She was shot mainly from her preferred left side, often with a softening gauze filter and with catch lights to make her eyes sparkle; the whole effect was designed to make her face seem "ineffably sad and tender and nostalgic".
Ona je uglavnom snimana s lijeve strane, često s omekšavajućim filterom i hvatanjem odraza kako bi joj se oči učinile blještavim; cijeli efekt je osmišljen kako bi joj se lice učinilo "neopisivo tužnim i nostalgičnim."