Chapter VI. The Prosecutor Catches Mitya

Something utterly unexpected and amazing to Mitya followed. He could
never, even a minute before, have conceived that any one could behave like
that to him, Mitya Karamazov. What was worst of all, there was something
humiliating in it, and on their side something "supercilious and
scornful." It was nothing to take off his coat, but he was asked to
undress further, or rather not asked but "commanded," he quite understood
that. From pride and contempt he submitted without a word. Several
peasants accompanied the lawyers and remained on the same side of the
curtain. "To be ready if force is required," thought Mitya, "and perhaps
for some other reason, too."

"Well, must I take off my shirt, too?" he asked sharply, but Nikolay
Parfenovitch did not answer. He was busily engaged with the prosecutor in
examining the coat, the trousers, the waistcoat and the cap; and it was
evident that they were both much interested in the scrutiny. "They make no
bones about it," thought Mitya, "they don't keep up the most elementary
politeness."

"I ask you for the second time--need I take off my shirt or not?" he said,
still more sharply and irritably.

"Don't trouble yourself. We will tell you what to do," Nikolay
Parfenovitch said, and his voice was positively peremptory, or so it
seemed to Mitya.

Meantime a consultation was going on in undertones between the lawyers.
There turned out to be on the coat, especially on the left side at the
back, a huge patch of blood, dry, and still stiff. There were bloodstains
on the trousers, too. Nikolay Parfenovitch, moreover, in the presence of
the peasant witnesses, passed his fingers along the collar, the cuffs, and
all the seams of the coat and trousers, obviously looking for
something--money, of course. He didn't even hide from Mitya his suspicion
that he was capable of sewing money up in his clothes.

"He treats me not as an officer but as a thief," Mitya muttered to
himself. They communicated their ideas to one another with amazing
frankness. The secretary, for instance, who was also behind the curtain,
fussing about and listening, called Nikolay Parfenovitch's attention to
the cap, which they were also fingering.

"You remember Gridyenko, the copying-clerk," observed the secretary. "Last
summer he received the wages of the whole office, and pretended to have
lost the money when he was drunk. And where was it found? Why, in just
such pipings in his cap. The hundred-rouble notes were screwed up in
little rolls and sewed in the piping."

Both the lawyers remembered Gridyenko's case perfectly, and so laid aside
Mitya's cap, and decided that all his clothes must be more thoroughly
examined later.

"Excuse me," cried Nikolay Parfenovitch, suddenly, noticing that the right
cuff of Mitya's shirt was turned in, and covered with blood, "excuse me,
what's that, blood?"

"Yes," Mitya jerked out.

"That is, what blood? ... and why is the cuff turned in?"

Mitya told him how he had got the sleeve stained with blood looking after
Grigory, and had turned it inside when he was washing his hands at
Perhotin's.

"You must take off your shirt, too. That's very important as material
evidence."

Mitya flushed red and flew into a rage.

"What, am I to stay naked?" he shouted.

"Don't disturb yourself. We will arrange something. And meanwhile take off
your socks."

"You're not joking? Is that really necessary?" Mitya's eyes flashed.

"We are in no mood for joking," answered Nikolay Parfenovitch sternly.

"Well, if I must--" muttered Mitya, and sitting down on the bed, he took
off his socks. He felt unbearably awkward. All were clothed, while he was
naked, and strange to say, when he was undressed he felt somehow guilty in
their presence, and was almost ready to believe himself that he was
inferior to them, and that now they had a perfect right to despise him.

"When all are undressed, one is somehow not ashamed, but when one's the
only one undressed and everybody is looking, it's degrading," he kept
repeating to himself, again and again. "It's like a dream, I've sometimes
dreamed of being in such degrading positions." It was a misery to him to
take off his socks. They were very dirty, and so were his underclothes,
and now every one could see it. And what was worse, he disliked his feet.
All his life he had thought both his big toes hideous. He particularly
loathed the coarse, flat, crooked nail on the right one, and now they
would all see it. Feeling intolerably ashamed made him, at once and
intentionally, rougher. He pulled off his shirt, himself.

"Would you like to look anywhere else if you're not ashamed to?"

"No, there's no need to, at present."

"Well, am I to stay naked like this?" he added savagely.

"Yes, that can't be helped for the time.... Kindly sit down here for a
while. You can wrap yourself in a quilt from the bed, and I ... I'll see
to all this."

All the things were shown to the witnesses. The report of the search was
drawn up, and at last Nikolay Parfenovitch went out, and the clothes were
carried out after him. Ippolit Kirillovitch went out, too. Mitya was left
alone with the peasants, who stood in silence, never taking their eyes off
him. Mitya wrapped himself up in the quilt. He felt cold. His bare feet
stuck out, and he couldn't pull the quilt over so as to cover them.
Nikolay Parfenovitch seemed to be gone a long time, "an insufferable
time." "He thinks of me as a puppy," thought Mitya, gnashing his teeth.
"That rotten prosecutor has gone, too, contemptuous no doubt, it disgusts
him to see me naked!"

Mitya imagined, however, that his clothes would be examined and returned
to him. But what was his indignation when Nikolay Parfenovitch came back
with quite different clothes, brought in behind him by a peasant.

"Here are clothes for you," he observed airily, seeming well satisfied
with the success of his mission. "Mr. Kalganov has kindly provided these
for this unusual emergency, as well as a clean shirt. Luckily he had them
all in his trunk. You can keep your own socks and underclothes."

Mitya flew into a passion.

"I won't have other people's clothes!" he shouted menacingly, "give me my
own!"

"It's impossible!"

"Give me my own. Damn Kalganov and his clothes, too!"

It was a long time before they could persuade him. But they succeeded
somehow in quieting him down. They impressed upon him that his clothes,
being stained with blood, must be "included with the other material
evidence," and that they "had not even the right to let him have them now
... taking into consideration the possible outcome of the case." Mitya at
last understood this. He subsided into gloomy silence and hurriedly
dressed himself. He merely observed, as he put them on, that the clothes
were much better than his old ones, and that he disliked "gaining by the
change." The coat was, besides, "ridiculously tight. Am I to be dressed up
like a fool ... for your amusement?"

They urged upon him again that he was exaggerating, that Kalganov was only
a little taller, so that only the trousers might be a little too long. But
the coat turned out to be really tight in the shoulders.

"Damn it all! I can hardly button it," Mitya grumbled. "Be so good as to
tell Mr. Kalganov from me that I didn't ask for his clothes, and it's not
my doing that they've dressed me up like a clown."

"He understands that, and is sorry ... I mean, not sorry to lend you his
clothes, but sorry about all this business," mumbled Nikolay Parfenovitch.

"Confound his sorrow! Well, where now? Am I to go on sitting here?"

He was asked to go back to the "other room." Mitya went in, scowling with
anger, and trying to avoid looking at any one. Dressed in another man's
clothes he felt himself disgraced, even in the eyes of the peasants, and
of Trifon Borissovitch, whose face appeared, for some reason, in the
doorway, and vanished immediately. "He's come to look at me dressed up,"
thought Mitya. He sat down on the same chair as before. He had an absurd
nightmarish feeling, as though he were out of his mind.

"Well, what now? Are you going to flog me? That's all that's left for
you," he said, clenching his teeth and addressing the prosecutor. He would
not turn to Nikolay Parfenovitch, as though he disdained to speak to him.

"He looked too closely at my socks, and turned them inside out on purpose
to show every one how dirty they were--the scoundrel!"

"Well, now we must proceed to the examination of witnesses," observed
Nikolay Parfenovitch, as though in reply to Mitya's question.

"Yes," said the prosecutor thoughtfully, as though reflecting on
something.

"We've done what we could in your interest, Dmitri Fyodorovitch," Nikolay
Parfenovitch went on, "but having received from you such an uncompromising
refusal to explain to us the source from which you obtained the money
found upon you, we are, at the present moment--"

"What is the stone in your ring?" Mitya interrupted suddenly, as though
awakening from a reverie. He pointed to one of the three large rings
adorning Nikolay Parfenovitch's right hand.

"Ring?" repeated Nikolay Parfenovitch with surprise.

"Yes, that one ... on your middle finger, with the little veins in it,
what stone is that?" Mitya persisted, like a peevish child.

"That's a smoky topaz," said Nikolay Parfenovitch, smiling. "Would you
like to look at it? I'll take it off ..."

"No, don't take it off," cried Mitya furiously, suddenly waking up, and
angry with himself. "Don't take it off ... there's no need.... Damn it!...
Gentlemen, you've sullied my heart! Can you suppose that I would conceal
it from you, if I had really killed my father, that I would shuffle, lie,
and hide myself? No, that's not like Dmitri Karamazov, that he couldn't
do, and if I were guilty, I swear I shouldn't have waited for your coming,
or for the sunrise as I meant at first, but should have killed myself
before this, without waiting for the dawn! I know that about myself now. I
couldn't have learnt so much in twenty years as I've found out in this
accursed night!... And should I have been like this on this night, and at
this moment, sitting with you, could I have talked like this, could I have
moved like this, could I have looked at you and at the world like this, if
I had really been the murderer of my father, when the very thought of
having accidentally killed Grigory gave me no peace all night--not from
fear--oh, not simply from fear of your punishment! The disgrace of it! And
you expect me to be open with such scoffers as you, who see nothing and
believe in nothing, blind moles and scoffers, and to tell you another
nasty thing I've done, another disgrace, even if that would save me from
your accusation! No, better Siberia! The man who opened the door to my
father and went in at that door, he killed him, he robbed him. Who was he?
I'm racking my brains and can't think who. But I can tell you it was not
Dmitri Karamazov, and that's all I can tell you, and that's enough,
enough, leave me alone.... Exile me, punish me, but don't bother me any
more. I'll say no more. Call your witnesses!"

Mitya uttered his sudden monologue as though he were determined to be
absolutely silent for the future. The prosecutor watched him the whole
time and only when he had ceased speaking, observed, as though it were the
most ordinary thing, with the most frigid and composed air:

"Oh, about the open door of which you spoke just now, we may as well
inform you, by the way, now, of a very interesting piece of evidence of
the greatest importance both to you and to us, that has been given us by
Grigory, the old man you wounded. On his recovery, he clearly and
emphatically stated, in reply to our questions, that when, on coming out
to the steps, and hearing a noise in the garden, he made up his mind to go
into it through the little gate which stood open, before he noticed you
running, as you have told us already, in the dark from the open window
where you saw your father, he, Grigory, glanced to the left, and, while
noticing the open window, observed at the same time, much nearer to him,
the door, standing wide open--that door which you have stated to have been
shut the whole time you were in the garden. I will not conceal from you
that Grigory himself confidently affirms and bears witness that you must
have run from that door, though, of course, he did not see you do so with
his own eyes, since he only noticed you first some distance away in the
garden, running towards the fence."

