One is never sure what Lynch likes or dislikes, and his often striking images are too often lacking in compassion for us to accept him as a chronicler of a moribund landscape a la Fellini".
Nitko ne može biti siguran što Lynch voli, a što ne, a njegovim upečatljivim scenama često nedostaje suosjećanja kako bi ga prihvatili kao kroničara morbidnosti puput Fellinija."