Stanley Kauffmann writes in The Impact of Rashomon that Kurosawa often shot a scene with several cameras at the same time, so that he could "cut the film freely and splice together the pieces which have caught the action forcefully, as if flying from one piece to another."
Stanley Kauffman u The Impact of Rashomon piše kako je Kurosava često snimao scenu s nekoliko kamera istodobno, tako da bi mogao "slobodno rezati film i sastavljati dijelove koji su uhvatili intenzitet akcije, kao da leti od jednog dijela do drugog."