From 1914, he was a member of the ensemble Société des Instruments anciens, from 1918 to 1930 a member of the Capet Quartet, which was particularly dedicated to the interpretation of Beethoven's string quartets.
Ab 1914 war er Mitglied des Ensembles Société des Instruments anciens, von 1918 bis 1930 Mitglied des Capet Quartet, das sich insbesondere der Interpretation der Streichquartette Beethovens widmete.