theater director sagar ballarycast vinay pathak kay kay menonthe runaway success bheja fry launch independent movie theatre character creative person vinay pathak unprecedented way ever since pathak seen underplayed character many times somewhere lost individuality original republic of india bhushan bheja fry lost essence years holds novelty instant recall value comes back sequel take anything away immensely talented vinay pathak happened paresh rawal hera pheri sequel starts bharat bhushan vinay pathak winning reality tv evidence gets aboard cruise liner cruise businessman ajit talwar kay kay menon evading imminent raid gets know bhushan remember officer existence transport decides knock luck would land withdraw island much ajit wants get rid irritating bhushan escape isolated island vinay pathak attempts revive idiosyncrasies bharat bhushan original typical laughing style hairstyle chaste verbose hindi usage briefcase noisy crumpled formative bag upgraded velcro valet bhushan prominent recall value proceed inharmonious incessant singing yesteryear phone number hemant da manna dey bharat bhushan character already established prequel film starts tardily note establishing kay kay lecherous calculative character bheja frying starts low half graph goes different level second half duo land island bheja fry franchise would work chemistry vinay pathak victim sequel well vinay pathak kay kay menon camaraderie rather lack open style hilarious moment kay kay frustration vinay indifferent cauterize attitude situation qualifies everlasting extension brand bheja narrative goes toss concluding portions amole gupte undefined character introduced remains tangent primary plat clowning film steers towards idealism exactly sane idea plus island episode ends abruptly make way unneeded epilogue resolve bharat bhushan perfunctory romance track minissha lamba vinay pathak plays bharat bhushan requisite perfection kay kay menon response bhushan silliness goofiness throw bheja fry interesting experience formulation enraging outbursts kay kay good amol gupte hams weirdo character minissha lamba looks cute suresh menon repeats dixie amerind act director sagar ballary racks brains enough amount original work bheja christopher fry able end high note bad could better verdict middling