a leather sap arcs through the air and descends onto her left
   shoulder, paralyzing her arm.  Other arms grab her, push her
   head down.  The same sap backhands with massive force across
   the back of her neck... No reply.  Isabella wonders where he's taking her, what will
   happen to her, but she won't ask.

                                                  CUT TO: ISABELLA

   stares at him.  Incredulous.  For the first time she realizes
   he's the police and has been undercover.  And now she hits
   him... Her lieson with Crockett is the last thing we expected to
   hear from Isabella.

                        MONTOYA
             And...? CROCKETT
             Where's she now?

                        ISABELLA
             She's dead... ISABELLA
             What are you going to do with me?
             Are you taking me to jail?  You
             think I will turn into your
             informant, is that it? ISABELLA
             I know.
                  (quietly)
             And now? sees Isabella, moves.

   COLEMAN

   sees Isabella, swings his assault rifle onto her as... Deeper in the trailer, her clothes torn, blindfolded, is Gina
   with the C-4 necklace.  Beyond her, the woman in the house
   dress and her large, retarded son. He touches her hand.  And she leans all her weight against
   his arm.

                                                  CUT TO: Door opens.  Crockett leads Isabella in.  He uncuffs her.
   She rips away from his hand holding her arm.  She walks to Alonzo's wife, Francine, is bound - clothes torn - to a chair
   in a TV room.  On the floor are two young boys bound with And, now, she gets it.  Gina is in the kitchen.  Alone, in
   their secret safe-house location.  She and Tubbs have nothing He plays in the corner and watches a small TV with a coat
   hanger for an antenna.  The Old Woman pays Gina no attention
   On her face is zero affect.  There are other sounds in the ISABELLA (CONT'D)
             Don't stop, bad man...

   As they continue, we...

                                                  CUT TO: He reaches for her hand and brings her to him.  She kisses
   him and he puts aside his cigar, pulls her face into his
   neck, and she runs her hands down him...

                                                  CUT TO: She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! ISABELLA
             Tell me everything.

                        CROCKETT
             No.

                        ISABELLA
             I insist. runs from cover into the clear with her handgun firing at the
   crazy whites, furious at the betrayal by Yero.  She's shouting
   in Spanish.  It's insane.

   CROCKETT staring out the window at the narrow jetty.  Isabella sits,
   distantly, alone at the end.

   CLOSER:  ISABELLA
CROCKETT
             Alonzo...!

                        STEVENS (O.S.)
             Goodbye.

   Crockett's phone goes dead. CROCKETT
             Who is this?

                                                  INTERCUT
                                                  WITH:

   INT. BENTLEY - ALONZO STEVENS - NIGHT STEVENS (O.S.)
             Sonny...?

                        CROCKETT
             Yeah.

                        STEVENS (O.S.)
             Where's Riccardo? TUBBS
             What is it?

                        CROCKETT
             Alonzo...

                        TUBBS
             Stevens? CROCKETT
             On the phone.

                        STEVENS (O.S.)
             I'm sorry.  I'm sorry, Sonny... Alonzo Stevens has a strange look in his eyes.  He looks at
   Crockett and Tubbs, as if to say something.  He doesn't. ALONZO STEVENS

   exits the Bentley and walks toward Crockett and Tubbs.  He
   holds his hand out to keep them at a distance. STEVENS
             They had me from the gate.

                        CROCKETT
             I don't understand... Crockett.  Stevens' head rotates loosely on his
   shoulders...his mind's elsewhere... CROCKETT
             He is saying they had him from the
             gate.  He is saying to my partner
             and I and to his family "goodbye."
             What does that tell you? Stevens takes a low-resolution E-mailed image from his pocket
   and hands it to Tubbs.  Tubbs looks up, shocked, hands it to CROCKETT
             How do I know?
                  (beat)
             I got the call from Alonzo on an STEVENS
             How do I know?  But it was from the
             get-go.  Knew the FBI had run me
             into them.
                  (beat)
             Sonny, I gotta go...! Alonzo Stevens.  Now, he's YOUR
             informant.  Stevens, called us.  I
             haven't spoken to him for six
             months. STEVENS (cont'd)
                  (shouts)
             So I gave them up, man!  Gave up
             the Feds!  Gave up everything
             I knew.  Now I got to go home... STEVENS
             They said they wouldn't hurt them,
             wouldn't hurt them if...

                        TUBBS
             They lied. CROCKETT
             He tried to..."do business"...with
             you.  Around ten.  His place.  Be
             there.

                        JOSÉ YERO
             I'll be there. And Crockett wants to possess her; to protect her.  He wants
   no one else to have her.  He wants no harm to come to her. STEVENS
             I gave up nothing on you guys.
             Don't worry.  I kept you and Rico Crockett looks at Trudy.  There's a connection between
   Crockett and Trudy.  It's filial.  Crockett has a special
   regard for her judgment.
ALONZO STEVENS

   exits the Bentley and walks toward Crockett and Tubbs.  He
   holds his hand out to keep them at a distance. STEVENS (O.S.)
             Sonny...?

                        CROCKETT
             Yeah.

                        STEVENS (O.S.)
             Where's Riccardo? Crockett drives.  Tubbs is on the throttles.  Isabella's
   between them.  Then, Tubbs is sent a page.  Reads the number. INT. MERCEDES - TUBBS

   They approach a town.  He nudges Crockett.  A police
   roadblock's ahead.

   CROCKETT CUT TO:

   INT. MERCEDES CL 600 ON A MIAMI STREET - CROCKETT + TUBBS -
   BRILLIANT DAYLIGHT Freeway traffic roars past.  Crockett and Tubbs don't get too
   close, heeding Alonzo's warning... Alonzo Stevens has a strange look in his eyes.  He looks at
   Crockett and Tubbs, as if to say something.  He doesn't. appears around the corner.  Rearview mirror:  flashing lights
   on his tail.  Nowhere to go.  Crockett stops.

   ISABELLA CROCKETT
             Alonzo...!

                        STEVENS (O.S.)
             Goodbye.

   Crockett's phone goes dead. to the early 60's ranch house under tropical palms.  Tubbs'
   mood is dark.  As Crockett approaches, he looks blankly at
   Tubbs, offering no explanation... drive.  Crockett reaches into a paper bag full of cell phones
   and grabs one.  He dials up a number, grabs another and hands
   it to Tubbs. INT. MERCEDES CL-500 - CROCKETT + TUBBS - NIGHT

   Grim, silent, race through Miami traffic to the crime scene
   we know is ahead because... CROCKETT
                  (cuts him off)
             This is Detective Crockett.  Miami- Crockett's alarmed.  He catches Tubbs' eye and waves him
   outside... Tubbs pilots it while Crockett gets the location of Alonzo's
   car and repeats it into the headset to Tubbs as the... lands.  Tubbs bails, grabbing his duffle bag and the rifle and
   turns down the street towards the firefight and Crockett...

                                                  CUT TO: CROCKETT
             Who is this?

                                                  INTERCUT
                                                  WITH:

   INT. BENTLEY - ALONZO STEVENS - NIGHT INT. PORT-AU-PRINCE HOTEL ROOM - DOOR - DAY

   Crockett and Tubbs make a careful entry.  Hands on weapons,
   carrying bags... That's what's surprising.  Tubbs pulls his cell phone.
   Meanwhile, they're slowing down for the police roadblock.
   Crockett gets tense...

   TUBBS TUBBS
             You wearing a wire?	

   Tubbs rips open Yero's shirt.

                        CROCKETT
             Or DEA?  The Feeb?
exchange a look.  Then they get it.  The cops work as
   security for the narcotrafficker.  The caravan advances
   towards a major intersection.  This one is blocked-off by
   Haitian military. They want 22% of the value on loads
             they run into South Florida.  It's
             the Juarez cartel model.
             They guarantee the loads.  The FUJIMA
             Not anymore.  This is a distribution
             network out of South Florida,
             moving poly-drug loads, crystal COLEMAN
             So...?

                        EL TIBURON
                  (in Spanish)
             Meth precursors and the Dutch party
             favors are en route. Zo Pounders, plastic-tied, are thrown into the truck with the
   thousand kilos of cocaine.  But not Neptune.  The gate is
   rolled down and padlocked. There are no customers.  They're cautious.  Men stop them
   and frisk them.  They expected that.

                        CROCKETT
             We're from Nicholas to meet José... Crockett puts him on speaker.

                        JOSÉ YERO (cont'd)
                  (beat)
             So I want you to deliver my
             product, how I want my product
             delivered. of crystal meth precursors from the
             Malaysian ship.  For collection in
             North Miami.  You warehouse it.
             Release it when we say. "You a good pilot?
             Make a lot of money for Pablo?
             Thank you very much."  And then
             Pablo would kill his ass.  After the white collars from Cali.  When
             the gringos got him, he was nobody.
             We're three times better than Pablo
             Escobar. Subterranean alarms are going off.  Tubbs finds himself in
   this small city, occupied by narcotraffickers and their walk.  Cochi Loco's security leads and tails behind as...

