There was nothing special about this very typical political portrait of the time, except that for the first time, an individual of color, in that case, Jean-Baptiste Belley, was actually named and acknowledged in a painting.
Não havia nada especial nesse retrato tipicamente político da época, exceto que, pela primeira vez, uma pessoa de cor, neste caso, Jean-Baptiste Belley, foi de facto nomeado  e reconhecido num quadro.