So 24 years ago, I was brought to The New Yorker as art editor to rejuvenate what had by then become a somewhat staid institution and to bring in new artists and to try to bring the magazine from its ivory tower into engaging with its time.
Há 24 anos, vim para a The New Yorker como editora de arte para rejuvenescer o que tinha  se tornado uma instituição estagnada, para trazer novos artistas e fazer a empresa sair de seu pedestal e engajar-se em seu tempo.