spacecraft. It settles into a landing across the dirt road 
               resting on its three pods. With a crack, a cone of bright 
               white light blasts from the underside. is blocked by police cars. The helicopter leans into a banking 
               turn and the spacecraft's blackened landing site comes into 
               view. Below it an orange nylon tent has been erected over The officers watch in awe as the beam wobbles through the 
               air, then crashes to the earth. STAR MAN
                              (points at a 
                              distinctive cone 
                              peak)
                         That's where we landed last time. 
                         Right under that mountain. BENNY
                         There is. They came out of the belly 
                         of the ship and then went to the 
                         first terrace and flew down into the 
                         houses. The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. The spacecraft passes over the top of the helicopter. The 
               whirling downdraft emanating from the spaceship's underbelly and into the white light emitting from the underbelly of the 
               spacecraft. The noise from the ship's power plant is deafening 
               as it begins to rise above the trees. the dead extraterrestrial. It glows from the inside. An Air 
               Force helicopter is parked on the other side of the burn. comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image on them from behind. Before they can turn a light rockets 
               over their heads. With a rumble the hill begins to vibrate. 
               As they follow its flight, they see lights beginning to ripple to stagger back up the hill. Benny and the officer break 
               into a run. They are on their way up the hill when the light 
               in front of them crashes to the earth. It rolls over and to life across the skin of a saucer-shaped spacecraft resting 
               at the edge of the forest on top of the hill. With a rumble dropping out of the sky in front of them. Its searchlight 
               bangs into their faces and, with its thirty-calibre MACHINE SHERMIN
                         It could have been anything.

               EXT. BLACKENED LANDING SITE - DAWNBREAK The sound of a powerful slow-speed drill greets Bell and 
               Shermin as they enter. The extraterrestrial is still on its The Mustang cruises along between fields of corn.

                                     JENNY (V.O.)
                         Why did your ship land on this 
                         planet... on Earth? From the road Benny and the officer watch as the humanoid 
               figure that just blasted over them flies between the trees
This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image The sound of a powerful slow-speed drill greets Bell and 
               Shermin as they enter. The extraterrestrial is still on its room and various close-ups of the dead extraterrestrial lying 
               on a white glass table lit from underneath. SHERMIN
                         I saw it with my own eyes. We've 
                         killed an extraterrestrial and... the dead extraterrestrial. It glows from the inside. An Air 
               Force helicopter is parked on the other side of the burn. BENNY
                         There is. They came out of the belly 
                         of the ship and then went to the 
                         first terrace and flew down into the 
                         houses. spacecraft. It settles into a landing across the dirt road 
               resting on its three pods. With a crack, a cone of bright 
               white light blasts from the underside. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. For a moment, Jenny and the STAR MAN think they're safe. 
               That hope turns to despair when the two patrol cars loop SHERMIN (V.O.)
                              (his voice quavering)
                         George, we've just confirmed the 
                         existence of the live 
                         extraterrestrial. on them from behind. Before they can turn a light rockets 
               over their heads. With a rumble the hill begins to vibrate. 
               As they follow its flight, they see lights beginning to ripple and into the white light emitting from the underbelly of the 
               spacecraft. The noise from the ship's power plant is deafening 
               as it begins to rise above the trees. The Mustang cruises along between fields of corn.

                                     JENNY (V.O.)
                         Why did your ship land on this 
                         planet... on Earth? neutron back scatters and doppler radar. On a fourth screen 
               the forward-looking infrared module begins creating a picture 
               of the UFO. The men relax as they recognize the configurations we saw a small ship. My... eh... we 
                         kidnapped it. On it there was a map 
                         that said how to come to Earth. This The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter themselves back in panic. When they turn back to look, 
               distorted impressions of the face inside the helmet reflect 
               on the glass of their contamination hoods. (Pause) faceplate and we hear the faint sounds of a percussive 
               language. Through the window over the sink we can see the 
               lights of the spaceship.
MAN
                         Where are you going?

                                     STAR MAN
                         Las Vegas, please. I do not speak 
                         English. JENNY
                              (laughs)
                         No, they don't talk... We talk to 
                         them.

                                     STAR MAN
                         I understand. Jenny awakens and looks around. The STAR MAN is not with 
               her. As she stands up she hears his VOICE OUTSIDE. He is 
               speaking to something in his language. The STAR MAN takes it, quickly examines it, then positions 
               it in his mouth at the exact angle the Cook did. His eyebrows The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. JENNY
                              (alarmed)
                         What are you doing?!

               The STAR MAN brings the globe close to his mouth and speaks 
               into it. JENNY
                         Any words you don't know you can 
                         find in the dictionary.

                                     STAR MAN
                         I understand. The STAR MAN scrapes it forward. He activates the satel 
               compass which lights the interior of the boxcar. While he is STAR MAN
                         I don't understand.

                                     MAN
                         Parlez vous Francais?... Habla 
                         Ingles?... Sprechen zie deutsch? STAR MAN
                         The Cook said I speak good English.

                                                               DISSOLVE TO: comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image The STAR MAN smiles.

                                     MAN
                         Where you from?

               The STAR MAN starts to point to the sky, then catches himself. In the passenger seat the STAR MAN is riffling through a 
               Columbia "History of the World." A Webster's Dictionary is Jenny shakes her head 'no.'

                                     JENNY
                         Steering wheel.

                                     STAR MAN
                              (repeats)
                         Steering wheel. Fear erases the STAR MAN's tenuous grasp of English and he 
               begins to jabber in his own language. This makes Burt even 
               madder. JENNY
                              (enunciates)
                         Steering wheel...

                                     STAR MAN
                              (correcting her)
                         What. JENNY
                         I've noticed... Do you understand 
                         what they're saying?

                                     STAR MAN
                         Not all... but it feels like a kiss. The STAR MAN mutters in his language.

                                     JENNY
                         What are you saying? The STAR MAN looks at Jenny for help. She sweeps her fingers 
               across her mouth to indicate her lips are sealed. The STAR 
               MAN peeks around her at the Attendant. SHERMIN
                         Hello...

                                     STAR MAN (V.O.)
                         I must get to my ship, Mr. Shermin.
Benny and the officer look to where Mike is pointing. What 
               appears to be the beam of a powerful headlight bobs among The STAR MAN looks at the map. Lathrop Wells is a small town 
               north of Las Vegas on Highway 95. From there he runs his 
               finger to a spot in the Funeral Range of Death Valley. Shermin takes a bullhorn from Lyman and goes around to the 
               front of the Mustang. The highway patrolmen get out of their 
               cars behind him. off his view. A path between two logs leads him to the tip 
               of a promontory. From behind the cedars growing there, he 
               sits and looks down on the center of Eau Claire. are between it and the ship. At the angle that it is coming 
               up the hill, the light looks like it is heading directly for 
               them. This is too much for the officer and in terror he raises The fires on the hillside have been renewed. Shaking, Benny 
               and the officer rise to their feet and start toward the light then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his The two men begin to trot toward the light. It swings wildly 
               around and, accompanied by the high-pitched whistle, starts are thrown into a skid. When they stop, they are facing each 
               other ready to inspect the traffic coming off 70. They lower 
               the blanket from their faces. Jenny lays her head back against Lyman runs up and whispers in Shermin's ear. Shermin is 
               startled by what he hears. He leaves Lyman in charge and 
               hurries to the helicopter parked in the field beside the 
               roadblock. BENNY
                              (loud whisper)
                         There!! Up on the hill!!

               The officer steps forward for a better look. Benny hangs on 
               his shoulder. She motions ahead and he turns to look at an inter-section 
               with streets running in three directions off of it. His eyes 
               question Jenny again. Fox, immaculate in a freshly pressed black flight suit, climbs 
               out of the first one down and he and Shermin meet in the 
               middle of the runway. The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. Shermin's helicopter slices around a pine-dotted peak 
               following the twists of Interstate 70 below. In the near 
               distance, we can SEE the roadblock. Her rusty laugh follows him into the parking lot. He walks 
               between the trucks to a semi which has half of a pre-fab They bolt across the lanes of traffic to the other side of 
               the road where she flags down an old black pickup truck. She three Nebraska Highway Patrol cars speed up the off-ramp. 
               The lead car turns right on a surface street and enters the 
               motel parking lot at the far end. She stares at him until he does, then leads the STAR MAN 
               down the path that opens for them in the crowd. They pass a 
               MALL GUARD who has just arrived. She points right. After another look at Jenny, the STAR MAN 
               presses the palms of his hands together, concentrates briefly,
STAR MAN
                         Who?

