THE HOMESTEAD--A VISITOR--HALF-CONFIDENCES

By daylight, the bower of Oak's new-found mistress, Bathsheba
Everdene, presented itself as a hoary building, of the early stage of
Classic Renaissance as regards its architecture, and of a proportion
which told at a glance that, as is so frequently the case, it had
once been the memorial hall upon a small estate around it, now
altogether effaced as a distinct property, and merged in the vast
tract of a non-resident landlord, which comprised several such modest
demesnes.

Fluted pilasters, worked from the solid stone, decorated its front,
and above the roof the chimneys were panelled or columnar, some coped
gables with finials and like features still retaining traces of their
Gothic extraction.  Soft brown mosses, like faded velveteen, formed
cushions upon the stone tiling, and tufts of the houseleek or
sengreen sprouted from the eaves of the low surrounding buildings.  A
gravel walk leading from the door to the road in front was encrusted
at the sides with more moss--here it was a silver-green variety, the
nut-brown of the gravel being visible to the width of only a foot
or two in the centre.  This circumstance, and the generally sleepy
air of the whole prospect here, together with the animated and
contrasting state of the reverse facade, suggested to the imagination
that on the adaptation of the building for farming purposes the
vital principle of the house had turned round inside its body to
face the other way.  Reversals of this kind, strange deformities,
tremendous paralyses, are often seen to be inflicted by trade upon
edifices--either individual or in the aggregate as streets and
towns--which were originally planned for pleasure alone.

Lively voices were heard this morning in the upper rooms, the
main staircase to which was of hard oak, the balusters, heavy as
bed-posts, being turned and moulded in the quaint fashion of their
century, the handrail as stout as a parapet-top, and the stairs
themselves continually twisting round like a person trying to look
over his shoulder.  Going up, the floors above were found to have a
very irregular surface, rising to ridges, sinking into valleys; and
being just then uncarpeted, the face of the boards was seen to be
eaten into innumerable vermiculations.  Every window replied by a
clang to the opening and shutting of every door, a tremble followed
every bustling movement, and a creak accompanied a walker about the
house, like a spirit, wherever he went.

In the room from which the conversation proceeded Bathsheba and her
servant-companion, Liddy Smallbury, were to be discovered sitting
upon the floor, and sorting a complication of papers, books, bottles,
and rubbish spread out thereon--remnants from the household stores
of the late occupier.  Liddy, the maltster's great-granddaughter,
was about Bathsheba's equal in age, and her face was a prominent
advertisement of the light-hearted English country girl.  The beauty
her features might have lacked in form was amply made up for by
perfection of hue, which at this winter-time was the softened
ruddiness on a surface of high rotundity that we meet with in a
Terburg or a Gerard Douw; and, like the presentations of those great
colourists, it was a face which kept well back from the boundary
between comeliness and the ideal.  Though elastic in nature she was
less daring than Bathsheba, and occasionally showed some earnestness,
which consisted half of genuine feeling, and half of mannerliness
superadded by way of duty.

Through a partly-opened door the noise of a scrubbing-brush led up to
the charwoman, Maryann Money, a person who for a face had a circular
disc, furrowed less by age than by long gazes of perplexity at
distant objects.  To think of her was to get good-humoured; to speak
of her was to raise the image of a dried Normandy pippin.

"Stop your scrubbing a moment," said Bathsheba through the door to
her.  "I hear something."

Maryann suspended the brush.

The tramp of a horse was apparent, approaching the front of the
building.  The paces slackened, turned in at the wicket, and, what
was most unusual, came up the mossy path close to the door.  The door
was tapped with the end of a crop or stick.

"What impertinence!" said Liddy, in a low voice.  "To ride up the
footpath like that!  Why didn't he stop at the gate? Lord!  'Tis a
gentleman!  I see the top of his hat."

"Be quiet!" said Bathsheba.

The further expression of Liddy's concern was continued by aspect
instead of narrative.

"Why doesn't Mrs. Coggan go to the door?" Bathsheba continued.

Rat-tat-tat-tat resounded more decisively from Bathsheba's oak.

"Maryann, you go!" said she, fluttering under the onset of a crowd of
romantic possibilities.

"Oh ma'am--see, here's a mess!"

The argument was unanswerable after a glance at Maryann.

"Liddy--you must," said Bathsheba.

Liddy held up her hands and arms, coated with dust from the rubbish
they were sorting, and looked imploringly at her mistress.

"There--Mrs. Coggan is going!" said Bathsheba, exhaling her relief
in the form of a long breath which had lain in her bosom a minute or
more.

The door opened, and a deep voice said--

"Is Miss Everdene at home?"

"I'll see, sir," said Mrs. Coggan, and in a minute appeared in the
room.

"Dear, what a thirtover place this world is!" continued Mrs. Coggan
(a wholesome-looking lady who had a voice for each class of remark
according to the emotion involved; who could toss a pancake or twirl
a mop with the accuracy of pure mathematics, and who at this moment
showed hands shaggy with fragments of dough and arms encrusted with
flour).  "I am never up to my elbows, Miss, in making a pudding but
one of two things do happen--either my nose must needs begin
tickling, and I can't live without scratching it, or somebody knocks
at the door.  Here's Mr. Boldwood wanting to see you, Miss Everdene."

A woman's dress being a part of her countenance, and any disorder in
the one being of the same nature with a malformation or wound in the
other, Bathsheba said at once--

"I can't see him in this state.  Whatever shall I do?"

Not-at-homes were hardly naturalized in Weatherbury farmhouses, so
Liddy suggested--"Say you're a fright with dust, and can't come
down."

"Yes--that sounds very well," said Mrs. Coggan, critically.

"Say I can't see him--that will do."

Mrs. Coggan went downstairs, and returned the answer as requested,
adding, however, on her own responsibility, "Miss is dusting bottles,
sir, and is quite a object--that's why 'tis."

"Oh, very well," said the deep voice indifferently.  "All I wanted to
ask was, if anything had been heard of Fanny Robin?"

"Nothing, sir--but we may know to-night.  William Smallbury is gone
to Casterbridge, where her young man lives, as is supposed, and the
other men be inquiring about everywhere."

The horse's tramp then recommenced and retreated, and the door
closed.

"Who is Mr. Boldwood?" said Bathsheba.

"A gentleman-farmer at Little Weatherbury."

"Married?"

"No, miss."

"How old is he?"

"Forty, I should say--very handsome--rather stern-looking--and rich."

"What a bother this dusting is!  I am always in some unfortunate
plight or other," Bathsheba said, complainingly.  "Why should he
inquire about Fanny?"

"Oh, because, as she had no friends in her childhood, he took her and
put her to school, and got her her place here under your uncle.  He's
a very kind man that way, but Lord--there!"

"What?"

"Never was such a hopeless man for a woman!  He's been courted by
sixes and sevens--all the girls, gentle and simple, for miles round,
have tried him.  Jane Perkins worked at him for two months like a
slave, and the two Miss Taylors spent a year upon him, and he cost
Farmer Ives's daughter nights of tears and twenty pounds' worth of
new clothes; but Lord--the money might as well have been thrown out
of the window."

A little boy came up at this moment and looked in upon them.  This
child was one of the Coggans, who, with the Smallburys, were as
common among the families of this district as the Avons and Derwents
among our rivers.  He always had a loosened tooth or a cut finger to
show to particular friends, which he did with an air of being thereby
elevated above the common herd of afflictionless humanity--to which
exhibition people were expected to say "Poor child!" with a dash of
congratulation as well as pity.

"I've got a pen-nee!" said Master Coggan in a scanning measure.

"Well--who gave it you, Teddy?" said Liddy.

"Mis-terr Bold-wood!  He gave it to me for opening the gate."

"What did he say?"

"He said, 'Where are you going, my little man?' and I said, 'To Miss
Everdene's please,' and he said, 'She is a staid woman, isn't she, my
little man?' and I said, 'Yes.'"

"You naughty child!  What did you say that for?"

"'Cause he gave me the penny!"

"What a pucker everything is in!" said Bathsheba, discontentedly
when the child had gone.  "Get away, Maryann, or go on with your
scrubbing, or do something!  You ought to be married by this time,
and not here troubling me!"

"Ay, mistress--so I did.  But what between the poor men I won't have,
and the rich men who won't have me, I stand as a pelican in the
wilderness!"

"Did anybody ever want to marry you miss?" Liddy ventured to ask when
they were again alone.  "Lots of 'em, I daresay?"

Bathsheba paused, as if about to refuse a reply, but the temptation
to say yes, since it was really in her power was irresistible by
aspiring virginity, in spite of her spleen at having been published
as old.

"A man wanted to once," she said, in a highly experienced tone, and
the image of Gabriel Oak, as the farmer, rose before her.

"How nice it must seem!" said Liddy, with the fixed features of
mental realization.  "And you wouldn't have him?"

"He wasn't quite good enough for me."

"How sweet to be able to disdain, when most of us are glad to say,
'Thank you!'  I seem I hear it.  'No, sir--I'm your better.' or 'Kiss
my foot, sir; my face is for mouths of consequence.'  And did you
love him, miss?"

"Oh, no.  But I rather liked him."

"Do you now?"

"Of course not--what footsteps are those I hear?"

Liddy looked from a back window into the courtyard behind, which was
now getting low-toned and dim with the earliest films of night.  A
crooked file of men was approaching the back door.  The whole string
of trailing individuals advanced in the completest balance of
intention, like the remarkable creatures known as Chain Salpae, which,
distinctly organized in other respects, have one will common to a
whole family.  Some were, as usual, in snow-white smock-frocks of
Russia duck, and some in whitey-brown ones of drabbet--marked on the
wrists, breasts, backs, and sleeves with honeycomb-work.  Two or
three women in pattens brought up the rear.

"The Philistines be upon us," said Liddy, making her nose white
against the glass.

"Oh, very well.  Maryann, go down and keep them in the kitchen till I
am dressed, and then show them in to me in the hall."

Bathsheba and her servant Liddy are sitting on the floor of Bathsheba's bedroom and looking through a bunch of papers related to the farm. The narrator describes Liddy as a lighthearted English country girl. They hear someone riding a horse up to the door of the house, and Bathsheba sends a servant to go check it out. When the woman opens the door, a man with a low voice asks if Miss Everdene is at home. The guy is a rich neighbor named Mr. Boldwood. Bathsheba doesn't want to see him, though, because she's not presentable. The man just wants to know if there's been any word about Fanny Robin. When Boldwood leaves, Bathsheba asks who he is, and her servants say that he's a handsome, respected man who's been courted by all the women of the neighborhood. But apparently this guy wants to stay a bachelor forever. Liddy asks, out of the blue, whether anyone has ever proposed to Bathsheba. Bathsheba says yeah, but that she said no because the man wasn't good enough for her. She's talking about Oak, btw. Bathsheba admits that she liked Oak. Oh yeah? That's kind of a shocker. Bathsheba doesn't tell Liddy that the man she's talking about is her new shepherd. The meeting is broken up by the arrival of Bathsheba's workmen, who have come to collect their wages. Without a bailiff anymore, Bathsheba is in charge of this business herself.


