The first works with this method were River and Leaf (1991/92), The Circle And The Web (1992) and the orchestra work Sated Bodies (1993/94), whereas emphasis on pulsations combined with time-bound elasticity that harks back to his musical initiation in the 70s became apparent for the first time in Black Walls (1995).
De første værker komponeret med denne metode er River And Leaf (1991/92), The Circle And The Web (1992) og orkesterværket Sated Bodies (1993/94), mens pulseringer kombineret med tidsbunden elasticitet der referer til hans musikalske start i 70erne optræder fuldt udviklet første gang i Black Walls (1995).