So what we do is pre-map the stage at five frames per second with the same spatial-mapping technology that you'll use with the product at home, and then we store it, so that when there's shenanigans of wireless in an environment like this, between the camera's HoloLens and the one on my head, we don't have things disappear.
Tādēļ mēs kartējām skatuvi iepriekš ar pieciem kadriem sekundē, izmantojot to pašu telpas kartēšanu, ko jūs izmantojat ar produktu mājās, un tad to saglabājam, lai tad, kad notiek kaut kas neparedzēts bezvadu apstākļos kā šeit, starp kameras <i>HoloLens</i> un to, kas man uz galvas, mums nekas nepazustu.