Thats a unique idea.You should consider the following idea to enhance your idea so that it would impact uniquely: AbstractThis article discusses three compositions for autonomous laptops performing with improvising musicians. The laptops re programmed with software environments that make narrow-band ‘decisions’ regarding performative soundscapes. They also made ‘decisions’ about visual materials that re presented as onscreen scores for the human improviser to consider. The unfolding aural and visual streams re both functional and creative, and highlighted the here-and-now of indeterminate composition, whilst carefully embedding the aesthetics of the composer within the core of the programming. As such, these laptops re considered as collaborating performers and collaborating composers. The opening section highlights the connecting principles within this collection of works, before discussing each in isolation. This is placed within the context of late tntieth-century and early tnty-first- century composition, whilst offering a framework, for the reading of these, based on Deleuze and Guattari's rhizome ph...
['Craig Vear']
I am writing a research paper on a idea Music, dimensions and play: composing for autonomous laptop musicians and improvising humans
[{"from": "human", "value": "I am writing a research paper on a idea Music, dimensions and play: composing for autonomous laptop musicians and improvising humans"}, {"from": "gpt", "value": "Thats a unique idea.You should consider the following idea to enhance your idea so that it would impact uniquely: AbstractThis article discusses three compositions for autonomous laptops performing with improvising musicians. The laptops re programmed with software environments that make narrow-band \u2018decisions\u2019 regarding performative soundscapes. They also made \u2018decisions\u2019 about visual materials that re presented as onscreen scores for the human improviser to consider. The unfolding aural and visual streams re both functional and creative, and highlighted the here-and-now of indeterminate composition, whilst carefully embedding the aesthetics of the composer within the core of the programming. As such, these laptops re considered as collaborating performers and collaborating composers. The opening section highlights the connecting principles within this collection of works, before discussing each in isolation. This is placed within the context of late tntieth-century and early tnty-first- century composition, whilst offering a framework, for the reading of these, based on Deleuze and Guattari's rhizome ph..."}]