acting concerned brilliant issues fitness overcame behave esteem lot eroticism eagoler chokh dealt sexuality revilement psychology film known eroticism part way show sexuality screen compromise esthetic child abuse shown film part childhood experiences first sexual fantasies bengali men revolve around boudis fell prey happy incident past experiences helped direct always praising jaya respect jaya actress want go on working always thing playing mind people bangladesh react films scene demands less inhibition goes inhibition mean mental approach actor paayel sarkar orthodox nature explained character demands went flow abir i actor really shaping well knows strengths weaknesses well mold accordingly otherwise difficult actor deal made message clear surrenders actor brother byomkesh course earn respectfulness proving make byomkesh look with child life said directors cast anirban bhattacharya eagoler chokh failed tap take pride launching anirban real surprise film attempt actor twelvemonth come vouch take anjan byomkesh like jisshu thespian exactly asked byomkesh believe anjan sort director wield two franchises time shabor handle knows prove producers actors audience know organize quality films confident make mess admit make films good srijit want direct feluda smiles deficiency srijit direct one feluda see depict sleuth actor arindam sil taken backseat always game substantive roles moreover films keep busy days anything interesting comes terms performing see making dixie remake never bury alive audiences move around remakes totally producers say still think arindam arrived director still actors name listing music director want work out always aparna sen goutam ghose srijit mukherji shiboprosad mukherjee nandita roy name balan said audience succeed deuceace film director kolkata srijit kaushik ask many want put to work take name must logic constantly test improve consultation tell whether go far managing director