So I began experimenting with other ways to fragment images where the shake wouldn't affect the work, like dipping my feet in paint and walking on a canvas, or, in a 3D structure consisting of two-by-fours, creating a 2D image by burning it with a blowtorch.
Si rrjedhoje, fillova te eksperimentoja me menyra te tjera per te copezuar imazhesh ku dridhja nuk do ta afektonte punen, si pershembull, zhytjen e kembeve ne boje dhe te ecja mbi kanvas, ose, ne nje strukture 3D dy me kater, duke krijuar nje imazh 2D nga djegja me pishtar.