<transcript><audio_43>indirect approach to narrative typical of Wilson's theater the production elided to its close and to Prospero alone with Miranda with Miranda Wilson condenses</transcript><transcript><audio_44>Prospero lines but their subject is clearly Prospero bygone suffering and inner turmoil and this his internal Tempest is transcended as forgiveness</transcript><transcript><audio_45>reconciliation and renewal begin in an atmosphere of Peace at play End prospero's spiritual Voyage is the core of the production and from it come New</transcript><transcript><audio_46>Beginnings he his last scene with Miranda is gently moving and this emergent emotion together with Wilson's elision of Shakespeare's various figures</transcript><transcript><audio_47>clustered at Shakespeare's end Antonio and his courtly Entourage disappear in Wilson's production opens with the space and it opens the space for suggesting that prospero's last scene is a legacy</transcript> indirect approach to narrative typical of Wilson's theater the production elided to its close and to Prospero alone with Miranda with Miranda Wilson condenses Prospero lines but their subject is clearly Prospero bygone suffering and inner turmoil and this his internal Tempest is transcended as forgiveness reconciliation and renewal begin in an atmosphere of Peace at play End prospero's spiritual Voyage is the core of the production and from it come New Beginnings he his last scene with Miranda is gently moving and this emergent emotion together with Wilson's elision of Shakespeare's various figures clustered at Shakespeare's end Antonio and his courtly Entourage disappear in Wilson's production opens with the space and it opens the space for suggesting that prospero's last scene is a legacy
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