ðeɪ ˈɔfən fˈɑːloʊ kˈɑːmən fˈɪlm ˈɛdɪɾɪŋ kənvˈɛnʃənz, sˈʌtʃ ɐz hˌævɪŋ ɐ bɹˈɔːd ɪstˈæblɪʃɪŋ ʃˈɑːt dᵻskɹˈɪpʃən əvə sˈiːn fˈɑːloʊd baɪ klˈoʊsˌʌp diːtˈeɪlz, ænd hɜː dᵻskɹˈɪpʃənz ʌv wˈɪmɪn kˈæɹɪktɚz ˈɔfən tˈeɪk ˈeɪ "mˈeɪl ɡˈeɪz" pɚspˈɛktɪv.
They often follow common film editing conventions, such as having a broad establishing shot description of a scene followed by close-up details, and her descriptions of women characters often take a "male gaze" perspective.