Mitya had leapt up from his chair half-way through this speech.

"Nonsense!" he yelled, in a sudden frenzy, "it's a barefaced lie. He
couldn't have seen the door open because it was shut. He's lying!"

"I consider it my duty to repeat that he is firm in his statement. He does
not waver. He adheres to it. We've cross-examined him several times."

"Precisely. I have cross-examined him several times," Nikolay Parfenovitch
confirmed warmly.

"It's false, false! It's either an attempt to slander me, or the
hallucination of a madman," Mitya still shouted. "He's simply raving, from
loss of blood, from the wound. He must have fancied it when he came to....
He's raving."

"Yes, but he noticed the open door, not when he came to after his
injuries, but before that, as soon as he went into the garden from the
lodge."

"But it's false, it's false! It can't be so! He's slandering me from
spite.... He couldn't have seen it ... I didn't come from the door,"
gasped Mitya.

The prosecutor turned to Nikolay Parfenovitch and said to him
impressively:

"Confront him with it."

"Do you recognize this object?"

Nikolay Parfenovitch laid upon the table a large and thick official
envelope, on which three seals still remained intact. The envelope was
empty, and slit open at one end. Mitya stared at it with open eyes.

"It ... it must be that envelope of my father's, the envelope that
contained the three thousand roubles ... and if there's inscribed on it,
allow me, 'For my little chicken' ... yes--three thousand!" he shouted, "do
you see, three thousand, do you see?"

"Of course, we see. But we didn't find the money in it. It was empty, and
lying on the floor by the bed, behind the screen."

For some seconds Mitya stood as though thunderstruck.

"Gentlemen, it's Smerdyakov!" he shouted suddenly, at the top of his
voice. "It's he who's murdered him! He's robbed him! No one else knew
where the old man hid the envelope. It's Smerdyakov, that's clear, now!"

"But you, too, knew of the envelope and that it was under the pillow."

"I never knew it. I've never seen it. This is the first time I've looked
at it. I'd only heard of it from Smerdyakov.... He was the only one who
knew where the old man kept it hidden, I didn't know ..." Mitya was
completely breathless.

"But you told us yourself that the envelope was under your deceased
father's pillow. You especially stated that it was under the pillow, so
you must have known it."

"We've got it written down," confirmed Nikolay Parfenovitch.

"Nonsense! It's absurd! I'd no idea it was under the pillow. And perhaps
it wasn't under the pillow at all.... It was just a chance guess that it
was under the pillow. What does Smerdyakov say? Have you asked him where
it was? What does Smerdyakov say? that's the chief point.... And I went
out of my way to tell lies against myself.... I told you without thinking
that it was under the pillow, and now you-- Oh, you know how one says the
wrong thing, without meaning it. No one knew but Smerdyakov, only
Smerdyakov, and no one else.... He didn't even tell me where it was! But
it's his doing, his doing; there's no doubt about it, he murdered him,
that's as clear as daylight now," Mitya exclaimed more and more
frantically, repeating himself incoherently, and growing more and more
exasperated and excited. "You must understand that, and arrest him at
once.... He must have killed him while I was running away and while
Grigory was unconscious, that's clear now.... He gave the signal and
father opened to him ... for no one but he knew the signal, and without
the signal father would never have opened the door...."

"But you're again forgetting the circumstance," the prosecutor observed,
still speaking with the same restraint, though with a note of triumph,
"that there was no need to give the signal if the door already stood open
when you were there, while you were in the garden...."

"The door, the door," muttered Mitya, and he stared speechless at the
prosecutor. He sank back helpless in his chair. All were silent.

"Yes, the door!... It's a nightmare! God is against me!" he exclaimed,
staring before him in complete stupefaction.

"Come, you see," the prosecutor went on with dignity, "and you can judge
for yourself, Dmitri Fyodorovitch. On the one hand we have the evidence of
the open door from which you ran out, a fact which overwhelms you and us.
On the other side your incomprehensible, persistent, and, so to speak,
obdurate silence with regard to the source from which you obtained the
money which was so suddenly seen in your hands, when only three hours
earlier, on your own showing, you pledged your pistols for the sake of ten
roubles! In view of all these facts, judge for yourself. What are we to
believe, and what can we depend upon? And don't accuse us of being
'frigid, cynical, scoffing people,' who are incapable of believing in the
generous impulses of your heart.... Try to enter into our position ..."

Mitya was indescribably agitated. He turned pale.

"Very well!" he exclaimed suddenly. "I will tell you my secret. I'll tell
you where I got the money!... I'll reveal my shame, that I may not have to
blame myself or you hereafter."

"And believe me, Dmitri Fyodorovitch," put in Nikolay Parfenovitch, in a
voice of almost pathetic delight, "that every sincere and complete
confession on your part at this moment may, later on, have an immense
influence in your favor, and may, indeed, moreover--"

But the prosecutor gave him a slight shove under the table, and he checked
himself in time. Mitya, it is true, had not heard him.

The prosecutor and the deputy commissioner search Dmitri's clothes, thinking he might have sewn his money into them, but find nothing. They discover some blood on his right cuff and take all the clothes in as evidence. They find some clothes from Kalganov for Dmitri to borrow. The prosecutor informs Dmitri that Grigory's testimony conflicts with his story. Dmitri had said that the gate to the garden was closed, while Grigory insisted it was open. Puzzled, Dmitri is shown the envelope that had the money, and his exclamations only serve as further proof to his interrogators that he's guilty. Frustrated, and now convinced that it must have been Smerdyakov who killed his father, Dmitri decides to confess an awful secret.

The Prosecutor Catches Mitya The officers search Dmitri's clothes and find that they are stained with blood. After the officers take his clothing as evidence, Dmitri becomes enraged with the prosecutors


Chapter VII. Mitya's Great Secret. Received With Hisses

"Gentlemen," he began, still in the same agitation, "I want to make a full
confession: that money was _my own_." The lawyers' faces lengthened. That
was not at all what they expected.

"How do you mean?" faltered Nikolay Parfenovitch, "when at five o'clock on
the same day, from your own confession--"

"Damn five o'clock on the same day and my own confession! That's nothing
to do with it now! That money was my own, my own, that is, stolen by me
... not mine, I mean, but stolen by me, and it was fifteen hundred
roubles, and I had it on me all the time, all the time ..."

"But where did you get it?"

"I took it off my neck, gentlemen, off this very neck ... it was here,
round my neck, sewn up in a rag, and I'd had it round my neck a long time,
it's a month since I put it round my neck ... to my shame and disgrace!"

"And from whom did you ... appropriate it?"

"You mean, 'steal it'? Speak out plainly now. Yes, I consider that I
practically stole it, but, if you prefer, I 'appropriated it.' I consider
I stole it. And last night I stole it finally."

"Last night? But you said that it's a month since you ... obtained it?..."

"Yes. But not from my father. Not from my father, don't be uneasy. I
didn't steal it from my father, but from her. Let me tell you without
interrupting. It's hard to do, you know. You see, a month ago, I was sent
for by Katerina Ivanovna, formerly my betrothed. Do you know her?"

"Yes, of course."

"I know you know her. She's a noble creature, noblest of the noble. But
she has hated me ever so long, oh, ever so long ... and hated me with good
reason, good reason!"

"Katerina Ivanovna!" Nikolay Parfenovitch exclaimed with wonder. The
prosecutor, too, stared.

"Oh, don't take her name in vain! I'm a scoundrel to bring her into it.
Yes, I've seen that she hated me ... a long while.... From the very first,
even that evening at my lodging ... but enough, enough. You're unworthy
even to know of that. No need of that at all.... I need only tell you that
she sent for me a month ago, gave me three thousand roubles to send off to
her sister and another relation in Moscow (as though she couldn't have
sent it off herself!) and I ... it was just at that fatal moment in my
life when I ... well, in fact, when I'd just come to love another, her,
she's sitting down below now, Grushenka. I carried her off here to Mokroe
then, and wasted here in two days half that damned three thousand, but the
other half I kept on me. Well, I've kept that other half, that fifteen
hundred, like a locket round my neck, but yesterday I undid it, and spent
it. What's left of it, eight hundred roubles, is in your hands now,
Nikolay Parfenovitch. That's the change out of the fifteen hundred I had
yesterday."

"Excuse me. How's that? Why, when you were here a month ago you spent
three thousand, not fifteen hundred, everybody knows that."

"Who knows it? Who counted the money? Did I let any one count it?"

"Why, you told every one yourself that you'd spent exactly three
thousand."

"It's true, I did. I told the whole town so, and the whole town said so.
And here, at Mokroe, too, every one reckoned it was three thousand. Yet I
didn't spend three thousand, but fifteen hundred. And the other fifteen
hundred I sewed into a little bag. That's how it was, gentlemen. That's
where I got that money yesterday...."

"This is almost miraculous," murmured Nikolay Parfenovitch.

"Allow me to inquire," observed the prosecutor at last, "have you informed
any one whatever of this circumstance before, I mean that you had fifteen
hundred left about you a month ago?"

"I told no one."

"That's strange. Do you mean absolutely no one?"

"Absolutely no one. No one and nobody."

"What was your reason for this reticence? What was your motive for making
such a secret of it? To be more precise: You have told us at last your
secret, in your words, so 'disgraceful,' though in reality--that is, of
course, comparatively speaking--this action, that is, the appropriation of
three thousand roubles belonging to some one else, and, of course, only
for a time is, in my view at least, only an act of the greatest
recklessness and not so disgraceful, when one takes into consideration
your character.... Even admitting that it was an action in the highest
degree discreditable, still, discreditable is not 'disgraceful.'... Many
people have already guessed, during this last month, about the three
thousand of Katerina Ivanovna's, that you have spent, and I heard the
legend myself, apart from your confession.... Mihail Makarovitch, for
instance, had heard it, too, so that indeed, it was scarcely a legend, but
the gossip of the whole town. There are indications, too, if I am not
mistaken, that you confessed this yourself to some one, I mean that the
money was Katerina Ivanovna's, and so, it's extremely surprising to me
that hitherto, that is, up to the present moment, you have made such an
extraordinary secret of the fifteen hundred you say you put by, apparently
connecting a feeling of positive horror with that secret.... It's not easy
to believe that it could cost you such distress to confess such a
secret.... You cried out, just now, that Siberia would be better than
confessing it ..."

