the walls look like a monochromatic Jackson Pollock. The
mirrors are smashed. Taped outlines on the mattress indi-
cate where the bodies had been found. Graham opens the GRAHAM

mumbles apologies, scrambles to collect crime photos. The
mother wants her seat changed.


 
39. blood on the walls, the smashed mirrors, taped outlines or
bodies -- is a testament to a violence that is pornographic.
Graham pulls out a tape recorder and starts dictating his Graham exits the car and walks TOWARDS us. We PAN AROUND as
 he moves through EXTREME CLOSEUP and see the Leeds family house Detectives file out. Crawford and Graham remain.
Springfield crosses to them and they wait for all the other
detectives to leave. Graham's hand freezes the Leeds' rape and plays the Jacobi
tape. The Jacobis' cat moves, jumps on the table. In the empty white living room. Graham walks OUT OF FRAME.
Bare floors and dead air. His footsteps echo in the empty
house.
                                       CUT TO: 8.
WIDER - GRAHAM
moves into the room. The bloodstains are extensive. Half We hear three locks opening. The door opens. Graham enters.
An attendant behind Graham closes the door and we hear the
bolts lock again. As Graham is walking towards us, we WIDEN still hanging on a towel railing over the bathtub. Graham
is staring at the normal domesticity of a family bathroom.
He doesn't let it unnerve him.

                                                CUT TO: GRAHAM
           (intently on the screen )
      From the alley he couldn't have
      seen the glass in the Leeds' kitchen
      door .
                (MORE) In the silver mirrors of her eyes, Graham sees reflected
there: himself.


INT. LEEDS LIVING ROOM - WIDE Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: INT. LEEDS MASTER BEDROOM - LIGHT SWITCH
 Graham's hand enters. He hits the light switch.

 BLOOD

 screams at us from the walls. snaps awake. The child next to Graham is screaming. People
stare. The mother is shouting at him. Graham is confused, It opens. Graham enters.   The room is white. We don't see
the bed. Graham stands there in profile. Beyond Graham OUT CUT TO:

INT. ATLANTA DETECTIVE BUREAU - MOVING WITH GRAHAM, CRAWFORD
+ SPRINGFIELD -DAY Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO: with all of the Atlanta Police department "crime scene" postings
 Graham doesn't enter the front door. Be walks around the side. Graham stands there as if engraving each one in his memory.
Then he nods. Then he leaves.


GEORGE SHERMAN
CUT TO:

INT. WASHINGTON, FBI OFTICE - CRAWFORD - DAY

On phone to Graham. JIMMIE PRICE (V.O.)
          Who am I talking to?

                          CRAWIIORD
          Jimmie, it's me, Jack Crawford, and
          you got Will Graham here. opens. Running down the stairs and across the tarmac is
Will Graham in shirtsleeves with a Car-15 assault rifle with
collapsible stock. His eyes scan the perimeter.


FBI MEN CRAWFORD
           (into radio phone)
      This is Jack Crawford, FBI. Who
      am I speaking to? INT. FBI CAFETERIA - CRAWFORD + BLOOM - DAY

               CRAWFORD
      I need to talk to you about Will
      Graham. SARAH
      Special Agent Crawford's office.

In the b.g. all hell is breaking loose. Crawford and Graham
are both hollering into the phone at Freddie Lounds. INT. WASHINGTON FBI OFFICE - CRAWFORD + GRAHAM- LATER HOLD. Then it opens. Molly and Kevin, followed by Graham.
Unmarked FBI cars are parked on the front lawn. Molly enters
the foyer, looks around and stops. Detectives file out. Crawford and Graham remain.
Springfield crosses to them and they wait for all the other
detectives to leave. SPURGEN, chief SWAT instructor from Quantico, examines the
parking lot. We've cut in mid-dialogue. As they run out of the room:

                            CUT TO:


INT. FBI CONFERENCE ROOM - WIDE SHOT - NIGHT BOWMAN
     Have him meet me with pictures of
     Lecktor's books...

               CRAWFORD
     Where?

              BOWMAN
     Library of Congress. As we PULL BACK and see arriving squad car flashers play on
the walls and Crawford runs through the foreground, we see Crawford is looking at him. Finally: Graham moves Molly and Kevin up into the Gulf Stream. FBI
men follow. The troopers back off. The flashers on their Crawford pulls two pictures from his shirt pocket. He keeps
them face down. They draw at Will. Crawford knows this. Springfield looks at Graham. Springfield needs answers, not
voodoo. Then they enter the squad room. Twenty detectives
sit at desks. Graham and Crawford move to the back of the
class. SARAH
      Special Agent Crawford's office.
          (she nods; it's him)
      Could you hold on a second, I'll
      see if I can find him. in the back seat. He is distant. His attitude contrasts to
the frantic 110 mph race down the highway and the two uniformed
officers and Crawford. Their anxiety is visible. Next
to them Graham seems zoned-our... DR. CBILTON (V.O.)
           (shouting)
      I said I need to speak to Special
      Agent Crawford or Mr. Graham.
      Right away!
GRAHAM
      If the Tooth Fairy listens to
      Lecktor, he'll come for me. So BOWMAN
     it has to be a book the Tooth Fairy
     would know Lecktor has in his cell. And your message has to go out in it,
      or he'll know it's not Lecktor talking
      to him. GRAHAM
     Then the Tooth Fairy named the
     book in the part Lecktor tore out.

               BOWMAN
     Right .
           (beat)
     What about sweating Lecktor? CRAWFORD (V.O.)
      You got the message Lecktor called...

               GRAHAM
      I arranged for him to have a phone.
      I have to call him in a few minutes. DR. CHILTON (V.O.)
      From Hannibal Lecktor's cell. It
      was hidden in a book. LECKTOR
         Thank you very much.

ON the phone as Lecktor hangs up.

                                       CUT TO: At the top it says: 'I hope we can
      correspond.' And then the hole
      begins .
           (beat)
      It looks like Lecktor went over it It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a CRAWFORD
      Yes. And I'm leery of running
      Lecktor's message without knowing
      what it says. Another silence. Lecktor's eyes look as if they're drilling
into Graham's head, trying to find out things. Trying to
find a way to hurt Graham. He's very threatening. Then
relaxes: GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. The DOOR SLAMS shut on Lecktor.

                                       CUT TO:



32. turns to us. His small eyes drill into Graham's brain.
Lecktor's attitude is professionally psychiatric, as if Graham
is the patient.
                      LECKTOR
         Did you get my card? what Lecktor tore out. In this
      enlargement of the back side,
      oblique light revealed impressions.
      We can make out: 'six-six-six'. GRAHAM
      Something Lecktor said. GRAHAM
      We know the Tooth Fairy reads the
      Tattler. The stuff about me and
      Lector? I don't know any other
      paper that carried it... CRAWFORD
           (looks at watch)
      We let Lecktor's message run as is
      and decode it after. Or we pull
      it, work our the code and put ours
      in next week. Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: actually buy Tattler, looking for
Lecktor's message. Here's
what he'll find, Bill.
A finger taps Lounds on his chest. A touch on his eyelids.
Lounds slowly opens his eyes. His face goes white. By now we're close to his body curled up on the floor in the
sanctuary of the developing room. The red glow emanates
from beneath Dollarhyde's shirt. is unconscious. A hand puts ammonia under his nose.
Lounds regains consciousness. He tries to move. He can't. Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. CUT TO:


INT. DOLLARHYDE HOUSE (ST. LOUIS) - LOUNDS - NIGHT WHAT HE SEES: LOUNDS IN WHEELCHAIR - A MAN AFLAME

Lounds is a fireball racing TOWARDS US. Just before the
fireball would smash into CAMERA... Footsteps are going away.

               LOUNDS
      What am I doing here?

               DOLLARHYDE (O.S.)
      Atoning, Mr. Lounds. The hand rips off the sanitary napkins covering Lounds' eyes.
Lounds jams his eyes shut. The lights brighten. A single
finger taps the top of his head. As if he had any choice. Lounds' face moves; He strains.
His arms are glued to the chair. Dollarhyde's hand comes
back with a cup of tea and a straw. Lounds sips. The figures seen from the back. We don't know what Dollar-
hyde, leaning over Lounds, is doing, but Lounds screams.

                            CUT TO: There are sanitary napkins covering Lounds' eyes and mouth.
The one on his mouth is removed. We will see ONLY Lounds. carries a tape recorder. We PAN it across the room to Lounds'
face .
                DOLLARHYDE (O.S.)
      Open your eyes, Mr. Lounds.