MISTRESS AND MEN

Half-an-hour later Bathsheba, in finished dress, and followed by
Liddy, entered the upper end of the old hall to find that her men had
all deposited themselves on a long form and a settle at the lower
extremity.  She sat down at a table and opened the time-book, pen in
her hand, with a canvas money-bag beside her.  From this she poured
a small heap of coin.  Liddy chose a position at her elbow and began
to sew, sometimes pausing and looking round, or, with the air of
a privileged person, taking up one of the half-sovereigns lying
before her and surveying it merely as a work of art, while strictly
preventing her countenance from expressing any wish to possess it as
money.

"Now before I begin, men," said Bathsheba, "I have two matters to
speak of.  The first is that the bailiff is dismissed for thieving,
and that I have formed a resolution to have no bailiff at all, but to
manage everything with my own head and hands."

The men breathed an audible breath of amazement.

"The next matter is, have you heard anything of Fanny?"

"Nothing, ma'am."

"Have you done anything?"

"I met Farmer Boldwood," said Jacob Smallbury, "and I went with him
and two of his men, and dragged Newmill Pond, but we found nothing."

"And the new shepherd have been to Buck's Head, by Yalbury, thinking
she had gone there, but nobody had seed her," said Laban Tall.

"Hasn't William Smallbury been to Casterbridge?"

"Yes, ma'am, but he's not yet come home.  He promised to be back by
six."

"It wants a quarter to six at present," said Bathsheba, looking at
her watch.  "I daresay he'll be in directly.  Well, now then"--she
looked into the book--"Joseph Poorgrass, are you there?"

"Yes, sir--ma'am I mane," said the person addressed.  "I be the
personal name of Poorgrass."

"And what are you?"

"Nothing in my own eye.  In the eye of other people--well, I don't
say it; though public thought will out."

"What do you do on the farm?"

"I do do carting things all the year, and in seed time I shoots the
rooks and sparrows, and helps at pig-killing, sir."

"How much to you?"

"Please nine and ninepence and a good halfpenny where 'twas a bad
one, sir--ma'am I mane."

"Quite correct.  Now here are ten shillings in addition as a small
present, as I am a new comer."

Bathsheba blushed slightly at the sense of being generous in public,
and Henery Fray, who had drawn up towards her chair, lifted his
eyebrows and fingers to express amazement on a small scale.

"How much do I owe you--that man in the corner--what's your name?"
continued Bathsheba.

"Matthew Moon, ma'am," said a singular framework of clothes with
nothing of any consequence inside them, which advanced with the toes
in no definite direction forwards, but turned in or out as they
chanced to swing.

"Matthew Mark, did you say?--speak out--I shall not hurt you,"
inquired the young farmer, kindly.

"Matthew Moon, mem," said Henery Fray, correctingly, from behind her
chair, to which point he had edged himself.

"Matthew Moon," murmured Bathsheba, turning her bright eyes to the
book.  "Ten and twopence halfpenny is the sum put down to you, I
see?"

"Yes, mis'ess," said Matthew, as the rustle of wind among dead
leaves.

"Here it is, and ten shillings.  Now the next--Andrew Randle, you are
a new man, I hear.  How come you to leave your last farm?"

"P-p-p-p-p-pl-pl-pl-pl-l-l-l-l-ease, ma'am, p-p-p-p-pl-pl-pl-pl-please,
ma'am-please'm-please'm--"

"'A's a stammering man, mem," said Henery Fray in an undertone, "and
they turned him away because the only time he ever did speak plain
he said his soul was his own, and other iniquities, to the squire.
'A can cuss, mem, as well as you or I, but 'a can't speak a common
speech to save his life."

"Andrew Randle, here's yours--finish thanking me in a day or two.
Temperance Miller--oh, here's another, Soberness--both women I
suppose?"

"Yes'm.  Here we be, 'a b'lieve," was echoed in shrill unison.

"What have you been doing?"

"Tending thrashing-machine and wimbling haybonds, and saying 'Hoosh!'
to the cocks and hens when they go upon your seeds, and planting
Early Flourballs and Thompson's Wonderfuls with a dibble."

"Yes--I see.  Are they satisfactory women?" she inquired softly of
Henery Fray.

"Oh mem--don't ask me!  Yielding women--as scarlet a pair as ever
was!" groaned Henery under his breath.

"Sit down."

"Who, mem?"

"Sit down."

Joseph Poorgrass, in the background twitched, and his lips became
dry with fear of some terrible consequences, as he saw Bathsheba
summarily speaking, and Henery slinking off to a corner.

"Now the next.  Laban Tall, you'll stay on working for me?"

"For you or anybody that pays me well, ma'am," replied the young
married man.

"True--the man must live!" said a woman in the back quarter, who had
just entered with clicking pattens.

"What woman is that?" Bathsheba asked.

"I be his lawful wife!" continued the voice with greater prominence
of manner and tone.  This lady called herself five-and-twenty, looked
thirty, passed as thirty-five, and was forty.  She was a woman who
never, like some newly married, showed conjugal tenderness in public,
perhaps because she had none to show.

"Oh, you are," said Bathsheba.  "Well, Laban, will you stay on?"

"Yes, he'll stay, ma'am!" said again the shrill tongue of Laban's
lawful wife.

"Well, he can speak for himself, I suppose."

"Oh Lord, not he, ma'am!  A simple tool.  Well enough, but a poor
gawkhammer mortal," the wife replied.

"Heh-heh-heh!" laughed the married man with a hideous effort of
appreciation, for he was as irrepressibly good-humoured under ghastly
snubs as a parliamentary candidate on the hustings.

The names remaining were called in the same manner.

"Now I think I have done with you," said Bathsheba, closing the book
and shaking back a stray twine of hair.  "Has William Smallbury
returned?"

"No, ma'am."

"The new shepherd will want a man under him," suggested Henery Fray,
trying to make himself official again by a sideway approach towards
her chair.

"Oh--he will.  Who can he have?"

"Young Cain Ball is a very good lad," Henery said, "and Shepherd Oak
don't mind his youth?" he added, turning with an apologetic smile to
the shepherd, who had just appeared on the scene, and was now leaning
against the doorpost with his arms folded.

"No, I don't mind that," said Gabriel.

"How did Cain come by such a name?" asked Bathsheba.

"Oh you see, mem, his pore mother, not being a Scripture-read woman,
made a mistake at his christening, thinking 'twas Abel killed Cain,
and called en Cain, meaning Abel all the time.  The parson put it
right, but 'twas too late, for the name could never be got rid of in
the parish.  'Tis very unfortunate for the boy."

"It is rather unfortunate."

"Yes.  However, we soften it down as much as we can, and call him
Cainy.  Ah, pore widow-woman! she cried her heart out about it
almost.  She was brought up by a very heathen father and mother, who
never sent her to church or school, and it shows how the sins of the
parents are visited upon the children, mem."

Mr. Fray here drew up his features to the mild degree of melancholy
required when the persons involved in the given misfortune do not
belong to your own family.

"Very well then, Cainey Ball to be under-shepherd.  And you quite
understand your duties?--you I mean, Gabriel Oak?"

"Quite well, I thank you, Miss Everdene," said Shepherd Oak from the
doorpost.  "If I don't, I'll inquire."  Gabriel was rather staggered
by the remarkable coolness of her manner.  Certainly nobody without
previous information would have dreamt that Oak and the handsome
woman before whom he stood had ever been other than strangers.  But
perhaps her air was the inevitable result of the social rise which
had advanced her from a cottage to a large house and fields.  The
case is not unexampled in high places.  When, in the writings of the
later poets, Jove and his family are found to have moved from their
cramped quarters on the peak of Olympus into the wide sky above it,
their words show a proportionate increase of arrogance and reserve.

Footsteps were heard in the passage, combining in their character
the qualities both of weight and measure, rather at the expense of
velocity.

(All.) "Here's Billy Smallbury come from Casterbridge."

"And what's the news?" said Bathsheba, as William, after marching to
the middle of the hall, took a handkerchief from his hat and wiped
his forehead from its centre to its remoter boundaries.

"I should have been sooner, miss," he said, "if it hadn't been for
the weather."  He then stamped with each foot severely, and on
looking down his boots were perceived to be clogged with snow.

"Come at last, is it?" said Henery.

"Well, what about Fanny?" said Bathsheba.

"Well, ma'am, in round numbers, she's run away with the soldiers,"
said William.

"No; not a steady girl like Fanny!"

"I'll tell ye all particulars.  When I got to Casterbridge Barracks,
they said, 'The Eleventh Dragoon-Guards be gone away, and new troops
have come.' The Eleventh left last week for Melchester and onwards.
The Route came from Government like a thief in the night, as is his
nature to, and afore the Eleventh knew it almost, they were on the
march.  They passed near here."

Gabriel had listened with interest.  "I saw them go," he said.

"Yes," continued William, "they pranced down the street playing 'The
Girl I Left Behind Me,' so 'tis said, in glorious notes of triumph.
Every looker-on's inside shook with the blows of the great drum to
his deepest vitals, and there was not a dry eye throughout the town
among the public-house people and the nameless women!"

"But they're not gone to any war?"

"No, ma'am; but they be gone to take the places of them who may,
which is very close connected.  And so I said to myself, Fanny's
young man was one of the regiment, and she's gone after him.  There,
ma'am, that's it in black and white."

"Did you find out his name?"

"No; nobody knew it.  I believe he was higher in rank than a
private."

Gabriel remained musing and said nothing, for he was in doubt.

"Well, we are not likely to know more to-night, at any rate,"
said Bathsheba.  "But one of you had better run across to Farmer
Boldwood's and tell him that much."

She then rose; but before retiring, addressed a few words to them
with a pretty dignity, to which her mourning dress added a soberness
that was hardly to be found in the words themselves.

"Now mind, you have a mistress instead of a master. I don't yet know
my powers or my talents in farming; but I shall do my best, and if
you serve me well, so shall I serve you.  Don't any unfair ones among
you (if there are any such, but I hope not) suppose that because I'm
a woman I don't understand the difference between bad goings-on and
good."

(All.) "No'm!"

(Liddy.) "Excellent well said."

"I shall be up before you are awake; I shall be afield before you are
up; and I shall have breakfasted before you are afield.  In short, I
shall astonish you all."

(All.) "Yes'm!"

"And so good-night."

(All.) "Good-night, ma'am."

