<transcript><audio_10> 오피리아 연기를 맡은 배우가 오피리아를 만나면서 어떤 갈등이 생기고 어디서 소외받고 있는지 작품 속에서 오피리아가 어떻게 움직이는지</transcript><transcript><audio_11> 결국 4대 비극까지 4대 비극의 여성 인물들까지 어떻게 움직일 수 있는지 이렇게 고민하게 되었던 것 같습니다. 잘 모를 때 교과서처럼 이 4대 비극을 공부해야 된다라는 어떤 시작이었는데요. 잘 모르겠는데 자꾸 이것을 잘 알아야 된다고</transcript><transcript><audio_12> 답습되다 보니까 제 생각을 재단시켜가는 것 같다는 생각이 들었어요. 이 여성 인물들은 주체성도 적은 것 같고 중간중간에</transcript> wrote it in a work called 'acting practice to improve the user'. In the episode, the actor who played the filler role talked about what conflicts arise when meeting the top 10 clothes and where he is alienated, and how he needs to do it in the work. It was about exploring and thinking about how to move, and in the end, I was thinking about how the female characters of the four great tragedies, including the four great tragedies, could move in this place. When you don't know much, you can study these four great tragedies like a textbook.  It was another start. I wasn't sure, but I kept saying that I needed to know this well, so at some point I might become Se-hee. As I learned skills and became a master, I thought it would be possible to tailor my thoughts. The female characters seem to have little independence, and there are a lot of them in the middle.
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