Lila (Hinduism)
Lila ( ) or leela () can be loosely translated as "divine play". The concept of lila is common to both non-dualist and dualist philosophical schools of Indian philosophy, but has a markedly different significance in each. Within non-dualism, lila is a way of describing all reality, including the cosmos, as the outcome of creative play by the divine absolute (Brahman). In the dualistic schools of Vaishnavism, lila refers to the activities of God and his devotee, as well as the macrocosmic actions of the manifest universe, as seen in the Vaishnava scripture Srimad Bhagavatam, verse 3.26.4:

sa eṣa prakṛtiḿ sūkṣmāḿ daivīḿ guṇamayīḿ vibhuḥ yadṛcchayaivopagatām abhyapadyata līlayā"As his pastimes, that Supreme Divine Personality, the greatest of the great, accepted the subtle material energy which is invested with three material modes of nature." Modern interpretations

Implications
Hindu denominations differ on how a human should react to awareness of lila. Karma Yoga allows a joyful embrace of all aspects of life ("intentional acceptance") while maintaining distinction from the Supreme, while Bhakti and Jnana Yoga advocate striving for oneness with the Supreme. Lila is an important idea in the traditional worship of Krishna (as prankster) and Shiva (as dancer), and has been used by modern writers like Stephen Nachmanovitch, Fritjof Capra, and Alan Watts. Lila is comparable to the Western theological position of Pandeism, which describes the Universe as God taking a physical form in order to experience the interplay between the elements of the Universe. 