Lounds obeys. LOUNDS
      Yes .

CLICK. Next slide. Mrs. Leeds alive, locked into a silent
scream in her bedroom.

               DOLLARHYDE
      Do you see? CUT TO:


INT. CXR - FREDDIE LOUNDS - DAY LOUNDS
      You'll let me go now?

               DOLLARHYDE
      You will tell the truth?

               LOUNDS
      Absolutely, LOUNDS
      Yes.

CLICK.


LOUNDS

staring in horror. We will not see the rest of the slider. LOUNDS
      Yes .

                DOLLARHYDE
      Mrs. Jacobi after her changing.
           (as Lounds nods)
      The Dragon rampant. Do you see? rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. Grabs Lounds by the labels, kicks his legs out from under
 him and throws him over the hood of a car upside-down. The Dollarhyde leaves. Lounds closes his eyes.
DOLLARHYDE
      Do you want a Coke or something, Reba?

               REBA
      I'm fine, Francis.

Dollarhyde gets out. face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. with echoes of Dollarhyde. Now he gets up and walks out of
the room leaving the door open. Outside is only the deserted
parking lot. we are seeing Dollarhyde's face. The fanged dentures are
in his mouth. Dollarhyde makes Reba's hand feel his teeth. DOLLARHYDE
      Ms. McClain, I'm Francis Dollarhyde.
      I came about the low light level
      infrared film stock. is white. There is something in Dollarhyde's face that he has
never seen before, anywhere.


DOLLARHYDE Dollarhyde looks at Reba. Then he looks at the film. The
two of them are like a tableau of suburban TV-watching.
They're like a married couple sitting on the sofa. Except: rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... The Attendant tries to say he's sorry, but he can't talk.
Dollarhyde's hand has grabbed his face. He hesitates. Then
he throws money at the Attendant and leaves... By now we're close to his body curled up on the floor in the
sanctuary of the developing room. The red glow emanates
from beneath Dollarhyde's shirt. GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. stands four feet from her, just staring. Then he walks
from the room.

INT. DOLLARHYDE'S LIVING ROOM - DOLLARHYDE is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself... It slams open. Dollarhyde enters and walks through the dim
green light past the developers in his black goggles with
red lenses. Thousands of feet of negative move through the starts printing our line by line: a blow-up of a driver's
license with picture. The lines compose hair, forehead,
eyes... coming at us line by line is: Francis Dollarhyde. GRAHAM
          (re Dollarhyde)
      This is our boy...!

                            CUT TO: ENTERS THE FRAME and kisses Dollarhyde on the mouth.
Dollarhyde's eyes freeze open. He is stunned. Reba's left
Dollarhyde looks at Reba. Then he looks at the film. The
two of them are like a tableau of suburban TV-watching.
They're like a married couple sitting on the sofa. Except: arms, a Magnavox console TV set and a sofa with Dollarhyde and
Reba on it. They're watching a movie. We see what Dollarhyde imagines: Dandridge's fingers caress
the soft skin of Reba's face. Reba's expression and mouth
are open and warm to him. Reba's hand is gripped by Dollarhyde's. He brings her
fingers up to his face. For the first time in this scene Dollarhyde's arm moves under her pillow. She snuggles closer
to him. Dollarhyde's eyes are moist.  Reba's hand moves up It is morning. He snaps awake. he is horror-struck: Reba's
pillow is empty. She's nor there. Dollarhyde races our of
the room.

                            CUT TO: her breasts swelling and shining above her suit as she pushes
herself our of the pool. Dollarhyde's blase, watching his
horror show. He looks at Reba. EXT. DOLLARHYDE HOUSE, BACKYARD - DOOR - DAY
slams open. Dollarhyde stops in the door frame.
               REBA (O.S.)
      Is that you. D? REBA
      No, no! I want to.

Dollarhyde reacts with a light smile at the compliment. Dollarhyde -- cloven in two, accepted by a living Reba -- will
not sleep for a very long time.

                            CUT TO: REBA
      I can 'help' myself home, Ralph...

Dandridge leaves. Dollarhyde stares after him. He doesn't
Like him. Then: He's heavy-set and sullen. Dollarhyde's van, with Reba, pulls
in.







102. 99.
REBA'S HAND
moves along the back of the sofa to Dollarhyde.


REBA

moves towards Dollarhyde's face. Reba walks our of the dark room.

                            CUT TO:


INT. DOLLARHYDE'S VAN, TRAVELLING - OUT OF WINDOW - NIGHT We and Graham see Dollarhyde's arm arc back for an uppercutting
thrust into Reba. Dollarhyde's left hand clutching her dress, Reba stops. She likes Dollarhyde's directness. He gets our
and comes around to help her in. He starts to take her arm.

                REBA
       It's better if I rake your arm. REBA.
      If you don't want to talk. okay.
      Bur I hope you will... because I
      like what you say.

Dollarhyde is stunned, at both her perception and frankness. Dollarhyde re-enters FRAME and puts a glass of water next to
her. He covers her. He lays down again next to her. Reba we are seeing Dollarhyde's face. The fanged dentures are
in his mouth. Dollarhyde makes Reba's hand feel his teeth. We see Dollarhyde's form follow instructions and sit.

                REBA
Can you give me an idea of the
      conditions...
is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself... face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. bleeding, brings the .44 down from the recoil of the first shot.
Now, up on one knee, he FIRES FOUR more rounds into Dollarhyde. On the right we see Dollarhyde's right arm with the aluminum
shafts... Beyond them, THROUGH THE WINDOW we see Graham has rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. we are seeing Dollarhyde's face. The fanged dentures are
in his mouth. Dollarhyde makes Reba's hand feel his teeth. Dollarhyde's arm moves under her pillow. She snuggles closer
to him. Dollarhyde's eyes are moist.  Reba's hand moves up Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. ing past the hedges. An arm shoots out and turns Dandridge.
Dollarhyde's hand clutches the whole of Dandridge's lower We see what Dollarhyde imagines: Dandridge's fingers caress
the soft skin of Reba's face. Reba's expression and mouth
are open and warm to him. and slams into the station wall. CANS CRASH and roll away...
Dollarhyde does know what he can do about it. lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... We and Graham see Dollarhyde's arm arc back for an uppercutting
thrust into Reba. Dollarhyde's left hand clutching her dress, is white. There is something in Dollarhyde's face that he has
never seen before, anywhere.


DOLLARHYDE The Attendant tries to say he's sorry, but he can't talk.
Dollarhyde's hand has grabbed his face. He hesitates. Then
he throws money at the Attendant and leaves... STARTS MOVING towards the shape on the floor. As we get
closer we realize it's Dollarhyde. Something is wrong with
him. .. turns away. The shape of Dollarhyde passes behind his head.
The kimono is on again.


PAST LOUNDS' HEAD: SCREEN
face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. bleeding, brings the .44 down from the recoil of the first shot.
Now, up on one knee, he FIRES FOUR more rounds into Dollarhyde. Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO: GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. and slams into the station wall. CANS CRASH and roll away...
Dollarhyde does know what he can do about it. is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. 100.

Dollarhyde knows what he feels: he is pole-axed. He doesn't
know what he thinks.


SAME - REBA - LATER Dollarhyde leaves. Lounds closes his eyes. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. Dollarhyde's unsteady hand takes it off the wall. Be pours
sweat. If the acid that makes his shirt smoke burns him,
he doesn't acknowledge it. He punches four numbers. lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... Graham point the gun down to Dollarhyde's head. As we're
pulling away comes the final FLASH + REPORT and... CUT TO:


INT. LIGHT TRAP-DOOR - DAY
slams open. Dollarhyde enters. As he reaches the next door...
                                     
				       CUT TO: The Attendant tries to say he's sorry, but he can't talk.
Dollarhyde's hand has grabbed his face. He hesitates. Then
he throws money at the Attendant and leaves... turns away. The shape of Dollarhyde passes behind his head.
The kimono is on again.


PAST LOUNDS' HEAD: SCREEN rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. ing past the hedges. An arm shoots out and turns Dandridge.
Dollarhyde's hand clutches the whole of Dandridge's lower where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself... By now we're close to his body curled up on the floor in the
sanctuary of the developing room. The red glow emanates
from beneath Dollarhyde's shirt.
GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. turns away. The shape of Dollarhyde passes behind his head.
The kimono is on again.