                        JOSÉ YERO
                  (to El Tiburon)
             You know what Escobar used to do? TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, lines run from the freighter to two go-fast boats.  The fuel
   bladders with crampons slide down the rope into the smaller
   "cigarette" boats..."dope-on-a-rope." votre drugs.
             (What are we doing?  What's it look
             like we're doing, fool?  We are
             stealing all your dope.) MONTOYA (V.O.)
                  (in Spanish)
             Isabella likes them.  We made their
             deal.

   Montoya hangs up.  José Yero looks at the phone. 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." JOSÉ YERO
                  (suspicious)
             I walk into Neptune's house...very
             nice.  But I also see you... and
             our drugs that got ripped from
             Maguda. 800 individually-wrapped bricks of North Valle Colombian
   cocaine are on a table.

                        TUBBS
             Comme on dit...
             (Like they said...)
and a Miami PD SWAT team crash through the front door.
   Another team through the back.  Trudy in a tactical vest is TRUDY
             April Fool, motherfucker.

   Trudy whips the butt end of the shotgun around, caving in
   Neptune's cheekbone and nose... BLAM.  That's all he gets out.  Trudy does exactly that.
   Aryan Brother falls like a felled tree.  Tubbs retrieves the MEANWHILE:

   INT. ALONZO STEVENS' HOUSE - TRUDY - NIGHT TRUDY
                  (into radio, to Castillo)
             Have eyes on her.  She's alive.
             Moving in... TRUDY
                  (on radio, to Castillo)
             ...got Gina.  She's okay.

                                                  CUT TO: Trudy DOESN'T answer.  She's totally focused on a clamshell
   video screen connected to a fiber optic...  FOLLOW THE FIBER
   OPTIC...as a SWAT technician feeds it into... twice across the back of his neck.  He's out.  Handcuffed,
   and Tubbs and Trudy are in the interior... TRUDY
                  (no)
             If you're down, we're down for the
             play.

                                                  CUT TO: INT. HONDURAN FREIGHTER, BRIDGE - TRUDY + CROCKETT - DAWN

   The Freighter is anchored a half mile offshore. EXT. HONDURAN FREIGHTER - TRUDY

   with Switek and Zito.  Trudy's in a tank top.  José looks at
   Trudy appreciatively... TRUDY
                  (after changing channel)
             Hello, Sonny...?

   EXT. FREEWAY - TUBBS

   on police radio listens to a message from Trudy while... And Trudy and we SEE in fish-eye a long-haired Nazi Low-Rider
   and the bulked-out Brother with the Hefty garbage-bag apron. (A)  TRUDY + TUBBS DISCOVER + ASSAULT THE PERIMETER SECURITY
   OF THE TRAILER IN WHICH GINA IS HOSTAGE. TRUDY JOPLIN is a tall African-American.  She whispers into a
   small mic.  If you looked closely, she's ripped...as if steel TRUDY
             PUT DOWN THE DETONATOR! EXT. TRAILER PARK, DOUBLE-WIDE TRAILER - OVER TRUDY EXT. TRAILER PARK, DOUBLE-WIDE TRAILER - TRUDY - NIGHT

                        CASTILLO (O.S.)
                  (radio filter)
             Do you have her?! TUBBS
             Why?

                        TRUDY
             Because you cannot kill him.

   SWITEK GINA
             Oh, bullshit.  She cops his joint.
             He pushes the button.

                        TRUDY
             What's so fucking difficult?
ISABELLA
             My aunt.  She's ancient.  She looks
             after the place...
                  (beat)
             This was my mother's family's
             home... lands.  The door opens.  Isabella emerges.  CLOSER...she
   searches, looking for someone as she descends the ramp.
   Then...

   CROCKETT ISABELLA
             I am no one's wife.  I live in my
             own house.  I do not live in a No reply.  Isabella wonders where he's taking her, what will
   happen to her, but she won't ask.

                                                  CUT TO: ISABELLA
             I know.
                  (quietly)
             And now? ISABELLA
             Off a little alley with
             cobblestones.  Hemingway went
             there...

                        CROCKETT
             The Keys? Wherever we are in the world, this place is out of the
   stream, outside history.  And Isabella, this woman from a
   different world, enters, brings him an oversized cup of ISABELLA
             Blanca...a rubio like you.
                  (pause)
             I see her in a dress...an old If Isabella is pleased, she doesn't show it.  Montoya
   continues to stare at her unwavering expression, frozen in
   stone.  He smiles, then, and starts to take off her clothes. ISABELLA
             Would you?  Because if you
             couldn't, I would be very lonely...
             I would have left the only world I CROCKETT
             Where's she now?

                        ISABELLA
             She's dead... ISABELLA
                  (sarcastic)
             Of course!  That is why I placed
             myself here, with you, knowing Yero
             would pull this crap. ISABELLA

   stares at him.  Incredulous.  For the first time she realizes
   he's the police and has been undercover.  And now she hits
   him... She won't look at him.  She won't reply.  She's frozen,
   immobile, withdrawn deep, darkly into herself.

                        CROCKETT
             Isabella...? ISABELLA
             I never do business in Cuba.
                  (beat)
             And nobody goes to Cuba but me.
                  (smiles)
             And he is not my husband... staring out the window at the narrow jetty.  Isabella sits,
   distantly, alone at the end.

   CLOSER:  ISABELLA ISABELLA (cont'd)
                  (deadly seriously)
             What if I tell you that your ideas
             are too big for your skin?
                  (beat)
             That merely to propose this is a
             dangerous thing? ISABELLA
             My cousin is the harbor master.
             You must not bring in drugs.  You
             cannot be armed.  If you're ISABELLA
             Tell me everything.

                        CROCKETT
             No.

                        ISABELLA
             I insist. sees Isabella, moves.

   COLEMAN

   sees Isabella, swings his assault rifle onto her as...
CROCKETT
             He tried to..."do business"...with
             you.  Around ten.  His place.  Be
             there.

                        JOSÉ YERO
             I'll be there. he makes a credible excuse and he                        
             stops....
                  (beat)
             Her crew blackmailed and asset-
             stripped the last mark down to his There are no customers.  They're cautious.  Men stop them
   and frisk them.  They expected that.

                        CROCKETT
             We're from Nicholas to meet José... TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... Everything goes from tense to lethal.  Has Yero made them?

                        TUBBS
             What do I care what you think about
             how he looks?  You wanna fuck my	
             partner or do business? 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." PA
                  (loud hailer)
             Freeze!  You're under arrest.  Down
             on your knees.  Put your hands on
             your head...

   CLOSE:  YERO Tubbs clocks three beefy Russians in a corner, one is
   unusually fit.

                        TUBBS
             And there's Dmitri... JEAN-LOUIS
             Oh, he'll show.  This is his kind
             of deal.  Crime on crime.  Who's
             gonna call the cops? CROCKETT
                  (re: Fujima) 
             Hey, fuck him.

                        TUBBS
             Chill out Sonny. TUBBS
             He did volunteer one time...

                        TRUDY
                  (entering)
             For a massage parlor bust?
                  (beat)
             Why am I here...? She vouched for him.  She has to stand behind it.  He puts
   his arm around her waist.


                                                  CUT TO: the next load?
                  (beat)
             And no one would ever see him
             again.  He'd disappear.
                  (imitates Pablo) CROCKETT
             The honey trap.  And there's the
             honey.

                        TUBBS
             Hello, Miss Ukraine... BLAM.  That's all he gets out.  Trudy does exactly that.
   Aryan Brother falls like a felled tree.  Tubbs retrieves the (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar Tubbs hands José Yero's assistant, El Tiburon, a pager. TRUDY
                  (to Crockett)
             Eleven to seven he blows it.

                        CROCKETT
                  (whispers)
             Twenty on my man... twice across the back of his neck.  He's out.  Handcuffed,
   and Tubbs and Trudy are in the interior... Zo Pounders, plastic-tied, are thrown into the truck with the
   thousand kilos of cocaine.  But not Neptune.  The gate is
   rolled down and padlocked.
STEVENS
             After I check on Francine and the
             boys, then I'm gone.  Sonny, tell
             Rico I'm so sorry.  I wanted you to
             know... José Yero does NOT know Isabella's on board.

                        CROCKETT
             Proof of life.  How do I know Mrs.
             Rico's alive? JOSÉ YERO
             Mrs. Rico.  But don't worry.  She
             is safe.  To insure that, I am STEVENS (O.S.)
             ...look after her.  Ask Rico to.
             Okay?  Do that for me.  I had to do MONTOYA (V.O.)
                  (in Spanish)
             Isabella likes them.  We made their
             deal.

   Montoya hangs up.  José Yero looks at the phone. He plays in the corner and watches a small TV with a coat
   hanger for an antenna.  The Old Woman pays Gina no attention
   On her face is zero affect.  There are other sounds in the 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." YERO
                  (in Spanish)
             Isabella.  The gringos are police.
             She's their informant...!

                                                  CUT TO: runs from cover into the clear with her handgun firing at the
   crazy whites, furious at the betrayal by Yero.  She's shouting
   in Spanish.  It's insane.

