerned with writing letters about Africa than she is with her filthy, unhappy children. One of Dickens's greatest skills is his ability to draw such striking portraits with so few details in so little space. Dickens dismisses his characters and moves on to new ones after a few lines, paragraphs, or pages, giving the effect of a rollicking, speeding story that can stop for no one, not even the most interesting, quirky people that cross his protagonists' paths.

A Morning Adventure Caddy Jellyby suggests to Esther that they go for a walk before breakfast, since her mother sleeps late, and there is never any breakfast till later. Ada and Richard decide to go too. Caddy, who has a sharp tongue, complains about her mother to Esther, treating her as a friend. The Jellyby house is close to the Court of Chancery, and the young people run into the old lady they saw in court the day before. She is so excited to see them, she insists they come to her room nearby for a visit. She is one of two lodgers who has rooms in the Krook Rag and Bottle Warehouse. This is an unusual shop in the shadow of Chancery Lane that deals in refuse. Krook, the somewhat mad proprietor, buys bones, scraps, old law books, anything that others throw away. His shop is a junk heap, and he seems never to sell anything. There is also a notice posted by the second lodger, Nemo, a law copyist, who wants work. Krook greets them, a little cadaverous man, who looks at Ada's beautiful hair, explaining he has three sacks of ladies' hair below. Richard makes a move to protect her. Krook explains they call his shop Chancery and he has the nickname of Lord Chancellor because everything in his shop is "wasting away and going to rack and ruin" . When Krook finds out the young people are wards in Jarndyce, he is startled, mentioning all the names in the suit: Barbary, Clare, Dedlock. Then he tells the tragedy of Tom Jarndyce, who blew out his brains in a nearby tavern, for he was a suitor then, waiting, like the old woman, for a judgment. The young people are affected by this story and the shock of coming "into the inheritance of a protracted misery" . They go to the old woman's room and see the bird cages full of birds that she has promised to let go when the judgment is given in the case, but already many birds have died and had to be replaced. The woman lives in poverty, so Richard quietly leaves some money for her. The old woman tells about the second lodger, saying the rumor is he has sold himself to the devil. The young people cannot wait to get out of the evil shop, and Ada says she is "grieved that I should be the enemy" in the case to her cousin . She realizes that everyone related to a Jarndyce is an enemy to every other for the inheritance. The young wards declare that Chancery shall never make them enemies. They eat breakfast and get into the carriage for the drive to their new life at Bleak House.

Commentary on Chapter V This chapter introduces a key symbol, Krook's Rag and Bottle Warehouse, a symbol for Chancery Court, with Krook as the Lord Chancellor. It makes the point of the grotesque ruin the court has made of the lives of suitors. Richard asks if the old bones in the corner are former suitors. He sees the court case as a game of chess. It was here that Tom Jarndyce hung out until he killed himself in despair. The old woman is obviously next in line, already mad. She says she will be found dead one day, like her birds in the cages. Krook looks at Ada's hair covetously, like an old gnome in a fairytale. Interestingly enough, he mentions the name "Barbary" as one of the suitors, and we know that Esther's aunt Barbary brought her up. The other notable detail is that the second lodger, the law copyist, Nemo, a man of about forty-five, will become very important in the story. Krook's name and character are a satire, like many of the lawyers' names--Tangle, Guppy, Vholes, Tulkinghorn--on the legal profession. The Lord Chancellor is a crook and his court deals in refuse and death. Krook himself is cadaverous and smoke comes from his mouth "as if he were on fire within" . This is a foreshadowing of Krook's eventual fate. The wards in Jarndyce have learned many bits and pieces before going to Bleak House. They see the evil of the court, and they already know their cousin and guardian, John Jarndyce, is a good man trying to save them from this inherited misery. It is a curious fact that there are so many stray orphans in the case that need to be gathered together in the shelter of Bleak House. Ada mentions that the court has made the family of Jarndyce into enemies, but John Jarndyce has a different plan.