We finally settled on a shape that was the proportion of the Concertgebouw with the sloping outside walls, which the acoustician said were crucial to this and later decided they weren't, but now we have them.
Mēs beidzot apstājāmies pie formas, kura bija "Concertgebouw" proporcija ar slīpām ārējām sienām, kuras, kā teica akustiķis, bija priekš tam kritiski svarīgas, un vēlāk izlēma, ka nebija vis, bet tagad mums tās ir.