It was kind of a perfect triangle in which the art buyer was happy because he got the instruments at a cheaper price, because they weren't even made.
이는 완벽한 삼각관계로 예술 후원자는 악기를 싼 가격에  얻을 수 있어서 행복하고, 왜냐하면 그 악기들은  사실 만들어지지도 않았으니까요.