PAST LOUNDS' HEAD: SCREEN bleeding, brings the .44 down from the recoil of the first shot.
Now, up on one knee, he FIRES FOUR more rounds into Dollarhyde. By now we're close to his body curled up on the floor in the
sanctuary of the developing room. The red glow emanates
from beneath Dollarhyde's shirt. Graham's already out the door. Crawford races after him.

                            CUT TO:

INT. DOLLARHYDE'S HOUSE, KITCHEN - REBA - NIGHT Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. stands four feet from her, just staring. Then he walks
from the room.

INT. DOLLARHYDE'S LIVING ROOM - DOLLARHYDE where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself... CUT TO:


INT. DOLLARHYDE'S KITCHEN - PANNING - NIGHT face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO: STARTS MOVING towards the shape on the floor. As we get
closer we realize it's Dollarhyde. Something is wrong with
him. .. is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... and slams into the station wall. CANS CRASH and roll away...
Dollarhyde does know what he can do about it. with echoes of Dollarhyde. Now he gets up and walks out of
the room leaving the door open. Outside is only the deserted
parking lot. we are seeing Dollarhyde's face. The fanged dentures are
in his mouth. Dollarhyde makes Reba's hand feel his teeth. CUT TO:


INT. LIGHT TRAP-DOOR - DAY
slams open. Dollarhyde enters. As he reaches the next door...
                                     
				       CUT TO: ENTERS THE FRAME and kisses Dollarhyde on the mouth.
Dollarhyde's eyes freeze open. He is stunned. Reba's left We see what Dollarhyde imagines: Dandridge's fingers caress
the soft skin of Reba's face. Reba's expression and mouth
are open and warm to him.
SPRINGFIELD
                   (to Graham)
           The Commissioner was saying you
           were the one that caught Dr. Lecter
           three years ago.
                   (beat)
           He killed nine people, didn't he? GRARAM
      Will Graham, FBI. Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: DR. CHILTON
         The consensus around here is that
         the only person who has demonstrated
         any practical understanding of Dr.
         Hannibal Lecter is you, Mr. Graham.
         Can you tell me anything about him? GRAHAM
           (calm)
      This is Will Graham. Can I help
      you?

                         VOICE (V.O.)
      No. I can help you. GRAHAEI
      My name's Will Graham. I... before was lies from Will Graham. He
      made me write them. Now I understand.
           (beat)
      'Will Graham: you will learn from my We will only see the rear of Will Graham sitting alone on the
side of the bed in the alienating motel room. His head is
bandaged.


               GRAHAM
          (into phone)
      Hello. GRAHAM
Hobbs was insane. He was attacking
college girls and he killed them.

         KEVIN
How?

         GRAHAM
With a knife. GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. JIMMIE PRICE (V.O.)
          Who am I talking to?

                          CRAWIIORD
          Jimmie, it's me, Jack Crawford, and
          you got Will Graham here. His arms are widespread. The phone RINGS. Will Graham
doesn't hear it. It keeps RINGING. MOVE IN on Graham.
Finally, he stirs, then fights his way up out of sleep. asked him -- through the speaker:
      'Why did you have to kill my
      daddy? '
           (beat)
      That's when Graham had his nervous It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a his left shoulder to reveal he's reading the National Tattler.
It's about Will Graham with a Freddie Lounds byline. The
only words we catch are: "FBI Manhunter Consults Fiend Who GRAHAM
      Something Lecktor said. GRAHAM
     They tried sodium amytal on him
     three years ago to find where he
     buried a Princeton student.
           (beat)
     He gave them a recipe for potato
     chip dip. Graham punches the phone and takes the call. Crawford's
yelling at Lounds.

               GRARAM
      It's Will Graham... Tried To Kill Him, by Freddie Lounds." We also catch: "The
Tooth Fairy - Psychopathic Slayer of Entire Families in
Birmingham and Atlanta..." Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO:
JIMMIE PRICE (V.O.)
          Who am I talking to?

                          CRAWIIORD
          Jimmie, it's me, Jack Crawford, and
          you got Will Graham here. CRAWFORD
           (into radio phone)
      This is Jack Crawford, FBI. Who
      am I speaking to? CHESTER (V.O.)
      This is Chester here. Who am I
      talking to?

                GRAHAM
      Will Graham, Jack Crawford... Tried To Kill Him, by Freddie Lounds." We also catch: "The
Tooth Fairy - Psychopathic Slayer of Entire Families in
Birmingham and Atlanta..." GRAHAM
           (calm)
      This is Will Graham. Can I help
      you?

                         VOICE (V.O.)
      No. I can help you. GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. SPRINGFIELD
                   (to Graham)
           The Commissioner was saying you
           were the one that caught Dr. Lecter
           three years ago.
                   (beat)
           He killed nine people, didn't he? his left shoulder to reveal he's reading the National Tattler.
It's about Will Graham with a Freddie Lounds byline. The
only words we catch are: "FBI Manhunter Consults Fiend Who GRAHAM
I don't know, Jack. He's got no
face for me.

               CRAWFORD
You can tell something about him
or we wouldn't have found the finger
print. .. DR. CHILTON
         The consensus around here is that
         the only person who has demonstrated
         any practical understanding of Dr.
         Hannibal Lecter is you, Mr. Graham.
         Can you tell me anything about him? GRARAM
      Will Graham, FBI. DR. CHILTON
         When you saw Dr. Lecktor's murders,
         their 'style,' so to speak, were you
         able to reconstruct his fantasies?
         And did that help you identify him? SARAH                            CRAWFORD
      (fading up)                      (fading down)
    Special Agent Crawford's       No. The killer's not in Graham punches the phone and takes the call. Crawford's
yelling at Lounds.

               GRARAM
      It's Will Graham... Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: LOUNDS
      How does he rate compared to Dr,
      Hannibal Lecktor?

               GRAHAM
      He's not as intelligent. GRAHAEI
      My name's Will Graham. I... It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a turns to us. His small eyes drill into Graham's brain.
Lecktor's attitude is professionally psychiatric, as if Graham
is the patient.
                      LECKTOR
         Did you get my card? GRAHAM
                (long stare at
                Crawford; then)
         ... I'm going to see Lecter.

Crawford's cup of coffee stops in front of his mouth:
CUT TO:

INT. HOTEL ROOM - GRAHAM - NIGHT
With Crawford on the phone. CRAWFORD
           How much do you know?

                          GRAHAM
           What was in the 'Miami Herald' and
           the 'Times.'
                   (beat)
           Confessions? CUT TO:
 INT. DINER, BOOTH - GRAHAM + CRAWFORD - DAY
 Graham is staring into the black deep recesses of his coffee. CRAWFORD
      He found them...


Graham pushes aside the videotape sleeve and picks up the
Leeds' home-movie can. Lounds barks orders to the still photographer and splits.
The photographer starts breaking down his gear. Crawford
takes Graham aside.




75. 47.
CRAWFORD

scribbles on a piece of paper.

               GRAHAM (O.S.)
      Do you know something about that? Graham and Crawford are moving dawn the sidewalk now. Crawford
tries to block Lounds. Lounds moves around him, dogging Graham: GRAHAM
                    (very low)
            Keep the fuck away from me!

 Crawford is pulling on Graham. He can't budge him. Graham
 lets go. PULL BACK to reveal Bloom, Crawford, a photographer and
assistant. Graham motions for Lounds to turn off his
tape recorder. Graham punches the phone and takes the call. Crawford's
yelling at Lounds.

               GRARAM
      It's Will Graham... Meanwhile Graham has grabbed the second radio phone.

               CRAWFORD
          (into phone)
      Start feeding me names.


                            INTERCUT WITH: senses Springfield's staring at him. Graham's face is blank.
He leaves. Springfield -- shaking Crawford's hand -- watches
Graham all the way to the door.

                                                 CUT TO: Crawford is staring at Graham strangely. This is why
Crawford drafted him. But Crawford doesn't look like he
wants to be alone in the same room with Graham anymore... Crawford holds up the piece of paper. It says: "Chicago
phone booth. Police scrambling." CUT TO:

INT. WASHINGTON, FBI OFTICE - CRAWFORD - DAY

On phone to Graham. GRAHAM
          (to Crawford)
      No.

               CRAWFORD
          (into phone)
      Next ...

                            CUT TO: CRAWFORD
      It's getting late and...

                GRAHAM
          (explodes)
      Don't talk to me!!

