Maybe it's the fantasy it spins on racial/social/cultural mores, much as Driving Miss Daisy did 20-odd years ago – uptight rich white employer learns to love through black employee's life-force.
Måske er det fantasien det spin på grund af race/sociale/kulturelle skikke, meget som Driving Miss Daisy gjorde for 20 år siden – forkrampet rig hvid arbejdsgiver lærer at elske gennem sort medarbejders livskraft.