Todd McCarthy writes that the film's "striking widescreen compositions often contain objects in extreme close-up as well as vivid contrasts, sometimes bringing to mind the visual strategies of Sergio Leone", an acknowledged hero of Tarantino's.
Todd McCarthy piše da "zapanjujuće kompozicije filma često sadrže objekte u krupnom planu kao i živahne kontraste, ponekad podsjećajući na vizualne strategije Sergia Leonea", Tarantinova poznatog heroja.