Crawford's surprised. CRAWFORD
            I know...

 Graham looks away. Then he lights another cigarette. CRAWFORD
           (to Graham)
      ... bur if we find him, the print
      as evidence will get a conviction,
      Hold on. What? CRAWFORD
      Issue the toilet paper tear as a...

The phone RINGS. Graham punches the speaker.
We hear three locks opening. The door opens. Graham enters.
An attendant behind Graham closes the door and we hear the
bolts lock again. As Graham is walking towards us, we WIDEN The PHONE RINGS. Crawford answers. His attention is riveted
on Graham.


                CRAWFORD
      It's the guard in the storeroom. closes the door. There's an awkward look on his face. He
didn't get to say what he wanted to say to Graham.


                            CUT TO: GRAHAM
      Tell her I called.

Graham hangs up. He dials again. GRAHAM
sits in the chair. He wants a cigarette. He doesn't take
one. He waits. And he watches. What he sees: asked him -- through the speaker:
      'Why did you have to kill my
      daddy? '
           (beat)
      That's when Graham had his nervous It opens. Graham enters.   The room is white. We don't see
the bed. Graham stands there in profile. Beyond Graham OUT Graham stops at the door before he knocks for the attendant.
Then he folds the abridged file tightly into the sliding
tray. Lecktor pulls it through. is picked up and we MOVE WITH IT to his face. Graham punches
numbers into the phone. He waits. He clamps dawn again.

He is cold, calm. Graham and us hear a telephone booth door slam open. We hear
a receiver fall with a CLANG. He hear faint voices. The DISSOLVE TO:

GRAHAM GRAHAM
        I have to see somebody.

There is a silence. Graham does not want to tell her that
he is going to see Lecter. Molly stays cool, she doesn't CUT TO:

INT. HOTEL ROOM - GRAHAM - NIGHT
With Crawford on the phone. Graham stands there as if engraving each one in his memory.
Then he nods. Then he leaves.


GEORGE SHERMAN GRAHAM
      When I'm done.

Graham hangs up the phone. He looks out the window at the
rain. He dials again. In the silver mirrors of her eyes, Graham sees reflected
there: himself.


INT. LEEDS LIVING ROOM - WIDE The DOOR SLAMS open and Graham comes out into daylight and
air. The air is tactile to him. He can almost feel the
motes of dust and light that swim freely. He breathes. GRAHAM
                (long stare at
                Crawford; then)
         ... I'm going to see Lecter.

Crawford's cup of coffee stops in front of his mouth: GRAHAM
         Uh-uh.

Geehan leaves. The door closes with a SLAM.


WIDE - GRAHAM Graham drops the phone. Tension floods out of him. In the
outer office people are cheering,



CLOSE ON GRAHAM
DR. CHILTON (V.O.)
      From Hannibal Lecktor's cell. It
      was hidden in a book. LECKTOR
         Thank you very much.

ON the phone as Lecktor hangs up.

                                       CUT TO: At the top it says: 'I hope we can
      correspond.' And then the hole
      begins .
           (beat)
      It looks like Lecktor went over it CRAWFORD (V.O.)
      You got the message Lecktor called...

               GRAHAM
      I arranged for him to have a phone.
      I have to call him in a few minutes. GRAHAM
      After we've worked the note we
      want to replace it in Lecktor's
      cell. I don't want him to know Graham stops at the door before he knocks for the attendant.
Then he folds the abridged file tightly into the sliding
tray. Lecktor pulls it through. turns to us. His small eyes drill into Graham's brain.
Lecktor's attitude is professionally psychiatric, as if Graham
is the patient.
                      LECKTOR
         Did you get my card? The DOOR SLAMS shut on Lecktor.

                                       CUT TO:



32. Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: GRAHAM
      Something Lecktor said. CRAWFORD
After we find Lecktor's response,
we substitute our own. Somewhere
tomorrow night the Tooth Fairy will CRAWFORD
      Yes. And I'm leery of running
      Lecktor's message without knowing
      what it says. GRAHAM
      Hair from Lecktor's comb. Whiskers
      from an electric razor they let
      him use. This is hair from the
      cleaning man.

                            CUT TO: GRAHAM
          Goodbye, Dr. Lecktor. You can
          leave messages for me at the number
          on the file. And your message has to go out in it,
      or he'll know it's not Lecktor talking
      to him. GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. LECKTOR
     Do you dream much, Will?

             GRAHAM
     Good-bye, Dr. Lecktor. BOWMAN
      That's probably in the part Lecktor
      tore out.
           (beat) Another silence. Lecktor's eyes look as if they're drilling
into Graham's head, trying to find out things. Trying to
find a way to hurt Graham. He's very threatening. Then
relaxes: It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a
GBAHAM
       Until we've taken out the Tooth
       Fairy.

Graham gestures for Lounds to turn off the tape recorder. them as unfair. As unfair as
      mine. The "Tooth Fairy." What
      could be more inappropriate.
      Investigator Graham interests me. GRAHAM
      If the Tooth Fairy listens to
      Lecktor, he'll come for me. So GRAHAM (CONT'D)
                (beat)
         The Tooth Fairy will go on until we
         get smart or get lucky. He won't
         stop. SPRINGFIELD
          One more thing: I've heard officers
          referring to the killer as the 'Tooth
          Fairy. does color. The color's different
than the Tooth Fairy's taken in
Birmingham and Atlanta. Three blue
grains and some dark flecks went to REBA
      The Tooth...

In a flash Dollarhyde grips her mouth, shutting off the
sound. against the Smithsonian teeth. This
      is your boy...
           (beat)
      He folded the bottom part, including GRAHAM
      We know the Tooth Fairy reads the
      Tattler. The stuff about me and
      Lector? I don't know any other
      paper that carried it... GRAHAM
     Then the Tooth Fairy named the
     book in the part Lecktor tore out.

               BOWMAN
     Right .
           (beat)
     What about sweating Lecktor? BOWMAN
     it has to be a book the Tooth Fairy
     would know Lecktor has in his cell. GRAHAM
      Run it.

               CRAWFORD
      What if it encourages the Tooth
      Fairy to do something besides
      write? Tried To Kill Him, by Freddie Lounds." We also catch: "The
Tooth Fairy - Psychopathic Slayer of Entire Families in
Birmingham and Atlanta..." As if he had any choice. Lounds' face moves; He strains.
His arms are glued to the chair. Dollarhyde's hand comes
back with a cup of tea and a straw. Lounds sips. the fly. Possibly from the Tooth
      Fairy. Number one priority.,
      It has to go to Hair and Fiber,
      Latent Prints and Documents. 'fairy.' Plus smeared bloodstains
      indicate that he put the shorts on
      Charles Leeds after he was dead.
      I believe he did this to emphasize stands four feet from her, just staring. Then he walks
from the room.

INT. DOLLARHYDE'S LIVING ROOM - DOLLARHYDE Reba's hand is gripped by Dollarhyde's. He brings her
fingers up to his face. For the first time in this scene -- are transparent to infrared. The
      Tooth Fairy's ballpoint isn't... and shoves down to hoist herself out. Her breasts are glis-
tening. Her teeth are white. She smiles at the camera.
Whoever controls the console puts Mrs. Sherman in reverse.
CRAWFORD (V.O.)
         Will, Bowman just broke the code. It
         was a James Beard cook book. You
         need to know what it says right now. The numbers aren't right for a
      jailhouse alphabet code. It's a
      book code.
           (beat) Crawford holds up the piece of paper. It says: "Chicago
phone booth. Police scrambling." It means Red Dragon.
           (beat)
      That mean anything to you? SARAH
      He asked for Will. He said he
      might call back tonight. I tried
      to hold him... I'm sorry... He said
      'tell Graham "broken mirrors."' SARAH
      They got shot a Telex. They're on
      if now...

Everybody exhibits disciplined surface calm. The tension is
screaming underneath. And your message has to go out in it,
      or he'll know it's not Lecktor talking
      to him. CHESTER (V.O.)
      We got an ad order in tonight's
      "Tattler" with 'six-six-six' in it.
      It's being Telexed to you right now. Very purposeful locking. I hope
      we can correspond.
           (beat)
      There's another piece missing here.
      I'LL read the bottom part. CRAWFORD
           (looks at watch)
      We let Lecktor's message run as is
      and decode it after. Or we pull
      it, work our the code and put ours
      in next week. what Lecktor tore out. In this
      enlargement of the back side,
      oblique light revealed impressions.
      We can make out: 'six-six-six'. DR. CHILTON
      It's written on toilet tissue.
           (reads )
      'My dear Dr. Lecktor, I wanted to tell A finger taps Lounds on his chest. A touch on his eyelids.
Lounds slowly opens his eyes. His face goes white. DR. CHILTON (V.O.)
      Well, it's about goddamn time! I
      have a note here, or two pieces of Dollarhyde's unsteady hand takes it off the wall. Be pours
sweat. If the acid that makes his shirt smoke burns him,
he doesn't acknowledge it. He punches four numbers. Bowman switches to a closed-circuit TV camera.


