In the nineties, there was no art practice in Croatian painting that would unite the perspectives of active artists, but the influence of the new painting (from the seventies) and the new painting of the eighties dominated.
U devedesetima se u hrvatskom slikarstvu nije pojavila niti jedna umjetnička praksa koja bi objedinila rakurse aktivnih umjetnika, no prevladava utjecaj nove slike (sedamdesetih) i novog slikarstva osamdesetih.