   CROCKETT tell us nobody is here...nobody alive...and what they see
   gives even these veterans pause as blood pools around the
   legs of a family and overturned chairs.  Alonzo didn't save The pavement, the car and Yero are cratered by the 7.62mm
   rounds.  Yero goes down.  Dead. TRUDY
                  (on radio, to Castillo)
             ...got Gina.  She's okay.

                                                  CUT TO: CROCKETT
             How do I know?
                  (beat)
             I got the call from Alonzo on an to say.  He looks to Crockett.  The message from Montoya-
   Londono is clear:  I know you.  I can reach out and locate JOSÉ YERO
                  (extends hand)
             José...

                        CROCKETT
             Sonny Burnett...this is my partner,
             Rico. She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! JOSÉ YERO
             'Cause she will tell you.

   He hangs up.

                        ISABELLA
             That sonofabitch! CROCKETT
             "No, viejo.  That was José Yero,
             splattered all over his
             motherfucking wall." She looks at Montoya squarely.  It hangs in the air.  In his
   strange process of decision-making, Montoya reaches a
   conclusion... He waits.  A phone rings.  It's picked up by Gina.

                        GINA (O.S.)
             Hello...?

   Tubbs is relieved...
He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, the white collars from Cali.  When
             the gringos got him, he was nobody.
             We're three times better than Pablo
             Escobar. CROCKETT
             Montoya.  We went to meet the
             village priest.  It turns into
             Alice in the fucking Vatican and
             here's the Pope...of the North
             Valle Colombia dope trade. FUJIMA
             A Colombian producer.  Named
             Archangel de Jesus Montoya-Londono.

                        CROCKETT
             Never heard of him. INT. MONTOYA COMPOUND, GUAJIRA PENINSULA - COLOMBIAN MILITARY
   + DEA TYPES - DAY CROCKETT
             We could try to run loads into
             these guys.
                  (to Fujima)
             Run a few loads for Montoya into
             South Florida.  Into this group. you.
                  (beat)
             And you can reach out for La Senora
             in Barranquilla or wherever 'cause COLEMAN
             Deal.

   Coleman hangs up.

   INT. HONDURAN FREIGHTER - FUNKY BRIDGE (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar Coleman takes the satellite phone, attached to a laptop.  He
   enters a number.  A frequency-response graphic displays in
   the computer.  His conversation with El Tiburon is encrypted
   so the voices are distorted... walk.  Cochi Loco's security leads and tails behind as...

                        JOSÉ YERO
                  (to El Tiburon)
             You know what Escobar used to do? exchange a look.  Then they get it.  The cops work as
   security for the narcotrafficker.  The caravan advances
   towards a major intersection.  This one is blocked-off by
   Haitian military. EXT. MONTOYA COMPOUND, GUAJIRA PENINSULA, COLOMBIA - ISABELLA
   - NIGHT CUT TO:

   INT. SHACK (GUAJIRA PENINSULA, COLOMBIA) - CROCKETT - DAWN "You a good pilot?
             Make a lot of money for Pablo?
             Thank you very much."  And then
             Pablo would kill his ass.  After COLEMAN
             So...?

                        EL TIBURON
                  (in Spanish)
             Meth precursors and the Dutch party
             favors are en route. loads...this good pilot who
             facilitates so much good
             business... he would come back to
             Medellín or Barranquilla to pick up happens.  LT. CASTILLO is there, out of a past somewhere
   between CIA and the Jesuits... They want 22% of the value on loads
             they run into South Florida.  It's
             the Juarez cartel model.
             They guarantee the loads.  The MONTOYA (V.O.)
                  (in Spanish)
             Isabella likes them.  We made their
             deal.

   Montoya hangs up.  José Yero looks at the phone.
Alonzo Stevens.  Now, he's YOUR
             informant.  Stevens, called us.  I
             haven't spoken to him for six
             months. STEVENS (cont'd)
                  (shouts)
             So I gave them up, man!  Gave up
             the Feds!  Gave up everything
             I knew.  Now I got to go home... STEVENS
             How do I know?  But it was from the
             get-go.  Knew the FBI had run me
             into them.
                  (beat)
             Sonny, I gotta go...! STEVENS
             The Feeb gig was I front a coupla
             undercover, Russian-speakers to STEVENS
             They said they wouldn't hurt them,
             wouldn't hurt them if...

                        TUBBS
             They lied. STEVENS
             I gave up nothing on you guys.
             Don't worry.  I kept you and Rico STEVENS (O.S.)
             ...look after her.  Ask Rico to.
             Okay?  Do that for me.  I had to do communications and security.  He has cold eyes and a corpulent
   face.  He's notorious for using torture to ferret-out
   informants.  Right now he watches these two Americans STEVENS
                  (voice cracks)
             It's fucked up.  I'm sorry... STEVENS
             After I check on Francine and the
             boys, then I'm gone.  Sonny, tell
             Rico I'm so sorry.  I wanted you to
             know... ALONZO STEVENS

   exits the Bentley and walks toward Crockett and Tubbs.  He
   holds his hand out to keep them at a distance. Stevens takes a low-resolution E-mailed image from his pocket
   and hands it to Tubbs.  Tubbs looks up, shocked, hands it to now from undercover work through
             interdictions 'cause I have to
             assume our Operational Security is
             blown. STEVENS
             They had me from the gate.

                        CROCKETT
             I don't understand... Alonzo Stevens has a strange look in his eyes.  He looks at
   Crockett and Tubbs, as if to say something.  He doesn't. TUBBS
             What is it?

                        CROCKETT
             Alonzo...

                        TUBBS
             Stevens? waits.  The guy working the cell phone is the buzz-cut Aryan
   Brother we saw in the Stevens kitchen in the opening. STEVENS (O.S.)
             Sonny...?

                        CROCKETT
             Yeah.

                        STEVENS (O.S.)
             Where's Riccardo? CASTILLO
                  (to Tubbs)
             About the Stevens family, I'm
             sorry.  I know you were close to
             them. SAS).  Russians are ex-KGB.  Languages overheard:  smatterings
   of Russian, Hebrew and English.  Crockett and Tubbs look at
"You a good pilot?
             Make a lot of money for Pablo?
             Thank you very much."  And then
             Pablo would kill his ass.  After (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, the white collars from Cali.  When
             the gringos got him, he was nobody.
             We're three times better than Pablo
             Escobar. walk.  Cochi Loco's security leads and tails behind as...

                        JOSÉ YERO
                  (to El Tiburon)
             You know what Escobar used to do? runs from cover into the clear with her handgun firing at the
   crazy whites, furious at the betrayal by Yero.  She's shouting
   in Spanish.  It's insane.

   CROCKETT ISABELLA
             What are you going to do with me?
             Are you taking me to jail?  You
             think I will turn into your
             informant, is that it? Everything goes from tense to lethal.  Has Yero made them?

                        TUBBS
             What do I care what you think about
             how he looks?  You wanna fuck my	
             partner or do business? CROCKETT
             Montoya.  We went to meet the
             village priest.  It turns into
             Alice in the fucking Vatican and
             here's the Pope...of the North
             Valle Colombia dope trade. you.
                  (beat)
             And you can reach out for La Senora
             in Barranquilla or wherever 'cause If we wanted you dead, you would no
             longer be drawing breath in Miami.
             We wouldn't have brought you all
             the way here. to say.  He looks to Crockett.  The message from Montoya-
   Londono is clear:  I know you.  I can reach out and locate ISABELLA
                  (low)
             And what is that?

   This is the wife of narcotrafficker Archangel de Jesus
   Montoya-Londono. They want 22% of the value on loads
             they run into South Florida.  It's
             the Juarez cartel model.
             They guarantee the loads.  The 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! COLEMAN
             Deal.

   Coleman hangs up.

   INT. HONDURAN FREIGHTER - FUNKY BRIDGE Zo Pounders, plastic-tied, are thrown into the truck with the
   thousand kilos of cocaine.  But not Neptune.  The gate is
   rolled down and padlocked. CROCKETT
                  (skeptical)
             Usually his thing is street
             dealers.  Torture their families
             until they cough up the stash.
             This...? MONTOYA (V.O.)
                  (in Spanish)
             Isabella likes them.  We made their
             deal.

   Montoya hangs up.  José Yero looks at the phone.
STEVENS (cont'd)
                  (shouts)
             So I gave them up, man!  Gave up
             the Feds!  Gave up everything
             I knew.  Now I got to go home... STEVENS
                  (voice cracks)
             It's fucked up.  I'm sorry... backs away.  Looks at them sadly.  And before they can stop
   him, he steps out onto the freeway, opens his arms, and STEVENS
             They said they wouldn't hurt them,
             wouldn't hurt them if...

