So, because of this explosion in access to sound, especially through the Deaf community, this has not only affected how music institutions, how schools for the deaf treat sound, and not just as a means of therapy -- although, of course, being a participator of music, that definitely is the case as well -- but it's meant that acousticians have had to really think about the types of halls they put together.
Så, på grund av den här explosionen i ljudtillgänglighet särskilt hos döva har detta inte bara påverkat hur musikinstitutioner och dövskolor behandlar ljud - och inte bara som terapimetod - fast som medgestaltare av musik, stämmer detta absolut också. Men det har betytt att akustiker verkligen har behövt fundera över vilka slags lokaler de konstruerar.