                                     JENNY
                         My... husband.

                                     STAR MAN
                         I am husband? Still shaken, the STAR MAN nods. Jenny realizes that it is 
               comforting to him to have his hand in hers and she leads him 
               like a child down the sidewalk to the Mustang. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. by. He starts across the lanes of traffic toward Jenny. A 
               truck blasts past him in the slow lane. He is buffeted into 
               the fast lane. Jenny runs down the center divider to meet Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. JENNY
                         See? You're going to be okay.

               When they stop at the door, she impulsively kisses him on 
               the cheek. He eases Jenny to the ground behind a boulder. She whimpers 
               with the pain. JENNY
                         Hang on.

               She throws the car into a skid and leaves the blacktop for a 
               dirt road winding between two low hills. Jenny joins the STAR MAN at the fence.

                                     JENNY
                         Good morning.

                                     STAR MAN
                         Horses. He turns from her and walks to his ship. Jenny watches him 
               go, then remembers something.

                                     JENNY
                         Wait!! ATTENDANT
                         Nope.

               Jenny folds back the plastic windows to the picture of her 
               husband.

                                     JENNY
                         This is him. It is difficult with Jenny around his waist, but he manages. 
               He drapes his arms over her. She snuggles into him. The RAIN JENNY
                              (into phone)
                         Mr... I'm sorry, what was your name 
                         again?

                                     SHERMIN (V.O.)
                         Marc Shermin. The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. glimpses of Jenny pleading his case on the phone. Finally, 
               leaving the receiver dangling at the end of its cord, she 
               comes around to stand in the doorway. JENNY
                              (V.O.)
                         Gas.

               The car leaps forward again. above it. With his lips firmly pressed together, he tugs 
               Jenny's sleeve and points. JENNY
                         Men. You go in here.

               She cracks the door for him.

                                     JENNY
                         Come on. He looks to Jenny for confirmation. She nods absently. He 
               returns to the alphabet.

                                     STAR MAN
                         W-w... Jenny is nervous about being here. She feels every face that 
               looks at them could be a cop. The STAR MAN is pulling her
A bit of the white light comes out of his forehead. It tumbles 
               across to Jenny's cheek and settles into the wound. The STAR his side mirror and drifts over, only to be caught by a light. 
               The car is still rolling when Jenny makes her move. She throws runs her fingers over her cheek and neck, across her shoulder 
               and down her side, feeling for traces of the wounds she knows 
               she sustained. She has been completely healed and there are JENNY
                              (V.O.)
                         Gas.

               The car leaps forward again. A shotgun blast from the middle patrol car rips through the 
               door and into Jenny. Part of the FRONT WINDOW is BLOWN OUT. 
               Bleeding badly, she slumps against the STAR MAN. the grip of the drill. Jenny winces as he buries them into 
               the flesh on either side of his left wrist. The car skates Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. Jenny sets her jaw and wrenches the steering wheel violently 
               to the left.

               EXT. STREET - DAWN Still shaken, the STAR MAN nods. Jenny realizes that it is 
               comforting to him to have his hand in hers and she leads him 
               like a child down the sidewalk to the Mustang. JENNY
                              (softly)
                         Oh no...

               She stops next to him and rolls down her window.

                                     JENNY
                         What happened? JENNY
                         Hang on.

               She throws the car into a skid and leaves the blacktop for a 
               dirt road winding between two low hills. It is as if all three vehicles have heard Jenny. They slam 
               on their brakes at the same time and begin to skid toward 
               each other. It's going to be close. of the Mustang. Both vehicles shudder to a stop. Jenny claws 
               at her door. It swings open. She is halfway out before the by. He starts across the lanes of traffic toward Jenny. A 
               truck blasts past him in the slow lane. He is buffeted into 
               the fast lane. Jenny runs down the center divider to meet away the blood on the right side of her head and neck. He 
               finds a deep glass cut on her cheek and two entry points in 
               her neck. He concentrates on her cheek and we can SEE the The cold light marbles Jenny's skin and makes the blood from 
               her wounds appear black. With her blouse, the STAR MAN wipes JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. She takes her foot off the accelerator and the car quickly 
               slows down.

                                     JENNY
                         No gas.

               EXT. BRIDGE - AFTERNOON It is difficult with Jenny around his waist, but he manages. 
               He drapes his arms over her. She snuggles into him. The RAIN The STAR MAN opens the passenger door. Jenny is soaked in 
               her own blood. He hooks the strap of her purse over his
JENNY
                         I'd love to have a baby. But I 
                         can't...

                                     STAR MAN
                         Why? JENNY
                         I told you it's impossible for me to 
                         have a baby. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. JENNY
                              (shakes her head 'no')
                         But... Jenny, knowing it can't work, but hoping that it will, stands 
               back and gnaws on her thumb. Then she sees the blue haze JENNY
                         I can't... Forget the baby. Okay? 
                         The closest I was able to get you JENNY
                         Oh, God, no! I'm not leaving this 
                         house with you. You're going to hurt 
                         me, I know... doing this Jenny turns her back to him and takes off her 
               jacket. Her teeth chattering, she tries to wring the water 
               out of it. away to look up at it. He can't see anything. He is on his 
               way to try and get in the side door when Jenny comes clumping JENNY
                              (in a small voice)
                         No... please don't... JENNY
                              (screams)
                         Stop!! Enough!! Jesus! You're worse 
                         than a parrot!! JENNY
                              (through tears)
                         I can't. I'd like to help. You look JENNY
                              (shouts at him)
                         Even if we walk five miles, it's not 
                         going to make any difference. Jenny, sitting on the floor with her arms wrapped around her 
               knees, is reflected in a mirror fastened to the back of the This hits Jenny like a kick in the stomach. She leans her 
               head back against the wall. Her ride is pacing outside the 
               booth. JENNY
                         You shit! I'll decide if I go or 
                         not. Not you. I don't know what you The STAR MAN looks at her uncomprehendingly.

                                     JENNY
                              (to herself)
                         I gotta get out of here. Jenny is nervous about being here. She feels every face that 
               looks at them could be a cop. The STAR MAN is pulling her There is no one in the kitchen and she continues into the 
               living room. It is empty. Jenny opens the door to an enclosed
We pull back as he holds the ten up to Jenny.

                                     JENNY
                         Money.

                                     STAR MAN
                         Money. STAR MAN
                         The cowboys were right. You can make 
                         money fast gambling.

                                     JENNY
                         You don't make money gambling. You 
                         lose it. STAR MAN
                              (stepping up to the 
                              'Super Jackpot')
                         Yes. JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. The STAR MAN pops a gleaming silver dollar into the machine, 
               pulls the handle and places his hands against the metal. JENNY
                         This is crazy. We don't have time 
                         for this.

                                     STAR MAN
                         I know how to gamble now. The STAR MAN hangs back to examine a one-armed bandit inside 
               the front door while Jenny goes to the counter. An almost The STAR MAN is afraid of the crush of people and wants to 
               stay close to Jenny, but is fascinated by the whir and click 
               and jingle of the one-armed bandits that seem to be 
               everywhere. STAR MAN
                         I want to gamble.

               Jenny sighs and rolls her eyes and fishes two quarters out 
               of her purse and hands them to him. He leaves the window. The STAR MAN watches him until the 
               nozzle is in the Mustang, then pleased with himself, turns 
               to Jenny and lifts his face into a 'smile.' STAR MAN
                         Money.

