gradual progression over eras is subtly and smartly punctuated with strategically placed elements distinctive of the decade with guns and gadgets coming into picture the revenge drama is regular yet relatable a chase sequence amidst the bustling city is as real as it gets also the narrative comes full circle returning to the opening mobattack sequence with which the first part initiated only this time you get to see it from the internal side learning what faizal and family went through the epilogue though predictable is poignant there is no compromise on the intensity in the ambience of the anecdote everything from the gritty action crude dialect offbeat music engaging camerawork is authentic to the core and adds to the effect also the grim film carries forward its zany sense of humour like in the scene where a brassband pays homage at funerals through gloomy bollywood numbers crazy ringtones often define characters undoubtedly performances are the films mainstay credit it to the intensity and impact of nawazuddin that you dont miss the soul of the series manoj bajpayee in the sequel the next actor who gains your attention is debutant zeishan quadri also the cowriter of the film as the stepbrother definite he is compelling confident and a talent to look forward to tigmanshu dhulia mellows down his vocal chords here but maintains his authoritative demeanour huma qureshi is a striking beauty and one of the most charming female faces in films in recent times raj kumar yadav is convincing but his character is shortlived most other actors from the first part including piyush mishra jameel khan pankaj tripathi and richa chadha have pretty less to do chadha however is brilliant in that onescene where she sings a celebration song with teary eyes while remembering her husbandgangs of wasseypur part 2 might not be as perfect as its prequel yet its two steps ahead of any revengedrama the most exploited genre and sentiment in bollywoodverdict good