Now an improviser senses and plays the next cool move, but a composer is considering all possible moves, testing them out, prioritizing them out, until he sees how they can form a powerful and coherent design of ultimate and enduring coolness.
Tani nje improvizues ndjen dhe luan levizjen tjeter te mire, por kompozitori i konsideron te gjithat levizjet e mundshme, duke i testuar, duke i dhene prioritet, derisa ai formon nje dizajn te fuqishem e koherent me nje stil te forte qe qendron.