The Great Indian Kitchen
The Great Indian Kitchen is a 2021 Indian Malayalam-language drama film written and directed by Jeo Baby. The film tells the story of a newly-wed woman (Nimisha Sajayan) who struggles to be the submissive wife that her husband (Suraj Venjaramood) and his family expect her to be. The music was composed by Sooraj S. Kurup and Mathews Pulickan. The film was released on Neestream on 15 January 2021. The film received universal critical acclaim and won Kerala State Film Award for Best Film, Best Screenplay award for Baby and Best Sound Designer award for Tony Babu. The film was remade in Tamil in 2023 under the same title with Aishwarya Rajesh and Rahul Ravindran in the lead roles. A Hindi remake is in pre-production with Sanya Malhotra and Angad Bedi in lead roles. Plot 
An educated dancer, raised in Manama, Bahrain finds herself in an arranged marriage to a teacher in a very traditional and patriarchal family. While the domestic routine of the Wife begins in the sweet bliss of a new marriage, things begin to go down south. The drudgery of the kitchen and its many unpleasantries - cleaning, filthy utensils and leaking taps - are left to the women while the men mostly indulge themselves with their phone or yoga. The family is so patriarchal that her father-in-law hands his toothbrush to the daughter-in-law, while he  is lounging by the verandah. The men eat their meals first and leave the place a mess without concern for how the women can eat food after them. Their convenience and comfort always come before consideration for their wives. While the new bride takes a while to adjust to these new surroundings and eventually somewhat makes peace with them, her mother-in-law goes to take care of her daughter who is seven months pregnant. The whole responsibility of cooking, cleaning and other household chores falls on her. Her egotistical husband is inconsiderate of her needs and feelings. When she tells him that it hurts when having sex and asks for some foreplay, he remarks she seems to know everything on the topic and condescendingly tells her he should be attracted to her for foreplay, making her cry to sleep. Her father-in-law forbids her from finding employment, citing that a woman in the house brings prosperity to the family. When she gets her period, she is appalled to discover that the family's beliefs regarding menstruation are extremely regressive. She is asked to hole herself up all alone on the floor in a room, bathe in the river, eat separately and wash all the things she touches. She is even asked to go stay with a relative or to sleep outside during those days. While these events transpire, Kerala is grappling with the Sabarimala temple verdict where the courts decided that menstruation is not an impurity and so women should be allowed to visit the temple. Many people, including the groom's family, do not approve of the verdict. All these injustices boil over one day and end up with the wife throwing murky kitchen sink water on her husband and father-in-law and leaving the family for her freedom and dignity. The film ends with a scene showing her as an independent dance teacher arriving in her own car while her ex-husband is married again and the second wife seems to meet the first one's fate. 