                                     JENNY
                         Yes. Clutching the windbreaker to her breasts, Jenny looks at the 
               STAR MAN over her shoulder. It doesn't take her long to make 
               up her mind. Confused, the STAR MAN puts the money back into Jenny's wallet 
               and reads the first card through its plastic window. Jenny gets out of the car. When she straightens up, she finds 
               the STAR MAN staring at her over the roof. She slams the STAR MAN fights back as best he can. The sleeve of his 
               windbreaker is torn. One of the T-shirts lands a blow on his The STAR MAN scrapes it forward. He activates the satel 
               compass which lights the interior of the boxcar. While he is JENNY
                              (to the STAR MAN)
                         They're trying to get him.

               Suddenly the STAR MAN slams his shoulder against the door. 
               It swings open. She points right. After another look at Jenny, the STAR MAN 
               presses the palms of his hands together, concentrates briefly, The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter
THIRD DRIVER
                         National Security folks should be 
                         here any minute. Let them take care 
                         of it. That's what they get the big 
                         bucks for. MAN
                              (around a cigarette)
                         Major Aaron Bell...

                                     SHERMIN
                         Marc Shermin, National Security 
                         Agency. Lyman runs up and whispers in Shermin's ear. Shermin is 
               startled by what he hears. He leaves Lyman in charge and 
               hurries to the helicopter parked in the field beside the 
               roadblock. LYMAN
                              (over his shoulder to 
                              Shermin)
                         Fox.

               He taps a three digit code and Fox comes into view. then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his In the office, he can see Jenny and the STAR MAN leave the 
               counter and head for the door. He raises a pair of binoculars 
               to his eyes for a good head-on look at them. She tries to swing the door open and hide her message against 
               the wall, but she is too slow. The STAR MAN sees it and steps 
               forward to read. OFFICER
                              (over outside speakers)
                         This is the police. Identify 
                         yourselves.

               It is deathly silent. The STAR MAN looks at Jenny for help. She sweeps her fingers 
               across her mouth to indicate her lips are sealed. The STAR 
               MAN peeks around her at the Attendant. Lyman taps a code into the computer keyboard. There's a shower 
               of static on one of the TV screens. When it clears up GEORGE The Mall Guard follows them down the walk-way and watches 
               them drive off. He scribbles the license number in his 
               notebook. He hangs up and heads for the rear door. Jenny Haydn's current 
               Visa statement occupies the upper left screen. The last two Shermin takes a bullhorn from Lyman and goes around to the 
               front of the Mustang. The highway patrolmen get out of their 
               cars behind him. There are Eau Claire police cars on the street. Shermin is 
               out back watching Bell pick his way down the hill. Through 
               the windows we see uniformed policemen in the living room. Bell stuffs his breakfast plate into a garbage bag and goes 
               to get a breath of fresh air in the open doorway. Shermin 
               stops at a point on the telex sheet. He reads the message to 
               himself again. We'll tell the press that there was 
                         an accident. Chemical warfare spill. 
                         That cover cannot be violated in any Standing back of the officers, Shermin watches them check to 
               cars passing through the squeeze point. Every car trunk is 
               opened. Vans and campers are looked into. SHERMIN
                         You can change a directive, George. 
                         You've done it before. Listen to me. Still shaken, the STAR MAN nods. Jenny realizes that it is 
               comforting to him to have his hand in hers and she leads him 
               like a child down the sidewalk to the Mustang. BENNY
                              (to the officers, his 
                              voice cracking)
                         There's one over here...
spacecraft. It settles into a landing across the dirt road 
               resting on its three pods. With a crack, a cone of bright 
               white light blasts from the underside. is blocked by police cars. The helicopter leans into a banking 
               turn and the spacecraft's blackened landing site comes into 
               view. Below it an orange nylon tent has been erected over The Mustang cruises along between fields of corn.

                                     JENNY (V.O.)
                         Why did your ship land on this 
                         planet... on Earth? The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. STAR MAN
                              (points at a 
                              distinctive cone 
                              peak)
                         That's where we landed last time. 
                         Right under that mountain. This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. the dead extraterrestrial. It glows from the inside. An Air 
               Force helicopter is parked on the other side of the burn. and into the white light emitting from the underbelly of the 
               spacecraft. The noise from the ship's power plant is deafening 
               as it begins to rise above the trees. comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image The spacecraft passes over the top of the helicopter. The 
               whirling downdraft emanating from the spaceship's underbelly Jenny backs away as the STAR MAN walks under the ship into 
               the white light. He waves one last time to Jenny and is 
               swallowed into the ship by the light.

               EXT. DESERT - NIGHT The sound of a powerful slow-speed drill greets Bell and 
               Shermin as they enter. The extraterrestrial is still on its BENNY
                         There is. They came out of the belly 
                         of the ship and then went to the 
                         first terrace and flew down into the 
                         houses. to life across the skin of a saucer-shaped spacecraft resting 
               at the edge of the forest on top of the hill. With a rumble The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter on them from behind. Before they can turn a light rockets 
               over their heads. With a rumble the hill begins to vibrate. 
               As they follow its flight, they see lights beginning to ripple The officers watch in awe as the beam wobbles through the 
               air, then crashes to the earth. With an awesome roar the spacecraft reaches escape velocity 
               and hurtles into the night sky. The concussion waves knock 
               Benny and the officers off their feet. vibrate and drift off its target. Fox looks toward the sound 
               coming from his right and his eyes widen in fear as he sees 
               the STAR MAN's ship looming over him. SHERMIN
                         It could have been anything.

               EXT. BLACKENED LANDING SITE - DAWNBREAK
As he replaces it in his pocket, he sees a shadow flit across 
               the far end of the clearing. He swings his flashlight in 
               that direction. The beam catches a piece of Jenny and the 
               STAR MAN. He is hairless. Underneath a graceful fore-head, transparent 
               eyelids droop over black pupilless eyes. The thin lips that 
               delineate his mouth are chalk-white. He tries to clutch the edges of the tear together but is too 
               weak. His hands drop limply from the suit, allowing the rent 
               to gape open and reveal the translucent body underneath. FOX
                         Clarify that.

                                     SHERMIN (V.O.)
                         It's made itself look like the woman's 
                         dead husband. endoskeleton. The creature seems to 
                         have tremendous regenerative powers. 
                         Although it must have died within 
                         minutes of receiving the fatal wound, The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. He turns from the mirror and goes over to where the .45 and 
               a leg pouch from his life-support suit are lying on the bed The STAR MAN returns to the picture and resumes his 
               transformation. He completes the chin, then continues downward 
               weaving skin and filling in the human characteristics over 
               the entire body. This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. The sound of a powerful slow-speed drill greets Bell and 
               Shermin as they enter. The extraterrestrial is still on its Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. The men do. Jenny pushes the sleeve of the torn wind-breaker 
               back up on the STAR MAN's shoulder.