Then this small thesmothete stepped from the table, and surged out of
the hall, her black silk dress licking up a few straws and dragging
them along with a scratching noise upon the floor.  Liddy, elevating
her feelings to the occasion from a sense of grandeur, floated
off behind Bathsheba with a milder dignity not entirely free from
travesty, and the door was closed.

Bathsheba sits with her men at a long table with her money books and a bag of coins. Before starting, Bathsheba informs the men that she's fired her bailiff and will be managing everything herself from now on. The men breathe a breath of amazement. A woman handling money? No way! She wants to know if anyone has heard anything about Fanny Robin. The men admit that no, they haven't. One by one, she asks the men what jobs they do for her and pays them. She also gives out a few extra shillings as a gift since she's the new boss. The men suggest that, as the new shepherd, Gabriel Oak will need a young boy to work under him as a helper. They settle on a kid named Cainy Ball. Bathsheba and Oak talk business coolly in front of the crowd, as if the two of them have never met before. A guy named Smallbury runs in, having just come from Casterbridge. The word is that Fanny Robin has run away with a pack of soldiers because she's been courting one of them. No one knows which soldier it is, though. Gabriel knows that Fanny Robin is probably the same girl he met on the road, but he keeps his promise and tells doesn't tell anyone that he saw her.


OUTSIDE THE BARRACKS--SNOW--A MEETING

For dreariness nothing could surpass a prospect in the outskirts of a
certain town and military station, many miles north of Weatherbury,
at a later hour on this same snowy evening--if that may be called a
prospect of which the chief constituent was darkness.

It was a night when sorrow may come to the brightest without causing
any great sense of incongruity: when, with impressible persons, love
becomes solicitousness, hope sinks to misgiving, and faith to hope:
when the exercise of memory does not stir feelings of regret at
opportunities for ambition that have been passed by, and anticipation
does not prompt to enterprise.

The scene was a public path, bordered on the left hand by a river,
behind which rose a high wall.  On the right was a tract of land,
partly meadow and partly moor, reaching, at its remote verge, to a
wide undulating upland.

The changes of the seasons are less obtrusive on spots of this
kind than amid woodland scenery.  Still, to a close observer, they
are just as perceptible; the difference is that their media of
manifestation are less trite and familiar than such well-known ones
as the bursting of the buds or the fall of the leaf.  Many are not
so stealthy and gradual as we may be apt to imagine in considering
the general torpidity of a moor or waste.  Winter, in coming to the
country hereabout, advanced in well-marked stages, wherein might
have been successively observed the retreat of the snakes, the
transformation of the ferns, the filling of the pools, a rising of
fogs, the embrowning by frost, the collapse of the fungi, and an
obliteration by snow.

This climax of the series had been reached to-night on the aforesaid
moor, and for the first time in the season its irregularities were
forms without features; suggestive of anything, proclaiming nothing,
and without more character than that of being the limit of something
else--the lowest layer of a firmament of snow.  From this chaotic
skyful of crowding flakes the mead and moor momentarily received
additional clothing, only to appear momentarily more naked thereby.
The vast arch of cloud above was strangely low, and formed as it were
the roof of a large dark cavern, gradually sinking in upon its floor;
for the instinctive thought was that the snow lining the heavens and
that encrusting the earth would soon unite into one mass without any
intervening stratum of air at all.

We turn our attention to the left-hand characteristics; which were
flatness in respect of the river, verticality in respect of the wall
behind it, and darkness as to both.  These features made up the mass.
If anything could be darker than the sky, it was the wall, and if any
thing could be gloomier than the wall it was the river beneath.  The
indistinct summit of the facade was notched and pronged by chimneys
here and there, and upon its face were faintly signified the oblong
shapes of windows, though only in the upper part.  Below, down to the
water's edge, the flat was unbroken by hole or projection.

An indescribable succession of dull blows, perplexing in their
regularity, sent their sound with difficulty through the fluffy
atmosphere.  It was a neighbouring clock striking ten.  The bell was
in the open air, and being overlaid with several inches of muffling
snow, had lost its voice for the time.

About this hour the snow abated: ten flakes fell where twenty had
fallen, then one had the room of ten.  Not long after a form moved
by the brink of the river.

By its outline upon the colourless background, a close observer
might have seen that it was small.  This was all that was positively
discoverable, though it seemed human.

The shape went slowly along, but without much exertion, for the snow,
though sudden, was not as yet more than two inches deep.  At this
time some words were spoken aloud:--

"One.  Two.  Three.  Four.  Five."

Between each utterance the little shape advanced about half a dozen
yards.  It was evident now that the windows high in the wall were
being counted.  The word "Five" represented the fifth window from the
end of the wall.

Here the spot stopped, and dwindled smaller.  The figure was
stooping.  Then a morsel of snow flew across the river towards the
fifth window.  It smacked against the wall at a point several yards
from its mark.  The throw was the idea of a man conjoined with the
execution of a woman.  No man who had ever seen bird, rabbit, or
squirrel in his childhood, could possibly have thrown with such utter
imbecility as was shown here.

Another attempt, and another; till by degrees the wall must have
become pimpled with the adhering lumps of snow.  At last one fragment
struck the fifth window.

The river would have been seen by day to be of that deep smooth sort
which races middle and sides with the same gliding precision, any
irregularities of speed being immediately corrected by a small
whirlpool.  Nothing was heard in reply to the signal but the gurgle
and cluck of one of these invisible wheels--together with a few small
sounds which a sad man would have called moans, and a happy man
laughter--caused by the flapping of the waters against trifling
objects in other parts of the stream.

The window was struck again in the same manner.

Then a noise was heard, apparently produced by the opening of the
window.  This was followed by a voice from the same quarter.

"Who's there?"

The tones were masculine, and not those of surprise.  The high
wall being that of a barrack, and marriage being looked upon with
disfavour in the army, assignations and communications had probably
been made across the river before to-night.

"Is it Sergeant Troy?" said the blurred spot in the snow,
tremulously.

This person was so much like a mere shade upon the earth, and the
other speaker so much a part of the building, that one would have
said the wall was holding a conversation with the snow.

"Yes," came suspiciously from the shadow. "What girl are you?"

"Oh, Frank--don't you know me?" said the spot.  "Your wife, Fanny
Robin."

"Fanny!" said the wall, in utter astonishment.

"Yes," said the girl, with a half-suppressed gasp of emotion.

There was something in the woman's tone which is not that of the
wife, and there was a manner in the man which is rarely a husband's.
The dialogue went on:

"How did you come here?"

"I asked which was your window.  Forgive me!"

"I did not expect you to-night.  Indeed, I did not think you would
come at all.  It was a wonder you found me here.  I am orderly
to-morrow."

"You said I was to come."

"Well--I said that you might."

"Yes, I mean that I might.  You are glad to see me, Frank?"

"Oh yes--of course."

"Can you--come to me!"

"My dear Fan, no!  The bugle has sounded, the barrack gates are
closed, and I have no leave.  We are all of us as good as in the
county gaol till to-morrow morning."

"Then I shan't see you till then!"  The words were in a faltering
tone of disappointment.

"How did you get here from Weatherbury?"

"I walked--some part of the way--the rest by the carriers."

"I am surprised."

"Yes--so am I.  And Frank, when will it be?"

"What?"

"That you promised."

"I don't quite recollect."

"O you do!  Don't speak like that.  It weighs me to the earth.  It
makes me say what ought to be said first by you."

"Never mind--say it."

"O, must I?--it is, when shall we be married, Frank?"

"Oh, I see.  Well--you have to get proper clothes."

"I have money.  Will it be by banns or license?"

"Banns, I should think."

"And we live in two parishes."

"Do we?  What then?"

"My lodgings are in St. Mary's, and this is not.  So they will have
to be published in both."

"Is that the law?"

"Yes.  O Frank--you think me forward, I am afraid!  Don't, dear
Frank--will you--for I love you so.  And you said lots of times you
would marry me, and--and--I--I--I--"

"Don't cry, now!  It is foolish.  If I said so, of course I will."

"And shall I put up the banns in my parish, and will you in yours?"

"Yes"

"To-morrow?"

"Not to-morrow.  We'll settle in a few days."

"You have the permission of the officers?"

"No, not yet."

"O--how is it?  You said you almost had before you left
Casterbridge."

"The fact is, I forgot to ask.  Your coming like this is so sudden
and unexpected."

"Yes--yes--it is.  It was wrong of me to worry you.  I'll go away
now.  Will you come and see me to-morrow, at Mrs. Twills's, in North
Street?  I don't like to come to the Barracks.  There are bad women
about, and they think me one."

"Quite, so.  I'll come to you, my dear.  Good-night."

"Good-night, Frank--good-night!"

And the noise was again heard of a window closing.  The little spot
moved away.  When she passed the corner a subdued exclamation was
heard inside the wall.

"Ho--ho--Sergeant--ho--ho!" An  expostulation followed, but it was
indistinct; and it became lost amid a low peal of laughter, which was
hardly distinguishable from the gurgle of the tiny whirlpools
outside.

Cut to outside an army barracks building, where a young woman is throwing snowballs at a window and trying to get the attention of someone inside. When someone comes and opens the window, the young woman asks if it's Sergeant Troy. When he asks who's asking, she says that it's his wife, Fanny Robin. Troy is shocked, and he tells Fanny that she can't come see him like this. She asks whether he's glad to see her, and he says of course. Unfortunately, he says he can't come down and meet her because he's not allowed to leave the building at this time of day. Fanny wants to know when Troy is going to make good on his promise to marry her. He says that they can marry as soon as they have good clothes. She asks why he doesn't already have permission from his officers to marry, and he admits that he simply forgot. This guy doesn't sound like the most caring fiance in the world. He sounds like a jerk. When Troy goes back inside the building, Fanny can hear a bunch of men laughing with him, probably about the fact that he has a girl waiting outside his window.


FARMERS--A RULE--AN EXCEPTION

The first public evidence of Bathsheba's decision to be a farmer in
her own person and by proxy no more was her appearance the following
market-day in the cornmarket at Casterbridge.

The low though extensive hall, supported by beams and pillars,
and latterly dignified by the name of Corn Exchange, was thronged
with hot men who talked among each other in twos and threes, the
speaker of the minute looking sideways into his auditor's face and
concentrating his argument by a contraction of one eyelid during
delivery.  The greater number carried in their hands ground-ash
saplings, using them partly as walking-sticks and partly for poking
up pigs, sheep, neighbours with their backs turned, and restful
things in general, which seemed to require such treatment in the
course of their peregrinations.  During conversations each subjected
his sapling to great varieties of usage--bending it round his back,
forming an arch of it between his two hands, overweighting it on the
ground till it reached nearly a semicircle; or perhaps it was hastily
tucked under the arm whilst the sample-bag was pulled forth and a
handful of corn poured into the palm, which, after criticism, was
flung upon the floor, an issue of events perfectly well known to
half-a-dozen acute town-bred fowls which had as usual crept into the
building unobserved, and waited the fulfilment of their anticipations
with a high-stretched neck and oblique eye.