                        TUBBS
             They lied. He's cruising at 85.  He's floating in a magnolia leather
   interior.  But it's bloodstained from his nose and mouth. STEVENS
             After I check on Francine and the
             boys, then I'm gone.  Sonny, tell
             Rico I'm so sorry.  I wanted you to
             know... the room.  By herself.  In a party
             dress.  And she looked like she
             knew she would die alone...
                  (beat...remembers) STEVENS
             I gave up nothing on you guys.
             Don't worry.  I kept you and Rico STEVENS
             How do I know?  But it was from the
             get-go.  Knew the FBI had run me
             into them.
                  (beat)
             Sonny, I gotta go...! Alonzo Stevens.  Now, he's YOUR
             informant.  Stevens, called us.  I
             haven't spoken to him for six
             months. STEVENS (O.S.)
             ...look after her.  Ask Rico to.
             Okay?  Do that for me.  I had to do Stevens takes a low-resolution E-mailed image from his pocket
   and hands it to Tubbs.  Tubbs looks up, shocked, hands it to OVER TUBBS' SHOULDER we see all the lights from two dozen
   emergency vehicles a quarter mile ahead.  Death is not CROCKETT
             Alonzo...!

                        STEVENS (O.S.)
             Goodbye.

   Crockett's phone goes dead. The pavement, the car and Yero are cratered by the 7.62mm
   rounds.  Yero goes down.  Dead. CUT TO:

   INT. ALONZO STEVENS' HOUSE - A KITCHEN - NIGHT STEVENS
                  (to Tubbs)
             I gotta, I gotta go...!

                        TUBBS
             Alonzo...

                        STEVENS
             What...? Meaning, who can tell?  There may be a time for them
   somewhere else.

                        CROCKETT
             Luck ran out.
                  (beat)
             This was too good to last. And in the way he looks at them, hurt, like a betrayed lover,
   which he isn't and never could have been...we know now, the
   core of his antagonism. compels himself to a different place, now.  Then, the shower
   curtain parts.  It startles him...
FUJIMA
             A Colombian producer.  Named
             Archangel de Jesus Montoya-Londono.

                        CROCKETT
             Never heard of him. He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, Fujima is surprised...

                        CROCKETT
             Yeah.  CIA-level stuff... FUJIMA
             Not anymore.  This is a distribution
             network out of South Florida,
             moving poly-drug loads, crystal CROCKETT
                  (to Fujima)
             Who's the "we"?  There's you and Fujima nods acquiescence.

                        FUJIMA
             Okay.

   He leaves.  When he's out of earshot... FUJIMA
             Get into business with this crew,
             identify them.  Illuminate their
             network.  If you're lucky, discover FUJIMA
             They're not.  They collect in
             Miami.  Montoya, the producer, FUJIMA
             They knew about Alonzo, before he
             made a move on them.  They had our
             operation.  They've cut into us.

                        CROCKETT
             How? FUJIMA
             I don't know.

                        CASTILLO
             Yes you do...

                        FUJIMA
             I got to talk to my ADO... Fujima splits.  Castillo waits until Fujima's car pulls away. FUJIMA
             We think NLR.  We don't know!
             Alonzo only fronted as a broker for
             our guys to make the meet.  He
             wasn't deep into the crew. CROCKETT
                  (speculating)
             It says, "We do not fear you."
                  (to Fujima) FUJIMA
             We don't know.  And that's the
             point.  Maybe there's a mole. FUJIMA
             Sure.

                        CASTILLO
             I mean full disclosure. CROCKETT
             We could try to run loads into
             these guys.
                  (to Fujima)
             Run a few loads for Montoya into
             South Florida.  Into this group. FUJIMA
             Of course.  From my side, I don't	
             WANT to know anything about what FUJIMA
             We're not certain...

                        CASTILLO
             You said Nazi Low-riders...? FUJIMA
             They got a steady stream of supply.
             So, no...

                        CROCKETT
             From whom...? FUJIMA
             But Miami PD wasn't part of the
             J.I.T.  And from what Alonzo said,
             he didn't give you up.
CROCKETT
                  (re: Fujima) 
             Hey, fuck him.

                        TUBBS
             Chill out Sonny. CROCKETT
                  (to Fujima)
             Who's the "we"?  There's you and Fujima is surprised...

                        CROCKETT
             Yeah.  CIA-level stuff... Crockett flips him a set of keys.

                        FUJIMA (cont'd)
             What's this? CROCKETT
             Detective Crockett.

                        FUJIMA (O.S.)
             What's your Miami PD badge number? CROCKETT
             Keys to the boat.  Go do this
             motherfucker yourself.

   Fujima looks at Castillo...who is this insubordinate prick? FUJIMA
             They knew about Alonzo, before he
             made a move on them.  They had our
             operation.  They've cut into us.

                        CROCKETT
             How? CROCKETT
             And the deal goes down at another
             place at another time.

                        FUJIMA
             That's right. CROCKETT
             So what do you want?

                        FUJIMA
             To recruit you.

   Pause. CROCKETT
                  (speculating)
             It says, "We do not fear you."
                  (to Fujima) FUJIMA
             White supremacist types.

   Crockett's impatient. Crockett drives.  Tubbs is on the throttles.  Isabella's
   between them.  Then, Tubbs is sent a page.  Reads the number. FUJIMA
                  (to Castillo)
             Control your men.

                        CROCKETT
             I'm my own man.  And anytime you	
             want to see how much man I am? TUBBS
             You wearing a wire?	

   Tubbs rips open Yero's shirt.

                        CROCKETT
             Or DEA?  The Feeb? CROCKETT
                  (cuts him off)
             This is Detective Crockett.  Miami- CROCKETT
                  (waits, then hears a click
                   on his Nextel)
             Hello?

                        FUJIMA (O.S.)
             This is Agent James Fujima. Isabella says something in French.  The Cops ease-up.
   Isabella's personal security frisks Crockett + Tubbs and
   remain.  Paramilitary leave. Crockett knows the Sophie's choice Castillo may have to make.
   And it may cost Gina.  Crockett glances at Tubbs.  Crockett
   pushes the throttles forward... drive.  Crockett reaches into a paper bag full of cell phones
   and grabs one.  He dials up a number, grabs another and hands
   it to Tubbs. CROCKETT
             We set.

   Crockett kisses the girls, gracious about the gift.  Tubbs
   looks out into the night.
TUBBS
             You wearing a wire?	

   Tubbs rips open Yero's shirt.

                        CROCKETT
             Or DEA?  The Feeb? Yero gestures his security to calm down....one notch.
   Crockett and Tubbs still hold the grenades.

   Then Crockett opens his shirt.  No wires.  So does Tubbs. JOSÉ YERO
                  (extends hand)
             José...

                        CROCKETT
             Sonny Burnett...this is my partner,
             Rico. And she starts to leave...and sensing Crockett's gotten up
   and follows her.  Meanwhile

                        TUBBS
                  (to Yero)
             Lay it out... CROCKETT (cont'd)
                  (goes right up in Yero's
                   face) CROCKETT
                  (to Security)
             Dos café.

   He's security, not a fucking waiter.  But Yero nods.
   Security fetches coffee, anyway. CROCKETT
             He tried to..."do business"...with
             you.  Around ten.  His place.  Be
             there.

                        JOSÉ YERO
             I'll be there. JOSÉ YERO
                  (to Tubbs)
             You seem okay.
                  (to Tubbs re: Crockett)
             But him?  I don't like... how he	
             looks... at the bar.  It's jammed.  "Cochi Loco" Yero and his
   permanent bodyguard, El Tiburon, pass, smile.  Tubbs
   introduces Yero to Gina, as his wife. JOSÉ YERO
             What do you care?

                        TUBBS
                  (to Crockett)
             Do we need this...? CROCKETT
             Yero doesn't know she's here!

   Crockett looks at Isabella, who's distracted in calculating
   what's really happening. lights up.  Beeps.  Crockett's hand grabs it.  It's the
   summons from José Yero.

   INT. KITCHEN - GINA - PRE-DAWN INT. PORT-AU-PRINCE HOTEL ROOM - DOOR - DAY

   Crockett and Tubbs make a careful entry.  Hands on weapons,
   carrying bags... Yero shakes Gina's hand.  He indicates to the bartender that
   Tubbs and Gina are to pay for nothing...and he moves towards JOSÉ YERO

   He watches them, too.  His yellow eyes are lit by strobes.
   His eyes locked onto Isabella...dancing with Crockett, their
   bodies close... INT. MERCEDES - TUBBS

   They approach a town.  He nudges Crockett.  A police
   roadblock's ahead.

   CROCKETT Crockett flips the hand grenade and catches it with his left
   hand...and he drops it in front of José Yero.  It spins on
   the table.  He had reinserted the pin.  And they back out. CROCKETT
             Really?  So, what is this, a party?

   Crockett + Tubbs put down their weapons. Crockett drives.  Tubbs is on the throttles.  Isabella's
   between them.  Then, Tubbs is sent a page.  Reads the number. Crockett and Tubbs walk towards him, to reach him...to
   console him...
He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, exchange a look.  Then they get it.  The cops work as
   security for the narcotrafficker.  The caravan advances
   towards a major intersection.  This one is blocked-off by
   Haitian military. They want 22% of the value on loads
             they run into South Florida.  It's
             the Juarez cartel model.
             They guarantee the loads.  The the white collars from Cali.  When
             the gringos got him, he was nobody.
             We're three times better than Pablo
             Escobar. CROCKETT
             Montoya.  We went to meet the
             village priest.  It turns into
             Alice in the fucking Vatican and
             here's the Pope...of the North
             Valle Colombia dope trade. FUJIMA
             Not anymore.  This is a distribution
             network out of South Florida,
             moving poly-drug loads, crystal COLEMAN
             So...?