The prosecutor ceased speaking. He was provoked. He did not conceal his
vexation, which was almost anger, and gave vent to all his accumulated
spleen, disconnectedly and incoherently, without choosing words.

"It's not the fifteen hundred that's the disgrace, but that I put it apart
from the rest of the three thousand," said Mitya firmly.

"Why?" smiled the prosecutor irritably. "What is there disgraceful, to
your thinking, in your having set aside half of the three thousand you had
discreditably, if you prefer, 'disgracefully,' appropriated? Your taking
the three thousand is more important than what you did with it. And by the
way, why did you do that--why did you set apart that half, for what
purpose, for what object did you do it? Can you explain that to us?"

"Oh, gentlemen, the purpose is the whole point!" cried Mitya. "I put it
aside because I was vile, that is, because I was calculating, and to be
calculating in such a case is vile ... and that vileness has been going on
a whole month."

"It's incomprehensible."

"I wonder at you. But I'll make it clearer. Perhaps it really is
incomprehensible. You see, attend to what I say. I appropriate three
thousand entrusted to my honor, I spend it on a spree, say I spend it all,
and next morning I go to her and say, 'Katya, I've done wrong, I've
squandered your three thousand,' well, is that right? No, it's not
right--it's dishonest and cowardly, I'm a beast, with no more self-control
than a beast, that's so, isn't it? But still I'm not a thief? Not a
downright thief, you'll admit! I squandered it, but I didn't steal it. Now
a second, rather more favorable alternative: follow me carefully, or I may
get confused again--my head's going round--and so, for the second
alternative: I spend here only fifteen hundred out of the three thousand,
that is, only half. Next day I go and take that half to her: 'Katya, take
this fifteen hundred from me, I'm a low beast, and an untrustworthy
scoundrel, for I've wasted half the money, and I shall waste this, too, so
keep me from temptation!' Well, what of that alternative? I should be a
beast and a scoundrel, and whatever you like; but not a thief, not
altogether a thief, or I should not have brought back what was left, but
have kept that, too. She would see at once that since I brought back half,
I should pay back what I'd spent, that I should never give up trying to,
that I should work to get it and pay it back. So in that case I should be
a scoundrel, but not a thief, you may say what you like, not a thief!"

"I admit that there is a certain distinction," said the prosecutor, with a
cold smile. "But it's strange that you see such a vital difference."

"Yes, I see a vital difference! Every man may be a scoundrel, and perhaps
every man is a scoundrel, but not every one can be a thief, it takes an
arch-scoundrel to be that. Oh, of course, I don't know how to make these
fine distinctions ... but a thief is lower than a scoundrel, that's my
conviction. Listen, I carry the money about me a whole month, I may make
up my mind to give it back to-morrow, and I'm a scoundrel no longer, but I
cannot make up my mind, you see, though I'm making up my mind every day,
and every day spurring myself on to do it, and yet for a whole month I
can't bring myself to it, you see. Is that right to your thinking, is that
right?"

"Certainly, that's not right, that I can quite understand, and that I
don't dispute," answered the prosecutor with reserve. "And let us give up
all discussion of these subtleties and distinctions, and, if you will be
so kind, get back to the point. And the point is, that you have still not
told us, altogether we've asked you, why, in the first place, you halved
the money, squandering one half and hiding the other? For what purpose
exactly did you hide it, what did you mean to do with that fifteen
hundred? I insist upon that question, Dmitri Fyodorovitch."

"Yes, of course!" cried Mitya, striking himself on the forehead; "forgive
me, I'm worrying you, and am not explaining the chief point, or you'd
understand in a minute, for it's just the motive of it that's the
disgrace! You see, it was all to do with the old man, my dead father. He
was always pestering Agrafena Alexandrovna, and I was jealous; I thought
then that she was hesitating between me and him. So I kept thinking every
day, suppose she were to make up her mind all of a sudden, suppose she
were to leave off tormenting me, and were suddenly to say to me, 'I love
you, not him; take me to the other end of the world.' And I'd only forty
copecks; how could I take her away, what could I do? Why, I'd be lost. You
see, I didn't know her then, I didn't understand her, I thought she wanted
money, and that she wouldn't forgive my poverty. And so I fiendishly
counted out the half of that three thousand, sewed it up, calculating on
it, sewed it up before I was drunk, and after I had sewn it up, I went off
to get drunk on the rest. Yes, that was base. Do you understand now?"

Both the lawyers laughed aloud.

"I should have called it sensible and moral on your part not to have
squandered it all," chuckled Nikolay Parfenovitch, "for after all what
does it amount to?"

"Why, that I stole it, that's what it amounts to! Oh, God, you horrify me
by not understanding! Every day that I had that fifteen hundred sewn up
round my neck, every day and every hour I said to myself, 'You're a thief!
you're a thief!' Yes, that's why I've been so savage all this month,
that's why I fought in the tavern, that's why I attacked my father, it was
because I felt I was a thief. I couldn't make up my mind, I didn't dare
even to tell Alyosha, my brother, about that fifteen hundred: I felt I was
such a scoundrel and such a pickpocket. But, do you know, while I carried
it I said to myself at the same time every hour: 'No, Dmitri Fyodorovitch,
you may yet not be a thief.' Why? Because I might go next day and pay back
that fifteen hundred to Katya. And only yesterday I made up my mind to
tear my amulet off my neck, on my way from Fenya's to Perhotin. I hadn't
been able till that moment to bring myself to it. And it was only when I
tore it off that I became a downright thief, a thief and a dishonest man
for the rest of my life. Why? Because, with that I destroyed, too, my
dream of going to Katya and saying, 'I'm a scoundrel, but not a thief!' Do
you understand now? Do you understand?"

"What was it made you decide to do it yesterday?" Nikolay Parfenovitch
interrupted.

"Why? It's absurd to ask. Because I had condemned myself to die at five
o'clock this morning, here, at dawn. I thought it made no difference
whether I died a thief or a man of honor. But I see it's not so, it turns
out that it does make a difference. Believe me, gentlemen, what has
tortured me most during this night has not been the thought that I'd
killed the old servant, and that I was in danger of Siberia just when my
love was being rewarded, and Heaven was open to me again. Oh, that did
torture me, but not in the same way: not so much as the damned
consciousness that I had torn that damned money off my breast at last and
spent it, and had become a downright thief! Oh, gentlemen, I tell you
again, with a bleeding heart, I have learnt a great deal this night. I
have learnt that it's not only impossible to live a scoundrel, but
impossible to die a scoundrel.... No, gentlemen, one must die honest...."

Mitya was pale. His face had a haggard and exhausted look, in spite of his
being intensely excited.

"I am beginning to understand you, Dmitri Fyodorovitch," the prosecutor
said slowly, in a soft and almost compassionate tone. "But all this, if
you'll excuse my saying so, is a matter of nerves, in my opinion ... your
overwrought nerves, that's what it is. And why, for instance, should you
not have saved yourself such misery for almost a month, by going and
returning that fifteen hundred to the lady who had entrusted it to you?
And why could you not have explained things to her, and in view of your
position, which you describe as being so awful, why could you not have had
recourse to the plan which would so naturally have occurred to one's mind,
that is, after honorably confessing your errors to her, why could you not
have asked her to lend you the sum needed for your expenses, which, with
her generous heart, she would certainly not have refused you in your
distress, especially if it had been with some guarantee, or even on the
security you offered to the merchant Samsonov, and to Madame Hohlakov? I
suppose you still regard that security as of value?"

Mitya suddenly crimsoned.

"Surely you don't think me such an out and out scoundrel as that? You
can't be speaking in earnest?" he said, with indignation, looking the
prosecutor straight in the face, and seeming unable to believe his ears.

"I assure you I'm in earnest.... Why do you imagine I'm not serious?" It
was the prosecutor's turn to be surprised.

"Oh, how base that would have been! Gentlemen, do you know, you are
torturing me! Let me tell you everything, so be it. I'll confess all my
infernal wickedness, but to put you to shame, and you'll be surprised
yourselves at the depth of ignominy to which a medley of human passions
can sink. You must know that I already had that plan myself, that plan you
spoke of, just now, prosecutor! Yes, gentlemen, I, too, have had that
thought in my mind all this current month, so that I was on the point of
deciding to go to Katya--I was mean enough for that. But to go to her, to
tell her of my treachery, and for that very treachery, to carry it out,
for the expenses of that treachery, to beg for money from her, Katya (to
beg, do you hear, to beg), and go straight from her to run away with the
other, the rival, who hated and insulted her--to think of it! You must be
mad, prosecutor!"

"Mad I am not, but I did speak in haste, without thinking ... of that
feminine jealousy ... if there could be jealousy in this case, as you
assert ... yes, perhaps there is something of the kind," said the
prosecutor, smiling.

"But that would have been so infamous!" Mitya brought his fist down on the
table fiercely. "That would have been filthy beyond everything! Yes, do
you know that she might have given me that money, yes, and she would have
given it, too; she'd have been certain to give it, to be revenged on me,
she'd have given it to satisfy her vengeance, to show her contempt for me,
for hers is an infernal nature, too, and she's a woman of great wrath. I'd
have taken the money, too, oh, I should have taken it; I should have taken
it, and then, for the rest of my life ... oh, God! Forgive me, gentlemen,
I'm making such an outcry because I've had that thought in my mind so
lately, only the day before yesterday, that night when I was having all
that bother with Lyagavy, and afterwards yesterday, all day yesterday, I
remember, till that happened ..."

"Till what happened?" put in Nikolay Parfenovitch inquisitively, but Mitya
did not hear it.

"I have made you an awful confession," Mitya said gloomily in conclusion.
"You must appreciate it, and what's more, you must respect it, for if not,
if that leaves your souls untouched, then you've simply no respect for me,
gentlemen, I tell you that, and I shall die of shame at having confessed
it to men like you! Oh, I shall shoot myself! Yes, I see, I see already
that you don't believe me. What, you want to write that down, too?" he
cried in dismay.