Among these heavy yeomen a feminine figure glided, the single one of
her sex that the room contained.  She was prettily and even daintily
dressed.  She moved between them as a chaise between carts, was heard
after them as a romance after sermons, was felt among them like a
breeze among furnaces.  It had required a little determination--far
more than she had at first imagined--to take up a position here, for
at her first entry the lumbering dialogues had ceased, nearly every
face had been turned towards her, and those that were already turned
rigidly fixed there.

Two or three only of the farmers were personally known to Bathsheba,
and to these she had made her way.  But if she was to be the
practical woman she had intended to show herself, business must
be carried on, introductions or none, and she ultimately acquired
confidence enough to speak and reply boldly to men merely known to
her by hearsay.  Bathsheba too had her sample-bags, and by degrees
adopted the professional pour into the hand--holding up the grains
in her narrow palm for inspection, in perfect Casterbridge manner.

Something in the exact arch of her upper unbroken row of teeth, and
in the keenly pointed corners of her red mouth when, with parted
lips, she somewhat defiantly turned up her face to argue a point with
a tall man, suggested that there was potentiality enough in that
lithe slip of humanity for alarming exploits of sex, and daring
enough to carry them out.  But her eyes had a softness--invariably a
softness--which, had they not been dark, would have seemed mistiness;
as they were, it lowered an expression that might have been piercing
to simple clearness.

Strange to say of a woman in full bloom and vigor, she always allowed
her interlocutors to finish their statements before rejoining with
hers.  In arguing on prices, she held to her own firmly, as was
natural in a dealer, and reduced theirs persistently, as was
inevitable in a woman.  But there was an elasticity in her firmness
which removed it from obstinacy, as there was a _naivete_ in her
cheapening which saved it from meanness.

Those of the farmers with whom she had no dealings (by far the
greater part) were continually asking each other, "Who is she?"
The reply would be--

"Farmer Everdene's niece; took on Weatherbury Upper Farm; turned away
the baily, and swears she'll do everything herself."

The other man would then shake his head.

"Yes, 'tis a pity she's so headstrong," the first would say.  "But we
ought to be proud of her here--she lightens up the old place.  'Tis
such a shapely maid, however, that she'll soon get picked up."

It would be ungallant to suggest that the novelty of her engagement
in such an occupation had almost as much to do with the magnetism
as had the beauty of her face and movements.  However, the interest
was general, and this Saturday's _debut_ in the forum, whatever it
may have been to Bathsheba as the buying and selling farmer, was
unquestionably a triumph to her as the maiden.  Indeed, the sensation
was so pronounced that her instinct on two or three occasions was
merely to walk as a queen among these gods of the fallow, like a
little sister of a little Jove, and to neglect closing prices
altogether.

The numerous evidences of her power to attract were only thrown into
greater relief by a marked exception.  Women seem to have eyes in
their ribbons for such matters as these.  Bathsheba, without looking
within a right angle of him, was conscious of a black sheep among the
flock.

It perplexed her first.  If there had been a respectable minority on
either side, the case would have been most natural.  If nobody had
regarded her, she would have taken the matter indifferently--such
cases had occurred.  If everybody, this man included, she would have
taken it as a matter of course--people had done so before.  But the
smallness of the exception made the mystery.

She soon knew thus much of the recusant's appearance.  He was a
gentlemanly man, with full and distinctly outlined Roman features,
the prominences of which glowed in the sun with a bronze-like
richness of tone.  He was erect in attitude, and quiet in demeanour.
One characteristic pre-eminently marked him--dignity.

Apparently he had some time ago reached that entrance to middle age
at which a man's aspect naturally ceases to alter for the term of
a dozen years or so; and, artificially, a woman's does likewise.
Thirty-five and fifty were his limits of variation--he might have
been either, or anywhere between the two.

It may be said that married men of forty are usually ready and
generous enough to fling passing glances at any specimen of moderate
beauty they may discern by the way.  Probably, as with persons
playing whist for love, the consciousness of a certain immunity under
any circumstances from that worst possible ultimate, the having to
pay, makes them unduly speculative.  Bathsheba was convinced that
this unmoved person was not a married man.

When marketing was over, she rushed off to Liddy, who was waiting
for her beside the yellow gig in which they had driven to town.
The horse was put in, and on they trotted--Bathsheba's sugar, tea,
and drapery parcels being packed behind, and expressing in some
indescribable manner, by their colour, shape, and general lineaments,
that they were that young lady-farmer's property, and the grocer's
and draper's no more.

"I've been through it, Liddy, and it is over.  I shan't mind it
again, for they will all have grown accustomed to seeing me there;
but this morning it was as bad as being married--eyes everywhere!"

"I knowed it would be," Liddy said.  "Men be such a terrible class of
society to look at a body."

"But there was one man who had more sense than to waste his time upon
me."  The information was put in this form that Liddy might not for a
moment suppose her mistress was at all piqued.  "A very good-looking
man," she continued, "upright; about forty, I should think.  Do you
know at all who he could be?"

Liddy couldn't think.

"Can't you guess at all?" said Bathsheba with some disappointment.

"I haven't a notion; besides, 'tis no difference, since he took less
notice of you than any of the rest.  Now, if he'd taken more, it
would have mattered a great deal."

Bathsheba was suffering from the reverse feeling just then, and they
bowled along in silence.  A low carriage, bowling along still more
rapidly behind a horse of unimpeachable breed, overtook and passed
them.

"Why, there he is!" she said.

Liddy looked.  "That!  That's Farmer Boldwood--of course 'tis--the
man you couldn't see the other day when he called."

"Oh, Farmer Boldwood," murmured Bathsheba, and looked at him as he
outstripped them.  The farmer had never turned his head once, but
with eyes fixed on the most advanced point along the road, passed as
unconsciously and abstractedly as if Bathsheba and her charms were
thin air.

"He's an interesting man--don't you think so?" she remarked.

"O yes, very.  Everybody owns it," replied Liddy.

"I wonder why he is so wrapt up and indifferent, and seemingly so far
away from all he sees around him."

"It is said--but not known for certain--that he met with some bitter
disappointment when he was a young man and merry.  A woman jilted
him, they say."

"People always say that--and we know very well women scarcely ever
jilt men; 'tis the men who jilt us.  I expect it is simply his nature
to be so reserved."

"Simply his nature--I expect so, miss--nothing else in the world."

"Still, 'tis more romantic to think he has been served cruelly, poor
thing'!  Perhaps, after all, he has!"

"Depend upon it he has.  Oh yes, miss, he has!  I feel he must have."

"However, we are very apt to think extremes of people.  I shouldn't
wonder after all if it wasn't a little of both--just between the
two--rather cruelly used and rather reserved."

"Oh dear no, miss--I can't think it between the two!"

"That's most likely."

"Well, yes, so it is.  I am convinced it is most likely. You may take
my word, miss, that that's what's the matter with him."

Now that she's her own boss, Bathsheba starts going to the market to sell the farm's crops. She quickly learns to speak boldly to the men there and to haggle with them over prices. Wherever she walks, she can hear men behind her asking who she is. They also talk about how soon enough, some man will marry her. She also notices, though, that there's one man in the market who pays no attention to her at all--Farmer Boldwood. When she leaves the market, Bathsheba complains to Liddy about how all the men were staring at her the whole time. She mentions, though, the man who never looked at her. Just then, a carriage passes with Farmer Boldwood inside. Bathsheba points him out as the man who didn't look at her, and Liddy says tells her who it is. They speculate that Farmer Boldwood must have gotten his heart broken when he was younger, and that's why he's so reserved.


SORTES SANCTORUM--THE VALENTINE

It was Sunday afternoon in the farmhouse, on the thirteenth of
February.  Dinner being over, Bathsheba, for want of a better
companion, had asked Liddy to come and sit with her.  The mouldy pile
was dreary in winter-time before the candles were lighted and the
shutters closed; the atmosphere of the place seemed as old as the
walls; every nook behind the furniture had a temperature of its own,
for the fire was not kindled in this part of the house early in the
day; and Bathsheba's new piano, which was an old one in other annals,
looked particularly sloping and out of level on the warped floor
before night threw a shade over its less prominent angles and hid
the unpleasantness.  Liddy, like a little brook, though shallow, was
always rippling; her presence had not so much weight as to task
thought, and yet enough to exercise it.

On the table lay an old quarto Bible, bound in leather.  Liddy
looking at it said,--

"Did you ever find out, miss, who you are going to marry by means of
the Bible and key?"

"Don't be so foolish, Liddy.  As if such things could be."

"Well, there's a good deal in it, all the same."

"Nonsense, child."

"And it makes your heart beat fearful.  Some believe in it; some
don't; I do."

"Very well, let's try it," said Bathsheba, bounding from her seat
with that total disregard of consistency which can be indulged in
towards a dependent, and entering into the spirit of divination at
once.  "Go and get the front door key."

Liddy fetched it.  "I wish it wasn't Sunday," she said, on returning.
"Perhaps 'tis wrong."

"What's right week days is right Sundays," replied her mistress in a
tone which was a proof in itself.

The book was opened--the leaves, drab with age, being quite worn away
at much-read verses by the forefingers of unpractised readers in
former days, where they were moved along under the line as an aid to
the vision.  The special verse in the Book of Ruth was sought out by
Bathsheba, and the sublime words met her eye.  They slightly thrilled
and abashed her.  It was Wisdom in the abstract facing Folly in the
concrete.  Folly in the concrete blushed, persisted in her intention,
and placed the key on the book.  A rusty patch immediately upon the
verse, caused by previous pressure of an iron substance thereon, told
that this was not the first time the old volume had been used for the
purpose.

"Now keep steady, and be silent," said Bathsheba.

The verse was repeated; the book turned round; Bathsheba blushed
guiltily.

"Who did you try?" said Liddy curiously.

"I shall not tell you."

"Did you notice Mr. Boldwood's doings in church this morning, miss?"
Liddy continued, adumbrating by the remark the track her thoughts had
taken.

"No, indeed," said Bathsheba, with serene indifference.

"His pew is exactly opposite yours, miss."

"I know it."

"And you did not see his goings on!"

"Certainly I did not, I tell you."

Liddy assumed a smaller physiognomy, and shut her lips decisively.

This move was unexpected, and proportionately disconcerting.  "What
did he do?" Bathsheba said perforce.

"Didn't turn his head to look at you once all the service."