MONITOR

The image focuses as Bowman focuses the lens. Then:
The ink smear is gone. Fragments of writing appear. asked him -- through the speaker:
      'Why did you have to kill my
      daddy? '
           (beat)
      That's when Graham had his nervous At the top it says: 'I hope we can
      correspond.' And then the hole
      begins .
           (beat)
      It looks like Lecktor went over it (reads )
      'After I hear back from you, I
      might send you something wet.
      Signed: Avid Fan.
           (to Graham) It's now sunset out the window. Both men are tense. On
Crawford's desk are two new telephones and a tape recorder.
SPRINGFIELD
          One more thing: I've heard officers
          referring to the killer as the 'Tooth
          Fairy. Tried To Kill Him, by Freddie Lounds." We also catch: "The
Tooth Fairy - Psychopathic Slayer of Entire Families in
Birmingham and Atlanta..." them as unfair. As unfair as
      mine. The "Tooth Fairy." What
      could be more inappropriate.
      Investigator Graham interests me. GBAHAM
       Until we've taken out the Tooth
       Fairy.

Graham gestures for Lounds to turn off the tape recorder. GRAHAM
      If the Tooth Fairy listens to
      Lecktor, he'll come for me. So BOWMAN
     it has to be a book the Tooth Fairy
     would know Lecktor has in his cell. GRAHAM
     Then the Tooth Fairy named the
     book in the part Lecktor tore out.

               BOWMAN
     Right .
           (beat)
     What about sweating Lecktor? GRAHAM
      We know the Tooth Fairy reads the
      Tattler. The stuff about me and
      Lector? I don't know any other
      paper that carried it... 'fairy.' Plus smeared bloodstains
      indicate that he put the shorts on
      Charles Leeds after he was dead.
      I believe he did this to emphasize GRAHAM (CONT'D)
                (beat)
         The Tooth Fairy will go on until we
         get smart or get lucky. He won't
         stop. does color. The color's different
than the Tooth Fairy's taken in
Birmingham and Atlanta. Three blue
grains and some dark flecks went to face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. A silent shot shoves her back to the headboard. Red blood
starts to stain her nightgown as she holds the wound. We
FLOAT CLOSER. In SLOW MOTION Mr. Leeds starts to rise. REBA
      The Tooth...

In a flash Dollarhyde grips her mouth, shutting off the
sound. (beat)
           The intruder cut Charles Leeds'
           throat as he lay asleep beside Mrs.
           Leeds. He shot Mrs. Leeds as she was against the Smithsonian teeth. This
      is your boy...
           (beat)
      He folded the bottom part, including rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. Something massive and silver flashes through the FRAME. He Is
gone. Mirrors explode. Mrs. Leeds was looking at her hand
covered with blood. Now Mrs. Leeds looks up at us. Her face asked him -- through the speaker:
      'Why did you have to kill my
      daddy? '
           (beat)
      That's when Graham had his nervous is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat.
is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. The Attendant tries to say he's sorry, but he can't talk.
Dollarhyde's hand has grabbed his face. He hesitates. Then
he throws money at the Attendant and leaves... We see what Dollarhyde imagines: Dandridge's fingers caress
the soft skin of Reba's face. Reba's expression and mouth
are open and warm to him. lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... Dollarhyde's arm moves under her pillow. She snuggles closer
to him. Dollarhyde's eyes are moist.  Reba's hand moves up is white. There is something in Dollarhyde's face that he has
never seen before, anywhere.


DOLLARHYDE GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. Dollarhyde leaves. Lounds closes his eyes. GRAHAM
          (re Dollarhyde)
      This is our boy...!

                            CUT TO: stands four feet from her, just staring. Then he walks
from the room.

INT. DOLLARHYDE'S LIVING ROOM - DOLLARHYDE where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself... Dollarhyde looks at Reba. Then he looks at the film. The
two of them are like a tableau of suburban TV-watching.
They're like a married couple sitting on the sofa. Except: Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. DOLLARHYDE
      Do you want a Coke or something, Reba?

               REBA
      I'm fine, Francis.

Dollarhyde gets out. REBA
      No, no! I want to.

Dollarhyde reacts with a light smile at the compliment. rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. voice and see little of her. We will see Dollarhyde's face
and the expressions on it: wonder and amazement. It slams open. Dollarhyde enters and walks through the dim
green light past the developers in his black goggles with
red lenses. Thousands of feet of negative move through the 100.

Dollarhyde knows what he feels: he is pole-axed. He doesn't
know what he thinks.


SAME - REBA - LATER
GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. bleeding, brings the .44 down from the recoil of the first shot.
Now, up on one knee, he FIRES FOUR more rounds into Dollarhyde. face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO: lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... Dollarhyde leaves. Lounds closes his eyes. ENTERS THE FRAME and kisses Dollarhyde on the mouth.
Dollarhyde's eyes freeze open. He is stunned. Reba's left Dollarhyde's arm moves under her pillow. She snuggles closer
to him. Dollarhyde's eyes are moist.  Reba's hand moves up 100.

Dollarhyde knows what he feels: he is pole-axed. He doesn't
know what he thinks.


SAME - REBA - LATER is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. We see what Dollarhyde imagines: Dandridge's fingers caress
the soft skin of Reba's face. Reba's expression and mouth
are open and warm to him. and slams into the station wall. CANS CRASH and roll away...
Dollarhyde does know what he can do about it. where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself... we are seeing Dollarhyde's face. The fanged dentures are
in his mouth. Dollarhyde makes Reba's hand feel his teeth. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. The Attendant tries to say he's sorry, but he can't talk.
Dollarhyde's hand has grabbed his face. He hesitates. Then
he throws money at the Attendant and leaves... is white. There is something in Dollarhyde's face that he has
never seen before, anywhere.


DOLLARHYDE Graham point the gun down to Dollarhyde's head. As we're
pulling away comes the final FLASH + REPORT and... turns away. The shape of Dollarhyde passes behind his head.
The kimono is on again.


PAST LOUNDS' HEAD: SCREEN
GRARAM
      Will Graham, FBI. Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: We will only see the rear of Will Graham sitting alone on the
side of the bed in the alienating motel room. His head is
bandaged.


               GRAHAM
          (into phone)
      Hello. before was lies from Will Graham. He
      made me write them. Now I understand.
           (beat)
      'Will Graham: you will learn from my GRAHAM
           (calm)
      This is Will Graham. Can I help
      you?

                         VOICE (V.O.)
      No. I can help you. GRAHAEI
      My name's Will Graham. I... Will Graham thinks about this. JIMMIE PRICE (V.O.)
          Who am I talking to?

                          CRAWIIORD
          Jimmie, it's me, Jack Crawford, and
          you got Will Graham here. His arms are widespread. The phone RINGS. Will Graham
doesn't hear it. It keeps RINGING. MOVE IN on Graham.
Finally, he stirs, then fights his way up out of sleep. opens. Running down the stairs and across the tarmac is
Will Graham in shirtsleeves with a Car-15 assault rifle with
collapsible stock. His eyes scan the perimeter.


FBI MEN Graham punches the phone and takes the call. Crawford's
yelling at Lounds.

               GRARAM
      It's Will Graham... GRAHAM
      It's Will Graham. Is Molly there,
      Mr. Swenson? in the dark shadows of the trees. He seems to float: through
the branches and slows and settles quietly. Then the ex-
pression on Will Graham's face starts to change... CHESTER (V.O.)
      This is Chester here. Who am I
      talking to?

