<transcript><audio_20> en sablé. Donc les fouilles, elles ont permis de révéler cette structure créée par les Romains, mais aussi elles ont été accompagnées d'un enseignement</transcript><caption><image_21>The image shows an aerial view of a construction site. The site appears to be under construction, as there are piles of rubble and debris scattered across the ground. There are several people working on the site, some of them are standing and some are walking around. The ground is covered in dirt and debris, and there is a large pile of rubble in the center of the image. In the background, there are buildings and a fence visible. The image is taken from a high angle, looking down on the construction site and the workers.</caption><caption><image_22>The image shows a woman standing in front of a large whiteboard with a map on it. She is wearing a white blouse and blue jeans and appears to be giving a presentation or presentation. The map on the whiteboard is detailed and shows various geographical features such as mountains, rivers, and cities. The woman is holding a pair of glasses in her hand and is gesturing with her right hand as she speaks. Behind her, there is a large black and white photograph of a landscape. The photograph appears to have been taken in a museum or exhibition space.</caption><transcript><audio_23> d'études paléo-environnementales assez riches puisque on appelle quelquefois ces zones humides des bibliothèques sédimentaires et ça porte assez bien son nom, c'est-à-dire que ça conserve suffisamment bien les vestiges et entre autres</transcript><transcript><audio_24> difficilement dans d'autres milieux que des milieux humides, donc des graines, des ossements, du bois, des matières végétales diverses, qu'on peut être analysé assez précisément aussi et nous donner un très bon aperçu</transcript><caption><image_25>The image shows a group of six stone bells hanging from a metal rod attached to a wooden wall. The bells are of different sizes and shapes, with some being round and others being elongated. They are arranged in a row, with the largest bell at the bottom and the smallest at the top. The wall behind the bells is made of light-colored wood, and there is a small blue circle on the right side of the image.</caption><transcript><audio_26> transcrire ici dans ce musée de ce que pouvait être l'environnement de cette implantation humaine et la vie quotidienne tout bêtement de ces habitants</transcript><transcript><audio_27> du 1er siècle, 2e siècle, 3e siècle et puis là les choses ont commencé à s'étioler un petit peu pour la ville de Rassiatum. Alors ce musée donc il s'est installé</transcript><video><caption><image_28>The image shows a view from a window of a residential area. The window is made of wooden planks and has a metal latch on the right side. Through the window, we can see a cityscape with houses and buildings in the background. The sky is cloudy and the overall mood of the image is gloomy and gloomy.</caption><caption><image_29>The image shows a view of a city from a high vantage point. The sky is cloudy and grey, and the city appears to be densely populated with houses and buildings. In the foreground, there is a wooden structure with four wooden poles supporting it. The poles are connected by a metal frame, and there are a few trees and bushes scattered around the area. On the right side of the image, there are several buildings, including a large brick building with a tower on top. The buildings appear to be old and dilapidated, with some of them having a sloping roof. The image is taken from a low angle, looking down on the city below.</caption></video><transcript><audio_30> portuaire de Rassiatum, c'est-à-dire sous l'actuelle ville de Reusé, qui est donc une commune périphérique du centre-ville de Nantes. Et elle présente ici, dans ce parcours permanent, un ensemble de</transcript><transcript><audio_31> et aussi un ensemble d'outils d'interprétation numérique, maquettes, manip, etc. qui permettent de mieux valoriser des résultats de fouilles qui ne sont pas si évidemment lisibles dans le paysage. On n'est pas dans un temple grec, donc</transcript><caption><image_32>The image is a 3D model of a city with a river running through it. The city appears to be densely populated with buildings and roads. The buildings are arranged in a grid-like pattern, with some buildings on the left side of the image and others on the right side. The river is winding through the city, with a few trees and shrubs scattered throughout. The sky is a light blue color, and the water is a deep blue-green color. The image is taken from a top-down perspective, looking down on the city and the river.</caption> gradually turned into sand and therefore the bare excavations without a permit to reveal this structure therefore created by the by the Romans but also they were accompanied by a fairly rich set of paleoenvironmental studies since these are sometimes called wetlands of sedimentary libraries and its name bears its name quite well, that is to say that it preserves the remains sufficiently well and, among other things, remains that are difficult to find in environments other than wetlands, therefore seeds of the bones of the  wood of various plant materials that we could also be analyzed quite precisely and give us a very good overview that we try to transcribe here in this museum of what the environment of 7 of this simple human entation and daily life could be  quite simply of its inhabitants around the 1st century second century third century and then things started to fade a little bit for the town of ratiatum so this museum so he knows it was set up here in 2017 in the neighborhood  port of ratiatum, that is to say under lens and under the current town of rezé which is therefore a peripheral commune of the city center of nantes and it presents here in this permanent route a set of objects from sites is also a set of digital interpretation tools, model manipulation etc. which make it possible to better valorize the results of excavations which are not so obviously legible in the landscape we are not in a Greek temple so we
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