"Why should he?" again demanded her mistress, wearing a nettled look.
"I didn't ask him to."

"Oh no.  But everybody else was noticing you; and it was odd he
didn't.  There, 'tis like him.  Rich and gentlemanly, what does he
care?"

Bathsheba dropped into a silence intended to express that she had
opinions on the matter too abstruse for Liddy's comprehension, rather
than that she had nothing to say.

"Dear me--I had nearly forgotten the valentine I bought yesterday,"
she exclaimed at length.

"Valentine! who for, miss?" said Liddy.  "Farmer Boldwood?"

It was the single name among all possible wrong ones that just at
this moment seemed to Bathsheba more pertinent than the right.

"Well, no.  It is only for little Teddy Coggan.  I have promised him
something, and this will be a pretty surprise for him.  Liddy, you
may as well bring me my desk and I'll direct it at once."

Bathsheba took from her desk a gorgeously illuminated and embossed
design in post-octavo, which had been bought on the previous
market-day at the chief stationer's in Casterbridge.  In the centre
was a small oval enclosure; this was left blank, that the sender
might insert tender words more appropriate to the special occasion
than any generalities by a printer could possibly be.

"Here's a place for writing," said Bathsheba.  "What shall I put?"

"Something of this sort, I should think," returned Liddy promptly:--

   "The rose is red,
   The violet blue,
   Carnation's sweet,
   And so are you."

"Yes, that shall be it.  It just suits itself to a chubby-faced child
like him," said Bathsheba.  She inserted the words in a small though
legible handwriting; enclosed the sheet in an envelope, and dipped
her pen for the direction.

"What fun it would be to send it to the stupid old Boldwood, and how
he would wonder!" said the irrepressible Liddy, lifting her eyebrows,
and indulging in an awful mirth on the verge of fear as she thought
of the moral and social magnitude of the man contemplated.

Bathsheba paused to regard the idea at full length.  Boldwood's had
begun to be a troublesome image--a species of Daniel in her kingdom
who persisted in kneeling eastward when reason and common sense said
that he might just as well follow suit with the rest, and afford her
the official glance of admiration which cost nothing at all.  She was
far from being seriously concerned about his nonconformity.  Still,
it was faintly depressing that the most dignified and valuable man
in the parish should withhold his eyes, and that a girl like Liddy
should talk about it.  So Liddy's idea was at first rather harassing
than piquant.

"No, I won't do that.  He wouldn't see any humour in it."

"He'd worry to death," said the persistent Liddy.

"Really, I don't care particularly to send it to Teddy," remarked her
mistress.  "He's rather a naughty child sometimes."

"Yes--that he is."

"Let's toss as men do," said Bathsheba, idly.  "Now then, head,
Boldwood; tail, Teddy.  No, we won't toss money on a Sunday, that
would be tempting the devil indeed."

"Toss this hymn-book; there can't be no sinfulness in that, miss."

"Very well.  Open, Boldwood--shut, Teddy.  No; it's more likely to
fall open.  Open, Teddy--shut, Boldwood."

The book went fluttering in the air and came down shut.

Bathsheba, a small yawn upon her mouth, took the pen, and with
off-hand serenity directed the missive to Boldwood.

"Now light a candle, Liddy.  Which seal shall we use? Here's a
unicorn's head--there's nothing in that.  What's this?--two
doves--no.  It ought to be something extraordinary, ought it not,
Liddy? Here's one with a motto--I remember it is some funny one, but
I can't read it. We'll try this, and if it doesn't do we'll have
another."

A large red seal was duly affixed.  Bathsheba looked closely at the
hot wax to discover the words.

"Capital!" she exclaimed, throwing down the letter frolicsomely.
"'Twould upset the solemnity of a parson and clerke too."

Liddy looked at the words of the seal, and read--

   "MARRY ME."

The same evening the letter was sent, and was duly sorted in
Casterbridge post-office that night, to be returned to Weatherbury
again in the morning.

So very idly and unreflectingly was this deed done.  Of love as a
spectacle Bathsheba had a fair knowledge; but of love subjectively
she knew nothing.

Liddy and Bathsheba are hanging out. Liddy asks Bathsheba if she noticed Farmer Boldwood at church that week, since her pew is directly opposite his. Liddy finds it amazing that Boldwood never once looked at Liddy throughout the entire church service. At this moment, Bathsheba remembers a Valentines Day card she bought. She was going to send it to a little boy, to cheer him up. But just as she's about to address it, Liddy thinks out loud how fun it would be to send it anonymously to Farmer Boldwood. This idea gives Bathsheba pause. Eventually, Bathsheba talks herself into doing it. Worse yet, she decides to seal the letter with a wax stamp that says, "Marry Me" on it. Bathsheba is the queen of head games, and this letter is really going to mess with Boldwood's noggin. The narrator tells us that Bathsheba has no clue what she's getting into when she sends off the letter. We partially believe that.


EFFECT OF THE LETTER--SUNRISE

At dusk, on the evening of St. Valentine's Day, Boldwood sat down
to supper as usual, by a beaming fire of aged logs.  Upon the
mantel-shelf before him was a time-piece, surmounted by a spread
eagle, and upon the eagle's wings was the letter Bathsheba had sent.
Here the bachelor's gaze was continually fastening itself, till the
large red seal became as a blot of blood on the retina of his eye;
and as he ate and drank he still read in fancy the words thereon,
although they were too remote for his sight--

   "MARRY ME."

The pert injunction was like those crystal substances which,
colourless themselves, assume the tone of objects about them.  Here,
in the quiet of Boldwood's parlour, where everything that was not
grave was extraneous, and where the atmosphere was that of a Puritan
Sunday lasting all the week, the letter and its dictum changed their
tenor from the thoughtlessness of their origin to a deep solemnity,
imbibed from their accessories now.

Since the receipt of the missive in the morning, Boldwood had felt
the symmetry of his existence to be slowly getting distorted in the
direction of an ideal passion.  The disturbance was as the first
floating weed to Columbus--the contemptibly little suggesting
possibilities of the infinitely great.

The letter must have had an origin and a motive.  That the latter
was of the smallest magnitude compatible with its existence at all,
Boldwood, of course, did not know.  And such an explanation did not
strike him as a possibility even.  It is foreign to a mystified
condition of mind to realize of the mystifier that the processes of
approving a course suggested by circumstance, and of striking out a
course from inner impulse, would look the same in the result.  The
vast difference between starting a train of events, and directing
into a particular groove a series already started, is rarely apparent
to the person confounded by the issue.

When Boldwood went to bed he placed the valentine in the corner of
the looking-glass.  He was conscious of its presence, even when his
back was turned upon it.  It was the first time in Boldwood's life
that such an event had occurred.  The same fascination that caused
him to think it an act which had a deliberate motive prevented
him from regarding it as an impertinence.  He looked again at
the direction.  The mysterious influences of night invested the
writing with the presence of the unknown writer.  Somebody's--some
WOMAN'S--hand had travelled softly over the paper bearing his name;
her unrevealed eyes had watched every curve as she formed it; her
brain had seen him in imagination the while.  Why should she have
imagined him?  Her mouth--were the lips red or pale, plump or
creased?--had curved itself to a certain expression as the pen went
on--the corners had moved with all their natural tremulousness: what
had been the expression?

The vision of the woman writing, as a supplement to the words
written, had no individuality.  She was a misty shape, and well she
might be, considering that her original was at that moment sound
asleep and oblivious of all love and letter-writing under the sky.
Whenever Boldwood dozed she took a form, and comparatively ceased to
be a vision: when he awoke there was the letter justifying the dream.

The moon shone to-night, and its light was not of a customary kind.
His window admitted only a reflection of its rays, and the pale sheen
had that reversed direction which snow gives, coming upward and
lighting up his ceiling in an unnatural way, casting shadows in
strange places, and putting lights where shadows had used to be.

The substance of the epistle had occupied him but little in
comparison with the fact of its arrival.  He suddenly wondered
if anything more might be found in the envelope than what he had
withdrawn.  He jumped out of bed in the weird light, took the
letter, pulled out the flimsy sheet, shook the envelope--searched it.
Nothing more was there.  Boldwood looked, as he had a hundred times
the preceding day, at the insistent red seal: "Marry me," he said
aloud.

The solemn and reserved yeoman again closed the letter, and stuck
it in the frame of the glass.  In doing so he caught sight of his
reflected features, wan in expression, and insubstantial in form.
He saw how closely compressed was his mouth, and that his eyes were
wide-spread and vacant.  Feeling uneasy and dissatisfied with himself
for this nervous excitability, he returned to bed.

Then the dawn drew on.  The full power of the clear heaven was not
equal to that of a cloudy sky at noon, when Boldwood arose and
dressed himself.  He descended the stairs and went out towards the
gate of a field to the east, leaning over which he paused and looked
around.

It was one of the usual slow sunrises of this time of the year, and
the sky, pure violet in the zenith, was leaden to the northward,
and murky to the east, where, over the snowy down or ewe-lease on
Weatherbury Upper Farm, and apparently resting upon the ridge, the
only half of the sun yet visible burnt rayless, like a red and
flameless fire shining over a white hearthstone.  The whole effect
resembled a sunset as childhood resembles age.

In other directions, the fields and sky were so much of one colour by
the snow, that it was difficult in a hasty glance to tell whereabouts
the horizon occurred; and in general there was here, too, that
before-mentioned preternatural inversion of light and shade which
attends the prospect when the garish brightness commonly in the sky
is found on the earth, and the shades of earth are in the sky.  Over
the west hung the wasting moon, now dull and greenish-yellow, like
tarnished brass.

Boldwood was listlessly noting how the frost had hardened and glazed
the surface of the snow, till it shone in the red eastern light with
the polish of marble; how, in some portions of the slope, withered
grass-bents, encased in icicles, bristled through the smooth wan
coverlet in the twisted and curved shapes of old Venetian glass; and
how the footprints of a few birds, which had hopped over the snow
whilst it lay in the state of a soft fleece, were now frozen to a
short permanency.  A half-muffled noise of light wheels interrupted
him.  Boldwood turned back into the road.  It was the mail-cart--a
crazy, two-wheeled vehicle, hardly heavy enough to resist a puff of
wind.  The driver held out a letter.  Boldwood seized it and opened
it, expecting another anonymous one--so greatly are people's ideas of
probability a mere sense that precedent will repeat itself.

"I don't think it is for you, sir," said the man, when he saw
Boldwood's action.  "Though there is no name, I think it is for your
shepherd."

Boldwood looked then at the address--

   To the New Shepherd,
         Weatherbury Farm,
               Near Casterbridge

"Oh--what a mistake!--it is not mine.  Nor is it for my shepherd.  It
is for Miss Everdene's.  You had better take it on to him--Gabriel
Oak--and say I opened it in mistake."