                        EL TIBURON
                  (in Spanish)
             Meth precursors and the Dutch party
             favors are en route. "You a good pilot?
             Make a lot of money for Pablo?
             Thank you very much."  And then
             Pablo would kill his ass.  After lines run from the freighter to two go-fast boats.  The fuel
   bladders with crampons slide down the rope into the smaller
   "cigarette" boats..."dope-on-a-rope." 800 individually-wrapped bricks of North Valle Colombian
   cocaine are on a table.

                        TUBBS
             Comme on dit...
             (Like they said...) you.
                  (beat)
             And you can reach out for La Senora
             in Barranquilla or wherever 'cause (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar CROCKETT
             We could try to run loads into
             these guys.
                  (to Fujima)
             Run a few loads for Montoya into
             South Florida.  Into this group. six loads.
                  (pause)
             And who was Pablo Escobar?  A
             provincial who got busted-out by walk.  Cochi Loco's security leads and tails behind as...

                        JOSÉ YERO
                  (to El Tiburon)
             You know what Escobar used to do? JOSÉ YERO
             Fifty-gallon drums.  Thirty-two.  A
             hundred kilos in each.  You
             transship that to the Malaysian
             boat. of crystal meth precursors from the
             Malaysian ship.  For collection in
             North Miami.  You warehouse it.
             Release it when we say. Coleman takes the satellite phone, attached to a laptop.  He
   enters a number.  A frequency-response graphic displays in
   the computer.  His conversation with El Tiburon is encrypted
   so the voices are distorted... TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... FUJIMA
             A Colombian producer.  Named
             Archangel de Jesus Montoya-Londono.

                        CROCKETT
             Never heard of him.
And Crockett wants to possess her; to protect her.  He wants
   no one else to have her.  He wants no harm to come to her. Crockett lets the boat rock over the swells while he arranges
   her headset around her ears.  His fingers brush her hair,
   touch her skin... Crockett's thoughts and expression are about Isabella.  They
   are criminal conspirators, a woman cheating on her CROCKETT
             Yero doesn't know she's here!

   Crockett looks at Isabella, who's distracted in calculating
   what's really happening. Crockett looks at Trudy.  There's a connection between
   Crockett and Trudy.  It's filial.  Crockett has a special
   regard for her judgment. Alone.  And she assaults Crockett with a passion that's
   desperate...as if making love to him puts her world back in
   balance.  Their clothes come off, Crockett pauses... sees Crockett's carriage with this woman.  It's different.
   Intuitively, she exchanges a look with Tubbs.  Crockett makes Crockett's hand is around her waist and slips down her hip as
   he pulls her closer and takes off her glasses and she puts Crockett drives.  Tubbs is on the throttles.  Isabella's
   between them.  Then, Tubbs is sent a page.  Reads the number. As Crockett sits, he notices that at a table a few to the
   side is a woman.  This is ISABELLA.  Behind glasses, she And Crockett, close behind Isabella, now... now.  Crockett wakes up.  He looks around.  She was there and
   now she's gone. tries to bring her .380 around.  Crockett overpowers her.
   Takes the gun.  She slams him in the face with a closed fist. CROCKETT
             Let me buy you a drink.

   Isabella pauses.  Crockett may get killed right now.  They're
   near the open doors to the patio. Crockett notices that Montoya lightly holds her hand.  It's
   confident.  And he sees the slight smile on Isabella's face
   as she watches he and Tubbs... ISABELLA
             Tell me everything.

                        CROCKETT
             No.

                        ISABELLA
             I insist. TUBBS
             You're not makin' a move on her...?

                        CROCKETT
             We're makin' moves on each other. Crockett looks at her.  Her perspective is that of the '60's
   and '70's, the politics of national liberation, the
   perspective of Marcuse and Franz Fanon. Crockett picks up the phone and dials.  His eyes contact with
   Tubbs has Tubbs take Isabella out of the Captain's Bridge. opens.  Crockett and Isabella climb in.  The rear is
   customized cream leather, luxurious with three telephones and
Aryan Brother #1 reaches into the bag at the wrapped stacks
   of hundreds.  Flips through a couple, takes one or two at
   random.  Russian nods for him to go ahead. The Aryan Brother pops him a couple of vials. The three Aryan Brothers approach the steaming cars with the
   chopped-up occupants and take the gym bag full of cash.  The BLAM.  That's all he gets out.  Trudy does exactly that.
   Aryan Brother falls like a felled tree.  Tubbs retrieves the WIDEN.  Everybody goes back to their cars.  As the two
   "Russians" get into theirs, Aryan Brother #1 turns from the
   running board of the Escalade with his driver's door open. ARYAN BROTHER
             Don't...

   Too late.  Door's opened.

   EXT. DOUBLE-WIDE TRAILER - TUBBS, ARYAN BROTHER
             Shoot me, she dies.  Hey, fuck it,
             man.  We can all go. the AB Brother to crawl, bleeding, with a 10-inch butcher
   knife through his kidney into his right lung...  AND Tubbs' chested Aryan Brother we saw from the Stevens' house and
   Coleman's double-wide.  MOVE IN ON GINA.  He reaches below INT. METAL SHED - ARYAN BROTHERS right now:  he snaps a ROUND into the wounded Aryan Brother's
   head.  And, that fast, Tubbs' gun is back on target. waits.  The guy working the cell phone is the buzz-cut Aryan
   Brother we saw in the Stevens kitchen in the opening. bails off the freighter onto the dock.  DARK-HAIRED ARYAN
   BROTHER with a full auto AK is with him.  They move from ARYAN BROTHER
             Fuck... Three Aryan Brothers in business suits get out of the rear of
   the Escalade and Suburban with a driver in each.  Our two Alonzo's wife, Francine, is bound - clothes torn - to a chair
   in a TV room.  On the floor are two young boys bound with 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." wrist, Tubbs took the knife, and as the Aryan Brother swings
   the bat... CLOSER:  ARYAN BROTHERS.  Friendly.  Hip-hop culture has
   invaded White Supremacist gangs.  Buzz cuts.  Goatees.  A
   couple of diamond earrings. ARYAN BROTHER
             Hey, Ivan!  I forgot to ask you
             something, my brother...

   He looks at his partner and nods, who says something into a
   Nextel.
and a Miami PD SWAT team crash through the front door.
   Another team through the back.  Trudy in a tactical vest is TRUDY
             April Fool, motherfucker.

   Trudy whips the butt end of the shotgun around, caving in
   Neptune's cheekbone and nose... BLAM.  That's all he gets out.  Trudy does exactly that.
   Aryan Brother falls like a felled tree.  Tubbs retrieves the MEANWHILE:

   INT. ALONZO STEVENS' HOUSE - TRUDY - NIGHT TRUDY
                  (into radio, to Castillo)
             Have eyes on her.  She's alive.
             Moving in... twice across the back of his neck.  He's out.  Handcuffed,
   and Tubbs and Trudy are in the interior... TRUDY
                  (on radio, to Castillo)
             ...got Gina.  She's okay.

                                                  CUT TO: Trudy DOESN'T answer.  She's totally focused on a clamshell
   video screen connected to a fiber optic...  FOLLOW THE FIBER
   OPTIC...as a SWAT technician feeds it into... INT. HONDURAN FREIGHTER, BRIDGE - TRUDY + CROCKETT - DAWN

   The Freighter is anchored a half mile offshore. EXT. HONDURAN FREIGHTER - TRUDY

   with Switek and Zito.  Trudy's in a tank top.  José looks at
   Trudy appreciatively... TRUDY
                  (no)
             If you're down, we're down for the
             play.

                                                  CUT TO: TRUDY
             PUT DOWN THE DETONATOR! And Trudy and we SEE in fish-eye a long-haired Nazi Low-Rider
   and the bulked-out Brother with the Hefty garbage-bag apron. TUBBS
             Why?

                        TRUDY
             Because you cannot kill him.

   SWITEK TRUDY
                  (after changing channel)
             Hello, Sonny...?

   EXT. FREEWAY - TUBBS

   on police radio listens to a message from Trudy while... She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! (A)  TRUDY + TUBBS DISCOVER + ASSAULT THE PERIMETER SECURITY
   OF THE TRAILER IN WHICH GINA IS HOSTAGE. Crockett looks at Trudy.  There's a connection between
   Crockett and Trudy.  It's filial.  Crockett has a special
   regard for her judgment. In the background Gina shakes her head about Switek.  He blew
   it.  Trudy looks at Crockett and sees Crockett's focused,
   hearing... TRUDY JOPLIN is a tall African-American.  She whispers into a
   small mic.  If you looked closely, she's ripped...as if steel
TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... he makes a credible excuse and he                        
             stops....
                  (beat)
             Her crew blackmailed and asset-
             stripped the last mark down to his 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." Everything goes from tense to lethal.  Has Yero made them?

