Critic Randy Rasmussen suggests that the character of Bill is fundamentally more naïve, strait-laced, less disclosing and more unconscious of his vindictive motives than his counterpart, Fridolin.
Criticul Randy Rasmussen a sugerat că personajul Bill este fundamental mai naiv, rigid, și puțin inconștient de motivele sale vindicative, decât echivalentul său, Fridolin.