In particular, "The Supper at Emmaus" which was viewed as Vermeer's finest masterpiece, his best work -- people would come [from] all over the world to see it -- was actually a forgery.
En concret, "El Sopar a Emaús", el qual era vist com la millor obra d'en Vermeer i la gent d'arreu del món havia anat a veure, era en realitat una falsificació.