"Yes, what you said just now," said Nikolay Parfenovitch, looking at him
in surprise, "that is, that up to the last hour you were still
contemplating going to Katerina Ivanovna to beg that sum from her.... I
assure you, that's a very important piece of evidence for us, Dmitri
Fyodorovitch, I mean for the whole case ... and particularly for you,
particularly important for you."

"Have mercy, gentlemen!" Mitya flung up his hands. "Don't write that,
anyway; have some shame. Here I've torn my heart asunder before you, and
you seize the opportunity and are fingering the wounds in both halves....
Oh, my God!"

In despair he hid his face in his hands.

"Don't worry yourself so, Dmitri Fyodorovitch," observed the prosecutor,
"everything that is written down will be read over to you afterwards, and
what you don't agree to we'll alter as you like. But now I'll ask you one
little question for the second time. Has no one, absolutely no one, heard
from you of that money you sewed up? That, I must tell you, is almost
impossible to believe."

"No one, no one, I told you so before, or you've not understood anything!
Let me alone!"

"Very well, this matter is bound to be explained, and there's plenty of
time for it, but meantime, consider; we have perhaps a dozen witnesses
that you yourself spread it abroad, and even shouted almost everywhere
about the three thousand you'd spent here; three thousand, not fifteen
hundred. And now, too, when you got hold of the money you had yesterday,
you gave many people to understand that you had brought three thousand
with you."

"You've got not dozens, but hundreds of witnesses, two hundred witnesses,
two hundred have heard it, thousands have heard it!" cried Mitya.

"Well, you see, all bear witness to it. And the word _all_ means
something."

"It means nothing. I talked rot, and every one began repeating it."

"But what need had you to 'talk rot,' as you call it?"

"The devil knows. From bravado perhaps ... at having wasted so much
money.... To try and forget that money I had sewn up, perhaps ... yes,
that was why ... damn it ... how often will you ask me that question?
Well, I told a fib, and that was the end of it, once I'd said it, I didn't
care to correct it. What does a man tell lies for sometimes?"

"That's very difficult to decide, Dmitri Fyodorovitch, what makes a man
tell lies," observed the prosecutor impressively. "Tell me, though, was
that 'amulet,' as you call it, on your neck, a big thing?"

"No, not big."

"How big, for instance?"

"If you fold a hundred-rouble note in half, that would be the size."

"You'd better show us the remains of it. You must have them somewhere."

"Damnation, what nonsense! I don't know where they are."

"But excuse me: where and when did you take it off your neck? According to
your own evidence you didn't go home."

"When I was going from Fenya's to Perhotin's, on the way I tore it off my
neck and took out the money."

"In the dark?"

"What should I want a light for? I did it with my fingers in one minute."

"Without scissors, in the street?"

"In the market-place I think it was. Why scissors? It was an old rag. It
was torn in a minute."

"Where did you put it afterwards?"

"I dropped it there."

"Where was it, exactly?"

"In the market-place, in the market-place! The devil knows whereabouts.
What do you want to know for?"

"That's extremely important, Dmitri Fyodorovitch. It would be material
evidence in your favor. How is it you don't understand that? Who helped
you to sew it up a month ago?"

"No one helped me. I did it myself."

"Can you sew?"

"A soldier has to know how to sew. No knowledge was needed to do that."

"Where did you get the material, that is, the rag in which you sewed the
money?"

"Are you laughing at me?"

"Not at all. And we are in no mood for laughing, Dmitri Fyodorovitch."

"I don't know where I got the rag from--somewhere, I suppose."

"I should have thought you couldn't have forgotten it?"

"Upon my word, I don't remember. I might have torn a bit off my linen."

"That's very interesting. We might find in your lodgings to-morrow the
shirt or whatever it is from which you tore the rag. What sort of rag was
it, cloth or linen?"

"Goodness only knows what it was. Wait a bit.... I believe I didn't tear
it off anything. It was a bit of calico.... I believe I sewed it up in a
cap of my landlady's."

"In your landlady's cap?"

"Yes. I took it from her."

"How did you get it?"

"You see, I remember once taking a cap for a rag, perhaps to wipe my pen
on. I took it without asking, because it was a worthless rag. I tore it
up, and I took the notes and sewed them up in it. I believe it was in that
very rag I sewed them. An old piece of calico, washed a thousand times."

"And you remember that for certain now?"

"I don't know whether for certain. I think it was in the cap. But, hang
it, what does it matter?"

"In that case your landlady will remember that the thing was lost?"

"No, she won't, she didn't miss it. It was an old rag, I tell you, an old
rag not worth a farthing."

"And where did you get the needle and thread?"

"I'll stop now. I won't say any more. Enough of it!" said Mitya, losing
his temper at last.

"It's strange that you should have so completely forgotten where you threw
the pieces in the market-place."

"Give orders for the market-place to be swept to-morrow, and perhaps
you'll find it," said Mitya, sneering. "Enough, gentlemen, enough!" he
decided, in an exhausted voice. "I see you don't believe me! Not for a
moment! It's my fault, not yours. I ought not to have been so ready. Why,
why did I degrade myself by confessing my secret to you? It's a joke to
you. I see that from your eyes. You led me on to it, prosecutor? Sing a
hymn of triumph if you can.... Damn you, you torturers!"

He bent his head, and hid his face in his hands. The lawyers were silent.
A minute later he raised his head and looked at them almost vacantly. His
face now expressed complete, hopeless despair, and he sat mute and passive
as though hardly conscious of what was happening. In the meantime they had
to finish what they were about. They had immediately to begin examining
the witnesses. It was by now eight o'clock in the morning. The lights had
been extinguished long ago. Mihail Makarovitch and Kalganov, who had been
continually in and out of the room all the while the interrogation had
been going on, had now both gone out again. The lawyers, too, looked very
tired. It was a wretched morning, the whole sky was overcast, and the rain
streamed down in bucketfuls. Mitya gazed blankly out of the window.

"May I look out of the window?" he asked Nikolay Parfenovitch, suddenly.

"Oh, as much as you like," the latter replied.

Mitya got up and went to the window.... The rain lashed against its little
greenish panes. He could see the muddy road just below the house, and
farther away, in the rain and mist, a row of poor, black, dismal huts,
looking even blacker and poorer in the rain. Mitya thought of "Phoebus the
golden-haired," and how he had meant to shoot himself at his first ray.
"Perhaps it would be even better on a morning like this," he thought with
a smile, and suddenly, flinging his hand downwards, he turned to his
"torturers."

"Gentlemen," he cried, "I see that I am lost! But she? Tell me about her,
I beseech you. Surely she need not be ruined with me? She's innocent, you
know, she was out of her mind when she cried last night 'It's all my
fault!' She's done nothing, nothing! I've been grieving over her all night
as I sat with you.... Can't you, won't you tell me what you are going to
do with her now?"

"You can set your mind quite at rest on that score, Dmitri Fyodorovitch,"
the prosecutor answered at once, with evident alacrity. "We have, so far,
no grounds for interfering with the lady in whom you are so interested. I
trust that it may be the same in the later development of the case.... On
the contrary, we'll do everything that lies in our power in that matter.
Set your mind completely at rest."

"Gentlemen, I thank you. I knew that you were honest, straight-forward
people in spite of everything. You've taken a load off my heart.... Well,
what are we to do now? I'm ready."

"Well, we ought to make haste. We must pass to examining the witnesses
without delay. That must be done in your presence and therefore--"

"Shouldn't we have some tea first?" interposed Nikolay Parfenovitch, "I
think we've deserved it!"

They decided that if tea were ready downstairs (Mihail Makarovitch had, no
doubt, gone down to get some) they would have a glass and then "go on and
on," putting off their proper breakfast until a more favorable
opportunity. Tea really was ready below, and was soon brought up. Mitya at
first refused the glass that Nikolay Parfenovitch politely offered him,
but afterwards he asked for it himself and drank it greedily. He looked
surprisingly exhausted. It might have been supposed from his Herculean
strength that one night of carousing, even accompanied by the most violent
emotions, could have had little effect on him. But he felt that he could
hardly hold his head up, and from time to time all the objects about him
seemed heaving and dancing before his eyes. "A little more and I shall
begin raving," he said to himself.

Dmitri confesses his terrible secret, which is that the money is actually the money he stole from Katerina. On his first spree with Grushenka a month ago, he had only spent 1,500 roubles, not 3,000, as legend had it. He had saved the other half of the money, sewn up in a bit of cloth and hung like an "amulet" around his neck before he had left for Mokroye, thinking he might need money to marry Grushenka if she accepted him. The prosecutor and the district attorney are skeptical. They ask him where the cloth is, and Dmitri doesn't know exactly - he just remembers tearing it up in the town square. They ask him where he got the cloth, and he guesses that he might have stolen his landlady's bonnet. By this point, Dmitri realizes that he is lost. After a short break, they decide to proceed to interrogate the witnesses.

Mitya's Great Secret. Met with Hisses Dmitri finally reveals the source of the money. He says that when he borrowed the 3,000 rubles from Katerina, he only spent 1,500 rubles on Grushenka. He wore the other 1,500 in a locket around his neck. But once he decided to kill himself, he decided there was no reason to hold onto the 1,500 rubles, so he spent some of it on wine and food for his last meeting with Grushenka


Chapter VIII. The Evidence Of The Witnesses. The Babe

The examination of the witnesses began. But we will not continue our story
in such detail as before. And so we will not dwell on how Nikolay
Parfenovitch impressed on every witness called that he must give his
evidence in accordance with truth and conscience, and that he would
afterwards have to repeat his evidence on oath, how every witness was
called upon to sign the protocol of his evidence, and so on. We will only
note that the point principally insisted upon in the examination was the
question of the three thousand roubles, that is, was the sum spent here,
at Mokroe, by Mitya on the first occasion, a month before, three thousand
or fifteen hundred? And again had he spent three thousand or fifteen
hundred yesterday? Alas, all the evidence given by every one turned out to
be against Mitya. There was not one in his favor, and some witnesses
introduced new, almost crushing facts, in contradiction of his, Mitya's,
story.

The first witness examined was Trifon Borissovitch. He was not in the
least abashed as he stood before the lawyers. He had, on the contrary, an
air of stern and severe indignation with the accused, which gave him an
appearance of truthfulness and personal dignity. He spoke little, and with
reserve, waited to be questioned, answered precisely and deliberately.
Firmly and unhesitatingly he bore witness that the sum spent a month
before could not have been less than three thousand, that all the peasants
about here would testify that they had heard the sum of three thousand
mentioned by Dmitri Fyodorovitch himself. "What a lot of money he flung
away on the gypsy girls alone! He wasted a thousand, I daresay, on them
alone."

