The high point of the Public Theater, I think, was in 1996, two years after I designed it, which was the "Bring in 'da Noise, Bring in 'da Funk" campaign that was all over New York.
Najlepszy okres Public Theater nastapił w 1996, dwa lata po rozpoczęciu naszej współpracy, wraz z kampanią "Bring in 'da Noise, Bring in 'da Funk", widoczną w całym Nowym Jorku.