                                     MOTHER
                         He was stealing my baby... comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image The STAR MAN stirs and awakens with a start. He parts the 
               tear in his suit and looks at his lung through his translucent the dead extraterrestrial. It glows from the inside. An Air 
               Force helicopter is parked on the other side of the burn. The cold light marbles Jenny's skin and makes the blood from 
               her wounds appear black. With her blouse, the STAR MAN wipes onto the exposed copper. With Jenny watching we have a montage 
               of the STAR MAN working through the night: modifying the 
               insides of the Black and Decker drill, cutting out the mid- identification light that flickers on and off inside its 
               helmet, we see a MAN FROM THE STARS. His skin is translucent
are between it and the ship. At the angle that it is coming 
               up the hill, the light looks like it is heading directly for 
               them. This is too much for the officer and in terror he raises Shermin takes a bullhorn from Lyman and goes around to the 
               front of the Mustang. The highway patrolmen get out of their 
               cars behind him. Lyman runs up and whispers in Shermin's ear. Shermin is 
               startled by what he hears. He leaves Lyman in charge and 
               hurries to the helicopter parked in the field beside the 
               roadblock. then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his The STAR MAN looks at the map. Lathrop Wells is a small town 
               north of Las Vegas on Highway 95. From there he runs his 
               finger to a spot in the Funeral Range of Death Valley. Benny and the officer look to where Mike is pointing. What 
               appears to be the beam of a powerful headlight bobs among She motions ahead and he turns to look at an inter-section 
               with streets running in three directions off of it. His eyes 
               question Jenny again. are thrown into a skid. When they stop, they are facing each 
               other ready to inspect the traffic coming off 70. They lower 
               the blanket from their faces. Jenny lays her head back against Shermin's helicopter slices around a pine-dotted peak 
               following the twists of Interstate 70 below. In the near 
               distance, we can SEE the roadblock. The fires on the hillside have been renewed. Shaking, Benny 
               and the officer rise to their feet and start toward the light off his view. A path between two logs leads him to the tip 
               of a promontory. From behind the cedars growing there, he 
               sits and looks down on the center of Eau Claire. Fox, immaculate in a freshly pressed black flight suit, climbs 
               out of the first one down and he and Shermin meet in the 
               middle of the runway. The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. Carrying a shotgun the officer motions Benny and Mike to fan 
               out on either side of him and, guns drawn, they cut across 
               the tract to where they last saw the bobbing light. cross land mass to site of our 
                         practice landings. If transformation 
                         is not fatal, second message ball by 
                         next darkness. STAR MAN
                              (points at a 
                              distinctive cone 
                              peak)
                         That's where we landed last time. 
                         Right under that mountain. For a moment, Jenny and the STAR MAN think they're safe. 
               That hope turns to despair when the two patrol cars loop It is as if all three vehicles have heard Jenny. They slam 
               on their brakes at the same time and begin to skid toward 
               each other. It's going to be close. BENNY
                              (loud whisper)
                         There!! Up on the hill!!

               The officer steps forward for a better look. Benny hangs on 
               his shoulder. He's going somewhere in Death Valley. 
                         Lathrop Wells was never anything but 
                         a bus stop. East is the nuclear site.
we saw a small ship. My... eh... we 
                         kidnapped it. On it there was a map 
                         that said how to come to Earth. This JENNY
                         How many days and nights do you have 
                         to go...
                              (prods the red dot)
                         ...here? This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. JENNY
                              (shouts after him)
                         I will. I will. We still have another 
                         day.

                                     STAR MAN
                         You promised. We've been visited. It's finally 
                         happened and the sooner Washington 
                         accepts that and starts figuring out comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his The sound of a powerful slow-speed drill greets Bell and 
               Shermin as they enter. The extraterrestrial is still on its on them from behind. Before they can turn a light rockets 
               over their heads. With a rumble the hill begins to vibrate. 
               As they follow its flight, they see lights beginning to ripple The Mustang cruises along between fields of corn.

                                     JENNY (V.O.)
                         Why did your ship land on this 
                         planet... on Earth? The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. JENNY
                         How long will it take you to get 
                         home?

                                     STAR MAN
                              (absently)
                         Many, many days and nights... But when it comes it will know 
                         everything I know and everything you 
                         know. That is something from my planet 
                         that I want your baby to have. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. JENNY
                         Where are you going?

                                     STAR MAN
                         I must meet my ship. STAR MAN
                         Three nights... two days. are between it and the ship. At the angle that it is coming 
               up the hill, the light looks like it is heading directly for 
               them. This is too much for the officer and in terror he raises JENNY
                         You thought we were a different 
                         planet?!

                                     STAR MAN
                         No. My ship was doing a map of all 
                         the suns and... Earth to take home. The police came 
                         and shot at us. One of the people 
                         from my ship was killed.
He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. JENNY
                         I will.

                                     STAR MAN
                         Goodbye. JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. JENNY
                              (this frightens Jenny 
                              even more)
                         Good.

                                     STAR MAN
                         Good. JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. JENNY
                         Satisfied? Now get out. Out.

                                     STAR MAN
                         No. He turns from her and walks to his ship. Jenny watches him 
               go, then remembers something.

                                     JENNY
                         Wait!! The men do. Jenny pushes the sleeve of the torn wind-breaker 
               back up on the STAR MAN's shoulder.

                                     MOTHER
                         He was stealing my baby... The STAR MAN looks at her but doesn't move. Jenny snarls in 
               frustration, then with the STAR MAN on her heels, stalks to 
               the ladies' room and throws open the door. Clutching the windbreaker to her breasts, Jenny looks at the 
               STAR MAN over her shoulder. It doesn't take her long to make 
               up her mind. JENNY
                              (her head on his 
                              shoulder)
                         I'm never going to see you again, am 
                         I?

                                     STAR MAN
                         No. The STAR MAN looks at her uncomprehendingly.

                                     JENNY
                              (to herself)
                         I gotta get out of here. Jenny comes in and locks the door. She passes through the 
               kitchen and is on her way to the stairs when the STAR MAN 
               steps out of the darkness in the living room. A scream catches 
               in Jenny's throat. The line moves forward a step.

                                     JENNY
                         Well... I'm going to go now.

                                     STAR MAN
                         Go? The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. JENNY
                              (shouts after him)
                         I will. I will. We still have another 
                         day.

                                     STAR MAN
                         You promised. Jenny gets there two steps ahead of the STAR MAN. She slams 
               the door in his face and locks it. With him POUNDING ON THE JENNY
                         Sure.

               She leans back and gives the startled Teenager a kiss on the 
               mouth, then gets out. JENNY
                         Goodbye.

                                     STAR MAN
                              (touches his cheek)
                         What?
The STAR MAN pops a gleaming silver dollar into the machine, 
               pulls the handle and places his hands against the metal. The STAR MAN frees his right hand and blindly searches the 
               floor for the gun. He comes up with it and, shoving the barrel The STAR MAN scrapes it forward. He activates the satel 
               compass which lights the interior of the boxcar. While he is The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter The STAR MAN returns to the picture and resumes his 
               transformation. He completes the chin, then continues downward 
               weaving skin and filling in the human characteristics over 
               the entire body. The STAR MAN turns toward the Cobra. Weakly, he raises his 
               weapon and pulls the trigger. Nothing happens. The searchlight She points right. After another look at Jenny, the STAR MAN 
               presses the palms of his hands together, concentrates briefly, The STAR MAN opens his hands and, to Jenny's astonishment, 
               the ball rises quickly and seeps through her roof without 
               leaving a trace.

               EXT. INTERSTATE - NIGHT STAR MAN fights back as best he can. The sleeve of his 
               windbreaker is torn. One of the T-shirts lands a blow on his The last patrol car speeds up to replace it. The lead patrol 
               car slips in next to the STAR MAN. They've got him in a 
               sandwich. The STAR MAN stands on his brakes. Jenny's outburst rocks the STAR MAN back into silence. He 
               waits for her to calm down, then slowly takes the gun out of 
               his pocket. The STAR MAN is sitting on the edge of a chair with his back 
               to her. He is naked. A dot of light is HISSING around his The STAR MAN tenses and forces a smile as the Rider passes 
               in front of him. A VOICE comes from behind the faceplate. The STAR MAN draws the satel compass out between his palms. 
               The green dot now covers the right half of the red dot. He 
               presses his palms together and looks past Jenny at the rugged 
               foothills. MAN
                         Where are you going?

                                     STAR MAN
                         Las Vegas, please. I do not speak 
                         English. STAR MAN standing on the gravel. The STAR MAN looks back to 
               where they came from. There is nothing coming so he sets out 
               in the other direction. Shermin pushes the seat forward. The STAR MAN's life-support 
               suit is stuffed in the space behind it. The patrol cars skid 
               around the curve. The STAR MAN looks at Jenny for help. She sweeps her fingers 
               across her mouth to indicate her lips are sealed. The STAR 
               MAN peeks around her at the Attendant. The STAR MAN angles back into his lane and begins to pick up 
               speed.

               EXT. SIOUX FALLS - SOUTH DAKOTA - DAY SHERMIN
                         Hello...

                                     STAR MAN (V.O.)
                         I must get to my ship, Mr. Shermin.
Confused, the STAR MAN puts the money back into Jenny's wallet 
               and reads the first card through its plastic window. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. We pull back as he holds the ten up to Jenny.

                                     JENNY
                         Money.

