there was a time when the gali ka ladka making it to bollywood was gossip for west delhiites now its the gali itself movies based in west delhi with characters that could be your nosy neighbour or loud best friend have managed to connect with audiences all over the country and the directors swear by the janak puri auntyjis the karol bagh barsaatis the galiyaan and the gaaliyan the jhintaak clothes and punjabi accent everything that is so west delhianushka took the typical iron staircases and not those grand stairways where the heroine makes her entry the bari barsi song the sangeet night with the spoonanddholki combination and the boliyaan had been a major part of any punjabi wedding but after bbb a proper choreographed performance with anushkastyle dance moves became a mandatory part of every cocktail night in the country for the first wedding taken up by the duo the site was the mohalla park and gali a regular venue for all birthday parties jagraans and weddings in the janak puri region till date talking about getting the real janak puri on the big screen director maneesh sharma said the environment was very real so it had to be a proper janak puri house to get to her room anushka took the typical iron staircases and not those old school huge stairways in grand homes where the heroine makes her grand entry of all the clothes worn by anushka during weddings planned by the group the first shown in the picture is the most jhintak and is something that can be found in all west delhi suit shops and wardrobes and taking full advantage of the mohalla mentality anushkas character says in the film pehli shaadi mein kuch na kuch galti hoti hai yeh toh apna janak puri hai auntyji uncleji bol ke mana lenge janak puri ki behenji is a phrase i have grown up with the introduction song shows anushkas character running to catch a green dtc bus and haggling with the rickshaw wala from her clothes to her bindaas try bhi mat kariyo rejection style everything about her is typically janak puri ranveer singhs conversation with his friend where the latter confidently exclaims janak puri ki hai toh behenji hogi connected with everyone whod chased skirts been chased or witnessed the phenomenon in du director maneesh sharma told us janak puri ki behenji is a phrase i have grown up with i had behenjis all around me and that was the west delhi milieu i have grown up there so i am familiar with the environment myself we displayed his migration from west delhi ghetto to five star areas based on the story of west delhis local bunty chor oye lucky lucky oye was another movie that captured the essence of west delhi in its depiction of luckys childhood and milieu manjot singh played the younger lucky a local boy with notsolocal dreams and his scenes with angry daddyji paresh rawal made for some of