                GRAHAM
      Will Graham, Jack Crawford... INT. FBI CAFETERIA - CRAWFORD + BLOOM - DAY

               CRAWFORD
      I need to talk to you about Will
      Graham. The front walk vertically bisects the FRAME. An Atlanta
Police department car pulls to the curb and stops. The door
opens, lighting the interior and Will Graham starts out the SPRINGFIELD
                   (to Graham)
           The Commissioner was saying you
           were the one that caught Dr. Lecter
           three years ago.
                   (beat)
           He killed nine people, didn't he? DR. CHILTON
         The consensus around here is that
         the only person who has demonstrated
         any practical understanding of Dr.
         Hannibal Lecter is you, Mr. Graham.
         Can you tell me anything about him? his left shoulder to reveal he's reading the National Tattler.
It's about Will Graham with a Freddie Lounds byline. The
only words we catch are: "FBI Manhunter Consults Fiend Who LECKTOR
     Do you dream much, Will?

             GRAHAM
     Good-bye, Dr. Lecktor.
Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: We will only see the rear of Will Graham sitting alone on the
side of the bed in the alienating motel room. His head is
bandaged.


               GRAHAM
          (into phone)
      Hello. GRAHAM
           (calm)
      This is Will Graham. Can I help
      you?

                         VOICE (V.O.)
      No. I can help you. before was lies from Will Graham. He
      made me write them. Now I understand.
           (beat)
      'Will Graham: you will learn from my JIMMIE PRICE (V.O.)
          Who am I talking to?

                          CRAWIIORD
          Jimmie, it's me, Jack Crawford, and
          you got Will Graham here. GRARAM
      Will Graham, FBI. GRAHAEI
      My name's Will Graham. I... Graham punches the phone and takes the call. Crawford's
yelling at Lounds.

               GRARAM
      It's Will Graham... GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. LECKTOR
      You're very tan, Will.

Graham does not answer, If anything happens, there is a
tightening of the musculature repressing his reactions to
Lecktor. It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a in the dark shadows of the trees. He seems to float: through
the branches and slows and settles quietly. Then the ex-
pression on Will Graham's face starts to change... Another silence. Lecktor's eyes look as if they're drilling
into Graham's head, trying to find out things. Trying to
find a way to hurt Graham. He's very threatening. Then
relaxes: DR. CHILTON
         The consensus around here is that
         the only person who has demonstrated
         any practical understanding of Dr.
         Hannibal Lecter is you, Mr. Graham.
         Can you tell me anything about him? His arms are widespread. The phone RINGS. Will Graham
doesn't hear it. It keeps RINGING. MOVE IN on Graham.
Finally, he stirs, then fights his way up out of sleep. GRAHAM
      Something Lecktor said. GPAHAM
      This is Will Graham. Dr. Chilton
      arranged for me to talk with Dr.
      Lecktor .

               OPERATOR (V.O.)
      I'll put you through. GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO: opens. Running down the stairs and across the tarmac is
Will Graham in shirtsleeves with a Car-15 assault rifle with
collapsible stock. His eyes scan the perimeter.


FBI MEN
Tried To Kill Him, by Freddie Lounds." We also catch: "The
Tooth Fairy - Psychopathic Slayer of Entire Families in
Birmingham and Atlanta..." SPRINGFIELD
          One more thing: I've heard officers
          referring to the killer as the 'Tooth
          Fairy. (beat)
           The intruder cut Charles Leeds'
           throat as he lay asleep beside Mrs.
           Leeds. He shot Mrs. Leeds as she was has hit the stop button. He picks up a measured field sketch
of the master bedroom. The bloodstains are represented in
outline. Three are along the left wall. The arterial Leeds. And Jacobi. The police
      think they were murdered.
           (beat)
      Do you know what they call the
      being that visited these people? SARAH                            CRAWFORD
      (fading up)                      (fading down)
    Special Agent Crawford's       No. The killer's not in A silent shot shoves her back to the headboard. Red blood
starts to stain her nightgown as she holds the wound. We
FLOAT CLOSER. In SLOW MOTION Mr. Leeds starts to rise. asked him -- through the speaker:
      'Why did you have to kill my
      daddy? '
           (beat)
      That's when Graham had his nervous 74.
                 GRAHAM
       The killer has sexually molested
       all his male victims. He is a the walls look like a monochromatic Jackson Pollock. The
mirrors are smashed. Taped outlines on the mattress indi-
cate where the bodies had been found. Graham opens the face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. He obeys Graham and floors it. Graham puts his black plastic
briefcase on his lap and extracts the .44 Charter Arms Bulldog. GRAHAM
Hobbs was insane. He was attacking
college girls and he killed them.

         KEVIN
How?

         GRAHAM
With a knife. 28.

               GRAHAM
      You'll get to see the file on this
      case. And there's another reason.

              LECKTOR
      Pray tell. Detectives file out. Crawford and Graham remain.
Springfield crosses to them and they wait for all the other
detectives to leave. yourself. Kill them all.
           (beat)
         It's your home address, Will. The
         bastard gave him your home address. his left shoulder to reveal he's reading the National Tattler.
It's about Will Graham with a Freddie Lounds byline. The
only words we catch are: "FBI Manhunter Consults Fiend Who Graham shoulders past Crawford He throws the Kevlar vest
across the parking lot. He almost killed the man. Meanwhile,
Spurgen is with the Runner. SPRINGFIELD
                   (to Graham)
           The Commissioner was saying you
           were the one that caught Dr. Lecter
           three years ago.
                   (beat)
           He killed nine people, didn't he? It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a
GRAHAM
                (stands)
         I want to see Lecktor now.

                     DR. CHILTON
         Uh... sure... Graham stops at the door before he knocks for the attendant.
Then he folds the abridged file tightly into the sliding
tray. Lecktor pulls it through. Another silence. Lecktor's eyes look as if they're drilling
into Graham's head, trying to find out things. Trying to
find a way to hurt Graham. He's very threatening. Then
relaxes: CRAWFORD (V.O.)
      You got the message Lecktor called...

               GRAHAM
      I arranged for him to have a phone.
      I have to call him in a few minutes. Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. turns to us. His small eyes drill into Graham's brain.
Lecktor's attitude is professionally psychiatric, as if Graham
is the patient.
                      LECKTOR
         Did you get my card? GRAHAM
      Something Lecktor said. Graham exits the car and walks TOWARDS us. We PAN AROUND as
 he moves through EXTREME CLOSEUP and see the Leeds family house GRAHAM
                (long stare at
                Crawford; then)
         ... I'm going to see Lecter.

Crawford's cup of coffee stops in front of his mouth: LECKTOR
      You're very tan, Will.

Graham does not answer, If anything happens, there is a
tightening of the musculature repressing his reactions to
Lecktor. GRAHAM
        I have to see somebody.

There is a silence. Graham does not want to tell her that
he is going to see Lecter. Molly stays cool, she doesn't It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a DR. CHILTON (V.O.)
      In a holding cell.

               GRAHAM
      How long can you keep Lecktor out
      without him getting suspicious? GRAHAM
      Hair from Lecktor's comb. Whiskers
      from an electric razor they let
      him use. This is hair from the
      cleaning man.

                            CUT TO: GRAHAM
     He'd know it from articles he's
     read about Lecktor... GRAHAM
      After we've worked the note we
      want to replace it in Lecktor's
      cell. I don't want him to know GRAHAM
      The main thing is: how was Lecktor
      to reply. GRAHAM
          Goodbye, Dr. Lecktor. You can
          leave messages for me at the number
          on the file. GRAHAM
      Very interesting, even to a layman.

Lecktor rolls around and examines the term "layman" in his
head. Then:
GRAHAM
                (stands)
         I want to see Lecktor now.

                     DR. CHILTON
         Uh... sure... Graham stops at the door before he knocks for the attendant.
Then he folds the abridged file tightly into the sliding
tray. Lecktor pulls it through. Lecktor's voice fades as Will Graham hangs us on him. Graham
sits on the crumpled bed and stares out the window at the rain..

                            CUT TO: GRAHAM
          Goodbye, Dr. Lecktor. You can
          leave messages for me at the number
          on the file. Graham exits the car and walks TOWARDS us. We PAN AROUND as
 he moves through EXTREME CLOSEUP and see the Leeds family house GRAHAM
      Something Lecktor said. Another silence. Lecktor's eyes look as if they're drilling
into Graham's head, trying to find out things. Trying to
find a way to hurt Graham. He's very threatening. Then
relaxes: It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a LECKTOR
     Do you dream much, Will?

             GRAHAM
     Good-bye, Dr. Lecktor. GRAHAM
        I have to see somebody.

There is a silence. Graham does not want to tell her that
he is going to see Lecter. Molly stays cool, she doesn't Graham stands and walks to Dollarhyde. Reba is collapsed in
the corner. Dollarhyde it more exploded from within than
shot. Graham starts to raise the gun...


