Hall purposely distanced the camera from Hanks' character, Michael Sullivan Sr., at the beginning of the film to establish the perspective of Sullivan's son, who is unaware of his father's true nature.
Hall je na početku filma namjerno distancirao kameru od Hanksova lika, Michaela Sullivana, kako bi dobio perspektivu Sullivanova sina, koji je nesvjestan očeve prave prirode.