Particularly striking examples of such judgements were produced by noted Bach biographers Philipp Spitta and Albert Schweitzer, who criticized Telemann's cantatas and then praised works they thought were composed by Bach, but which were composed by Telemann.
Asemenea judecăți au fost produse de renumiții biografi Bach, Philipp Spitta și Albert Schweitzer, care criticau cantatele lui Telemann și apoi lăudau lucrări care ei credeau că au fost compuse de Bach dar în realitate au fost compuse de Telemann.