                        TUBBS
             What do I care what you think about
             how he looks?  You wanna fuck my	
             partner or do business? CROCKETT
             The honey trap.  And there's the
             honey.

                        TUBBS
             Hello, Miss Ukraine... TUBBS
             He did volunteer one time...

                        TRUDY
                  (entering)
             For a massage parlor bust?
                  (beat)
             Why am I here...? communications and security.  He has cold eyes and a corpulent
   face.  He's notorious for using torture to ferret-out
   informants.  Right now he watches these two Americans CROCKETT
             He tried to..."do business"...with
             you.  Around ten.  His place.  Be
             there.

                        JOSÉ YERO
             I'll be there. MONTOYA
             That's my girl...

   Montoya uses Isabella and her sexual allure to gather insight
   into the people he does business with.  That's part of their
   deal. An interior light comes on.  MOVE CLOSER.  Two Russian
   slickster types.  Patient.  One looks at a watch.  The other and a SWAT team in the weeds across the river.  They include
   SGT. JEAN-LOUIS BASTIDE, a Haitian in dark sweats.  They all
   are in plain clothes. (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar Tubbs clocks three beefy Russians in a corner, one is
   unusually fit.

                        TUBBS
             And there's Dmitri... There are no customers.  They're cautious.  Men stop them
   and frisk them.  They expected that.

                        CROCKETT
             We're from Nicholas to meet José... TRUDY
                  (to Crockett)
             Eleven to seven he blows it.

                        CROCKETT
                  (whispers)
             Twenty on my man... Zo Pounders, plastic-tied, are thrown into the truck with the
   thousand kilos of cocaine.  But not Neptune.  The gate is
   rolled down and padlocked. twice across the back of his neck.  He's out.  Handcuffed,
   and Tubbs and Trudy are in the interior... at the bar.  It's jammed.  "Cochi Loco" Yero and his
   permanent bodyguard, El Tiburon, pass, smile.  Tubbs
   introduces Yero to Gina, as his wife. He waits.  A phone rings.  It's picked up by Gina.

                        GINA (O.S.)
             Hello...?

   Tubbs is relieved... Tubbs hands José Yero's assistant, El Tiburon, a pager.
CROCKETT
             Alonzo...!

                        STEVENS (O.S.)
             Goodbye.

   Crockett's phone goes dead. Alonzo Stevens.  Now, he's YOUR
             informant.  Stevens, called us.  I
             haven't spoken to him for six
             months. STEVENS (cont'd)
                  (shouts)
             So I gave them up, man!  Gave up
             the Feds!  Gave up everything
             I knew.  Now I got to go home... STEVENS
                  (to Tubbs)
             I gotta, I gotta go...!

                        TUBBS
             Alonzo...

                        STEVENS
             What...? ALONZO STEVENS

   exits the Bentley and walks toward Crockett and Tubbs.  He
   holds his hand out to keep them at a distance. STEVENS
             After I check on Francine and the
             boys, then I'm gone.  Sonny, tell
             Rico I'm so sorry.  I wanted you to
             know... Alonzo Stevens has a strange look in his eyes.  He looks at
   Crockett and Tubbs, as if to say something.  He doesn't. CUT TO:

   INT. ALONZO STEVENS' HOUSE - A KITCHEN - NIGHT MEANWHILE:

   INT. ALONZO STEVENS' HOUSE - TRUDY - NIGHT TUBBS
                  (voice cracks)
             Alonzo, you don't need to go home.

   Now Alonzo knows. BUT ALONZO STEVENS STEVENS (O.S.)
             ...look after her.  Ask Rico to.
             Okay?  Do that for me.  I had to do CROCKETT
             Who is this?

                                                  INTERCUT
                                                  WITH:

   INT. BENTLEY - ALONZO STEVENS - NIGHT TUBBS
             What is it?

                        CROCKETT
             Alonzo...

                        TUBBS
             Stevens? STEVENS
             How do I know?  But it was from the
             get-go.  Knew the FBI had run me
             into them.
                  (beat)
             Sonny, I gotta go...! STEVENS
             I gave up nothing on you guys.
             Don't worry.  I kept you and Rico Dismissed, they exit.

   EXT. TOWN SQUARE - EXTREMELY CLOSE:  TUBBS INT. ALONZO STEVENS' HOUSE - DOOR TO DEN - NIGHT STEVENS
                  (voice cracks)
             It's fucked up.  I'm sorry... STEVENS
             They said they wouldn't hurt them,
             wouldn't hurt them if...

                        TUBBS
             They lied.
backs away.  Looks at them sadly.  And before they can stop
   him, he steps out onto the freeway, opens his arms, and STEVENS
                  (voice cracks)
             It's fucked up.  I'm sorry... STEVENS (cont'd)
                  (shouts)
             So I gave them up, man!  Gave up
             the Feds!  Gave up everything
             I knew.  Now I got to go home... He's cruising at 85.  He's floating in a magnolia leather
   interior.  But it's bloodstained from his nose and mouth. STEVENS
             After I check on Francine and the
             boys, then I'm gone.  Sonny, tell
             Rico I'm so sorry.  I wanted you to
             know... STEVENS
             They said they wouldn't hurt them,
             wouldn't hurt them if...

                        TUBBS
             They lied. Stevens takes a low-resolution E-mailed image from his pocket
   and hands it to Tubbs.  Tubbs looks up, shocked, hands it to the room.  By herself.  In a party
             dress.  And she looked like she
             knew she would die alone...
                  (beat...remembers) CROCKETT
             Alonzo...!

                        STEVENS (O.S.)
             Goodbye.

   Crockett's phone goes dead. hesitates not at all.  He grabs a late '80's Mercedes left
   with its door open.  Its owner, a middle-aged man at the OVER TUBBS' SHOULDER we see all the lights from two dozen
   emergency vehicles a quarter mile ahead.  Death is not STEVENS
             How do I know?  But it was from the
             get-go.  Knew the FBI had run me
             into them.
                  (beat)
             Sonny, I gotta go...! compels himself to a different place, now.  Then, the shower
   curtain parts.  It startles him... CUT TO:

   INT. ALONZO STEVENS' HOUSE - A KITCHEN - NIGHT The pavement, the car and Yero are cratered by the 7.62mm
   rounds.  Yero goes down.  Dead. STEVENS
                  (to Tubbs)
             I gotta, I gotta go...!

                        TUBBS
             Alonzo...

                        STEVENS
             What...? he makes a credible excuse and he                        
             stops....
                  (beat)
             Her crew blackmailed and asset-
             stripped the last mark down to his He floors the Mercedes.  It spins through 270 degrees,
   scattering gravel and dust, and pulls back onto the freeway,
   driving out of the city, away from Miami, out, into the
   night. ARYAN BROTHER
             Shoot me, she dies.  Hey, fuck it,
             man.  We can all go. thinks this is it.  She's dead.  SWAT, shotguns and assault
   rifles, approach.

   INT. MERCEDES - CROCKETT
He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, FUJIMA
             A Colombian producer.  Named
             Archangel de Jesus Montoya-Londono.

                        CROCKETT
             Never heard of him. the white collars from Cali.  When
             the gringos got him, he was nobody.
             We're three times better than Pablo
             Escobar. you.
                  (beat)
             And you can reach out for La Senora
             in Barranquilla or wherever 'cause CROCKETT
             Montoya.  We went to meet the
             village priest.  It turns into
             Alice in the fucking Vatican and
             here's the Pope...of the North
             Valle Colombia dope trade. FUJIMA
             They're not.  They collect in
             Miami.  Montoya, the producer, CROCKETT
             We could try to run loads into
             these guys.
                  (to Fujima)
             Run a few loads for Montoya into
             South Florida.  Into this group. INT. MONTOYA COMPOUND, GUAJIRA PENINSULA - COLOMBIAN MILITARY
   + DEA TYPES - DAY and a SWAT team in the weeds across the river.  They include
   SGT. JEAN-LOUIS BASTIDE, a Haitian in dark sweats.  They all
   are in plain clothes. communications and security.  He has cold eyes and a corpulent
   face.  He's notorious for using torture to ferret-out
   informants.  Right now he watches these two Americans (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar 800 individually-wrapped bricks of North Valle Colombian
   cocaine are on a table.

                        TUBBS
             Comme on dit...
             (Like they said...) happens.  LT. CASTILLO is there, out of a past somewhere
   between CIA and the Jesuits... exchange a look.  Then they get it.  The cops work as
   security for the narcotrafficker.  The caravan advances
   towards a major intersection.  This one is blocked-off by
   Haitian military. Coleman takes the satellite phone, attached to a laptop.  He
   enters a number.  A frequency-response graphic displays in
   the computer.  His conversation with El Tiburon is encrypted
   so the voices are distorted... Subterranean alarms are going off.  Tubbs finds himself in
   this small city, occupied by narcotraffickers and their runs from cover into the clear with her handgun firing at the
   crazy whites, furious at the betrayal by Yero.  She's shouting
   in Spanish.  It's insane.

   CROCKETT walk.  Cochi Loco's security leads and tails behind as...