"I don't believe I gave them five hundred," was Mitya's gloomy comment on
this. "It's a pity I didn't count the money at the time, but I was
drunk...."

Mitya was sitting sideways with his back to the curtains. He listened
gloomily, with a melancholy and exhausted air, as though he would say:

"Oh, say what you like. It makes no difference now."

"More than a thousand went on them, Dmitri Fyodorovitch," retorted Trifon
Borissovitch firmly. "You flung it about at random and they picked it up.
They were a rascally, thievish lot, horse-stealers, they've been driven
away from here, or maybe they'd bear witness themselves how much they got
from you. I saw the sum in your hands, myself--count it I didn't, you
didn't let me, that's true enough--but by the look of it I should say it
was far more than fifteen hundred ... fifteen hundred, indeed! We've seen
money too. We can judge of amounts...."

As for the sum spent yesterday he asserted that Dmitri Fyodorovitch had
told him, as soon as he arrived, that he had brought three thousand with
him.

"Come now, is that so, Trifon Borissovitch?" replied Mitya. "Surely I
didn't declare so positively that I'd brought three thousand?"

"You did say so, Dmitri Fyodorovitch. You said it before Andrey. Andrey
himself is still here. Send for him. And in the hall, when you were
treating the chorus, you shouted straight out that you would leave your
sixth thousand here--that is with what you spent before, we must
understand. Stepan and Semyon heard it, and Pyotr Fomitch Kalganov, too,
was standing beside you at the time. Maybe he'd remember it...."

The evidence as to the "sixth" thousand made an extraordinary impression
on the two lawyers. They were delighted with this new mode of reckoning;
three and three made six, three thousand then and three now made six, that
was clear.

They questioned all the peasants suggested by Trifon Borissovitch, Stepan
and Semyon, the driver Andrey, and Kalganov. The peasants and the driver
unhesitatingly confirmed Trifon Borissovitch's evidence. They noted down,
with particular care, Andrey's account of the conversation he had had with
Mitya on the road: " 'Where,' says he, 'am I, Dmitri Fyodorovitch, going,
to heaven or to hell, and shall I be forgiven in the next world or not?' "

The psychological Ippolit Kirillovitch heard this with a subtle smile, and
ended by recommending that these remarks as to where Dmitri Fyodorovitch
would go should be "included in the case."

Kalganov, when called, came in reluctantly, frowning and ill-humored, and
he spoke to the lawyers as though he had never met them before in his
life, though they were acquaintances whom he had been meeting every day
for a long time past. He began by saying that "he knew nothing about it
and didn't want to." But it appeared that he had heard of the "sixth"
thousand, and he admitted that he had been standing close by at the
moment. As far as he could see he "didn't know" how much money Mitya had
in his hands. He affirmed that the Poles had cheated at cards. In reply to
reiterated questions he stated that, after the Poles had been turned out,
Mitya's position with Agrafena Alexandrovna had certainly improved, and
that she had said that she loved him. He spoke of Agrafena Alexandrovna
with reserve and respect, as though she had been a lady of the best
society, and did not once allow himself to call her Grushenka. In spite of
the young man's obvious repugnance at giving evidence, Ippolit
Kirillovitch examined him at great length, and only from him learnt all
the details of what made up Mitya's "romance," so to say, on that night.
Mitya did not once pull Kalganov up. At last they let the young man go,
and he left the room with unconcealed indignation.

The Poles, too, were examined. Though they had gone to bed in their room,
they had not slept all night, and on the arrival of the police officers
they hastily dressed and got ready, realizing that they would certainly be
sent for. They gave their evidence with dignity, though not without some
uneasiness. The little Pole turned out to be a retired official of the
twelfth class, who had served in Siberia as a veterinary surgeon. His name
was Mussyalovitch. Pan Vrublevsky turned out to be an uncertificated
dentist. Although Nikolay Parfenovitch asked them questions on entering
the room they both addressed their answers to Mihail Makarovitch, who was
standing on one side, taking him in their ignorance for the most important
person and in command, and addressed him at every word as "Pan Colonel."
Only after several reproofs from Mihail Makarovitch himself, they grasped
that they had to address their answers to Nikolay Parfenovitch only. It
turned out that they could speak Russian quite correctly except for their
accent in some words. Of his relations with Grushenka, past and present,
Pan Mussyalovitch spoke proudly and warmly, so that Mitya was roused at
once and declared that he would not allow the "scoundrel" to speak like
that in his presence! Pan Mussyalovitch at once called attention to the
word "scoundrel" and begged that it should be put down in the protocol.
Mitya fumed with rage.

"He's a scoundrel! A scoundrel! You can put that down. And put down, too,
that, in spite of the protocol I still declare that he's a scoundrel!" he
cried.

Though Nikolay Parfenovitch did insert this in the protocol, he showed the
most praiseworthy tact and management. After sternly reprimanding Mitya,
he cut short all further inquiry into the romantic aspect of the case, and
hastened to pass to what was essential. One piece of evidence given by the
Poles roused special interest in the lawyers: that was how, in that very
room, Mitya had tried to buy off Pan Mussyalovitch, and had offered him
three thousand roubles to resign his claims, seven hundred roubles down,
and the remaining two thousand three hundred "to be paid next day in the
town." He had sworn at the time that he had not the whole sum with him at
Mokroe, but that his money was in the town. Mitya observed hotly that he
had not said that he would be sure to pay him the remainder next day in
the town. But Pan Vrublevsky confirmed the statement, and Mitya, after
thinking for a moment admitted, frowning, that it must have been as the
Poles stated, that he had been excited at the time, and might indeed have
said so.

The prosecutor positively pounced on this piece of evidence. It seemed to
establish for the prosecution (and they did, in fact, base this deduction
on it) that half, or a part of, the three thousand that had come into
Mitya's hands might really have been left somewhere hidden in the town, or
even, perhaps, somewhere here, in Mokroe. This would explain the
circumstance, so baffling for the prosecution, that only eight hundred
roubles were to be found in Mitya's hands. This circumstance had been the
one piece of evidence which, insignificant as it was, had hitherto told,
to some extent, in Mitya's favor. Now this one piece of evidence in his
favor had broken down. In answer to the prosecutor's inquiry, where he
would have got the remaining two thousand three hundred roubles, since he
himself had denied having more than fifteen hundred, Mitya confidently
replied that he had meant to offer the "little chap," not money, but a
formal deed of conveyance of his rights to the village of Tchermashnya,
those rights which he had already offered to Samsonov and Madame Hohlakov.
The prosecutor positively smiled at the "innocence of this subterfuge."

"And you imagine he would have accepted such a deed as a substitute for
two thousand three hundred roubles in cash?"

"He certainly would have accepted it," Mitya declared warmly. "Why, look
here, he might have grabbed not two thousand, but four or six, for it. He
would have put his lawyers, Poles and Jews, on to the job, and might have
got, not three thousand, but the whole property out of the old man."

The evidence of Pan Mussyalovitch was, of course, entered in the protocol
in the fullest detail. Then they let the Poles go. The incident of the
cheating at cards was hardly touched upon. Nikolay Parfenovitch was too
well pleased with them, as it was, and did not want to worry them with
trifles, moreover, it was nothing but a foolish, drunken quarrel over
cards. There had been drinking and disorder enough, that night.... So the
two hundred roubles remained in the pockets of the Poles.

Then old Maximov was summoned. He came in timidly, approached with little
steps, looking very disheveled and depressed. He had, all this time, taken
refuge below with Grushenka, sitting dumbly beside her, and "now and then
he'd begin blubbering over her and wiping his eyes with a blue check
handkerchief," as Mihail Makarovitch described afterwards. So that she
herself began trying to pacify and comfort him. The old man at once
confessed that he had done wrong, that he had borrowed "ten roubles in my
poverty," from Dmitri Fyodorovitch, and that he was ready to pay it back.
To Nikolay Parfenovitch's direct question, had he noticed how much money
Dmitri Fyodorovitch held in his hand, as he must have been able to see the
sum better than any one when he took the note from him, Maximov, in the
most positive manner, declared that there was twenty thousand.

"Have you ever seen so much as twenty thousand before, then?" inquired
Nikolay Parfenovitch, with a smile.

"To be sure I have, not twenty, but seven, when my wife mortgaged my
little property. She'd only let me look at it from a distance, boasting of
it to me. It was a very thick bundle, all rainbow-colored notes. And
Dmitri Fyodorovitch's were all rainbow-colored...."

He was not kept long. At last it was Grushenka's turn. Nikolay
Parfenovitch was obviously apprehensive of the effect her appearance might
have on Mitya, and he muttered a few words of admonition to him, but Mitya
bowed his head in silence, giving him to understand "that he would not
make a scene." Mihail Makarovitch himself led Grushenka in. She entered
with a stern and gloomy face, that looked almost composed and sat down
quietly on the chair offered her by Nikolay Parfenovitch. She was very
pale, she seemed to be cold, and wrapped herself closely in her
magnificent black shawl. She was suffering from a slight feverish
chill--the first symptom of the long illness which followed that night. Her
grave air, her direct earnest look and quiet manner made a very favorable
impression on every one. Nikolay Parfenovitch was even a little bit
"fascinated." He admitted himself, when talking about it afterwards, that
only then had he seen "how handsome the woman was," for, though he had
seen her several times before, he had always looked upon her as something
of a "provincial hetaira." "She has the manners of the best society," he
said enthusiastically, gossiping about her in a circle of ladies. But this
was received with positive indignation by the ladies, who immediately
called him a "naughty man," to his great satisfaction.

As she entered the room, Grushenka only glanced for an instant at Mitya,
who looked at her uneasily. But her face reassured him at once. After the
first inevitable inquiries and warnings, Nikolay Parfenovitch asked her,
hesitating a little, but preserving the most courteous manner, on what
terms she was with the retired lieutenant, Dmitri Fyodorovitch Karamazov.
To this Grushenka firmly and quietly replied:

"He was an acquaintance. He came to see me as an acquaintance during the
last month." To further inquisitive questions she answered plainly and
with complete frankness, that, though "at times" she had thought him
attractive, she had not loved him, but had won his heart as well as his
old father's "in my nasty spite," that she had seen that Mitya was very
jealous of Fyodor Pavlovitch and every one else; but that had only amused
her. She had never meant to go to Fyodor Pavlovitch, she had simply been
laughing at him. "I had no thoughts for either of them all this last
month. I was expecting another man who had wronged me. But I think," she
said in conclusion, "that there's no need for you to inquire about that,
nor for me to answer you, for that's my own affair."