At this moment, on the ridge, up against the blazing sky, a figure
was visible, like the black snuff in the midst of a candle-flame.
Then it moved and began to bustle about vigorously from place to
place, carrying square skeleton masses, which were riddled by the
same rays.  A small figure on all fours followed behind.  The tall
form was that of Gabriel Oak; the small one that of George; the
articles in course of transit were hurdles.

"Wait," said Boldwood. "That's the man on the hill.  I'll take the
letter to him myself."

To Boldwood it was now no longer merely a letter to another man.  It
was an opportunity.  Exhibiting a face pregnant with intention, he
entered the snowy field.

Gabriel, at that minute, descended the hill towards the right.  The
glow stretched down in this direction now, and touched the distant
roof of Warren's Malthouse--whither the shepherd was apparently bent:
Boldwood followed at a distance.

On the evening of Valentine's Day, Boldwood sits down to his supper. Up on his mantle is the letter Bathsheba has sent, and he can't help but stare at the wax seal that says "Marry Me." When he goes to bed, he puts the letter in the corner of his bedroom mirror and can't stop thinking about it. Uh oh. Boldwood is hooked. The next day, Boldwood runs up to the mail cart and blindly seizes a letter from it, thinking for some reason that he'll get another Valentine's Day card. But the letter he's grabbed is addressed to Gabriel Oak. Too late, though. Boldwood has opened it by mistake. Just then, he sees Oak coming over the hill and Boldwood volunteers to take the letter to him himself.


A MORNING MEETING--THE LETTER AGAIN

The scarlet and orange light outside the malthouse did not penetrate
to its interior, which was, as usual, lighted by a rival glow of
similar hue, radiating from the hearth.

The maltster, after having lain down in his clothes for a few
hours, was now sitting beside a three-legged table, breakfasting of
bread and bacon.  This was eaten on the plateless system, which is
performed by placing a slice of bread upon the table, the meat flat
upon the bread, a mustard plaster upon the meat, and a pinch of salt
upon the whole, then cutting them vertically downwards with a large
pocket-knife till wood is reached, when the severed lump is impaled
on the knife, elevated, and sent the proper way of food.

The maltster's lack of teeth appeared not to sensibly diminish
his powers as a mill.  He had been without them for so many years
that toothlessness was felt less to be a defect than hard gums an
acquisition.  Indeed, he seemed to approach the grave as a hyperbolic
curve approaches a straight line--less directly as he got nearer,
till it was doubtful if he would ever reach it at all.

In the ashpit was a heap of potatoes roasting, and a boiling pipkin
of charred bread, called "coffee", for the benefit of whomsoever
should call, for Warren's was a sort of clubhouse, used as an
alternative to the inn.

"I say, says I, we get a fine day, and then down comes a snapper at
night," was a remark now suddenly heard spreading into the malthouse
from the door, which had been opened the previous moment.  The form
of Henery Fray advanced to the fire, stamping the snow from his boots
when about half-way there.  The speech and entry had not seemed to be
at all an abrupt beginning to the maltster, introductory matter being
often omitted in this neighbourhood, both from word and deed, and
the maltster having the same latitude allowed him, did not hurry to
reply.  He picked up a fragment of cheese, by pecking upon it with
his knife, as a butcher picks up skewers.

Henery appeared in a drab kerseymere great-coat, buttoned over his
smock-frock, the white skirts of the latter being visible to the
distance of about a foot below the coat-tails, which, when you
got used to the style of dress, looked natural enough, and even
ornamental--it certainly was comfortable.

Matthew Moon, Joseph Poorgrass, and other carters and waggoners
followed at his heels, with great lanterns dangling from their hands,
which showed that they had just come from the cart-horse stables,
where they had been busily engaged since four o'clock that morning.

"And how is she getting on without a baily?" the maltster inquired.
Henery shook his head, and smiled one of the bitter smiles, dragging
all the flesh of his forehead into a corrugated heap in the centre.

"She'll rue it--surely, surely!" he said.  "Benjy Pennyways were not
a true man or an honest baily--as big a betrayer as Judas Iscariot
himself.  But to think she can carr' on alone!" He allowed his head
to swing laterally three or four times in silence.  "Never in all my
creeping up--never!"

This was recognized by all as the conclusion of some gloomy speech
which had been expressed in thought alone during the shake of the
head; Henery meanwhile retained several marks of despair upon his
face, to imply that they would be required for use again directly
he should go on speaking.

"All will be ruined, and ourselves too, or there's no meat in
gentlemen's houses!" said Mark Clark.

"A headstrong maid, that's what she is--and won't listen to no advice
at all.  Pride and vanity have ruined many a cobbler's dog.  Dear,
dear, when I think o' it, I sorrows like a man in travel!"

"True, Henery, you do, I've heard ye," said Joseph Poorgrass in a
voice of thorough attestation, and with a wire-drawn smile of misery.

"'Twould do a martel man no harm to have what's under her bonnet,"
said Billy Smallbury, who had just entered, bearing his one tooth
before him.  "She can spaik real language, and must have some sense
somewhere.  Do ye foller me?"

"I do, I do; but no baily--I deserved that place," wailed Henery,
signifying wasted genius by gazing blankly at visions of a high
destiny apparently visible to him on Billy Smallbury's smock-frock.
"There, 'twas to be, I suppose.  Your lot is your lot, and Scripture
is nothing; for if you do good you don't get rewarded according to
your works, but be cheated in some mean way out of your recompense."

"No, no; I don't agree with'ee there," said Mark Clark.  "God's a
perfect gentleman in that respect."

"Good works good pay, so to speak it," attested Joseph Poorgrass.

A short pause ensued, and as a sort of _entr'acte_ Henery turned and
blew out the lanterns, which the increase of daylight rendered no
longer necessary even in the malthouse, with its one pane of glass.

"I wonder what a farmer-woman can want with a harpsichord, dulcimer,
pianner, or whatever 'tis they d'call it?" said the maltster.  "Liddy
saith she've a new one."

"Got a pianner?"

"Ay.  Seems her old uncle's things were not good enough for her.
She've bought all but everything new.  There's heavy chairs for the
stout, weak and wiry ones for the slender; great watches, getting on
to the size of clocks, to stand upon the chimbley-piece."

"Pictures, for the most part wonderful frames."

"And long horse-hair settles for the drunk, with horse-hair pillows
at each end," said Mr. Clark.  "Likewise looking-glasses for the
pretty, and lying books for the wicked."

A firm loud tread was now heard stamping outside; the door was opened
about six inches, and somebody on the other side exclaimed--

"Neighbours, have ye got room for a few new-born lambs?"

"Ay, sure, shepherd," said the conclave.

The door was flung back till it kicked the wall and trembled from
top to bottom with the blow.  Mr. Oak appeared in the entry with a
steaming face, hay-bands wound about his ankles to keep out the snow,
a leather strap round his waist outside the smock-frock, and looking
altogether an epitome of the world's health and vigour.  Four lambs
hung in various embarrassing attitudes over his shoulders, and the
dog George, whom Gabriel had contrived to fetch from Norcombe,
stalked solemnly behind.

"Well, Shepherd Oak, and how's lambing this year, if I mid say it?"
inquired Joseph Poorgrass.

"Terrible trying," said Oak.  "I've been wet through twice a-day,
either in snow or rain, this last fortnight.  Cainy and I haven't
tined our eyes to-night."

"A good few twins, too, I hear?"

"Too many by half.  Yes; 'tis a very queer lambing this year.  We
shan't have done by Lady Day."

"And last year 'twer all over by Sexajessamine Sunday," Joseph
remarked.

"Bring on the rest Cain," said Gabriel, "and then run back to the
ewes.  I'll follow you soon."

Cainy Ball--a cheery-faced young lad, with a small circular orifice
by way of mouth, advanced and deposited two others, and retired as he
was bidden.  Oak lowered the lambs from their unnatural elevation,
wrapped them in hay, and placed them round the fire.

"We've no lambing-hut here, as I used to have at Norcombe," said
Gabriel, "and 'tis such a plague to bring the weakly ones to a house.
If 'twasn't for your place here, malter, I don't know what I should
do i' this keen weather.  And how is it with you to-day, malter?"

"Oh, neither sick nor sorry, shepherd; but no younger."

"Ay--I understand."

"Sit down, Shepherd Oak," continued the ancient man of malt.  "And
how was the old place at Norcombe, when ye went for your dog?  I
should like to see the old familiar spot; but faith, I shouldn't know
a soul there now."

"I suppose you wouldn't.  'Tis altered very much."

"Is it true that Dicky Hill's wooden cider-house is pulled down?"

"Oh yes--years ago, and Dicky's cottage just above it."

"Well, to be sure!"

"Yes; and Tompkins's old apple-tree is rooted that used to bear two
hogsheads of cider; and no help from other trees."

"Rooted?--you don't say it!  Ah! stirring times we live in--stirring
times."

"And you can mind the old well that used to be in the middle of the
place?  That's turned into a solid iron pump with a large stone
trough, and all complete."

"Dear, dear--how the face of nations alter, and what we live to see
nowadays!  Yes--and 'tis the same here.  They've been talking but now
of the mis'ess's strange doings."

"What have you been saying about her?" inquired Oak, sharply turning
to the rest, and getting very warm.

"These middle-aged men have been pulling her over the coals for pride
and vanity," said Mark Clark; "but I say, let her have rope enough.
Bless her pretty face--shouldn't I like to do so--upon her cherry
lips!" The gallant Mark Clark here made a peculiar and well known
sound with his own.

"Mark," said Gabriel, sternly, "now you mind this! none of that
dalliance-talk--that smack-and-coddle style of yours--about Miss
Everdene.  I don't allow it.  Do you hear?"

"With all my heart, as I've got no chance," replied Mr. Clark,
cordially.

"I suppose you've been speaking against her?" said Oak, turning to
Joseph Poorgrass with a very grim look.

"No, no--not a word I--'tis a real joyful thing that she's no worse,
that's what I say," said Joseph, trembling and blushing with terror.
"Matthew just said--"

"Matthew Moon, what have you been saying?" asked Oak.

"I?  Why ye know I wouldn't harm a worm--no, not one underground
worm?" said Matthew Moon, looking very uneasy.

"Well, somebody has--and look here, neighbours," Gabriel, though one
of the quietest and most gentle men on earth, rose to the occasion,
with martial promptness and vigour.  "That's my fist."  Here he
placed his fist, rather smaller in size than a common loaf, in the
mathematical centre of the maltster's little table, and with it gave
a bump or two thereon, as if to ensure that their eyes all thoroughly
took in the idea of fistiness before he went further.  "Now--the
first man in the parish that I hear prophesying bad of our mistress,
why" (here the fist was raised and let fall as Thor might have done
with his hammer in assaying it)--"he'll smell and taste that--or I'm
a Dutchman."