                            CUT TO: GRAHAM
      After we've worked the note we
      want to replace it in Lecktor's
      cell. I don't want him to know GRAHAM
I want you to help me, Dr. Lecktor.

        LECKTOR
Yes, I thought so.

        GRAHAM
It's about Atlanta and Birmingham. turns to us. His small eyes drill into Graham's brain.
Lecktor's attitude is professionally psychiatric, as if Graham
is the patient.
                      LECKTOR
         Did you get my card? LECKTOR
      You're very tan, Will.

Graham does not answer, If anything happens, there is a
tightening of the musculature repressing his reactions to
Lecktor. The DOOR SLAMS shut on Lecktor.

                                       CUT TO:



32. GRAHAM
                (long stare at
                Crawford; then)
         ... I'm going to see Lecter.

Crawford's cup of coffee stops in front of his mouth: We will only see the rear of Will Graham sitting alone on the
side of the bed in the alienating motel room. His head is
bandaged.


               GRAHAM
          (into phone)
      Hello. CRAWFORD (V.O.)
      You got the message Lecktor called...

               GRAHAM
      I arranged for him to have a phone.
      I have to call him in a few minutes. senses Springfield's staring at him. Graham's face is blank.
He leaves. Springfield -- shaking Crawford's hand -- watches
Graham all the way to the door.

                                                 CUT TO:
We hear three locks opening. The door opens. Graham enters.
An attendant behind Graham closes the door and we hear the
bolts lock again. As Graham is walking towards us, we WIDEN walks down the corridor. He's very stiff. He's walking
towards the outside door. The door is a rectangle of white
light that sends daggers of brilliance across the highly
polished institution's floor. Graham walks for the light. until his foot is level to where he saw the mud. He looks
to his left. Something he sees stops him cold. Graham stops at the door before he knocks for the attendant.
Then he folds the abridged file tightly into the sliding
tray. Lecktor pulls it through. The PHONE RINGS. Crawford answers. His attention is riveted
on Graham.


                CRAWFORD
      It's the guard in the storeroom. By now we're close to his body curled up on the floor in the
sanctuary of the developing room. The red glow emanates
from beneath Dollarhyde's shirt. GUARD
      When we were cleaning out Dr.
      Lector's cell, he heard us coming
      and hid something in a book.. We
      got him out of there and dug around... stares at it. He puts his hands under and runs cold water
on his upturned wrists.

                                              CUT TO: A finger taps Lounds on his chest. A touch on his eyelids.
Lounds slowly opens his eyes. His face goes white. GUARD
      Yeah. It's right here.

Guard pulls three sheers of toiler paper with writing on them
out of his pocket. We HOLD ON it.


DR. CHILTON INT. CHESAPEAKE: STATE HOSPITAL FOR THE CRIMINALLY
INSANE, CORRIDOR - GRAHAM - DAY starts to move around the van he sees something in the
interior and stops. A smile dawns on his face. We don't
know what he sees. He starts wiping the windshield. He stands four feet from her, just staring. Then he walks
from the room.

INT. DOLLARHYDE'S LIVING ROOM - DOLLARHYDE been cleaned up. It is absolutely naked. Shades are drawn.
Slashes of light hit the floor. Graham stands there. Then
he walks forward... runs to the door. In a WIDER SHOT, we see there is a sho-
gun resting inside the door jamb. It's within reach or
Sherman's hand. We see why Tina Sherman screamed: Dr. Chilton looks over at Graham, perhaps expecting a.
 response. There is nothing to read in Graham's face. It is
 a blank. The DOOR SLAMS open and Graham comes out into daylight and
air. The air is tactile to him. He can almost feel the
motes of dust and light that swim freely. He breathes. is unconscious. A hand puts ammonia under his nose.
Lounds regains consciousness. He tries to move. He can't. Bowman is already running through the onion-skinned pages of
a Bible he took from a shelf. Nobody talks to him. Attendant hesitates. Then he leaves. Lecktor is allowed to
 call his attorney in privacy.


 LECKTOR

 picks up the phone and punches in his number.
Footsteps are going away.

               LOUNDS
      What am I doing here?

               DOLLARHYDE (O.S.)
      Atoning, Mr. Lounds. LOUNDS
      You'll let me go now?

               DOLLARHYDE
      You will tell the truth?

               LOUNDS
      Absolutely, As if he had any choice. Lounds' face moves; He strains.
His arms are glued to the chair. Dollarhyde's hand comes
back with a cup of tea and a straw. Lounds sips. Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. Lounds reacts.

               DOLLARHYDE (O.S.)
      Do you know who I am, Mr. Lounds?

               LOUNDS
      I don't want to know. A finger taps Lounds on his chest. A touch on his eyelids.
Lounds slowly opens his eyes. His face goes white. Dollarhyde leaves. Lounds closes his eyes. There are sanitary napkins covering Lounds' eyes and mouth.
The one on his mouth is removed. We will see ONLY Lounds. CUT TO:


INT. DOLLARHYDE HOUSE (ST. LOUIS) - LOUNDS - NIGHT carries a tape recorder. We PAN it across the room to Lounds'
face .
                DOLLARHYDE (O.S.)
      Open your eyes, Mr. Lounds.

Lounds obeys. The figures seen from the back. We don't know what Dollar-
hyde, leaning over Lounds, is doing, but Lounds screams.

                            CUT TO: LOUNDS
      Yes .

                DOLLARHYDE
      Mrs. Jacobi after her changing.
           (as Lounds nods)
      The Dragon rampant. Do you see? is unconscious. A hand puts ammonia under his nose.
Lounds regains consciousness. He tries to move. He can't. It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a The hand rips off the sanitary napkins covering Lounds' eyes.
Lounds jams his eyes shut. The lights brighten. A single
finger taps the top of his head. LOUNDS
      Yes .

               DOLLARHYDE
      Freddie Lounds. Your photograph.

      Do you see? LOUNDS
      Oh, God.

               DOLLARHYDE
      Do you see?

               LOUNDS
      Please, no. LOUNDS
      Yes .

CLICK. Next slide. Mrs. Leeds alive, locked into a silent
scream in her bedroom.

               DOLLARHYDE
      Do you see? LOUNDS
           How does this guy compare with
           Lecter? How does he do them?

Right now he makes the mistake of grabbing Graham's arm to
turn him around. LOUNDS
           (to himself)
        Didn't take off the mask. Please,
      God, let him not take off the mask.
      If he comes back with it off, I'm dead...
A finger taps Lounds on his chest. A touch on his eyelids.
Lounds slowly opens his eyes. His face goes white. is unconscious. A hand puts ammonia under his nose.
Lounds regains consciousness. He tries to move. He can't. CUT TO:


INT. DOLLARHYDE HOUSE (ST. LOUIS) - LOUNDS - NIGHT CUT TO:


INT. CXR - FREDDIE LOUNDS - DAY Dollarhyde starts spilling liquid on Lounds. Lounds starts
to moan and rouse from unconsciousness. His head starts to
turn. He knows he's going to die. And he has some courage. carries a tape recorder. We PAN it across the room to Lounds'
face .
                DOLLARHYDE (O.S.)
      Open your eyes, Mr. Lounds.

Lounds obeys. The hand rips off the sanitary napkins covering Lounds' eyes.
Lounds jams his eyes shut. The lights brighten. A single
finger taps the top of his head. Footsteps are going away.

               LOUNDS
      What am I doing here?

               DOLLARHYDE (O.S.)
      Atoning, Mr. Lounds. There are sanitary napkins covering Lounds' eyes and mouth.
The one on his mouth is removed. We will see ONLY Lounds. LOUNDS
      Will, listen...

                            CUT TO: As if he had any choice. Lounds' face moves; He strains.
His arms are glued to the chair. Dollarhyde's hand comes
back with a cup of tea and a straw. Lounds sips. LOUNDS
      Yes .

CLICK. Next slide. Mrs. Leeds alive, locked into a silent
scream in her bedroom.

               DOLLARHYDE
      Do you see? The figures seen from the back. We don't know what Dollar-
hyde, leaning over Lounds, is doing, but Lounds screams.

                            CUT TO: It is morning. He snaps awake. he is horror-struck: Reba's
pillow is empty. She's nor there. Dollarhyde races our of
the room.

