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I observed in drama and anime (being outside Japan, those are my only ways of
keeping in touch with spoken 日本語) that elder people sometimes say お出で to
younger people when they want to say something like "Come here". But there are
a few things I think are strange with that word/phrase:

  1. The word seems to originate from お出でになる which is お + verb stem + になる humble form, which from the kanji used means that お出でになる is the humble form of 出る, I think. So, does that mean that if a person says お出で to another person, the first person is using a humble form upon the second person, which seems to be rude? Is the humbleness nuance within お出でになる still retained in お出で?

  2. Since the pronunciation of お出で is お - い - で, does that mean the 出 kanji is pronounced as い? Why isn't the お + verb stem + になる of 出る simply お出になる? Is this another ateji?
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2011-06-18T08:46:06.813
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kanji etymology keigo
Nuance, usage and etymology of お[出]{い}で
I think this shouldn't count as a humble form, but rather as a patronizing
form - which is still quite respectful to the recipient, but it's only that
usually implies that the speaker is in superior position than the recipient of
this form.

There are several forms of patronizing requests, and I'm not entirely sure
about the nuances of each and when exactly they can be used in non-patronizing
contexts (as they do sometimes), but my impression is that all commands and
requests that are based on 連用形 (renyōkei) forms with なさい or without anything
at the end tend to have a patronizing element to them, even though it's not
apparent in all contexts.

These forms include (the verb 行く will be used for example):

>   * お行きなさい！ (o + _renyōkei_ \+ nasai)
>   * お行き! (o + _renyōkei_ )
>   * 行きなさい！ ( _renyōkei_ \+ nasai)
>

The following are not patronizing requests:

>   * お行きください！
>   * 行きください！
>

As for お出で, this is a slightly more complicated case, since it doesn't really
come from a verb. From the perspective of the modern language, you can say it
comes from the verb 出でる, but you'll rarely find such a verb used alone
(without the prefix お) and I don't think there was any such verb in Classical
Japanese. Some dictionaries list the verb お出でる (including the prefix), but
they explicitly say it's derived from the noun/adverb お出で.

My guess is that it comes from the Classical Japanese particle いで (which was
used from invitation) or maybe from adding to the verb 居る (いる) the particle で
(or even the renyōkei of the verb 出る which is also で). Either way, お出で was
first formed as a keigo noun which means "being somewhere" or "coming or
going". It then got used in compounds as if it was a renyōkei form of a verb
(since renyōkei forms are themselves, in fact, nouns). **Update:** Read
Tsuyoshi Ito's post - お出でる is probably derived from the classical verb 出づ.

I'd say that's the case here with お出で being used as a patronizing form. But I
don't think any おいで coming alone would sound patronizing, and お出でください is
obviously not patronizing but plainly respectful.
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Boaz already gave a nice explanation of the meaning of おいで. Here is why おいで is
written as お出で in kanji (although in many cases it is written in hiragana).

In Classical Japanese, there is a verb
[[出]{い}づ](http://dic.yahoo.co.jp/dsearch?enc=UTF-8&p=%E5%87%BA%E3%81%A5&dtype=0&dname=0ss&stype=0&index=100935700000&pagenum=1)
which means to go outside of some place or to appear. The conjugation type of
this verb is 下二段活用, and it would have become [出]{い}でる in the modern Japanese
if it had followed the regular pattern, in the same way as [投]{な}ぐ became
[投]{な}げる. お[出]{い}で is the [連用形]{れんようけい} form of 出でる with the prefix お, and
therefore written as it is.

Therefore, 出でる and お出で just follow the usual pattern, and the irregularity
lies in the verb [出]{で}る! Somehow the い at the beginning of いでる was dropped in
the modern Japanese, and the verb became でる except in certain constructs such
as お出で. We write でる as 出る because a kanji must replace at least one kana.

The [命令形]{めいれいけい} (command form) of 出づ in Classical Japanese (and of the
hypothetical 出でる in Modern Japanese) is 出でよ, and it is sometimes seen in a
slogan or a fictional work, where archaic form (associated with dignity) is
needed. I remember that it was used in an anime [Dragon
Ball](http://en.wikipedia.org/wiki/Dragon_Ball): a character says
“[出]{い}でよ、[[神龍]{シェンロン}](http://ja.wikipedia.org/wiki/%E7%A5%9E%E9%BE%8D_%28%E3%83%89%E3%83%A9%E3%82%B4%E3%83%B3%E3%83%9C%E3%83%BC%E3%83%AB%29#.E7.A5.9E.E9.BE.8D.EF.BC.88.E3.82.B7.E3.82.A7.E3.83.B3.E3.83.AD.E3.83.B3.EF.BC.89)!”
to invoke [Shenlong](http://en.wikipedia.org/wiki/Shenlong) (who grants a wish
in this anime).
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I think it should be made clear, since nobody else did, that お出でになる is
considered a 尊敬語 (respectful) of 来る, (not 出る), and the connection with 出る is
mostly etymological.

Other 尊敬語 for 来る are お見えになる,いらっしゃる and お越しになる, although they might have
slightly different nuances.

  1. お出でになる is respectful, so using it for the addressee is not patronizing. It is the removal of the -になる or -下さい which makes it slightly patronizing. Similar constructs are ごらん(see) and ごめん(excuse me), which are respectful, but slightly patronizing (or at least colloquial) versions of ごらん下さい and ごめん下さい

  2. お出になる means something else, namely "exit", not "come". Incidentally, it seems that 出る is the only one-mora-stem verb which allows the お～になる construct.
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