All earnestly expressed by their features that their minds did not
wander to Holland for a moment on account of this statement, but were
deploring the difference which gave rise to the figure; and Mark
Clark cried "Hear, hear; just what I should ha' said." The dog George
looked up at the same time after the shepherd's menace, and though he
understood English but imperfectly, began to growl.

"Now, don't ye take on so, shepherd, and sit down!" said Henery,
with a deprecating peacefulness equal to anything of the kind in
Christianity.

"We hear that ye be a extraordinary good and clever man, shepherd,"
said Joseph Poorgrass with considerable anxiety from behind the
maltster's bedstead, whither he had retired for safety.  "'Tis a
great thing to be clever, I'm sure," he added, making movements
associated with states of mind rather than body; "we wish we were,
don't we, neighbours?"

"Ay, that we do, sure," said Matthew Moon, with a small anxious laugh
towards Oak, to show how very friendly disposed he was likewise.

"Who's been telling you I'm clever?" said Oak.

"'Tis blowed about from pillar to post quite common," said Matthew.
"We hear that ye can tell the time as well by the stars as we can by
the sun and moon, shepherd."

"Yes, I can do a little that way," said Gabriel, as a man of medium
sentiments on the subject.

"And that ye can make sun-dials, and prent folks' names upon their
waggons almost like copper-plate, with beautiful flourishes, and
great long tails.  A excellent fine thing for ye to be such a clever
man, shepherd.  Joseph Poorgrass used to prent to Farmer James
Everdene's waggons before you came, and 'a could never mind which way
to turn the J's and E's--could ye, Joseph?" Joseph shook his head
to express how absolute was the fact that he couldn't.  "And so you
used to do 'em the wrong way, like this, didn't ye, Joseph?" Matthew
marked on the dusty floor with his whip-handle

   [the word J A M E S appears here with the "J" and the "E"
   printed backwards]

"And how Farmer James would cuss, and call thee a fool, wouldn't he,
Joseph, when 'a seed his name looking so inside-out-like?" continued
Matthew Moon with feeling.

"Ay--'a would," said Joseph, meekly.  "But, you see, I wasn't so much
to blame, for them J's and E's be such trying sons o' witches for the
memory to mind whether they face backward or forward; and I always
had such a forgetful memory, too."

"'Tis a very bad affliction for ye, being such a man of calamities in
other ways."

"Well, 'tis; but a happy Providence ordered that it should be no
worse, and I feel my thanks.  As to shepherd, there, I'm sure mis'ess
ought to have made ye her baily--such a fitting man for't as you be."

"I don't mind owning that I expected it," said Oak, frankly.
"Indeed, I hoped for the place.  At the same time, Miss Everdene has
a right to be her own baily if she choose--and to keep me down to be
a common shepherd only."  Oak drew a slow breath, looked sadly into
the bright ashpit, and seemed lost in thoughts not of the most
hopeful hue.

The genial warmth of the fire now began to stimulate the nearly
lifeless lambs to bleat and move their limbs briskly upon the hay,
and to recognize for the first time the fact that they were born.
Their noise increased to a chorus of baas, upon which Oak pulled the
milk-can from before the fire, and taking a small tea-pot from the
pocket of his smock-frock, filled it with milk, and taught those of
the helpless creatures which were not to be restored to their dams
how to drink from the spout--a trick they acquired with astonishing
aptitude.

"And she don't even let ye have the skins of the dead lambs, I hear?"
resumed Joseph Poorgrass, his eyes lingering on the operations of Oak
with the necessary melancholy.

"I don't have them," said Gabriel.

"Ye be very badly used, shepherd," hazarded Joseph again, in the hope
of getting Oak as an ally in lamentation after all.  "I think she's
took against ye--that I do."

"Oh no--not at all," replied Gabriel, hastily, and a sigh escaped
him, which the deprivation of lamb skins could hardly have caused.

Before any further remark had been added a shade darkened the door,
and Boldwood entered the malthouse, bestowing upon each a nod of a
quality between friendliness and condescension.

"Ah! Oak, I thought you were here," he said.  "I met the mail-cart
ten minutes ago, and a letter was put into my hand, which I opened
without reading the address.  I believe it is yours.  You must excuse
the accident please."

"Oh yes--not a bit of difference, Mr. Boldwood--not a bit," said
Gabriel, readily.  He had not a correspondent on earth, nor was there
a possible letter coming to him whose contents the whole parish would
not have been welcome to peruse.

Oak stepped aside, and read the following in an unknown hand:--

   DEAR FRIEND,--I do not know your name, but I think these
   few lines will reach you, which I wrote to thank you for
   your kindness to me the night I left Weatherbury in a
   reckless way.  I also return the money I owe you, which you
   will excuse my not keeping as a gift.  All has ended well,
   and I am happy to say I am going to be married to the young
   man who has courted me for some time--Sergeant Troy, of
   the 11th Dragoon Guards, now quartered in this town.  He
   would, I know, object to my having received anything except
   as a loan, being a man of great respectability and high
   honour--indeed, a nobleman by blood.

   I should be much obliged to you if you would keep the
   contents of this letter a secret for the present, dear
   friend.  We mean to surprise Weatherbury by coming there
   soon as husband and wife, though I blush to state it to one
   nearly a stranger.  The sergeant grew up in Weatherbury.
   Thanking you again for your kindness,

            I am, your sincere well-wisher,
                     FANNY ROBIN.

"Have you read it, Mr. Boldwood?" said Gabriel; "if not, you had
better do so.  I know you are interested in Fanny Robin."

Boldwood read the letter and looked grieved.

"Fanny--poor Fanny! the end she is so confident of has not yet
come, she should remember--and may never come.  I see she gives no
address."

"What sort of a man is this Sergeant Troy?" said Gabriel.

"H'm--I'm afraid not one to build much hope upon in such a case as
this," the farmer murmured, "though he's a clever fellow, and up to
everything.  A slight romance attaches to him, too.  His mother was
a French governess, and it seems that a secret attachment existed
between her and the late Lord Severn.  She was married to a poor
medical man, and soon after an infant was born; and while money was
forthcoming all went on well.  Unfortunately for her boy, his best
friends died; and he got then a situation as second clerk at a
lawyer's in Casterbridge.  He stayed there for some time, and might
have worked himself into a dignified position of some sort had he not
indulged in the wild freak of enlisting.  I have much doubt if ever
little Fanny will surprise us in the way she mentions--very much
doubt. A silly girl!--silly girl!"

The door was hurriedly burst open again, and in came running Cainy
Ball out of breath, his mouth red and open, like the bell of a penny
trumpet, from which he coughed with noisy vigour and great distension
of face.

"Now, Cain Ball," said Oak, sternly, "why will you run so fast and
lose your breath so?  I'm always telling you of it."

"Oh--I--a puff of mee breath--went--the--wrong way, please, Mister
Oak, and made me cough--hok--hok!"

"Well--what have you come for?"

"I've run to tell ye," said the junior shepherd, supporting his
exhausted youthful frame against the doorpost, "that you must come
directly.  Two more ewes have twinned--that's what's the matter,
Shepherd Oak."

"Oh, that's it," said Oak, jumping up, and dimissing for the present
his thoughts on poor Fanny.  "You are a good boy to run and tell me,
Cain, and you shall smell a large plum pudding some day as a treat.
But, before we go, Cainy, bring the tarpot, and we'll mark this lot
and have done with 'em."

Oak took from his illimitable pockets a marking iron, dipped it
into the pot, and imprinted on the buttocks of the infant sheep the
initials of her he delighted to muse on--"B. E.," which signified to
all the region round that henceforth the lambs belonged to Farmer
Bathsheba Everdene, and to no one else.

"Now, Cainy, shoulder your two, and off. Good morning, Mr. Boldwood."
The shepherd lifted the sixteen large legs and four small bodies he
had himself brought, and vanished with them in the direction of the
lambing field hard by--their frames being now in a sleek and hopeful
state, pleasantly contrasting with their death's-door plight of half
an hour before.

Boldwood followed him a little way up the field, hesitated, and
turned back.  He followed him again with a last resolve, annihilating
return.  On approaching the nook in which the fold was constructed,
the farmer drew out his pocket-book, unfastened it, and allowed it to
lie open on his hand.  A letter was revealed--Bathsheba's.

"I was going to ask you, Oak," he said, with unreal carelessness, "if
you know whose writing this is?"

Oak glanced into the book, and replied instantly, with a flushed
face, "Miss Everdene's."

Oak had coloured simply at the consciousness of sounding her name.
He now felt a strangely distressing qualm from a new thought.  The
letter could of course be no other than anonymous, or the inquiry
would not have been necessary.

Boldwood mistook his confusion: sensitive persons are always ready
with their "Is it I?" in preference to objective reasoning.

"The question was perfectly fair," he returned--and there was
something incongruous in the serious earnestness with which he
applied himself to an argument on a valentine.  "You know it is
always expected that privy inquiries will be made: that's where
the--fun lies."  If the word "fun" had been "torture," it could not
have been uttered with a more constrained and restless countenance
than was Boldwood's then.

Soon parting from Gabriel, the lonely and reserved man returned to
his house to breakfast--feeling twinges of shame and regret at having
so far exposed his mood by those fevered questions to a stranger.  He
again placed the letter on the mantelpiece, and sat down to think of
the circumstances attending it by the light of Gabriel's information.

We look in on the old malthouse proprietor sitting in the malthouse and cooking potatoes in an ashpit. Yum. Ashy potatoes. A dude named Henery Fray comes walking in and complains about the cold night. He complains even more, though, about how Bathsheba didn't hire him on as her new bailiff. He promises that she'll live to regret it. The men go on to talk about how they'll be ruined if Bathsheba's farm goes under. They all talk about their recent dreams as bad omens, even though the dreams seem to be about totally random things. The men talk smack about Bathsheba for a while longer, until Gabriel Oak busts into the room. He has some lambs with him, because the lambs need to be warmed up by the fire and because Oak is adorable. They asking him how the lambing season is going, and he says it's terrible because of the weather. Then Oak asks what's up with them. The old man informs him that he's just in time to gripe about Bathsheba with the rest of the guys. Gabriel, though, gets angry and demands to know what the men have been saying about Bathsheba. The men mention that Bathsheba is very vain. Even though Oak knows that this is true, because he saw Bathsheba just chilling and checking herself out in a mirror, he tells them to shut up. He won't let them say one bad thing about her, and he warns them against doing so in the future. The men change the subject and talk about how Oak can apparently tell what time of night it is by looking at the stars. Mad skills. Soon, the heat of the fire brings some life into the lambs that Oak has is warming up near the fireplace. Oak takes a milk bottle and starts to feed them. Oh god. The cute never ends. After some more chatting, Mr. Boldwood walks through the door and hands Oak his letter, apologizing for having opened it. Oak reads the letter, which is from the frail young woman on the road. The woman says that thanks to him, she's going to marry her lover, Sergeant Troy, and that she wants to repay him for the money he once gave her. The letter includes this money. The letter is signed by Fanny Robin. She says that she plans on returning to Weatherbury soon with Sergeant Troy as her husband. Oak shows the letter to Boldwood. Boldwood reads the letter and looks concerned. He isn't convinced that this Sergeant Troy will make good on his promise of marriage. At this point, Gabriel's young assistant, Cainy Ball, comes running into the room. He tells Oak that two more of the sheep have given birth to twin lambs and that Oak must come right away. Boldwood follows Oak and pulls out the Valentine from his secret admirer, asking Oak if he can recognize the handwriting. Oak takes one look and tells him that it was totally written by Bathsheba. After parting ways with Oak, Boldwood returns home for breakfast. He puts the letter back on the mantle and starts thinking about Bathsheba. Again.


