Toscanini was often criticized for not performing much American music and contemporary music (music by living composers). However, in 1938, he conducted the world premieres of two orchestral works by Samuel Barber, "Adagio for Strings" and "Essay for Orchestra (Barber)|Essay for Orchestra". In 1945, he led the orchestra in Carnegie Hall recording sessions of American music including "An American in Paris" by George Gershwin. He also conducted broadcast performances of Copland's "El Salon Mexico" and Gershwin's "Rhapsody in Blue" with soloists Earl Wild and Benny Goodman and "Concerto in F" with pianist Oscar Levant, as well as music by other American composers, including two marches of John Philip Sousa.
t ɑ s k ʌ n iː n i WORD_BOUNDARY w ʌ z WORD_BOUNDARY ɔ f ə n WORD_BOUNDARY k ɹ ɪ t ɪ s aɪ z d WORD_BOUNDARY f ɔ ɹ WORD_BOUNDARY n ɑ t WORD_BOUNDARY p ə ɹ f ɔ ɹ m ɪ ŋ WORD_BOUNDARY m ʌ t̠ʃ WORD_BOUNDARY ʌ m ɛ ɹ ɪ k ə n WORD_BOUNDARY m j uː z ɪ k WORD_BOUNDARY æ n d WORD_BOUNDARY k ə n t ɛ m p ə ɹ ɹ ɛ ɹ i WORD_BOUNDARY m j uː z ɪ k WORD_BOUNDARY m j uː z ɪ k WORD_BOUNDARY b aɪ WORD_BOUNDARY l ɪ v ɪ ŋ WORD_BOUNDARY k ə m p oʊ z ə ɹ z WORD_BOUNDARY h aʊ ɛ v ə ɹ ɹ WORD_BOUNDARY ɪ n WORD_BOUNDARY n aɪ n t iː n h ʌ n d ɹ ɪ d WORD_BOUNDARY θ ɜː t i WORD_BOUNDARY eɪ t WORD_BOUNDARY h iː WORD_BOUNDARY k ə n d ʌ k t ɪ d WORD_BOUNDARY ð ə WORD_BOUNDARY w ɜː l d WORD_BOUNDARY p ɹ ə m ɪ ɹ z WORD_BOUNDARY ʌ v WORD_BOUNDARY t uː WORD_BOUNDARY ɔ ɹ k ɪ s t ɹ ə l WORD_BOUNDARY w ɜː k s WORD_BOUNDARY b aɪ WORD_BOUNDARY s æ m j uː l WORD_BOUNDARY b ɑ ɹ b ə ɹ ɹ WORD_BOUNDARY æ d ɑ d̠ʒ ɪ oʊ WORD_BOUNDARY f ɔ ɹ WORD_BOUNDARY s t ɹ ɪ ŋ z WORD_BOUNDARY æ n d WORD_BOUNDARY ɛ s eɪ WORD_BOUNDARY f ɔ ɹ WORD_BOUNDARY ɔ ɹ k ɪ s t ɹ ə WORD_BOUNDARY b ɑ ɹ b ə ɹ WORD_BOUNDARY ɛ s eɪ WORD_BOUNDARY f ɔ ɹ WORD_BOUNDARY ɔ ɹ k ɪ s t ɹ ə WORD_BOUNDARY ɪ n WORD_BOUNDARY n aɪ n t iː n h ʌ n d ɹ ɪ d WORD_BOUNDARY f ɔ ɹ t i WORD_BOUNDARY f aɪ v WORD_BOUNDARY h iː WORD_BOUNDARY l ɛ d WORD_BOUNDARY ð ɪ WORD_BOUNDARY ɔ ɹ k ɪ s t ɹ ə WORD_BOUNDARY ɪ n WORD_BOUNDARY k ɑ ɹ n ə ɡ i WORD_BOUNDARY h ɔ l WORD_BOUNDARY ɹ ɪ k ɔ ɹ d ɪ ŋ WORD_BOUNDARY s ɛ ʃ ə n z WORD_BOUNDARY ʌ v WORD_BOUNDARY ʌ m ɛ ɹ ɪ k ə n WORD_BOUNDARY m j uː z ɪ k WORD_BOUNDARY ɪ ŋ k l uː d ɪ ŋ WORD_BOUNDARY ʌ n WORD_BOUNDARY ʌ m ɛ ɹ ɪ k ə n WORD_BOUNDARY ɪ n WORD_BOUNDARY p æ ɹ ɪ s WORD_BOUNDARY b aɪ WORD_BOUNDARY d̠ʒ ɔ ɹ d̠ʒ WORD_BOUNDARY d̠ʒ ɜː ʃ w ɪ n WORD_BOUNDARY h iː WORD_BOUNDARY ɔ l s oʊ WORD_BOUNDARY k ə n d ʌ k t ɪ d WORD_BOUNDARY b ɹ ɔ d k æ s t WORD_BOUNDARY p ə ɹ f ɔ ɹ m ə n s ɪ z WORD_BOUNDARY ʌ v WORD_BOUNDARY k oʊ p l æ n d z WORD_BOUNDARY ɛ l WORD_BOUNDARY s ʌ l ɑ n WORD_BOUNDARY m ɛ k s ɪ k oʊ WORD_BOUNDARY æ n d WORD_BOUNDARY d̠ʒ ɜː ʃ w ɪ n z WORD_BOUNDARY ɹ æ p s ə d i WORD_BOUNDARY ɪ n WORD_BOUNDARY b l uː WORD_BOUNDARY w ɪ ð WORD_BOUNDARY s oʊ l oʊ ɪ s t s WORD_BOUNDARY ɜː l WORD_BOUNDARY w aɪ l d WORD_BOUNDARY æ n d WORD_BOUNDARY b ɛ n i WORD_BOUNDARY ɡ ʊ d m ə n WORD_BOUNDARY æ n d WORD_BOUNDARY k ə n t̠ʃ ɛ ɹ t oʊ WORD_BOUNDARY ɪ n WORD_BOUNDARY ɛ f WORD_BOUNDARY w ɪ ð WORD_BOUNDARY p iə n ɪ s t WORD_BOUNDARY ɑ s k ə ɹ WORD_BOUNDARY l ə v æ n t WORD_BOUNDARY æ z WORD_BOUNDARY w ɛ l WORD_BOUNDARY æ z WORD_BOUNDARY m j uː z ɪ k WORD_BOUNDARY b aɪ WORD_BOUNDARY ʌ ð ə ɹ ɹ WORD_BOUNDARY ʌ m ɛ ɹ ɪ k ə n WORD_BOUNDARY k ə m p oʊ z ə ɹ z WORD_BOUNDARY ɪ ŋ k l uː d ɪ ŋ WORD_BOUNDARY t uː WORD_BOUNDARY m ɑ ɹ t̠ʃ ɪ z WORD_BOUNDARY ʌ v WORD_BOUNDARY d̠ʒ ɑ n WORD_BOUNDARY f ɪ l ɪ p WORD_BOUNDARY s aʊ s ə WORD_BOUNDARY