<transcript><audio_113>in the Tempest or the Fantastic Tom wa Tom weight scor and Li bretty of those Great Masterpiece 1990 Black Rider and the 2000 uh VOC but here in the operatic world it is</transcript><transcript><audio_114>really very important that the voice do its work and the voice is not there to entertain you it is there actually to move you it is there to give you a</transcript><transcript><audio_115>strong emotional connection with what is happening on the stage so the voice is essential in having its freedom so it can saw and be itself and work at its</transcript> in the Tempest or the Fantastic Tom wa Tom weight scor and Li bretty of those Great Masterpiece 1990 Black Rider and the 2000 uh VOC but here in the operatic world it is really very important that the voice do its work and the voice is not there to entertain you it is there actually to move you it is there to give you a strong emotional connection with what is happening on the stage so the voice is essential in having its freedom so it can saw and be itself and work at its
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