This allows him to preserve his compositional materials and procedures, while at the same time attending the music's expressive dimension, as manifested in works such as Three Places (2011), Venus (2013) and Engage And Share (2014).
Dette gør det muligt for ham at fastholde sit kompositoriske materiales integritet, uden at det går i konflikt til musikkens klingende udtryksdimension, og som det forefindes i værker som Three Places (2011), Venus (2013) og Engage And Share (2014).