Our technique was significantly different because we built it to move around objects that were themselves in motion, and we were also able to create slow-motion events that 'virtual cameras' could move around – rather than the static action in Gondry's music videos with limited camera moves.
Naša je tehnika bila značajno drugačija zato što smo je napravili tako da se kreće oko objekata koji su sami bili u pokretu, te smo također mogli stvoriti događaje koji su se odvijali usporeno i koje su 'virtualne kamere' mogle pomicati naokolo - bolje nego statična akcija u Gondryjevim glazbenim spotovima s ograničenim pokretima kamere.”