but for every violent and plotless comic there is also a mature multilayered comic why after having comic book heroes for over thirty years can we not produce better varietygraphic novel author sarnath banerjee the barn owls wondrous capers says that the indian superhero follows a strict code of morality but what this morality is based upon is never made clear he compares superheroes like doga to conservative bullies who seek to force a peace by simply killing the criminal superheroes began in the us in a world war ii environment and reflected the anxiety felt by a large number of americans at the time he says india too has produced heroes who are products of our anxiety our fears and our doubts i feel that anurag should use doga in some way to critique dogabut gyan prakash a historian at princeton university is bullish about doga he fights the dregs of society says prakash doga was born during the peak of gangland culture in mumbai and it is only apt that the character was a vigilante considering the police was ineffective in dealing with the problems doga sees the rampant immorality around him and takes it head on remove that moral dichotomy and you lose the hero then you get sociopaths and mass murderers doga kills but it is only justified by him being the good guy