Nikolay Parfenovitch immediately acted upon this hint. He again dismissed
the "romantic" aspect of the case and passed to the serious one, that is,
to the question of most importance, concerning the three thousand roubles.
Grushenka confirmed the statement that three thousand roubles had
certainly been spent on the first carousal at Mokroe, and, though she had
not counted the money herself, she had heard that it was three thousand
from Dmitri Fyodorovitch's own lips.

"Did he tell you that alone, or before some one else, or did you only hear
him speak of it to others in your presence?" the prosecutor inquired
immediately.

To which Grushenka replied that she had heard him say so before other
people, and had heard him say so when they were alone.

"Did he say it to you alone once, or several times?" inquired the
prosecutor, and learned that he had told Grushenka so several times.

Ippolit Kirillovitch was very well satisfied with this piece of evidence.
Further examination elicited that Grushenka knew, too, where that money
had come from, and that Dmitri Fyodorovitch had got it from Katerina
Ivanovna.

"And did you never, once, hear that the money spent a month ago was not
three thousand, but less, and that Dmitri Fyodorovitch had saved half that
sum for his own use?"

"No, I never heard that," answered Grushenka.

It was explained further that Mitya had, on the contrary, often told her
that he hadn't a farthing.

"He was always expecting to get some from his father," said Grushenka in
conclusion.

"Did he never say before you ... casually, or in a moment of irritation,"
Nikolay Parfenovitch put in suddenly, "that he intended to make an attempt
on his father's life?"

"Ach, he did say so," sighed Grushenka.

"Once or several times?"

"He mentioned it several times, always in anger."

"And did you believe he would do it?"

"No, I never believed it," she answered firmly. "I had faith in his noble
heart."

"Gentlemen, allow me," cried Mitya suddenly, "allow me to say one word to
Agrafena Alexandrovna, in your presence."

"You can speak," Nikolay Parfenovitch assented.

"Agrafena Alexandrovna!" Mitya got up from his chair, "have faith in God
and in me. I am not guilty of my father's murder!"

Having uttered these words Mitya sat down again on his chair. Grushenka
stood up and crossed herself devoutly before the ikon. "Thanks be to Thee,
O Lord," she said, in a voice thrilled with emotion, and still standing,
she turned to Nikolay Parfenovitch and added:

"As he has spoken now, believe it! I know him. He'll say anything as a
joke or from obstinacy, but he'll never deceive you against his
conscience. He's telling the whole truth, you may believe it."

"Thanks, Agrafena Alexandrovna, you've given me fresh courage," Mitya
responded in a quivering voice.

As to the money spent the previous day, she declared that she did not know
what sum it was, but had heard him tell several people that he had three
thousand with him. And to the question where he got the money, she said
that he had told her that he had "stolen" it from Katerina Ivanovna, and
that she had replied to that that he hadn't stolen it, and that he must
pay the money back next day. On the prosecutor's asking her emphatically
whether the money he said he had stolen from Katerina Ivanovna was what he
had spent yesterday, or what he had squandered here a month ago, she
declared that he meant the money spent a month ago, and that that was how
she understood him.

Grushenka was at last released, and Nikolay Parfenovitch informed her
impulsively that she might at once return to the town and that if he could
be of any assistance to her, with horses for example, or if she would care
for an escort, he ... would be--

"I thank you sincerely," said Grushenka, bowing to him, "I'm going with
this old gentleman, I am driving him back to town with me, and meanwhile,
if you'll allow me, I'll wait below to hear what you decide about Dmitri
Fyodorovitch."

She went out. Mitya was calm, and even looked more cheerful, but only for
a moment. He felt more and more oppressed by a strange physical weakness.
His eyes were closing with fatigue. The examination of the witnesses was,
at last, over. They proceeded to a final revision of the protocol. Mitya
got up, moved from his chair to the corner by the curtain, lay down on a
large chest covered with a rug, and instantly fell asleep.

He had a strange dream, utterly out of keeping with the place and the
time.

He was driving somewhere in the steppes, where he had been stationed long
ago, and a peasant was driving him in a cart with a pair of horses,
through snow and sleet. He was cold, it was early in November, and the
snow was falling in big wet flakes, melting as soon as it touched the
earth. And the peasant drove him smartly, he had a fair, long beard. He
was not an old man, somewhere about fifty, and he had on a gray peasant's
smock. Not far off was a village, he could see the black huts, and half
the huts were burnt down, there were only the charred beams sticking up.
And as they drove in, there were peasant women drawn up along the road, a
lot of women, a whole row, all thin and wan, with their faces a sort of
brownish color, especially one at the edge, a tall, bony woman, who looked
forty, but might have been only twenty, with a long thin face. And in her
arms was a little baby crying. And her breasts seemed so dried up that
there was not a drop of milk in them. And the child cried and cried, and
held out its little bare arms, with its little fists blue from cold.

"Why are they crying? Why are they crying?" Mitya asked, as they dashed
gayly by.

"It's the babe," answered the driver, "the babe weeping."

And Mitya was struck by his saying, in his peasant way, "the babe," and he
liked the peasant's calling it a "babe." There seemed more pity in it.

"But why is it weeping?" Mitya persisted stupidly, "why are its little
arms bare? Why don't they wrap it up?"

"The babe's cold, its little clothes are frozen and don't warm it."

"But why is it? Why?" foolish Mitya still persisted.

"Why, they're poor people, burnt out. They've no bread. They're begging
because they've been burnt out."

"No, no," Mitya, as it were, still did not understand. "Tell me why it is
those poor mothers stand there? Why are people poor? Why is the babe poor?
Why is the steppe barren? Why don't they hug each other and kiss? Why
don't they sing songs of joy? Why are they so dark from black misery? Why
don't they feed the babe?"

And he felt that, though his questions were unreasonable and senseless,
yet he wanted to ask just that, and he had to ask it just in that way. And
he felt that a passion of pity, such as he had never known before, was
rising in his heart, that he wanted to cry, that he wanted to do something
for them all, so that the babe should weep no more, so that the dark-
faced, dried-up mother should not weep, that no one should shed tears
again from that moment, and he wanted to do it at once, at once,
regardless of all obstacles, with all the recklessness of the Karamazovs.

"And I'm coming with you. I won't leave you now for the rest of my life,
I'm coming with you," he heard close beside him Grushenka's tender voice,
thrilling with emotion. And his heart glowed, and he struggled forward
towards the light, and he longed to live, to live, to go on and on,
towards the new, beckoning light, and to hasten, hasten, now, at once!

"What! Where?" he exclaimed opening his eyes, and sitting up on the chest,
as though he had revived from a swoon, smiling brightly. Nikolay
Parfenovitch was standing over him, suggesting that he should hear the
protocol read aloud and sign it. Mitya guessed that he had been asleep an
hour or more, but he did not hear Nikolay Parfenovitch. He was suddenly
struck by the fact that there was a pillow under his head, which hadn't
been there when he had leant back, exhausted, on the chest.

"Who put that pillow under my head? Who was so kind?" he cried, with a
sort of ecstatic gratitude, and tears in his voice, as though some great
kindness had been shown him.

He never found out who this kind man was; perhaps one of the peasant
witnesses, or Nikolay Parfenovitch's little secretary, had compassionately
thought to put a pillow under his head; but his whole soul was quivering
with tears. He went to the table and said that he would sign whatever they
liked.

"I've had a good dream, gentlemen," he said in a strange voice, with a new
light, as of joy, in his face.

First up for interrogation is the innkeeper Trifon Borisich, who insists that although he never actually counted the money, he could see by sight that Dmitri was holding 3,000 roubles. He adds that Dmitri even stated that he was going to spend his "6,000," which the interrogators find very interesting because it suggests that Dmitri spent the 3,000 he stole from Katerina and the 3,000 he stole from his father. In addition to the peasants, Kalganov and the Poles are interrogated as well. The interrogators find the Poles' story about how Dmitri tried to bribe them for 3,000 roubles further confirmation of his theft. After Maximov, the interrogators call in Grushenka, who behaves with solemnity and grace. Dmitri declares to her that he did not murder his father, and Grushenka declares her belief in Dmitri's honesty and innocence. By this point, Dmitri is utterly exhausted and falls asleep. He has a dream that he's being driven by a peasant in a cart across the steppes. As they pass through a village, he asks the peasant why everyone is so poor, and why a baby held by one of the impoverished peasant women is crying. He thinks he hears Grushenka telling him that she will stay with him for the rest of her life, then he wakes up. Parfenovich holds a transcript before him and asks Dmitri to sign it, which Dmitri does, without reading it.

The Evidence of the Witnesses. The Wee One The problem is that Dmitri has always told people that he spent the entire 3,000 rubles on Grushenka, and the prosecution is now able to produce several witnesses who say that he told them he needed the full 3,000 rubles to repay Katerina


Chapter IX. They Carry Mitya Away

When the protocol had been signed, Nikolay Parfenovitch turned solemnly to
the prisoner and read him the "Committal," setting forth, that in such a
year, on such a day, in such a place, the investigating lawyer of such-
and-such a district court, having examined so-and-so (to wit, Mitya)
accused of this and of that (all the charges were carefully written out)
and having considered that the accused, not pleading guilty to the charges
made against him, had brought forward nothing in his defense, while the
witnesses, so-and-so, and so-and-so, and the circumstances such-and-such
testify against him, acting in accordance with such-and-such articles of
the Statute Book, and so on, has ruled, that, in order to preclude so-and-
so (Mitya) from all means of evading pursuit and judgment he be detained
in such-and-such a prison, which he hereby notifies to the accused and
communicates a copy of this same "Committal" to the deputy prosecutor, and
so on, and so on.

In brief, Mitya was informed that he was, from that moment, a prisoner,
and that he would be driven at once to the town, and there shut up in a
very unpleasant place. Mitya listened attentively, and only shrugged his
shoulders.

"Well, gentlemen, I don't blame you. I'm ready.... I understand that
there's nothing else for you to do."

Nikolay Parfenovitch informed him gently that he would be escorted at once
by the rural police officer, Mavriky Mavrikyevitch, who happened to be on
the spot....

