The New York Times called 1996's Hallelujah Junction "a two-piano work played with appealingly sharp edges," and 2001's "American Berserk" "a short, volatile solo piano work."
New York Times kaldte Hallelujah Junction fra 1996 "a two-piano work played with appealingly sharp edges" ("et værk for to klaverer med dejligt skarpe kanter") og "American Berserk" for "a short, volatile solo piano work" ("et kort flyvsk værk for soloklaver").