                                     STAR MAN
                         Money. JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. Jenny gets out of the car. When she straightens up, she finds 
               the STAR MAN staring at her over the roof. She slams the STAR MAN
                         Money.

                                     JENNY
                         Yes. JENNY
                         I will.

                                     STAR MAN
                         Goodbye. JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. The STAR MAN is intent on the police car. Jenny gives up 
               trying to distract him. The patrol car passes out of their 
               view. The STAR MAN lowers the gun and looks at Jenny. JENNY
                         You don't forget anything, do you?

                                     STAR MAN
                         No.

               Jenny pets one of the horses on the nose. There are no more gas stations in sight. The STAR MAN becomes 
               bored with the silence. He picks up Jenny's wallet. The JENNY
                              (to the STAR MAN)
                         They're trying to get him.

               Suddenly the STAR MAN slams his shoulder against the door. 
               It swings open. The STAR MAN opens his hands and, to Jenny's astonishment, 
               the ball rises quickly and seeps through her roof without 
               leaving a trace.

               EXT. INTERSTATE - NIGHT Jenny awakens and looks around. The STAR MAN is not with 
               her. As she stands up she hears his VOICE OUTSIDE. He is 
               speaking to something in his language. Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. Clutching the windbreaker to her breasts, Jenny looks at the 
               STAR MAN over her shoulder. It doesn't take her long to make 
               up her mind. JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. The STAR MAN looks at her but doesn't move. Jenny snarls in 
               frustration, then with the STAR MAN on her heels, stalks to 
               the ladies' room and throws open the door. He leaves the window. The STAR MAN watches him until the 
               nozzle is in the Mustang, then pleased with himself, turns 
               to Jenny and lifts his face into a 'smile.'
The last patrol car speeds up to replace it. The lead patrol 
               car slips in next to the STAR MAN. They've got him in a 
               sandwich. The STAR MAN stands on his brakes. The STAR MAN frees his right hand and blindly searches the 
               floor for the gun. He comes up with it and, shoving the barrel The STAR MAN is sitting on the edge of a chair with his back 
               to her. He is naked. A dot of light is HISSING around his Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! Burt pulls the STAR MAN up by his shirt front and shakes 
               him.

                                     BURT
                         Is that right? Come on. Answer me. The STAR MAN looks at Jenny for help. She sweeps her fingers 
               across her mouth to indicate her lips are sealed. The STAR 
               MAN peeks around her at the Attendant. The STAR MAN looks at her but doesn't move. Jenny snarls in 
               frustration, then with the STAR MAN on her heels, stalks to 
               the ladies' room and throws open the door. room. It is locked. Not knowing what to do, the STAR MAN 
               stands uncomfortably in front of the door, then like a child The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter panel on his chest and the identification light comes on 
               inside his helmet. At the sight of the STAR MAN, Jenny begins 
               to scream. He presses her back against the wall and puts a JENNY
                              (to the STAR MAN)
                         They're trying to get him.

               Suddenly the STAR MAN slams his shoulder against the door. 
               It swings open. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. In the office, he can see Jenny and the STAR MAN leave the 
               counter and head for the door. He raises a pair of binoculars 
               to his eyes for a good head-on look at them. Jenny gets out of the car. When she straightens up, she finds 
               the STAR MAN staring at her over the roof. She slams the The STAR MAN does as he is told. He doesn't like it, but he 
               does it. With his lips puckered, he looks straight down the The gunsights lock in on Jenny and the STAR MAN. Fox's grip 
               tightens on the trigger. Suddenly the helicopter begins to STAR MAN
                         Wehave...

               Jenny ceases her struggle and begins to cry. The STAR MAN 
               takes his hand away from her mouth. The STAR MAN is intent on the police car. Jenny gives up 
               trying to distract him. The patrol car passes out of their 
               view. The STAR MAN lowers the gun and looks at Jenny. She turns around and looks down indecisively, then hurries 
               upstairs. A light goes on in the bedroom. The STAR MAN backs The STAR MAN smiles.

                                     MAN
                         Where you from?

               The STAR MAN starts to point to the sky, then catches himself.
JENNY
                         I will.

                                     STAR MAN
                         Goodbye. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. JENNY
                              (alarmed)
                         What are you doing?!

               The STAR MAN brings the globe close to his mouth and speaks 
               into it. JENNY
                              (laughs)
                         No, they don't talk... We talk to 
                         them.

                                     STAR MAN
                         I understand. Jenny backs away as the STAR MAN walks under the ship into 
               the white light. He waves one last time to Jenny and is 
               swallowed into the ship by the light.

               EXT. DESERT - NIGHT The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. The STAR MAN contemplates the station as they pass it, then 
               turns to Jenny, puzzled:

                                     STAR MAN
                         Go. JENNY
                              (this frightens Jenny 
                              even more)
                         Good.

                                     STAR MAN
                         Good. She points right. After another look at Jenny, the STAR MAN 
               presses the palms of his hands together, concentrates briefly, Jenny shakes her head 'no.'

                                     JENNY
                         Steering wheel.

                                     STAR MAN
                              (repeats)
                         Steering wheel. JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. JENNY (V.O.)
                         Which way?

                                     STAR MAN (V.O.)
                         That way. JENNY
                         I see it.

               The STAR MAN reaches forward and squeezes the satel compass 
               back into his palms. STAR MAN
                              (holds his hand out 
                              for it)
                         I...

                                     JENNY
                         You want to try it? JENNY
                         Don't be afraid. Do what I told you 
                         and you'll be okay.

                                     STAR MAN
                              (nervous)
                         Yes. JENNY
                         Where are you going?

                                     STAR MAN
                         I must meet my ship. The STAR MAN draws the satel compass out between his palms. 
               The green dot now covers the right half of the red dot. He 
               presses his palms together and looks past Jenny at the rugged 
               foothills. command, the satel compass comes from around behind the STAR 
               MAN to hover in back of Jenny. He takes it between his palms 
               and extinguishes it.
JENNY
                         I will.

                                     STAR MAN
                         Goodbye. The STAR MAN steps back and places a hand on Jenny's stomach.

                                     STAR MAN
                         Tell the baby about me. JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. Jenny nods.

                                     JENNY
                         Who are you?

                                     STAR MAN
                         I am... The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside. STAR MAN
                         What?

                                     JENNY
                         Nothing. The STAR MAN nods that he understands.

                                     JENNY
                         Say it. JENNY
                              (shouts after him)
                         I will. I will. We still have another 
                         day.

                                     STAR MAN
                         You promised. Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! JENNY
                         What will you say about us?

                                     STAR MAN
                         I will say that we can be friends. JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. STAR MAN
                         I will see it next time.

                                     JENNY
                         You better. JENNY
                              (laughs)
                         No, they don't talk... We talk to 
                         them.

                                     STAR MAN
                         I understand. STAR MAN
                         There.

                                     JENNY
                         Where?

               He directs Jenny's attention to the constellation Auriga. JENNY
                              (her head on his 
                              shoulder)
                         I'm never going to see you again, am 
                         I?

                                     STAR MAN
                         No. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. Jenny gets out of the car. When she straightens up, she finds 
               the STAR MAN staring at her over the roof. She slams the JENNY
                              (this frightens Jenny 
                              even more)
                         Good.

                                     STAR MAN
                         Good. Jenny awakens and looks around. The STAR MAN is not with 
               her. As she stands up she hears his VOICE OUTSIDE. He is 
               speaking to something in his language. JENNY
                         Where do you think you're going?

                                     STAR MAN
                         Thank you, Jennyhaydn. You are good. 
                         I must go alone now.
FOX
                         Recognize this?

