Thats a unique idea.You should consider the following idea to enhance your idea so that it would impact uniquely: Cultural Heritage is always a project (even in reference to the past) and could be specifically expressed in the form and manner of the use of display interfaces for the visualization and documentation located by heritage sites. in fact, ll-established techniques of visual representation in the history of visual media are part of our Cultural Heritage as ll: from drawings to movies, and including the form of iconographic atlases. The legacy of these practices of representation can be embodied by augmented reality devices in the heritage sites: this approach requires a visual interface -and the order of its inte- ractions- to be organized through subsequent levels of spatial, morphological and semantic competence of its final user. Here  propose some guidelines for the design of an integrative display device conceived in connection with the case study of the cite de l' architecture et du patrimoine in Paris, France.
['Fabrizio Gay', 'Matteo Ballarin']
I am writing a research paper on a idea Between the Fragment and the Atlas: A Device for the Visualization and Documentation of the Cité de l’Architecture et du Patrimoine in Paris
[{"from": "human", "value": "I am writing a research paper on a idea Between the Fragment and the Atlas: A Device for the Visualization and Documentation of the Cit\u00e9 de l\u2019Architecture et du Patrimoine in Paris"}, {"from": "gpt", "value": "Thats a unique idea.You should consider the following idea to enhance your idea so that it would impact uniquely: Cultural Heritage is always a project (even in reference to the past) and could be specifically expressed in the form and manner of the use of display interfaces for the visualization and documentation located by heritage sites. in fact, ll-established techniques of visual representation in the history of visual media are part of our Cultural Heritage as ll: from drawings to movies, and including the form of iconographic atlases. The legacy of these practices of representation can be embodied by augmented reality devices in the heritage sites: this approach requires a visual interface -and the order of its inte- ractions- to be organized through subsequent levels of spatial, morphological and semantic competence of its final user. Here  propose some guidelines for the design of an integrative display device conceived in connection with the case study of the cite de l' architecture et du patrimoine in Paris, France."}]