After clay, I was then kind of turned on to lots of different kinds of materials, and my studio grew a lot because I thought, well, it's not really about the material, it's about our capacity to shape things.
Depois do barro, fiquei interessado em vários tipos de materiais diferentes e meu estúdio cresceu muito porque pensei: "Bem, não é o material, mas a capacidade de moldar coisas."