Speculative fiction by writers of color
Speculative fiction is defined as science fiction, fantasy, and horror. Within those categories exists many other subcategories, for example cyberpunk, magical realism, and psychological horror. "Person of color" is a term used in the United States to denote non-white persons, sometimes narrowed to mean non-WASP persons or non-Hispanic whites, if "ethnic whites" are included. The term "person of color" is used to redefine what it means to be a part of the historically marginalized racial and ethnic groups within Western society. A writer of color is a writer who is a part of a marginalized culture in regards to traditional Euro-Western mainstream culture. This includes Asians, African-Americans, Africans, Native Americans, Latinos, Asian Americans, and Pacific Islanders. While writers of color may sometimes focus on experiences unique to their cultural heritage, which have sometimes been considered "subcategories" of national heritage (e.g. the black experience within American culture), many do not only write about their particular culture or members within that culture, in the same way that many Americans of European descent (traditionally categorized as Caucasian or white) do not only write about Western culture or members of their cultural heritage. The works of many well-known writers of color tend to examine issues of identity politics, religion, feminism, race relations, economic disparity, and the often unacknowledged and rich histories of various cultural groups. African-American (Black) speculative fiction

African-American science fiction and fantasy and their origins 
Black speculative fiction often focuses on race and the history of race relations in Western society. The history of slavery, the African diaspora, and the Civil Rights Movement sometimes influence the narrative of SF stories written by black authors. Within science fiction, the concern is that many traditional science fiction works do not include black people in the future under any context, or only in sidelined roles. As the popularity of science fiction and other speculative genres grows within the black community, some longtime fans and black writers branch out to write about "universal" themes that cross cultural lines and feature African and African-American protagonists. These stories and novels may not deal heavily with issues concerning race but instead primarily focus on other aspects of life. They are notable because, historically, many science fiction works that deal with traditional science fiction subject matter do not feature characters of color. The cultural significance of science fiction works by black writers is being recognized in the mainstream as more fans indicate a desire for stories that reflect their interests in speculative fiction and also reflect their unique experiences as people of color. Non-POC fans are also interested in these works. While they may or may not identify with the cultural contexts of the work, they can and do identify with the characters within the context of the story and enjoy the science fiction themes and plots. This is indicated by the popularity of writers like Octavia E. Butler, Walter Mosley, Nalo Hopkinson, and Tananarive Due. The contributions of writers such as Octavia E. Butler, usually credited as the first black woman to gain widespread acclaim and recognition as a speculative fiction writer, have influenced the works of new generations of SF writers of color. Hope Wabuke, a writer and assistant professor at the University of Nebraska-Lincoln of English and Creative Writing, argues that the term "Black Speculative Literature" can encompass the terms Afrofuturism, Africanfuturism, and Africanjujuism, the latter two coined by Nnedi Okorafor, all of which center "African and African diasporic culture, thought, mythos, philosophy, and worldviews." 