                        JOSÉ YERO
                  (to El Tiburon)
             You know what Escobar used to do? it doesn't matter.  Because we are
             on the Guajira Peninsula.  And all
             you see around you...look around...
             is Archangel de Jesus Montoya- FUJIMA
             Get into business with this crew,
             identify them.  Illuminate their
             network.  If you're lucky, discover
JOSÉ YERO
                  (extends hand)
             José...

                        CROCKETT
             Sonny Burnett...this is my partner,
             Rico. CROCKETT (cont'd)
                  (goes right up in Yero's
                   face) is because Sonny can deliver what
             no one else can." CROCKETT
                  (to Security)
             Dos café.

   He's security, not a fucking waiter.  But Yero nods.
   Security fetches coffee, anyway. CROCKETT
             He tried to..."do business"...with
             you.  Around ten.  His place.  Be
             there.

                        JOSÉ YERO
             I'll be there. YERO
                  (in Spanish)
             Isabella.  The gringos are police.
             She's their informant...!

                                                  CUT TO: Yero shakes Gina's hand.  He indicates to the bartender that
   Tubbs and Gina are to pay for nothing...and he moves towards MONTOYA (V.O.)
                  (in Spanish)
             Isabella likes them.  We made their
             deal.

   Montoya hangs up.  José Yero looks at the phone. Yero's people have weapons pointed their way.  They outnumber
   Switek and Zito.  Slack's taken up on triggers.  It's on the be provided by me.  It cost you
             nothing.  You will contact and work
             through José Yero on logistics and
             communications.  To do with money, JOSÉ YERO
             Mrs. Rico.  But don't worry.  She
             is safe.  To insure that, I am The pavement, the car and Yero are cratered by the 7.62mm
   rounds.  Yero goes down.  Dead. Yero's certain about their motive.

                        ISABELLA
             We want it back.

                        CROCKETT
             Okay. CROCKETT
             Yero, by himself?

                        ISABELLA
             Maybe.  Maybe with the crazy
             whites.

   Zito enters, makes the situation... And, he crosses to the door and opens it as Yero cautiously
   enters.

   INT. LIVING ROOM - YERO

   And his face registers surprise. José Yero does NOT know Isabella's on board.

                        CROCKETT
             Proof of life.  How do I know Mrs.
             Rico's alive? Yero looks around the corner and sees Switek and Zito in the
   dining room, casually at ease with Galil assault
   rifles...meaning "don't even think about it"... Yero gestures his security to calm down....one notch.
   Crockett and Tubbs still hold the grenades.

   Then Crockett opens his shirt.  No wires.  So does Tubbs. Everything goes from tense to lethal.  Has Yero made them?

                        TUBBS
             What do I care what you think about
             how he looks?  You wanna fuck my	
             partner or do business? Crockett puts him on speaker.

                        JOSÉ YERO (cont'd)
                  (beat)
             So I want you to deliver my
             product, how I want my product
             delivered.
They want 22% of the value on loads
             they run into South Florida.  It's
             the Juarez cartel model.
             They guarantee the loads.  The exchange a look.  Then they get it.  The cops work as
   security for the narcotrafficker.  The caravan advances
   towards a major intersection.  This one is blocked-off by
   Haitian military. FUJIMA
             Not anymore.  This is a distribution
             network out of South Florida,
             moving poly-drug loads, crystal Crockett puts him on speaker.

                        JOSÉ YERO (cont'd)
                  (beat)
             So I want you to deliver my
             product, how I want my product
             delivered. He's a former right-wing Colombian paramilitary from the
   North Valle near the Pacific coast.  He runs operations, "You a good pilot?
             Make a lot of money for Pablo?
             Thank you very much."  And then
             Pablo would kill his ass.  After of crystal meth precursors from the
             Malaysian ship.  For collection in
             North Miami.  You warehouse it.
             Release it when we say. COLEMAN
             So...?

                        EL TIBURON
                  (in Spanish)
             Meth precursors and the Dutch party
             favors are en route. the white collars from Cali.  When
             the gringos got him, he was nobody.
             We're three times better than Pablo
             Escobar. Zo Pounders, plastic-tied, are thrown into the truck with the
   thousand kilos of cocaine.  But not Neptune.  The gate is
   rolled down and padlocked. lines run from the freighter to two go-fast boats.  The fuel
   bladders with crampons slide down the rope into the smaller
   "cigarette" boats..."dope-on-a-rope." TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... JOSÉ YERO
             Fifty-gallon drums.  Thirty-two.  A
             hundred kilos in each.  You
             transship that to the Malaysian
             boat. walk.  Cochi Loco's security leads and tails behind as...

                        JOSÉ YERO
                  (to El Tiburon)
             You know what Escobar used to do? (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar Subterranean alarms are going off.  Tubbs finds himself in
   this small city, occupied by narcotraffickers and their There are no customers.  They're cautious.  Men stop them
   and frisk them.  They expected that.

                        CROCKETT
             We're from Nicholas to meet José... MONTOYA (V.O.)
                  (in Spanish)
             Isabella likes them.  We made their
             deal.

   Montoya hangs up.  José Yero looks at the phone. 800 individually-wrapped bricks of North Valle Colombian
   cocaine are on a table.

                        TUBBS
             Comme on dit...
             (Like they said...) CROCKETT
             Montoya.  We went to meet the
             village priest.  It turns into
             Alice in the fucking Vatican and
             here's the Pope...of the North
             Valle Colombia dope trade.
Aryan Brother #1 reaches into the bag at the wrapped stacks
   of hundreds.  Flips through a couple, takes one or two at
   random.  Russian nods for him to go ahead. CASTILLO (O.S.)
                  (filter)
             Yeah?

                        CROCKETT
             José Yero changed-up the drop plan
             on us.  He's grabbed Gina. JOSÉ YERO
                  (extends hand)
             José...

                        CROCKETT
             Sonny Burnett...this is my partner,
             Rico. José Yero does NOT know Isabella's on board.

                        CROCKETT
             Proof of life.  How do I know Mrs.
             Rico's alive? runs from cover into the clear with her handgun firing at the
   crazy whites, furious at the betrayal by Yero.  She's shouting
   in Spanish.  It's insane.

   CROCKETT The three Aryan Brothers approach the steaming cars with the
   chopped-up occupants and take the gym bag full of cash.  The (beat)
             The means we kill these
             sonsabitches three times sooner.
                  (beat)
             And do you know why Pablo Escobar Yero's certain about their motive.

                        ISABELLA
             We want it back.

                        CROCKETT
             Okay. She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! STEVENS (O.S.)
             ...look after her.  Ask Rico to.
             Okay?  Do that for me.  I had to do YERO
                  (in Spanish)
             Isabella.  The gringos are police.
             She's their informant...!

                                                  CUT TO: Crockett puts him on speaker.

                        JOSÉ YERO (cont'd)
                  (beat)
             So I want you to deliver my
             product, how I want my product
             delivered. 50 yards away.  All meaning is transmitted.  And Tubbs
   nods...and the nod means:  "get her out of here..." "You a good pilot?
             Make a lot of money for Pablo?
             Thank you very much."  And then
             Pablo would kill his ass.  After And Crockett wants to possess her; to protect her.  He wants
   no one else to have her.  He wants no harm to come to her. Everything goes from tense to lethal.  Has Yero made them?

                        TUBBS
             What do I care what you think about
             how he looks?  You wanna fuck my	
             partner or do business? ZITO
             We're half loaded...

                        TRUDY
             Gina.  Like Alonzo's wife...  Cochi
             Loco's got her. TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... WIDEN.  Everybody goes back to their cars.  As the two
   "Russians" get into theirs, Aryan Brother #1 turns from the
   running board of the Escalade with his driver's door open. BLAM.  That's all he gets out.  Trudy does exactly that.
   Aryan Brother falls like a felled tree.  Tubbs retrieves the
TUBBS
             You wearing a wire?	

   Tubbs rips open Yero's shirt.

                        CROCKETT
             Or DEA?  The Feeb? Aryan Brother #1 reaches into the bag at the wrapped stacks
   of hundreds.  Flips through a couple, takes one or two at
   random.  Russian nods for him to go ahead. only accept the money if Crockett accepts his Randall hunting
   knife.  He does.  Tubbs is in the doorway. TUBBS
             Aryan brothers are not going to
             change-up suppliers.  So...

                        CROCKETT
             Transpo?  How they bringing the
             loads in...? Whatever Nicholas is soliciting, Crockett and Tubbs don't
   want.  (Nicholas brokers "go-fast" runs, moving loads from Crockett knows the Sophie's choice Castillo may have to make.
   And it may cost Gina.  Crockett glances at Tubbs.  Crockett
   pushes the throttles forward... INT. MERCEDES - TUBBS

   They approach a town.  He nudges Crockett.  A police
   roadblock's ahead.

   CROCKETT SWITEK
             Same.  But it's your call, boss.

   Tubbs joins them.

