However, drawing on phenomenology, he does distinguish between two categories of objects: real objects and sensual objects (or intentional objects), which sets his philosophy apart from the flat ontology of Bruno Latour.
Dog (med inspiration i fænomenologien) skelner han mellem to kategorier af genstande: virkelige objekter og sensuelle objekter (eller intentionelle objekter), hvilket adskiller hans filosofi fra den flade ontologi hos Bruno Latour.