<transcript><audio_48>offered not only to Miranda but also to all listening and watching in the theater the end is my beginning wrote TS Elliott on his own spiritual</transcript><transcript><audio_49>rebirth Wilson's focus and closure on this note of the end is the beginning is a cue to his insight into the spiritual dimension of Shakespeare's play you can see why I could not speak</transcript><transcript><audio_50>to Bob about his first scene in the Tempest without speaking about the last they are essentially two parts of the same scene because Wilson's structure is a straight line going from Tempest to</transcript><transcript><audio_51>reconciliation to light in fact in a Continuum of the same thought and action further all factors considered the emergent emotion that I have referred to emanates principally from</transcript><transcript><audio_52>the actor in the role of Prosper it comes from something in his manner from deep within him and this sensation is sustained by the quality of his voice a long road traveled voice that has been</transcript><transcript><audio_53>and seen and understood this phenomenon of attention within is what Wilson calls filling the form that is you the actor are filling</transcript><transcript><audio_54>the form from yourself from whatever you are thinking feeling experiencing imagining dreaming and if you are bored it's going to show</transcript> offered not only to Miranda but also to all listening and watching in the theater the end is my beginning wrote TS Elliott on his own spiritual rebirth Wilson's focus and closure on this note of the end is the beginning is a cue to his insight into the spiritual dimension of Shakespeare's play you can see why I could not speak to Bob about his first scene in the Tempest without speaking about the last they are essentially two parts of the same scene because Wilson's structure is a straight line going from Tempest to reconciliation to light in fact in a Continuum of the same thought and action further all factors considered the emergent emotion that I have referred to emanates principally from the actor in the role of Prosper it comes from something in his manner from deep within him and this sensation is sustained by the quality of his voice a long road traveled voice that has been and seen and understood this phenomenon of attention within is what Wilson calls filling the form that is you the actor are filling the form from yourself from whatever you are thinking feeling experiencing imagining dreaming and if you are bored it's going to show
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