Additionally, he wanted "a full orchestra right next to the player"; a system which made modifications such as tempo and texture to the currently playing track, instead of switching to another pre-recorded track.
Udover dette, ønskede han et "fuld orkester ved siden af spilleren"; et system der lavede ændringer til tempo og teksturen til det igangværende musiknummer, uden at skifte til et helt andet forudindspillet nummer.