He gave Messina a collection of Dawson's songs and asked him to create "the sound of the film" through an instrumental score that replicated the recording quality, tone, feel and innocence of her music.
Dao je Messini kolekciju Dawsoninih pjesama i rekao mu da osmisli "zvuk filma" preko instrumentalne glazbe koja prati kvalitetu snimanja, ton, osjećaj i nevinost njene glazbe.