                            CUT TO: It's the one Lounds took after Graham was slashed by Lecktor.
It's a black-and-white square image of a sleeping man with a CUT TO:

EXT. CHICAGO STREET, PHONE BOOTH - FREDDIE LOUNDS - NIGHT
grabs for the phone. LOUNDS
      You'll let me go now?

               DOLLARHYDE
      You will tell the truth?

               LOUNDS
      Absolutely, LOUNDS
      Yes.

CLICK.


LOUNDS

staring in horror. We will not see the rest of the slider. LOUNDS
      Was I in an accident?

               DOLLARHYDE (O.S.)
      No, Mr. Lounds. You'll be just fine. His arms are widespread. The phone RINGS. Will Graham
doesn't hear it. It keeps RINGING. MOVE IN on Graham.
Finally, he stirs, then fights his way up out of sleep.
DOLLARHYDE
      Do you want a Coke or something, Reba?

               REBA
      I'm fine, Francis.

Dollarhyde gets out. we are seeing Dollarhyde's face. The fanged dentures are
in his mouth. Dollarhyde makes Reba's hand feel his teeth. is white. There is something in Dollarhyde's face that he has
never seen before, anywhere.


DOLLARHYDE DOLLARHYDE
      Ms. McClain, I'm Francis Dollarhyde.
      I came about the low light level
      infrared film stock. ENTERS THE FRAME and kisses Dollarhyde on the mouth.
Dollarhyde's eyes freeze open. He is stunned. Reba's left voice and see little of her. We will see Dollarhyde's face
and the expressions on it: wonder and amazement. We see what Dollarhyde imagines: Dandridge's fingers caress
the soft skin of Reba's face. Reba's expression and mouth
are open and warm to him. rolled-up stocking covers Dollarhyde's head to just below
his nose. Dollarhyde's teeth are jagged and brown-stained.
And he smiles at Lounds in front of the white screen. starts printing our line by line: a blow-up of a driver's
license with picture. The lines compose hair, forehead,
eyes... coming at us line by line is: Francis Dollarhyde. is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. Dollarhyde's arm moves under her pillow. She snuggles closer
to him. Dollarhyde's eyes are moist.  Reba's hand moves up face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. GRAHAM
           (roars)
      STOP IT!!!

Dollarhyde turns to the window in time to see:




128. 100.

Dollarhyde knows what he feels: he is pole-axed. He doesn't
know what he thinks.


SAME - REBA - LATER lieved. Then Dollarhyde touches her gently, softly in wonder
and amazement. Then Dollarhyde leaves... Dollarhyde looks at Reba. Then he looks at the film. The
two of them are like a tableau of suburban TV-watching.
They're like a married couple sitting on the sofa. Except: GRAHAM
          (re Dollarhyde)
      This is our boy...!

                            CUT TO: is asleep. She holds Dollarhyde in the near dark. His hand
caresses her forehead and brushes light brown hair from her
face .


DOLLARHME where Dollarhyde hit her. She feels, around on the bed.
She's very frightened. She's trying to control herself...
A silent shot shoves her back to the headboard. Red blood
starts to stain her nightgown as she holds the wound. We
FLOAT CLOSER. In SLOW MOTION Mr. Leeds starts to rise. is pulled down slightly on the left side, making his left
eye moon-shaped. There is a half-healed wound and butter-
fly bandage where Dollarhyde stabbed him. He is standing
in a black raincoat with a black hat. By now we're close to his body curled up on the floor in the
sanctuary of the developing room. The red glow emanates
from beneath Dollarhyde's shirt. (beat)
           The intruder cut Charles Leeds'
           throat as he lay asleep beside Mrs.
           Leeds. He shot Mrs. Leeds as she was The hand rips off the sanitary napkins covering Lounds' eyes.
Lounds jams his eyes shut. The lights brighten. A single
finger taps the top of his head. asked him -- through the speaker:
      'Why did you have to kill my
      daddy? '
           (beat)
      That's when Graham had his nervous The Attendant tries to say he's sorry, but he can't talk.
Dollarhyde's hand has grabbed his face. He hesitates. Then
he throws money at the Attendant and leaves... Dollarhyde leaves. Lounds closes his eyes. It slams open. Dollarhyde enters and walks through the dim
green light past the developers in his black goggles with
red lenses. Thousands of feet of negative move through the stands four feet from her, just staring. Then he walks
from the room.

INT. DOLLARHYDE'S LIVING ROOM - DOLLARHYDE As if he had any choice. Lounds' face moves; He strains.
His arms are glued to the chair. Dollarhyde's hand comes
back with a cup of tea and a straw. Lounds sips. approaches. She, too, wears goggles, but on a lanyard around
her neck. She's petite, fragile. Dollarhyde towers over her. face from underneath his jaw. He starts crushing Dandridge's
face. THREE soft POPS are from Dollarhyde's nine millimeter.
He shot Dandridge three times in the heart. There are sanitary napkins covering Lounds' eyes and mouth.
The one on his mouth is removed. We will see ONLY Lounds. Attendant starts away. Dollarhyde catches him and shoves him
into and through a display of STP. The Attendant bounces once Something massive and silver flashes through the FRAME. He Is
gone. Mirrors explode. Mrs. Leeds was looking at her hand
covered with blood. Now Mrs. Leeds looks up at us. Her face is blind. Her white cane is propped in the corner. She's
thirty with a handsome prairie face. Graham stops at the door before he knocks for the attendant.
Then he folds the abridged file tightly into the sliding
tray. Lecktor pulls it through. LOUNDS
      Yes .

CLICK. Next slide. Mrs. Leeds alive, locked into a silent
scream in her bedroom.

               DOLLARHYDE
      Do you see? The figures seen from the back. We don't know what Dollar-
hyde, leaning over Lounds, is doing, but Lounds screams.

                            CUT TO:
Where is the most recent crime scene Graham visits? Who does Crawford bring to the FBI Academy in Quantico? What is in Lecktor's coded message to the Tooth Fairy? Where is Lounds's flaming body rolled into? Where does Francis Dollarhyde work? What is Dollarhyde watching when he takes Reba to his home? What weapon does Dollarhyde use to wound Crawford? How many police officers does Dollarhyde kill in his firefight with Crawford? What happens when Dollarhyde returns to the kitchen to kill Crawford? What serial killer did Wil Graham catch? What is the name of the serial killer Jack Crawford ask him to help catch? What tabloid journalist accousts Crawford and Graham? Who does Graham visit in his cell? Who wrote a note to Lecktor? Who does the Tooth Fairy kidnap? What did the coded message say? What is the name of the Tooth Fairy killer? What is the name of Dollarhyde's blind co-worker? Who kills Dollarhyde? What did Will Graham retire from? Who was Will Graham attacked by? What is the name of the new killer case? Where does Graham visit Lecktor? Where does Graham go after leaving Lecktor? What does the warden find? Who is Lounds taken by? Where does Lounds wake up? Who is Francis Dollarhyde? Who is the killer's blind co-worker?
Atlanta. Atlanta 
Crawford brings Graham. Graham.
Graham's home address. Save yourself, kill them all. 
The parking garage of the National Tattler. The parking garage of the National Tattler.
A St. Louis film lab. A film lab. 
Home movie footage of his planned next victim. He is watching home movie foortage of his next intended victim.
A shotgun. A shotgun. 
He kills two. Two.
He misses and is killed himself when Crawford returns fire. He misses because of his injuries and is killed when Graham returns fire.
Dr. Hannibal Lecktor Hannibal Lecter. 
The Tooth Fairy The Tooth Fairy.
Lounds Freddy Lounds.
Lecktor Hannibal Lecktor.
The Tooth Fairy The Tooth Fairy.
Lounds Reba McClane. 
It had Graham's home address on it and said, "Save Yourself, Kill Them All" Save yourself. Kill them all. 
Francis Dollarhyde Francis Dollarhyde. 
Reba Reba McClane.
Graham Graham. 
The FBI. The FBI
Dr. Hannibal Lecktor. Will Graham is attacked by Dollarhyde.
The Tooth Fairy. Tooth Fairy.
In his cell. Graham visits Lecktor in his jail cell.
Birmingham. The first crime scene in Birmingham, Alabama.
A note. The warden finds a note in Lecktor's personal effects from the Tooth Fairy killer.
The Tooth Fairy. The Tooth Fairy. 
In the killer's home. The killer's home. 
The Tooth Fairy The "tooth fairy"/ the killer 
Reba Reba McClane 