                                     MAJOR BELL
                         It's a copy of the plaque NASA sent 
                         into space on the Pioneer probes. With an awesome roar the spacecraft reaches escape velocity 
               and hurtles into the night sky. The concussion waves knock 
               Benny and the officers off their feet. Jenny is sleeping comfortably, then presses the palms of his 
               hands together. The satel compass appears between them. The 
               green dot tells him he is still on course. The STAR MAN scrapes it forward. He activates the satel 
               compass which lights the interior of the boxcar. While he is then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. The STAR MAN shifts restlessly in his seat as he searches 
               the ghostly landscape for something familiar. He activates 
               the satel compass. The red and green dots are touching. This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. In the passenger seat the STAR MAN is riffling through a 
               Columbia "History of the World." A Webster's Dictionary is But when it comes it will know 
                         everything I know and everything you 
                         know. That is something from my planet 
                         that I want your baby to have. body. It has changed in color from brown to a rich yellow 
               ocher. He takes several deep breaths of our atmosphere and 
               his lung expands and contracts easily. He conducts a quick The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. faceplate and we hear the faint sounds of a percussive 
               language. Through the window over the sink we can see the 
               lights of the spaceship. The STAR MAN contemplates the station as they pass it, then 
               turns to Jenny, puzzled:

                                     STAR MAN
                         Go. comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image JENNY
                              (alarmed)
                         What are you doing?!

               The STAR MAN brings the globe close to his mouth and speaks 
               into it. Jenny turns away from the stinging sand as the space-craft 
               lifts off. When she looks again, it is high and moving over turns a glowing gold as it grows in size. When it reaches 
               the dimensions of a baseball, he brings it close to his 
               faceplate and speaks into it. shoots off into the stars. When she can no longer see it, 
               Jenny drops her wave with a sigh and starts back toward the 
               Camaro. vibrate and drift off its target. Fox looks toward the sound 
               coming from his right and his eyes widen in fear as he sees 
               the STAR MAN's ship looming over him.
comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image spacecraft. It settles into a landing across the dirt road 
               resting on its three pods. With a crack, a cone of bright 
               white light blasts from the underside. The spacecraft passes over the top of the helicopter. The 
               whirling downdraft emanating from the spaceship's underbelly and into the white light emitting from the underbelly of the 
               spacecraft. The noise from the ship's power plant is deafening 
               as it begins to rise above the trees. Jenny backs away as the STAR MAN walks under the ship into 
               the white light. He waves one last time to Jenny and is 
               swallowed into the ship by the light.

               EXT. DESERT - NIGHT We've been visited. It's finally 
                         happened and the sooner Washington 
                         accepts that and starts figuring out With an awesome roar the spacecraft reaches escape velocity 
               and hurtles into the night sky. The concussion waves knock 
               Benny and the officers off their feet. vibrate and drift off its target. Fox looks toward the sound 
               coming from his right and his eyes widen in fear as he sees 
               the STAR MAN's ship looming over him. on them from behind. Before they can turn a light rockets 
               over their heads. With a rumble the hill begins to vibrate. 
               As they follow its flight, they see lights beginning to ripple The Mustang cruises along between fields of corn.

                                     JENNY (V.O.)
                         Why did your ship land on this 
                         planet... on Earth? are between it and the ship. At the angle that it is coming 
               up the hill, the light looks like it is heading directly for 
               them. This is too much for the officer and in terror he raises neutron back scatters and doppler radar. On a fourth screen 
               the forward-looking infrared module begins creating a picture 
               of the UFO. The men relax as they recognize the configurations The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. The sound of a powerful slow-speed drill greets Bell and 
               Shermin as they enter. The extraterrestrial is still on its then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. MAJOR BELL
                         Major Bell here, sir. We have to 
                         tell these people that we're friendly. 
                         That this whole thing was a mistake. 
                         Is anyone trying to contact the ship? we saw a small ship. My... eh... we 
                         kidnapped it. On it there was a map 
                         that said how to come to Earth. This the dead extraterrestrial. It glows from the inside. An Air 
               Force helicopter is parked on the other side of the burn. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet.
The STAR MAN pops a gleaming silver dollar into the machine, 
               pulls the handle and places his hands against the metal. The STAR MAN scrapes it forward. He activates the satel 
               compass which lights the interior of the boxcar. While he is The STAR MAN opens his hands and, to Jenny's astonishment, 
               the ball rises quickly and seeps through her roof without 
               leaving a trace.

               EXT. INTERSTATE - NIGHT The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter The STAR MAN returns to the picture and resumes his 
               transformation. He completes the chin, then continues downward 
               weaving skin and filling in the human characteristics over 
               the entire body. JENNY
                              (alarmed)
                         What are you doing?!

               The STAR MAN brings the globe close to his mouth and speaks 
               into it. His answer is nothing but the low buzz. He taps a series of 
               buttons on his chest panel and speaks again.

                                     STAR MAN
                         Mapmaker Wind. Do you hear me? The STAR MAN stirs and awakens with a start. He parts the 
               tear in his suit and looks at his lung through his translucent Behind the faceplate a piece of white light breaks off from 
               the shining mass in the STAR MAN'S head and moves down his Shermin pushes the seat forward. The STAR MAN's life-support 
               suit is stuffed in the space behind it. The patrol cars skid 
               around the curve. SHERMIN
                         Hello...

                                     STAR MAN (V.O.)
                         I must get to my ship, Mr. Shermin. a marble from his pouch. It grows and glows gold as the STAR 
               MAN rolls it between his palms. When it reaches the size of The STAR MAN tenses and forces a smile as the Rider passes 
               in front of him. A VOICE comes from behind the faceplate. The STAR MAN looks around. Jenny's eyes widen at what is 
               happening behind him. The pneumatic arm above the door is STAR MAN
                         I understand.

               He hangs up.

               INT. REPAIR BAY - NIGHT JENNY
                         I see it.

               The STAR MAN reaches forward and squeezes the satel compass 
               back into his palms. She points right. After another look at Jenny, the STAR MAN 
               presses the palms of his hands together, concentrates briefly, then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his The STAR MAN takes it, quickly examines it, then positions 
               it in his mouth at the exact angle the Cook did. His eyebrows STAR MAN
                         Wehave...

               Jenny ceases her struggle and begins to cry. The STAR MAN 
               takes his hand away from her mouth.
The Mustang cruises along between fields of corn.

                                     JENNY (V.O.)
                         Why did your ship land on this 
                         planet... on Earth? FOX
                         You have to. We're trying to contact 
                         the ship. If we do, I'll let you 
                         know immediately. Good luck. MAJOR BELL
                         Major Bell here, sir. We have to 
                         tell these people that we're friendly. 
                         That this whole thing was a mistake. 
                         Is anyone trying to contact the ship? JENNY
                         Where are you going?

                                     STAR MAN
                         I must meet my ship. comes from inside the extraterrestrial's helmet. The men 
               freeze. There is another burst of percussive language and a 
               projection beam shoots out of the helmet throwing the image then slowly draws them apart. The force field appears between 
               them. On it the solarized view of the United States rotates 
               until the red destination dot is on his right. He drops his The figure thrashes over on its back and tries to close a 
               shoulder-to-hip tear in its life-support suit. By the faint The lift off of Shermin's helicopter reveals contamination -- 
               suited scientists slipping the dead extraterrestrial's coffin 
               into the Air Force helicopter. we saw a small ship. My... eh... we 
                         kidnapped it. On it there was a map 
                         that said how to come to Earth. This The STAR MAN contemplates the station as they pass it, then 
               turns to Jenny, puzzled:

                                     STAR MAN
                         Go. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. The STAR MAN shifts restlessly in his seat as he searches 
               the ghostly landscape for something familiar. He activates 
               the satel compass. The red and green dots are touching. This one's real. We have a dead extra-
                         terrestrial in that tent and another 
                         one in the area that might be alive. STAR MAN (V.O.)
                         If I talk to you, I will miss my 
                         ship. SHERMIN (V.O.)
                              (his voice quavering)
                         George, we've just confirmed the 
                         existence of the live 
                         extraterrestrial. SUBTITLE
                         Lander four to Mapmaker Wind. Fix 
                         position for rescue. Repeat. Fix 
                         position for rescue.

               EXT. HOUSING TRACT - NIGHT JENNY
                         Why can't we wait here for a ride?

                                     STAR MAN
                         I feel better if I move. JENNY
                              (to the STAR MAN)
                         They're trying to get him.

