years malayalam cinema hotbed experimental movies filmmakers trying hand yet unexplored musical genre content survival drama neerali neo noir crossover movie ranam samyuktha menon latest dark survival thriller recent illustration however audience truly connect plastic film determines success experiment find director rohith vs whose films adventures omanakuttan iblis stick conventional genre opines interview totally get conception abstract storytelling adventures omanakuttan straightforward film portions traversing realm fantasy films overutilisation dialogue relied optical storytelling unfortunately get across audience humble section people understand construct introduction film ones also gave confidence attempt iblis says distribute people read movie way result bad reviews hence films find tough stay theatres says rohith head audience says people come theatre lot set notions instance within first minutes bear main thread story unveiled interval scene ranam director nirmal sahadev still says mindset audience slowly changing core ranam gang wars astuteness human kinship flick like amen dealings worked core conception audience smart films various languages released getting proficient response proof always open experimentsnirmal also emphasise audience invariably open experimentation filmmakers padmarajan green g george tinkered set notions film movies deshatanakili karayarilla yavanika panchavadi palam cast immaterial concept film appealing says pointing winner fag newcomers sudani nigeria another example known face film soubin shahir also something unusual content worldbeater today director midhun manuel thomas experimentation implying different treatment sacrifice films unluckily films sometimes confined nonage watch soaker says filmmaker whose debut celluloid aadu became cult hit despite well box also points customary film viewing pattern malayali audience plays portion fate films box office instance malayalam gross horror movie like languages horror dramas horror comedies forerunners bear brunt consequent films received well midhun adds padayottam released lately well happened movies like aadu double barrel tanked commercially experimental pic must made regardless reception box office movies genre go become success survey years theatre director bring priority lay foundation films different genres come power social mediarohith subscribes view content provided filmmakers usually determine interchange people watch moving picture conventional storylines onedimensional tale long acclimatised viewing something ordinary media role play bringing switch online discussions works film also return observe film yet idea store similar opinion nirmal says prevalence versatile moving picture clubs mathematical group facilitate experimental films certain extent online extremely important platform tied marketing regarding films would prove helpful producers think similar lines rajesh raj saltation trainer ardent fan films says people watching plastic film first deuce days rather passionate want watch post lines social media might seeking film would entertainment hence might end dissatisfied film musical genre sentry a lot previous look soul film views might entirely contrary hearing reaction neer easyfor managing director gauging taste audience confusing says rohith trying find middle ground thinking director member audience choosing movie also filmmaking tells us hoping films later people would get know expect citing example lijo jose agrees set normal determine success movie state thought aadu power mass film set eccentric person characters depends perspective audience time need get introduced different genres content says