Saddled in the performing arts as we are, by antiquated union agreements that inhibit and often prohibit mechanical reproduction and streaming, locked into large facilities that were designed to ossify the ideal relationship between artist and audience most appropriate to the 19th century and locked into a business model dependent on high ticket revenues, where we charge exorbitant prices.
Incastrati come siamo da accordi sindacali antiquati che inibiscono o proibiscono la copia fisica e lo streaming bloccati in grandi strutture progettate per irrigidire il rapporto ideale tra artista e pubblico più adatti al diciannovesimo secolo e bloccati in un modello fondato sugli alti introiti delle vendite di biglietti, per i quali chiediamo prezzi esorbitanti,