"Stay," Mitya interrupted, suddenly, and impelled by uncontrollable
feeling he pronounced, addressing all in the room:

"Gentlemen, we're all cruel, we're all monsters, we all make men weep, and
mothers, and babes at the breast, but of all, let it be settled here, now,
of all I am the lowest reptile! I've sworn to amend, and every day I've
done the same filthy things. I understand now that such men as I need a
blow, a blow of destiny to catch them as with a noose, and bind them by a
force from without. Never, never should I have risen of myself! But the
thunderbolt has fallen. I accept the torture of accusation, and my public
shame, I want to suffer and by suffering I shall be purified. Perhaps I
shall be purified, gentlemen? But listen, for the last time, I am not
guilty of my father's blood. I accept my punishment, not because I killed
him, but because I meant to kill him, and perhaps I really might have
killed him. Still I mean to fight it out with you. I warn you of that.
I'll fight it out with you to the end, and then God will decide. Good-by,
gentlemen, don't be vexed with me for having shouted at you during the
examination. Oh, I was still such a fool then.... In another minute I
shall be a prisoner, but now, for the last time, as a free man, Dmitri
Karamazov offers you his hand. Saying good-by to you, I say it to all
men."

His voice quivered and he stretched out his hand, but Nikolay
Parfenovitch, who happened to stand nearest to him, with a sudden, almost
nervous movement, hid his hands behind his back. Mitya instantly noticed
this, and started. He let his outstretched hand fall at once.

"The preliminary inquiry is not yet over," Nikolay Parfenovitch faltered,
somewhat embarrassed. "We will continue it in the town, and I, for my
part, of course, am ready to wish you all success ... in your defense....
As a matter of fact, Dmitri Fyodorovitch, I've always been disposed to
regard you as, so to speak, more unfortunate than guilty. All of us here,
if I may make bold to speak for all, we are all ready to recognize that
you are, at bottom, a young man of honor, but, alas, one who has been
carried away by certain passions to a somewhat excessive degree...."

Nikolay Parfenovitch's little figure was positively majestic by the time
he had finished speaking. It struck Mitya that in another minute this
"boy" would take his arm, lead him to another corner, and renew their
conversation about "girls." But many quite irrelevant and inappropriate
thoughts sometimes occur even to a prisoner when he is being led out to
execution.

"Gentlemen, you are good, you are humane, may I see _her_ to say 'good-by'
for the last time?" asked Mitya.

"Certainly, but considering ... in fact, now it's impossible except in the
presence of--"

"Oh, well, if it must be so, it must!"

Grushenka was brought in, but the farewell was brief, and of few words,
and did not at all satisfy Nikolay Parfenovitch. Grushenka made a deep bow
to Mitya.

"I have told you I am yours, and I will be yours. I will follow you for
ever, wherever they may send you. Farewell; you are guiltless, though
you've been your own undoing."

Her lips quivered, tears flowed from her eyes.

"Forgive me, Grusha, for my love, for ruining you, too, with my love."

Mitya would have said something more, but he broke off and went out. He
was at once surrounded by men who kept a constant watch on him. At the
bottom of the steps to which he had driven up with such a dash the day
before with Andrey's three horses, two carts stood in readiness. Mavriky
Mavrikyevitch, a sturdy, thick-set man with a wrinkled face, was annoyed
about something, some sudden irregularity. He was shouting angrily. He
asked Mitya to get into the cart with somewhat excessive surliness.

"When I stood him drinks in the tavern, the man had quite a different
face," thought Mitya, as he got in. At the gates there was a crowd of
people, peasants, women and drivers. Trifon Borissovitch came down the
steps too. All stared at Mitya.

"Forgive me at parting, good people!" Mitya shouted suddenly from the
cart.

"Forgive us too!" he heard two or three voices.

"Good-by to you, too, Trifon Borissovitch!"

But Trifon Borissovitch did not even turn round. He was, perhaps, too
busy. He, too, was shouting and fussing about something. It appeared that
everything was not yet ready in the second cart, in which two constables
were to accompany Mavriky Mavrikyevitch. The peasant who had been ordered
to drive the second cart was pulling on his smock, stoutly maintaining
that it was not his turn to go, but Akim's. But Akim was not to be seen.
They ran to look for him. The peasant persisted and besought them to wait.

"You see what our peasants are, Mavriky Mavrikyevitch. They've no shame!"
exclaimed Trifon Borissovitch. "Akim gave you twenty-five copecks the day
before yesterday. You've drunk it all and now you cry out. I'm simply
surprised at your good-nature, with our low peasants, Mavriky
Mavrikyevitch, that's all I can say."

"But what do we want a second cart for?" Mitya put in. "Let's start with
the one, Mavriky Mavrikyevitch. I won't be unruly, I won't run away from
you, old fellow. What do we want an escort for?"

"I'll trouble you, sir, to learn how to speak to me if you've never been
taught. I'm not 'old fellow' to you, and you can keep your advice for
another time!" Mavriky Mavrikyevitch snapped out savagely, as though glad
to vent his wrath.

Mitya was reduced to silence. He flushed all over. A moment later he felt
suddenly very cold. The rain had ceased, but the dull sky was still
overcast with clouds, and a keen wind was blowing straight in his face.

"I've taken a chill," thought Mitya, twitching his shoulders.

At last Mavriky Mavrikyevitch, too, got into the cart, sat down heavily,
and, as though without noticing it, squeezed Mitya into the corner. It is
true that he was out of humor and greatly disliked the task that had been
laid upon him.

"Good-by, Trifon Borissovitch!" Mitya shouted again, and felt himself,
that he had not called out this time from good-nature, but involuntarily,
from resentment.

But Trifon Borissovitch stood proudly, with both hands behind his back,
and staring straight at Mitya with a stern and angry face, he made no
reply.

"Good-by, Dmitri Fyodorovitch, good-by!" he heard all at once the voice of
Kalganov, who had suddenly darted out. Running up to the cart he held out
his hand to Mitya. He had no cap on.

Mitya had time to seize and press his hand.

"Good-by, dear fellow! I shan't forget your generosity," he cried warmly.

But the cart moved and their hands parted. The bell began ringing and
Mitya was driven off.

Kalganov ran back, sat down in a corner, bent his head, hid his face in
his hands, and burst out crying. For a long while he sat like that, crying
as though he were a little boy instead of a young man of twenty. Oh, he
believed almost without doubt in Mitya's guilt.

"What are these people? What can men be after this?" he exclaimed
incoherently, in bitter despondency, almost despair. At that moment he had
no desire to live.

"Is it worth it? Is it worth it?" exclaimed the boy in his grief.

Parfenovich then reads Dmitri a "Resolution," which formally places him under arrest. After another long speech declaring his innocence, Dmitri bids farewell and offers his hand to Parfenovich, who rejects it. Grushenka says a brief good-bye to Dmitri, this time with none of the hysterics of their other encounters, and she promises to stick by him. They load Dmitri into a cart to take him back to town. Just before he leaves, Kalganov pops up and shakes his hand. Dmitri leaves, and the scene ends with Kalganov sitting in a corner, crying into his hands.

Mitya Is Taken Away Grushenka is called in to testify. Dmitri swears to her that he did not kill his father, and she believes him. But the officers nevertheless decide to keep him in prison to await a trial. Dmitri says good-bye to Grushenka, asking her to forgive him for everything he has done. Grushenka delivers an impassioned promise to love and remain loyal to Dmitri forever.

Book IX: The Preliminary Investigation, Chapters 1-9 This book is devoted to a description of the circumstantial evidence that makes Dmitri appear guilty of Fyodor Pavlovich's murder. The question of whether Dmitri is guilty symbolically represents the greater question of whether human nature is fundamentally good or sinful, so the legal proceedings against Dmitri represent the trial of the human spirit. Just as Book V, especially in the Grand Inquisitor chapter, presents the novel's indictment of God, Book IX begins its indictment of humanity. This book recounts Dmitri's past in detail, and the stories of his innumerable sins are retold, as though to summarize the moral failings that lie at the heart of the case. Dmitri has lied to everyone, stolen from and cheated Katerina, turned to violence against Grigory, and been unable to control his passions for Grushenka. In short, he has committed the most common and universal sins of mankind. Dmitri's bizarre, almost gleeful reaction to this list of sins reveals the seeds of his redemption. In Zosima's anecdote of the murder in Book VI, Dostoevsky has drawn our attention to a peculiar psychological phenomenon: the desire of a guilty man to confess his guilt. The murderer in this anecdote had gotten away with his crime, but he could never find happiness because he was desperate to confess his guilt. As Zosima indicates in his argument with Ivan over ecclesiastical courts in Book II, conscience is the sternest judge of all. Even a criminal who has gotten away with his crime can be judged by his conscience. Like the murderer in Zosima's anecdote, Dmitri has a conscience that judges him harshly, and also like the murderer, Dmitri is guilty, not of the charge of killing his father, but of all the lies, acts of violence, and other sins of his past. Like the murderer, part of Dmitri longs for his crimes to be known and judged, so he can find redemption in the suffering of his punishment. Dmitri's glee throughout this passage is due in part to Grushenka's declaration of love for him. But he also experiences relief to be in the hands of the police and to hear his crimes discussed openly and critically. This review of his past sins may seem like a damning indictment of humanity, but it is actually the first step in Dmitri's transformation from a tormented and sinful man into a faithful and loving one


PART IV Book X. The Boys Chapter I. Kolya Krassotkin

It was the beginning of November. There had been a hard frost, eleven
degrees Reaumur, without snow, but a little dry snow had fallen on the
frozen ground during the night, and a keen dry wind was lifting and
blowing it along the dreary streets of our town, especially about the
market-place. It was a dull morning, but the snow had ceased.

Not far from the market-place, close to Plotnikov's shop, there stood a
small house, very clean both without and within. It belonged to Madame
Krassotkin, the widow of a former provincial secretary, who had been dead
for fourteen years. His widow, still a nice-looking woman of thirty-two,
was living in her neat little house on her private means. She lived in
respectable seclusion; she was of a soft but fairly cheerful disposition.
She was about eighteen at the time of her husband's death; she had been
married only a year and had just borne him a son. From the day of his
death she had devoted herself heart and soul to the bringing up of her
precious treasure, her boy Kolya. Though she had loved him passionately
those fourteen years, he had caused her far more suffering than happiness.
She had been trembling and fainting with terror almost every day, afraid
he would fall ill, would catch cold, do something naughty, climb on a
chair and fall off it, and so on and so on. When Kolya began going to
school, the mother devoted herself to studying all the sciences with him
so as to help him, and go through his lessons with him. She hastened to
make the acquaintance of the teachers and their wives, even made up to
Kolya's schoolfellows, and fawned upon them in the hope of thus saving
Kolya from being teased, laughed at, or beaten by them. She went so far
that the boys actually began to mock at him on her account and taunt him
with being a "mother's darling."

