Some of these works depict her own relatives, friends, or clients, although in her later years she generally used professional models in compositions that are often reminiscent of Italian Renaissance depictions of the Madonna and Child.
Nogle af værkerne er af hendes slægtninge, venner eller kunder, mens hun senere i karrieren fortrinsvis brugte professionelle modeller i kompositioner, der ofte peger tilbage til afbildninger af Madonna og barnet fra den italienske renæssance.