I got my paints, and I wasn't a landscape painter, but I wasn't really much of any kind of painter at all, so I had no attachment, no expectation, which allowed me to be reckless and free.
Es paņēmu krāsas, lai gan negleznoju ainavas, bet patiesībā es vispār negleznoju neko konkrētu, tāpēc man nebija nekādas piesaistes, nekādu gaidu, tāpēc varēju būt vieglprātīga un brīva.