<transcript><audio_5> 박현서 배우와 함께 같이 실현자로 참여하고 있고 또 공동창작으로 참여하고 있는데요. 같이 작업을 하고 있습니다. 진행 중인 프로젝트는 세익스피어의 4대 비극 속에 여성 인물들이 어떻게 움직이는지</transcript><caption><image_6>The image is a close-up of a young man's face. He appears to be in his late twenties or early thirties, with dark hair and a serious expression. He is wearing a black t-shirt and is looking off to the side with a slight smile on his lips. The background is a light blue color, and there is text on the top and bottom of the image that reads "아리스타에세요 그레이드 가장" which translates to "I love you" in English.</caption><transcript><audio_7> 만들 수 있을지 창작할 수 있을지에 대해 지금 고민하고 있습니다. 처음에 19년도에 내 멋대로 오피리어라는 작품으로 시작이 되었는데요. 남성 위치를 여성도 바꿔보면 여성 서사를 만들 수 있겠다라는 막연한 생각으로 내 멋대로 오피리어를 했었어요. 그래서 오피리어도 햄릿과 똑같은 사고랑 주체성을 가지고 오히려 복수를 하자, 햄릿처럼. 복수를 더 뚜렷하게 하려고 계획을 세워보자.</transcript><transcript><audio_8> 남성 역할에만 들어가고 있구나 여성 서사를 발견하는 것이 아닌 그냥 남성 역할을 재구성해서 할 뿐이구나 이런 생각에서 이건 아니고 다른 방법도 있을 것 같다</transcript> what I am doing, not only I am participating in value realization together with actor Park Hyun-seo, and I am also participating in the creation of a movement. We am participating in value realization together with actor Park Hyun-seo, and I am also participating in the creation of a movement. We are now working together. The project in progress is a little about how the female characters in Shakespeare's Four Comparisons 6 are moving.  I've been thinking about it and thinking about how I can create or create something feminine. It started with a work called Ophelia on my own in 1919. I had a vague idea that if I changed the position of the man to a woman, I could create something feminine.  I was mean in my own way, so Ophelia is also strong, so Ophelia is also strong, so let's make a plan to take revenge with the same thinking and independence and make the chives more clear like her. So, the problem is that it is only entering the male role.  It's not just about reorganizing the emotional role, but I thought, 'Oh, there might be another way,'
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