                        CROCKETT
             What's your take? TUBBS
             He's talking to you, bro.
                  (beat)
             What he means to say is he is
             reluctant to abandon the
             penetration of a major
             narcotrafficking organization... Crockett drives.  Tubbs is on the throttles.  Isabella's
   between them.  Then, Tubbs is sent a page.  Reads the number. Crockett's alarmed.  He catches Tubbs' eye and waves him
   outside... drive.  Crockett reaches into a paper bag full of cell phones
   and grabs one.  He dials up a number, grabs another and hands
   it to Tubbs. Tubbs looks at Crockett.  They thought it was a done deal.	

                        CROCKETT
                  (dark)	
             My mommy and daddy know me. INT. A-500 - CROCKETT

   throws a look sideways at Tubbs.

   EXT. SKY - A-500 Crockett puts him on speaker.

                        JOSÉ YERO (cont'd)
                  (beat)
             So I want you to deliver my
             product, how I want my product
             delivered. And she starts to leave...and sensing Crockett's gotten up
   and follows her.  Meanwhile

                        TUBBS
                  (to Yero)
             Lay it out... ALONZO STEVENS

   exits the Bentley and walks toward Crockett and Tubbs.  He
   holds his hand out to keep them at a distance. CROCKETT
             You can't.

                        TUBBS
             They'll kill Gina. The Aryan Brother pops him a couple of vials. right now:  he snaps a ROUND into the wounded Aryan Brother's
   head.  And, that fast, Tubbs' gun is back on target.
and a Miami PD SWAT team crash through the front door.
   Another team through the back.  Trudy in a tactical vest is TRUDY
             April Fool, motherfucker.

   Trudy whips the butt end of the shotgun around, caving in
   Neptune's cheekbone and nose... BLAM.  That's all he gets out.  Trudy does exactly that.
   Aryan Brother falls like a felled tree.  Tubbs retrieves the MEANWHILE:

   INT. ALONZO STEVENS' HOUSE - TRUDY - NIGHT TRUDY
                  (into radio, to Castillo)
             Have eyes on her.  She's alive.
             Moving in... twice across the back of his neck.  He's out.  Handcuffed,
   and Tubbs and Trudy are in the interior... TRUDY
                  (on radio, to Castillo)
             ...got Gina.  She's okay.

                                                  CUT TO: Trudy DOESN'T answer.  She's totally focused on a clamshell
   video screen connected to a fiber optic...  FOLLOW THE FIBER
   OPTIC...as a SWAT technician feeds it into... INT. HONDURAN FREIGHTER, BRIDGE - TRUDY + CROCKETT - DAWN

   The Freighter is anchored a half mile offshore. EXT. HONDURAN FREIGHTER - TRUDY

   with Switek and Zito.  Trudy's in a tank top.  José looks at
   Trudy appreciatively... TRUDY
                  (no)
             If you're down, we're down for the
             play.

                                                  CUT TO: And Trudy and we SEE in fish-eye a long-haired Nazi Low-Rider
   and the bulked-out Brother with the Hefty garbage-bag apron. TRUDY
             PUT DOWN THE DETONATOR! TUBBS
             Why?

                        TRUDY
             Because you cannot kill him.

   SWITEK TRUDY
                  (after changing channel)
             Hello, Sonny...?

   EXT. FREEWAY - TUBBS

   on police radio listens to a message from Trudy while... She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! (A)  TRUDY + TUBBS DISCOVER + ASSAULT THE PERIMETER SECURITY
   OF THE TRAILER IN WHICH GINA IS HOSTAGE. Crockett looks at Trudy.  There's a connection between
   Crockett and Trudy.  It's filial.  Crockett has a special
   regard for her judgment. In the background Gina shakes her head about Switek.  He blew
   it.  Trudy looks at Crockett and sees Crockett's focused,
   hearing... TRUDY JOPLIN is a tall African-American.  She whispers into a
   small mic.  If you looked closely, she's ripped...as if steel
TUBBS
             You wearing a wire?	

   Tubbs rips open Yero's shirt.

                        CROCKETT
             Or DEA?  The Feeb? lands.  Tubbs bails, grabbing his duffle bag and the rifle and
   turns down the street towards the firefight and Crockett...

                                                  CUT TO: Yero gestures his security to calm down....one notch.
   Crockett and Tubbs still hold the grenades.

   Then Crockett opens his shirt.  No wires.  So does Tubbs. And she starts to leave...and sensing Crockett's gotten up
   and follows her.  Meanwhile

                        TUBBS
                  (to Yero)
             Lay it out... runs from cover into the clear with her handgun firing at the
   crazy whites, furious at the betrayal by Yero.  She's shouting
   in Spanish.  It's insane.

   CROCKETT YERO'S POV:  HE SEES CROCKETT + ISABELLA

   behind structures on the jetty.  Crockett fires with the MPD
   SWAT. to the early 60's ranch house under tropical palms.  Tubbs'
   mood is dark.  As Crockett approaches, he looks blankly at
   Tubbs, offering no explanation... lights up.  Beeps.  Crockett's hand grabs it.  It's the
   summons from José Yero.

   INT. KITCHEN - GINA - PRE-DAWN Crockett drives.  Tubbs is on the throttles.  Isabella's
   between them.  Then, Tubbs is sent a page.  Reads the number. at the bar.  It's jammed.  "Cochi Loco" Yero and his
   permanent bodyguard, El Tiburon, pass, smile.  Tubbs
   introduces Yero to Gina, as his wife. Crockett's alarmed.  He catches Tubbs' eye and waves him
   outside... CROCKETT (cont'd)
                  (goes right up in Yero's
                   face) INT. MERCEDES - TUBBS

   They approach a town.  He nudges Crockett.  A police
   roadblock's ahead.

   CROCKETT AK's are aimed at Crockett and Tubbs' heads.  Crockett's .45
   and his Para-Ordnance are in each hand.  Tubbs' shotgun is JOSÉ YERO
                  (to Tubbs)
             You seem okay.
                  (to Tubbs re: Crockett)
             But him?  I don't like... how he	
             looks... She kicks him in the head.  Tubbs grabs her to pull her off.

                        TUBBS
             He's dead! TUBBS
             Cooool...

   They exit to...

   INT. PENTHOUSE CONDO - CROCKETT + TUBBS Suburban crashes through the wreckage of the door and backs
   to the table.  Jean-Louis and SWAT #1 start throwing bricks
   into the back.  Tubbs with Crockett exit. Crockett looks at her.  He has no answer.

   INT. HOUSE - CROCKETT

   enters.  While Tubbs is strapping up... JOSÉ YERO
             What do you care?

                        TUBBS
                  (to Crockett)
             Do we need this...?
What happens to Leonetta? What does Crockett learn about Stevens? What interstate did Crockett and Tubbs find Stevens on? Who is the cartel using to pass out drugs? How does Trudy become injured? Where is Isabella's home? What was the name of the pimp that was to be arrested? How does Rico learn about Leonetta's death? Who runs the Colombia Group? Who was Stevens working as an informant for when his cover was compromised? What did the Colombian cartel threated to murder Leonetta with? How did Stevens commit suicide? Who does Fujima believe to be running the Colombia group? Fujima makes Crockett and Tubbs deputies of what? What do Crockett and Tubbs pose as to offer their services to Yero? What group does the Colombia cartel use to distribute drugs? Who does Crockett begin a secret romance with? Who is kidnapped by the Aryan Brotherhood? How is Trudy critically injured? What is the name of the pimp that is center of the prostition sting operation? Why does Alonzo Stevens leave town? How does Stevens commit suicide? Who runs the Columbian group? What service do Sonny and Rico offer to Yero? Who does the cartel use to distribute drugs? Who orders the Aryan Brotherhood to kidnap Rico's girlfriend? What does the Aryan Brotherhood demand of Crockett and Tubbs? How is Trudy critically injured? Where do Crockett and Tubbs face off in a firefight against Yero and the Aryan Brotherhood?
She is murdered She is killed by a C-4 necklace bomb.
Stevens was working as an informant for the FBI that he's an FBI informant
I-95 I-95.
The Aryan Brotherhood The Aryan Brotherhood.
A bomb is detonated where she is being held she wasn't able to avoid the bomb
In Cuba Cuba
Neptune Neptune
By telephone call From a phone call.
Jose Yero Jose Yero
The FBI. The FBI.
A C-4 necklace bomb. c-4 necklace bomb
He walked in front of a semi truck. by getting hit by a truck
Jose Yero. John Ortiz.
The Organized Crime Drug Enforcement Task Force. The Organized Crime Drug Enforcement Task Force.
Drug smugglers. drug smugglers
The Aryan Brotherhood. aryan brotherhood
Isabella. Isabella.
Trudy. Trudy
Tubbs failed to evacuate her before a bomb was detonated. a bomb
Neptune. Neptune
He is compromised as an FBI informant. he's safety has been compromised
He steps in front of an oncoming semi truck. He steps in front of an oncoming truck.
Jose Yero. Arcangel de Jesus Montoya.
Drug smuggling. posing as drug smugglers
The Aryan Brotherhood. The Aryan Brotherhood.
Yero. Yero
To deliver the cartel's load directly to them. to get the delivery directly to them
Yero remotely detonates a bomb. Bomb.
Port of Miami. the Miami port