<caption><image_10>The image shows a lecture hall with a projector screen in the center. On the screen, there is a black and white photograph of a man's face. The man appears to be in his late twenties or early thirties and has a serious expression on his face. He is wearing a suit and tie and is looking directly at the camera.

On the left side of the image, there are two people standing at a podium, one of them is speaking into a microphone. The other person is sitting at a table with a laptop and a water bottle on it. There are two chairs in front of the podium and a few people sitting in the audience. The room is dimly lit with natural light coming in from the projector screen.</caption> will the house is exit  the Schirn why is it art or that and what does the disco ball actually do in an exhibition? For a long time the quality of the execution was considered an indication that a work was art or not. At some point, however, many artists distanced themselves from a realistic reproduction of the work  reality and left this to the newly invented photography. They wanted to use new means to achieve a deeper understanding of things and the world. Colors and shapes emancipated themselves. The works became more and more abstract and then came Kazimir Malevich, the avant-garde artist who came to Russia around 100 years ago picture from that painting would change forever its black square on a white background was an act of liberation from the baggage of the representational and a provocation the artists arrived at themselves with this picture the square was everything and nothing at the same time a pure painterly surface and yet very  Much more she herself seems to be calling out to us. From now on everything was possible, for example when Marcel Duchamp brought an already existing object from the men's toilet into an exhibition, he broke through all conventions and paved the way for what
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