Immortal love, authour of this great frame,
Sprung from that beautie which can never fade;
How hath man parcel'd out thy glorious name,
And thrown it on that dust which thou hast made,
While mortall love doth all the title gain!
Which siding with invention, they together
Bear all the sway, possessing heart and brain,
(Thy workmanship) and give thee share in neither.
Wit fancies beautie, beautie raiseth wit:
The world is theirs; they two play out the game,
Thou standing by: and though thy glorious name
Wrought our deliverance from th' infernall pit,
The mind and poetic power (“wit”) get entranced by lesser beauties, and this worldly beauty elevates the mind and makes it proud. 
 This line is itself an example of wit and beauty working together: it is  chiastic , with an ABBA order (wit – beauty / beauty – wit). Furthermore, the rhythm is striking: Herbert inverts the first iamb into a trochee, and adds a  caesura  in the middle of the third foot; the rest of the line then flows regulary: 
 — o / o — / o ǁ — / o — / o —