Perhaps it's not a very insightful observation, but that really started me on a path to be able to do a kind of theme and variations based on a work by Piero, in this case that remarkable painting that's in the Uffizi, "The Duke of Montefeltro," who faces his consort, Battista.
وربما لم يكن تصرفاً يُلحظ بسهولة ولكنه في الحقيقة مكنني من ان ابدأ الطريق في الرسم .. بعدة أوجه وتبعاً لعمل بدأه بيرو في هذه الحالة رسمت " دوق مونتيفيلتو " الذي هو وجهه أمام وجه باتيستا