               Suddenly the STAR MAN slams his shoulder against the door. 
               It swings open. Jenny backs away as the STAR MAN walks under the ship into 
               the white light. He waves one last time to Jenny and is 
               swallowed into the ship by the light.

               EXT. DESERT - NIGHT The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside.
He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. JENNY
                              (this frightens Jenny 
                              even more)
                         Good.

                                     STAR MAN
                         Good. JENNY
                         I will.

                                     STAR MAN
                         Goodbye. JENNY
                         Satisfied? Now get out. Out.

                                     STAR MAN
                         No. The STAR MAN looks at her uncomprehendingly.

                                     JENNY
                              (to herself)
                         I gotta get out of here. Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! The men do. Jenny pushes the sleeve of the torn wind-breaker 
               back up on the STAR MAN's shoulder.

                                     MOTHER
                         He was stealing my baby... The STAR MAN looks at her but doesn't move. Jenny snarls in 
               frustration, then with the STAR MAN on her heels, stalks to 
               the ladies' room and throws open the door. to her feet. Jenny squirms back, but he holds her tight. She 
               looks at the hand, almost touches it, then up at the familiar 
               yet disturbingly unfamiliar face above her. JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. JENNY
                              (her head on his 
                              shoulder)
                         I'm never going to see you again, am 
                         I?

                                     STAR MAN
                         No. Jenny gets there two steps ahead of the STAR MAN. She slams 
               the door in his face and locks it. With him POUNDING ON THE Clutching the windbreaker to her breasts, Jenny looks at the 
               STAR MAN over her shoulder. It doesn't take her long to make 
               up her mind. JENNY
                              (laughs)
                         No, they don't talk... We talk to 
                         them.

                                     STAR MAN
                         I understand. Jenny is nervous about being here. She feels every face that 
               looks at them could be a cop. The STAR MAN is pulling her Jenny comes in and locks the door. She passes through the 
               kitchen and is on her way to the stairs when the STAR MAN 
               steps out of the darkness in the living room. A scream catches 
               in Jenny's throat. Still shaken, the STAR MAN nods. Jenny realizes that it is 
               comforting to him to have his hand in hers and she leads him 
               like a child down the sidewalk to the Mustang.
Jenny gets there two steps ahead of the STAR MAN. She slams 
               the door in his face and locks it. With him POUNDING ON THE Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. JENNY
                         Sure.

               She leans back and gives the startled Teenager a kiss on the 
               mouth, then gets out. The STAR MAN is intent on the police car. Jenny gives up 
               trying to distract him. The patrol car passes out of their 
               view. The STAR MAN lowers the gun and looks at Jenny. JENNY
                         I will.

                                     STAR MAN
                         Goodbye. JENNY
                              (to the STAR MAN)
                         They're trying to get him.

               Suddenly the STAR MAN slams his shoulder against the door. 
               It swings open. For a moment, Jenny and the STAR MAN think they're safe. 
               That hope turns to despair when the two patrol cars loop With a rush the helicopter rises out of the trees and thunders 
               away.

               EXT. JENNY'S HOUSE - MORNING Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. Jenny backs away as the STAR MAN walks under the ship into 
               the white light. He waves one last time to Jenny and is 
               swallowed into the ship by the light.

               EXT. DESERT - NIGHT JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. Jenny is nervous about being here. She feels every face that 
               looks at them could be a cop. The STAR MAN is pulling her Jenny kills her lights and glues the accelerator to the floor. 
               Three MEN scramble from the helicopter with M16s. A BURST OF While the STAR MAN picks through the contents of the glove 
               compartment, Jenny looks for a way to escape. An all-night The gunsights lock in on Jenny and the STAR MAN. Fox's grip 
               tightens on the trigger. Suddenly the helicopter begins to JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. The STAR MAN guides her into the entryway and reaches for 
               the front door. Realizing his intentions, Jenny increases 
               her struggle and manages to pull away.
JENNY
                         Yes.

                                     STAR MAN
                         A baby is a new person?

                                     JENNY
                         Eh... yes... Jenny lets out a blood-curdling scream and strikes out at 
               him. Flashes of light erupt off his exposed chest where she 
               hits. The ferocity of her attack knocks him aside and she 
               sprints up the stairs. The STAR MAN steps back and places a hand on Jenny's stomach.

                                     STAR MAN
                         Tell the baby about me. STAR MAN
                         You will have this baby. If you want 
                         it. If you don't, I can stop it now.

               Jenny comes over and puts her arms around the STAR MAN. JENNY
                         Oh, wow... I'll tell you what. When 
                         the baby is born, we'll go out in my 
                         back yard and wave to you. already done. Everything is perfect, even the eyes. Jenny 
               begins to tremble and lowers the gun. A bit of the white light comes out of his forehead. It tumbles 
               across to Jenny's cheek and settles into the wound. The STAR He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. JENNY
                         I can't... Forget the baby. Okay? 
                         The closest I was able to get you JENNY
                         I'd love to have a baby. But I 
                         can't...

                                     STAR MAN
                         Why? away to look up at it. He can't see anything. He is on his 
               way to try and get in the side door when Jenny comes clumping But when it comes it will know 
                         everything I know and everything you 
                         know. That is something from my planet 
                         that I want your baby to have. to her feet. Jenny squirms back, but he holds her tight. She 
               looks at the hand, almost touches it, then up at the familiar 
               yet disturbingly unfamiliar face above her. Jenny, knowing it can't work, but hoping that it will, stands 
               back and gnaws on her thumb. Then she sees the blue haze JENNY
                         I don't need any money for the baby. 
                         I'll be fine. It is difficult with Jenny around his waist, but he manages. 
               He drapes his arms over her. She snuggles into him. The RAIN Jenny gets there two steps ahead of the STAR MAN. She slams 
               the door in his face and locks it. With him POUNDING ON THE The men do. Jenny pushes the sleeve of the torn wind-breaker 
               back up on the STAR MAN's shoulder.

                                     MOTHER
                         He was stealing my baby... them. It is taking me to the pick-up 
                         point in a land vehicle.
                              (eyeing Jenny)
                         I think I can control it by mastering The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside.
Jenny gets out of the car. When she straightens up, she finds 
               the STAR MAN staring at her over the roof. She slams the Jenny shakes her head 'no.'

                                     JENNY
                         Steering wheel.

                                     STAR MAN
                              (repeats)
                         Steering wheel. JENNY
                              (V.O.)
                         Gas.

               The car leaps forward again. JENNY
                              (V.O.)
                         No gas.

               It drops back to a crawl.

               INT. MUSTANG - AFTERNOON JENNY
                         No. Get in.

                                     STAR MAN
                              (rounding the hood)
                         You can have one. He hands the can back to Jenny. She looks at it and knows 
               there are alien bacteria there her body would not like to 
               meet. Jenny turns toward an oncoming car and sticks out her thumb. 
               The STAR MAN falls into the same pose just back of her. The 
               car honks at them as it breezes by. JENNY
                         Sure.

               She leans back and gives the startled Teenager a kiss on the 
               mouth, then gets out. JENNY
                         It works.

               The STAR MAN slumps in exhaustion and pain. She takes her foot off the accelerator and the car quickly 
               slows down.

                                     JENNY
                         No gas.

               EXT. BRIDGE - AFTERNOON The STAR MAN is intent on the police car. Jenny gives up 
               trying to distract him. The patrol car passes out of their 
               view. The STAR MAN lowers the gun and looks at Jenny. For a moment, Jenny and the STAR MAN think they're safe. 
               That hope turns to despair when the two patrol cars loop JENNY
                         Do you understand what I'm saying to 
                         you? You can keep the car.
                              (she hands him some shoots off into the stars. When she can no longer see it, 
               Jenny drops her wave with a sigh and starts back toward the 
               Camaro. JENNY
                         I said I would get you to your ship 
                         and that's where we're going to say 
                         goodbye.

               INT. CAMARO - NIGHT STAR MAN
                         No gas.

                                     JENNY
                         This car runs on gas. JENNY
                         I will.

                                     STAR MAN
                         Goodbye. STAR MAN
                         Gas good?