ALL SAINTS' AND ALL SOULS'

On a week-day morning a small congregation, consisting mainly of
women and girls, rose from its knees in the mouldy nave of a church
called All Saints', in the distant barrack-town before-mentioned, at
the end of a service without a sermon.  They were about to disperse,
when a smart footstep, entering the porch and coming up the central
passage, arrested their attention.  The step echoed with a ring
unusual in a church; it was the clink of spurs.  Everybody looked.  A
young cavalry soldier in a red uniform, with the three chevrons of a
sergeant upon his sleeve, strode up the aisle, with an embarrassment
which was only the more marked by the intense vigour of his step, and
by the determination upon his face to show none.  A slight flush had
mounted his cheek by the time he had run the gauntlet between these
women; but, passing on through the chancel arch, he never paused till
he came close to the altar railing.  Here for a moment he stood
alone.

The officiating curate, who had not yet doffed his surplice,
perceived the new-comer, and followed him to the communion-space.  He
whispered to the soldier, and then beckoned to the clerk, who in his
turn whispered to an elderly woman, apparently his wife, and they
also went up the chancel steps.

"'Tis a wedding!" murmured some of the women, brightening.  "Let's
wait!"

The majority again sat down.

There was a creaking of machinery behind, and some of the young ones
turned their heads.  From the interior face of the west wall of the
tower projected a little canopy with a quarter-jack and small bell
beneath it, the automaton being driven by the same clock machinery
that struck the large bell in the tower.  Between the tower and the
church was a close screen, the door of which was kept shut during
services, hiding this grotesque clockwork from sight.  At present,
however, the door was open, and the egress of the jack, the blows on
the bell, and the mannikin's retreat into the nook again, were
visible to many, and audible throughout the church.

The jack had struck half-past eleven.

"Where's the woman?" whispered some of the spectators.

The young sergeant stood still with the abnormal rigidity of the old
pillars around.  He faced the south-east, and was as silent as he was
still.

The silence grew to be a noticeable thing as the minutes went on,
and nobody else appeared, and not a soul moved.  The rattle of the
quarter-jack again from its niche, its blows for three-quarters, its
fussy retreat, were almost painfully abrupt, and caused many of the
congregation to start palpably.

"I wonder where the woman is!" a voice whispered again.

There began now that slight shifting of feet, that artificial
coughing among several, which betrays a nervous suspense.  At length
there was a titter.  But the soldier never moved.  There he stood,
his face to the south-east, upright as a column, his cap in his hand.

The clock ticked on.  The women threw off their nervousness, and
titters and giggling became more frequent.  Then came a dead silence.
Every one was waiting for the end.  Some persons may have noticed how
extraordinarily the striking of quarters seems to quicken the flight
of time.  It was hardly credible that the jack had not got wrong with
the minutes when the rattle began again, the puppet emerged, and the
four quarters were struck fitfully as before.  One could almost be
positive that there was a malicious leer upon the hideous creature's
face, and a mischievous delight in its twitchings.  Then followed the
dull and remote resonance of the twelve heavy strokes in the tower
above.  The women were impressed, and there was no giggle this time.

The clergyman glided into the vestry, and the clerk vanished.  The
sergeant had not yet turned; every woman in the church was waiting to
see his face, and he appeared to know it.  At last he did turn, and
stalked resolutely down the nave, braving them all, with a compressed
lip.  Two bowed and toothless old almsmen then looked at each other
and chuckled, innocently enough; but the sound had a strange weird
effect in that place.

Opposite to the church was a paved square, around which several
overhanging wood buildings of old time cast a picturesque shade.  The
young man on leaving the door went to cross the square, when, in the
middle, he met a little woman.  The expression of her face, which had
been one of intense anxiety, sank at the sight of his nearly to
terror.

"Well?" he said, in a suppressed passion, fixedly looking at her.

"Oh, Frank--I made a mistake!--I thought that church with the spire
was All Saints', and I was at the door at half-past eleven to a
minute as you said.  I waited till a quarter to twelve, and found
then that I was in All Souls'.  But I wasn't much frightened, for
I thought it could be to-morrow as well."

"You fool, for so fooling me!  But say no more."

"Shall it be to-morrow, Frank?" she asked blankly.

"To-morrow!" and he gave vent to a hoarse laugh.  "I don't go through
that experience again for some time, I warrant you!"

"But after all," she expostulated in a trembling voice, "the mistake
was not such a terrible thing!  Now, dear Frank, when shall it be?"

"Ah, when?  God knows!" he said, with a light irony, and turning from
her walked rapidly away.

Cut to a scene inside a church. A young man in a military jacket talks to a priest and goes up to the altar as if he's getting ready to be married. The only problem is that there doesn't seem to be a bride anywhere around. Eventually, the priest leaves. Finally, the young man turns and looks around the church. Not seeing anyone he knows, he walks out of the church and meets a young woman in a park. She says she got the church mixed up and that she hopes they can be married the next day just as easily. The dude is mad, though, and he says that he won't be ready to make another go at it for some time. The woman ends the chapter by asking when the wedding will be. The guy just says, "God knows!" and walks away from her.


IN THE MARKET-PLACE

On Saturday Boldwood was in Casterbridge market house as usual, when
the disturber of his dreams entered and became visible to him.  Adam
had awakened from his deep sleep, and behold! there was Eve.  The
farmer took courage, and for the first time really looked at her.

Material causes and emotional effects are not to be arranged in
regular equation.  The result from capital employed in the production
of any movement of a mental nature is sometimes as tremendous as the
cause itself is absurdly minute.  When women are in a freakish mood,
their usual intuition, either from carelessness or inherent defect,
seemingly fails to teach them this, and hence it was that Bathsheba
was fated to be astonished to-day.

Boldwood looked at her--not slily, critically, or understandingly,
but blankly at gaze, in the way a reaper looks up at a passing
train--as something foreign to his element, and but dimly understood.
To Boldwood women had been remote phenomena rather than necessary
complements--comets of such uncertain aspect, movement, and
permanence, that whether their orbits were as geometrical,
unchangeable, and as subject to laws as his own, or as absolutely
erratic as they superficially appeared, he had not deemed it his duty
to consider.

He saw her black hair, her correct facial curves and profile, and
the roundness of her chin and throat.  He saw then the side of her
eyelids, eyes, and lashes, and the shape of her ear.  Next he noticed
her figure, her skirt, and the very soles of her shoes.

Boldwood thought her beautiful, but wondered whether he was right in
his thought, for it seemed impossible that this romance in the flesh,
if so sweet as he imagined, could have been going on long without
creating a commotion of delight among men, and provoking more inquiry
than Bathsheba had done, even though that was not a little.  To the
best of his judgement neither nature nor art could improve this
perfect one of an imperfect many.  His heart began to move within
him.  Boldwood, it must be remembered, though forty years of age, had
never before inspected a woman with the very centre and force of his
glance; they had struck upon all his senses at wide angles.

Was she really beautiful?  He could not assure himself that his
opinion was true even now.  He furtively said to a neighbour, "Is
Miss Everdene considered handsome?"

"Oh yes; she was a good deal noticed the first time she came, if you
remember.  A very handsome girl indeed."

A man is never more credulous than in receiving favourable opinions
on the beauty of a woman he is half, or quite, in love with; a mere
child's word on the point has the weight of an R.A.'s.  Boldwood was
satisfied now.

And this charming woman had in effect said to him, "Marry me."  Why
should she have done that strange thing?  Boldwood's blindness to
the difference between approving of what circumstances suggest, and
originating what they do not suggest, was well matched by Bathsheba's
insensibility to the possibly great issues of little beginnings.

She was at this moment coolly dealing with a dashing young farmer,
adding up accounts with him as indifferently as if his face had been
the pages of a ledger.  It was evident that such a nature as his had
no attraction for a woman of Bathsheba's taste.  But Boldwood grew
hot down to his hands with an incipient jealousy; he trod for the
first time the threshold of "the injured lover's hell."  His first
impulse was to go and thrust himself between them.  This could be
done, but only in one way--by asking to see a sample of her corn.
Boldwood renounced the idea.  He could not make the request; it was
debasing loveliness to ask it to buy and sell, and jarred with his
conceptions of her.

All this time Bathsheba was conscious of having broken into that
dignified stronghold at last.  His eyes, she knew, were following her
everywhere.  This was a triumph; and had it come naturally, such a
triumph would have been the sweeter to her for this piquing delay.
But it had been brought about by misdirected ingenuity, and she
valued it only as she valued an artificial flower or a wax fruit.

Being a woman with some good sense in reasoning on subjects wherein
her heart was not involved, Bathsheba genuinely repented that a freak
which had owed its existence as much to Liddy as to herself, should
ever have been undertaken, to disturb the placidity of a man she
respected too highly to deliberately tease.

She that day nearly formed the intention of begging his pardon on
the very next occasion of their meeting.  The worst features of this
arrangement were that, if he thought she ridiculed him, an apology
would increase the offence by being disbelieved; and if he thought
she wanted him to woo her, it would read like additional evidence of
her forwardness.

It's Saturday, and good ol' Boldwood is back in the marketplace as per usual. But now he's a smitten kitten. Bathsheba's joke Valentine has made him fall head over heels in love with her. Boldwood has never claimed to understand women, and he doesn't understand Bathsheba. We can't blame him: Bathsheba seems a little weird what with the prank love letters and all. But Boldwood is kind of weird. He asks around to find out whether Bathsheba's considered good looking. A friend says that she is, so now Boldwood feels good about approaching her. Bathsheba, meanwhile, can feel Boldwood watching her all the time now, and she considers this a bit of a triumph, since he was the only man in town who didn't admire her before.