22 June 1897
22 June 1897 is a 1979 Marathi film co-written by Shankar Nag and Nachiket Patwardhan and directed by the husband and wife team of Jayoo Patwardhan and Nachiket Patwardhan. The duo are also practising architects. It is based on the true life story of the assassination of British Government officers Walter Charles Rand ICS and Lt. Charles Egerton Ayerst by the Chapekar brothers. The film has been included in the book One Hundred Indian Feature Films: An Annotated Filmography, a representative selection from the first Indian talkies to the then-present date (1988). The title of the film is the date of the assassination, 22 June 1897. It won the 1980 Indian Silver Lotus at the National Film Awards in two categories: Best film on National Integration and Art Direction. It also won the 1980 Maharashtra State awards for best film of the year and best director. The film has been included in the selected collection of Indian films and videos in the US Library of Congress. Most of the performers in the film then belonged to Theatre Academy, Pune. Plot 
Poona was visited by the pestilence of bubonic plague which took a heavy toll of life. But the plague had another indirect and far-reaching consequence on the politics of the country. The behaviour of the military which was called out to deal with the situation arising from the pestilence caused great indignation. On 22 June 1897, British officer Charles Walter Rand Assistant Collector of Pune and Chairman of the Special Plague Committee, Pune, and British Army officer Lieutenant Charles Egerton Ayerst, were assassinated on the Ganeshkhind road, Pune, on their way back from a Government house party celebrating the Diamond Jubilee anniversary of the coronation of Queen Victoria. C. W. Rand of the ICS was appointed to take charge of the plague control measures and had successfully contained the epidemic; but his methods of evacuating the people, of fumigating their dwellings, and burning the contaminated articles, evoked tremendous hatred amongst certain sections of the society, which led to his assassination. The climax scene is the shooting after the midnight party finished, the carriages started moving out of the Government House, one of the boys in that group watched from outside the gate. As Rand came out, he gave the signal. Another boy began running with the carriage. As he reached the spot where Damodar, Balkrishna, and others were waiting, he shouted to them 'Gondya ala re! (Gondya has come)'. Balkrishna jumped on the carriage and shot the occupant. But there was a mistake. It was Ayerst whom he had killed. They realised their mistake. When Rand's carriage came to the spot, Damodar climbed on it and shot Rand. Ayerst was killed on the spot, and Rand died in hospital on 3 July 1897. Production 
The film is based on true life events leading up to, and the consequences of, the assassination of Charles Walter Rand, Assistant Collector of Pune and Chairman of the Special Plague Committee, Pune, and British Army officer Lt Charles Egerton Ayerst. Ayerst was Rand's military escort on 22 June 1897 by the Chapekar brothers – Damodar Hari, Vasudev Hari, and Balkrishna Hari and Mahadeo Vinayak Ranade, Khando Vishnu Sathe a schoolboy was charged as a co-conspirator and sentenced to 10 years rigorous imprisonment. The film was the directorial debut of Jayoo and Nachiket Patwardhan, commissioned by the National Film Development Corporation of India (NFDC) on a shoestring Rupees 350,000 budget. Jayoo Patwardhan scouted for locations in Wai and Pune for the period look, poring over scores of photographs obtained by her grandfather, and spending months researching the details. The film was shot entirely on locations in Pune, Wai and Mumbai in March and April 1979. The co-director considers the film "a solid piece of history with huge archival value". Vijay Tendulkar its dialogue writer considered that "the film is significant because it shows the way history needs to be treated in cinema – in a deglam manner where martyrs are also shown as human beings", and judged the effort to be stupendous given the tight budget and other limitations of the time. "The dialogues I wrote were brief and simple, just like the script demanded," felt Tendulkar. Damodar Hari Chapekar's autobiography 
Damodar Hari's narration of the shooting differs from the events as shown in the film. In his autobiography, Damodar Hari writes that he believed the jubilee celebrations would cause Europeans of all ranks to go to the Government House, and this would give them the opportunity to kill Rand. The brothers Damodar Hari and Balkrishna Hari selected a spot of Ganeshkhind road, by the side of a yellow bungalow to shoot at Rand. Each armed with a sword and a pistol. Balkrishna, in addition, carried a hatchet. They reached Ganeshkhind, they saw what looked like Rand's carriage pass by, but they let it go, not being sure, deciding to attack him on his way back. They reached Government House at 7.00–7.30 in the evening, as darkness was beginning to set in. A large number of people had gathered to witness the spectacle at Government House, and there were bonfires on the hills. The swords and the hatchet they carried made a movement without raising suspicion difficult, so they deposited them under a stone culvert near the bungalow, so as to retrieve it in case of need. As planned, Damodar Hari waited at the gate of the Government House, and as Rand's carriage emerged, ran 10–15 paces behind it. As the carriage reached the yellow bungalow, Damodar made up the distance and called out "Gondya", a predetermined signal for Balkrishna to take action. Damodar Hari undid the flap of the carriage, raised it and fired from a distance of about a span. It was originally planned that both would shoot at Rand, so as to ensure that Rand would not live, however, Balkrishna Hari lagged behind and Rand's carriage rolled on, Balkrishna Hari meanwhile on the suspicion that the occupants of the following carriage were whispering to each other, fired at the head of one of them from behind. Credits 
The credits for the film are as follows:

Script: Nachiket Patwardhan
Screenplay: Shankar Nag, Nachiket Patwardhan
Dialogues: Vijay Tendulkar
Production Team:
Sadanand Borse
Dilip Limaye
Gangaram
Makrand More
Prasad Purandare
Assistants:
Rekha Sabnis (Script, Continuity)
Dinesh Mehta (Camera)
Kalshikar (Sound)
Karekar (Make-up, Costumes)
Islam (Editing)
Bhalekar (Equipment)
Sound Recordist: Vinay Shrivastav
Music Director: Anand Modak
Editor: Madhu Sinha
Art Direction, Costumes: Jayoo Patwardhan
Cameraman: Navroze Contractor
Direction:  Nachiket Patwardhan and Jayoo Patwardhan