                                     JENNY
                         Yes. Very good.

               INT. MUSTANG - AFTERNOON JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. JENNY
                              (V.O.)
                         Gas.

               The Mustang spurts forward a few yards.
JENNY
                              (to the STAR MAN)
                         They're trying to get him.

               Suddenly the STAR MAN slams his shoulder against the door. 
               It swings open. The last patrol car speeds up to replace it. The lead patrol 
               car slips in next to the STAR MAN. They've got him in a 
               sandwich. The STAR MAN stands on his brakes. men in the field. He sees that their guns are drawn and 
               pointed in his direction. The STAR MAN pulls back and takes The STAR MAN is intent on the police car. Jenny gives up 
               trying to distract him. The patrol car passes out of their 
               view. The STAR MAN lowers the gun and looks at Jenny. from the Cobra finds them. Its machine guns begin to raise 
               puffs of gravel around them. Jenny grabs the STAR MAN's arm Some of the onlookers have joined Burt in his attempt to 
               bring the STAR MAN down. Growling in his own language, the The STAR MAN frees his right hand and blindly searches the 
               floor for the gun. He comes up with it and, shoving the barrel Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! The STAR MAN peers around the boulder. At that instant the 
               searchlight from the helicopter happens to splash across the STAR MAN
                         Wehave...

               Jenny ceases her struggle and begins to cry. The STAR MAN 
               takes his hand away from her mouth. STAR MAN fights back as best he can. The sleeve of his 
               windbreaker is torn. One of the T-shirts lands a blow on his The gunsights lock in on Jenny and the STAR MAN. Fox's grip 
               tightens on the trigger. Suddenly the helicopter begins to She stares at him until he does, then leads the STAR MAN 
               down the path that opens for them in the crowd. They pass a 
               MALL GUARD who has just arrived. The STAR MAN sets down with the smoothness of a man stepping 
               off an escalator. He looks over his shoulder. The helicopter after them. They keep getting closer. The STAR MAN inches 
               the blanket up over his nose. Unexpectedly, the patrol cars The STAR MAN returns to the picture and resumes his 
               transformation. He completes the chin, then continues downward 
               weaving skin and filling in the human characteristics over 
               the entire body. and pulls him into the relative safety of the rocks. The 
               STAR MAN collapses against the cool stone. The STAR MAN gets her to her feet and hustles her out of the 
               room. On the dresser is Jenny's wedding picture. The man the 
               STAR MAN has become is her husband. The STAR MAN looks at Jenny for help. She sweeps her fingers 
               across her mouth to indicate her lips are sealed. The STAR 
               MAN peeks around her at the Attendant. The STAR MAN looks intently at her, then opens the front 
               door. He taps his chest, points to Jenny and motions to the 
               dawn outside.
JENNY
                         Well...

                                     STAR MAN
                         I must go.

               Jenny nods. JENNY
                         I will.

                                     STAR MAN
                         Goodbye. The STAR MAN looks at her uncomprehendingly.

                                     JENNY
                              (to herself)
                         I gotta get out of here. JENNY
                         Yes. I have a long ride ahead of 
                         me...
                              (takes his hand)
                         Goodbye.

                                     STAR MAN
                         Goodbye. STAR MAN
                         No.

                                     JENNY
                         Then let me go. You don't need me.

                                     STAR MAN
                         No. JENNY
                         Where do you think you're going?

                                     STAR MAN
                         Thank you, Jennyhaydn. You are good. 
                         I must go alone now. JENNY
                         Where are you going?

                                     STAR MAN
                         I must meet my ship. JENNY
                              (her head on his 
                              shoulder)
                         I'm never going to see you again, am 
                         I?

                                     STAR MAN
                         No. The line moves forward a step.

                                     JENNY
                         Well... I'm going to go now.

                                     STAR MAN
                         Go? The STAR MAN contemplates the station as they pass it, then 
               turns to Jenny, puzzled:

                                     STAR MAN
                         Go. STAR MAN
                         You can stop. I will go on alone.

                                     JENNY
                         We're too far away to walk. Don't 
                         you understand? JENNY
                              (after a few steps)
                         We're not going to get a ride tonight.

                                     STAR MAN
                         I can't stay on this planet. JENNY
                         Satisfied? Now get out. Out.

                                     STAR MAN
                         No. JENNY
                         I'd love to have a baby. But I 
                         can't...

                                     STAR MAN
                         Why? STAR MAN
                         No, thank you.

               Jenny takes his hand in hers. Jenny ignores him.

                                     STAR MAN
                              (yells)
                         Kidnapped!!! JENNY
                         Nobody knows.

                                     STAR MAN
                         Why?

                                     JENNY
                         I don't know. The STAR MAN looks at her but doesn't move. Jenny snarls in 
               frustration, then with the STAR MAN on her heels, stalks to 
               the ladies' room and throws open the door. Jenny gets there two steps ahead of the STAR MAN. She slams 
               the door in his face and locks it. With him POUNDING ON THE Jenny awakens and looks around. The STAR MAN is not with 
               her. As she stands up she hears his VOICE OUTSIDE. He is 
               speaking to something in his language.
Where the crashed alien craft fell down? How many aliens are there in the crashed alien craft? Which disk used by Starman to understand English? Where is the rendezvous point located? What is the name of Jenne's husband? How Jenny's wounds healed after the car crash? Why Jenny feels she can not have children? How much the Starman win in the Jackpot? Who is the Director of National Security Agency? Where did the alien craft crash land?  What item (from the deceased husband) did the alien use to clone his body? Where was the planned rendezvous point?  In how many days did the alien plan to rendezvous with his people?  What does the alien do that makes Jenny decide to stay with the alien?  How many silver spheres does the Starman originally have?  How does Starman get money after Jenny loses her wallet? What does the NSA agent plan to do with Starman if the alien is captured?  The alien gives Jenny the final silver sphere with what instructions?  What does Starman say that Jenny's son will grow up to be?  What was the Voyager 2 carrying? What ends up happening to the alien craft when it approaches Earth? What do the silver spheres allow Starman to do? Why is the alien trying to reach the rendezvous point? What causes Jenny to stay with the alien? How does the alien and Jenny escape from the authorities? What features and abilities will Jenny's baby have? How are Jenny and the alien able to purchase a new car after traveling too far? How does the army become involved in the capturing of Starman? Why is Jenny not able to go with Starman to his world?
Chequamegon Bay, Wisconsin Chequamegon Bay, Wisconsin.
One 1.
Voyager 2 Disk voyager 2 disk
Arizona Arizona.
Scott Scott
Starman uses Silver Sphere to heal Jenny a silver sphere
Because she is infertile She is infertile.
$500,000 $500,000.00
George Fox George Fox.
Chequamegon bay, Wisconson Chequomegon Bay Wisconsin
A lock of hair A lock of hair.
Barringer Crater, Arizona  Arizona's Barringer Crater.
In three days Three days.
He resurrected a deer.  Resurrect a dead deer.
He has 7 silver spheres. seven
He plays a slot machine. He wins on a slot machine.
He plans to vivisect him. vivisect the alien
Starman tells Jenny that her son will know what to do with it.  Their son will know what to do with it.
He says he will be a teacher.  A teacher.
a gold phonographic disc that invited aliens to come to Earth. a gold phonographic disk
The US government decides to shoot it down instead of welcoming it. It is shot down.
They provide energy for him to perform amazing things. provide energy to do miraculous work
He must reach it because if he does not within 3 day he will die. to be reunited with his kind, and to go home
She witnesses the alien revive a dead deer. Jenny saw the alien resurrected a deer.
The alien uses a sphere upon crashing into a fuel tanker to protect them. Shermin managed to help them escape.
The baby will be the son of Scott, but also possess all of Starman's knowledge and will become a teacher. Have all of the starmans knowledge
Starman uses a quarter in a slot machine and manipulates it to win the five hundred thousand dollar jackpot. With their winnings at a slot machine.
George Fox discovers the original destination of Starman and arranges to have him captured dead or alive. at a road block 
Starman tells Jenny that she would die in his world. Jenny will die