<transcript><audio_55>W sets the form to which you like all his actors are held down to the last of your of the angle of your finger but whatever it is that keeps you</transcript><transcript><audio_56>centered and permeates the form quietly unostentatiously gives it its interest for both actor and spectator Wilson maintains that without</transcript><transcript><audio_57>this inner let us call it an inner energy the form however outwardly Splendid it may be is simply empty it is important for me to say in in anticipation of the last section of</transcript><transcript><audio_58>my talk that the spiritual in Wilson's work is rarely noticed let alone written about yet it is frequently there to a lesser or greater degree depending on the work it was already there in his</transcript><transcript><audio_59>utterly Innovative Einstein on the beach 1976 I saw it for the first time at the Aron Festival that year incarnated in the white beam of light glowing against black that took 20 minutes to rise from</transcript> W sets the form to which you like all his actors are held down to the last of your of the angle of your finger but whatever it is that keeps you centered and permeates the form quietly unostentatiously gives it its interest for both actor and spectator Wilson maintains that without this inner let us call it an inner energy the form however outwardly Splendid it may be is simply empty it is important for me to say in in anticipation of the last section of my talk that the spiritual in Wilson's work is rarely noticed let alone written about yet it is frequently there to a lesser or greater degree depending on the work it was already there in his utterly Innovative Einstein on the beach 1976 I saw it for the first time at the Aron Festival that year incarnated in the white beam of light glowing against black that took 20 minutes to rise from
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