They agreed, but as the film developed, sound designer and longtime Fincher collaborator Ren Klyce felt there were places in some scenes that could have used music.
Složili su se, ali kako se film razvijao, dizajner zvuka i dugogodišnji Fincherov suradnik Ren Klyce je smatrao kako postoje mjesta u nekim scenama kojima bi dobro došla korištena glazba.