So Aaron Koblin and I began auditioning new technologies that could put more of you inside of the work, like your childhood home in "The Wilderness Downtown," your hand-drawn portraits, in "The Johnny Cash Project," and your interactive dreams in "3 Dreams of Black."
Insieme ad Aaron Koblin cominciai a esaminare nuove tecnologie che potessero meglio riflettere  parti di voi stessi nell'opera come la vostra casa da bambini in "The Wilderness Downtown," i vostri disegni a mano libera in "The Johnny Cash Project" e i vostri sogni interattivi in "3 Dreams of Black".