<caption><image_0>The image is a screenshot of a video editing software, specifically Adobe After Effects. The software is open and the user is in the process of editing a 3D model of a futuristic structure. The model appears to be made up of various components, including wires, cables, and other mechanical components. The background of the image is black and white, and the model is in focus, while the background is blurred.

On the top right corner of the screen, there is a toolbar with various tools and options for editing the model. On the top left corner, there are several tabs for editing, such as editing, editing tools, and editing tools. In the center of the screenshot, there appears to have a large window with a view of the model's interior. The window is divided into two sections, with the top section showing the main interface and the bottom section showing a larger view of a larger image.</caption><transcript><audio_1> du jeudi une fois de plus nous allons regarder de la simulation de la simulation sous riel flot pour réaliser des tentacules d'eau qui se déploie donc dans l'espace de ce</transcript><transcript><audio_2> et on va voir comment on peut réaliser ça et essayer de maîtriser plus ou moins les trajectoires des différents tentacules ici d'eau qui sortent du</transcript><video><caption><image_3>The image is a screenshot of a video editing software, specifically Adobe Premiere Pro. The software is open and the user is in the process of editing a 3D model of a futuristic building. The model is displayed on a computer screen with various tools and options visible on the right side of the screen.

In the center of the image, there is a large window with a view of the interior of the building, which appears to be a futuristic structure with intricate details and patterns. The window is made up of multiple layers of glass and metal, and there are several wires and cables running through it. The wires are of different sizes and colors, and some are connected to each other, while others are more complex and intricate. The background of the window is a dark blue color, and the overall effect is one of energy and movement.</caption><caption><image_4>The image is a screenshot of a video editing software, specifically Adobe Premiere Pro. The software is open and the user is in the process of editing a 3D rendering of a futuristic structure. The structure appears to be made up of various components, including wires, cables, and other mechanical components. The background of the image is black and white, with a large circular window in the center. The window has a futuristic design with intricate details and patterns. The image is taken from a high angle, looking down on the structure.</caption><caption><image_5>The image is a screenshot of a video editing software, specifically Adobe After Effects. The software is open and the user is in the process of editing a 3D image. The image appears to be a close-up of a room with a large window in the background. The room is filled with wires and cables that are tangled and tangled together, creating a chaotic and chaotic scene. The wires are of different sizes and colors, and they are connected to each other in a way that creates a sense of depth and dimension.

On the right side of the image, there is a panel with various editing tools and options, including a toolbar at the top with various tools and menus. At the bottom of the panel, there are several buttons and menus that can be used to adjust the editing settings.</caption></video><transcript><audio_6> ce bâtiment et qui s'écoule dans toutes les directions. On a pour ça un outil que l'on voit pas mal dans nos formations de spécialisation d'effets spéciaux</transcript><transcript><audio_7> de simulation dans RealFlow qui est l'outil de CloudFloat qui est un daemon plugin qui a été programmé et implémenté dans RealFlow depuis quelques versions et qui permet</transcript> in this Thursday video tutorial once again we are going to look at the simulation of the simulation under real flow to create water tentacles which therefore deploy in the space of this building here which we can see and we will see how we can achieve this and try to control more or less therefore the trajectories of the different tentacles here of water which come out of the center therefore of this building and which flows in all directions we have for that therefore a tool that  we see quite a bit therefore in our special effects specialization training therefore of simulation in real flow which is the cloudfow tool which is a Damon therefore plugin uh which has been programmed and implemented in real flow for a few versions and  which therefore makes it possible
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