But the boy could take his own part. He was a resolute boy, "tremendously
strong," as was rumored in his class, and soon proved to be the fact; he
was agile, strong-willed, and of an audacious and enterprising temper. He
was good at lessons, and there was a rumor in the school that he could
beat the teacher, Dardanelov, at arithmetic and universal history. Though
he looked down upon every one, he was a good comrade and not supercilious.
He accepted his schoolfellows' respect as his due, but was friendly with
them. Above all, he knew where to draw the line. He could restrain himself
on occasion, and in his relations with the teachers he never overstepped
that last mystic limit beyond which a prank becomes an unpardonable breach
of discipline. But he was as fond of mischief on every possible occasion
as the smallest boy in the school, and not so much for the sake of
mischief as for creating a sensation, inventing something, something
effective and conspicuous. He was extremely vain. He knew how to make even
his mother give way to him; he was almost despotic in his control of her.
She gave way to him, oh, she had given way to him for years. The one
thought unendurable to her was that her boy had no great love for her. She
was always fancying that Kolya was "unfeeling" to her, and at times,
dissolving into hysterical tears, she used to reproach him with his
coldness. The boy disliked this, and the more demonstrations of feeling
were demanded of him the more he seemed intentionally to avoid them. Yet
it was not intentional on his part but instinctive--it was his character.
His mother was mistaken; he was very fond of her. He only disliked
"sheepish sentimentality," as he expressed it in his schoolboy language.

There was a bookcase in the house containing a few books that had been his
father's. Kolya was fond of reading, and had read several of them by
himself. His mother did not mind that and only wondered sometimes at
seeing the boy stand for hours by the bookcase poring over a book instead
of going to play. And in that way Kolya read some things unsuitable for
his age.

Though the boy, as a rule, knew where to draw the line in his mischief, he
had of late begun to play pranks that caused his mother serious alarm. It
is true there was nothing vicious in what he did, but a wild mad
recklessness.

It happened that July, during the summer holidays, that the mother and son
went to another district, forty-five miles away, to spend a week with a
distant relation, whose husband was an official at the railway station
(the very station, the nearest one to our town, from which a month later
Ivan Fyodorovitch Karamazov set off for Moscow). There Kolya began by
carefully investigating every detail connected with the railways, knowing
that he could impress his schoolfellows when he got home with his newly
acquired knowledge. But there happened to be some other boys in the place
with whom he soon made friends. Some of them were living at the station,
others in the neighborhood; there were six or seven of them, all between
twelve and fifteen, and two of them came from our town. The boys played
together, and on the fourth or fifth day of Kolya's stay at the station, a
mad bet was made by the foolish boys. Kolya, who was almost the youngest
of the party and rather looked down upon by the others in consequence, was
moved by vanity or by reckless bravado to bet them two roubles that he
would lie down between the rails at night when the eleven o'clock train
was due, and would lie there without moving while the train rolled over
him at full speed. It is true they made a preliminary investigation, from
which it appeared that it was possible to lie so flat between the rails
that the train could pass over without touching, but to lie there was no
joke! Kolya maintained stoutly that he would. At first they laughed at
him, called him a little liar, a braggart, but that only egged him on.
What piqued him most was that these boys of fifteen turned up their noses
at him too superciliously, and were at first disposed to treat him as "a
small boy," not fit to associate with them, and that was an unendurable
insult.

And so it was resolved to go in the evening, half a mile from the station,
so that the train might have time to get up full speed after leaving the
station. The boys assembled. It was a pitch-dark night without a moon. At
the time fixed, Kolya lay down between the rails. The five others who had
taken the bet waited among the bushes below the embankment, their hearts
beating with suspense, which was followed by alarm and remorse. At last
they heard in the distance the rumble of the train leaving the station.
Two red lights gleamed out of the darkness; the monster roared as it
approached.

"Run, run away from the rails," the boys cried to Kolya from the bushes,
breathless with terror. But it was too late: the train darted up and flew
past. The boys rushed to Kolya. He lay without moving. They began pulling
at him, lifting him up. He suddenly got up and walked away without a word.
Then he explained that he had lain there as though he were insensible to
frighten them, but the fact was that he really had lost consciousness, as
he confessed long after to his mother. In this way his reputation as "a
desperate character," was established for ever. He returned home to the
station as white as a sheet. Next day he had a slight attack of nervous
fever, but he was in high spirits and well pleased with himself. The
incident did not become known at once, but when they came back to the town
it penetrated to the school and even reached the ears of the masters. But
then Kolya's mother hastened to entreat the masters on her boy's behalf,
and in the end Dardanelov, a respected and influential teacher, exerted
himself in his favor, and the affair was ignored.

Dardanelov was a middle-aged bachelor, who had been passionately in love
with Madame Krassotkin for many years past, and had once already, about a
year previously, ventured, trembling with fear and the delicacy of his
sentiments, to offer her most respectfully his hand in marriage. But she
refused him resolutely, feeling that to accept him would be an act of
treachery to her son, though Dardanelov had, to judge from certain
mysterious symptoms, reason for believing that he was not an object of
aversion to the charming but too chaste and tender-hearted widow. Kolya's
mad prank seemed to have broken the ice, and Dardanelov was rewarded for
his intercession by a suggestion of hope. The suggestion, it is true, was
a faint one, but then Dardanelov was such a paragon of purity and delicacy
that it was enough for the time being to make him perfectly happy. He was
fond of the boy, though he would have felt it beneath him to try and win
him over, and was severe and strict with him in class. Kolya, too, kept
him at a respectful distance. He learned his lessons perfectly; he was
second in his class, was reserved with Dardanelov, and the whole class
firmly believed that Kolya was so good at universal history that he could
"beat" even Dardanelov. Kolya did indeed ask him the question, "Who
founded Troy?" to which Dardanelov had made a very vague reply, referring
to the movements and migrations of races, to the remoteness of the period,
to the mythical legends. But the question, "Who had founded Troy?" that
is, what individuals, he could not answer, and even for some reason
regarded the question as idle and frivolous. But the boys remained
convinced that Dardanelov did not know who founded Troy. Kolya had read of
the founders of Troy in Smaragdov, whose history was among the books in
his father's bookcase. In the end all the boys became interested in the
question, who it was that had founded Troy, but Krassotkin would not tell
his secret, and his reputation for knowledge remained unshaken.

After the incident on the railway a certain change came over Kolya's
attitude to his mother. When Anna Fyodorovna (Madame Krassotkin) heard of
her son's exploit, she almost went out of her mind with horror. She had
such terrible attacks of hysterics, lasting with intervals for several
days, that Kolya, seriously alarmed at last, promised on his honor that
such pranks should never be repeated. He swore on his knees before the
holy image, and swore by the memory of his father, at Madame Krassotkin's
instance, and the "manly" Kolya burst into tears like a boy of six. And
all that day the mother and son were constantly rushing into each other's
arms sobbing. Next day Kolya woke up as "unfeeling" as before, but he had
become more silent, more modest, sterner, and more thoughtful.

Six weeks later, it is true, he got into another scrape, which even
brought his name to the ears of our Justice of the Peace, but it was a
scrape of quite another kind, amusing, foolish, and he did not, as it
turned out, take the leading part in it, but was only implicated in it.
But of this later. His mother still fretted and trembled, but the more
uneasy she became, the greater were the hopes of Dardanelov. It must be
noted that Kolya understood and divined what was in Dardanelov's heart
and, of course, despised him profoundly for his "feelings"; he had in the
past been so tactless as to show this contempt before his mother, hinting
vaguely that he knew what Dardanelov was after. But from the time of the
railway incident his behavior in this respect also was changed; he did not
allow himself the remotest allusion to the subject and began to speak more
respectfully of Dardanelov before his mother, which the sensitive woman at
once appreciated with boundless gratitude. But at the slightest mention of
Dardanelov by a visitor in Kolya's presence, she would flush as pink as a
rose. At such moments Kolya would either stare out of the window scowling,
or would investigate the state of his boots, or would shout angrily for
"Perezvon," the big, shaggy, mangy dog, which he had picked up a month
before, brought home, and kept for some reason secretly indoors, not
showing him to any of his schoolfellows. He bullied him frightfully,
teaching him all sorts of tricks, so that the poor dog howled for him
whenever he was absent at school, and when he came in, whined with
delight, rushed about as if he were crazy, begged, lay down on the ground
pretending to be dead, and so on; in fact, showed all the tricks he had
taught him, not at the word of command, but simply from the zeal of his
excited and grateful heart.

I have forgotten, by the way, to mention that Kolya Krassotkin was the boy
stabbed with a penknife by the boy already known to the reader as the son
of Captain Snegiryov. Ilusha had been defending his father when the
schoolboys jeered at him, shouting the nickname "wisp of tow."

The novel shifts to the beginning of November, where we are introduced to 14-year-old Kolya Krasotkin. Krasotkin is popular among his peers and respected for being a daredevil. In the previous July, he had lain down on some railroad tracks on a dare as a train passed over him. The story spread, and his reputation was sealed - but his widow mother was utterly distraught, so he had to vow never to pull such a dangerous prank again. Kolya also has an intellectual streak in him, reading books from his father's library and showing off in class, particularly in Dardenalov's history class. This is in part because Dardenalov has the hots for his mom, which Kolya tolerates. Kolya also has a dog, Perezvon, who he picked up a month ago. He keeps the dog in the house, teaching it all kinds of tricks. Oh, and Kolya's the kid that got stabbed by the sick boy Ilyusha in Book 4, Chapter 3.

Kolya Krasotkin It is the beginning of November--a dull, cold day just before the start of Dmitri's trial. Kolya Krasotkin is a thirteen-year-old boy who was once a friend of Ilyusha. Kolya loves dogs and likes to train his dog, Perezvon, to do tricks. Kolya is two years older than Ilyusha, and has a somewhat blustery and impertinent nature. He appears to be conceited, but he is actually a loyal friend, and likes looking out for children younger than himself