She often contemplated the physical and  psychological effects of disability in her work; painting herself in agony, recuperating from operations, or including objects such as her back brace and wheelchair.
Savos darbos viņa bieži apcerēja invaliditātes fiziskos un psiholoģiskos aspektus, attēlojot sevi agonijā, atlabstot no operācijām vai iekļaujot tādus objektus  kā muguras siksnas un ratiņkrēsls.