<transcript><audio_13> 저희가 이 4대 비극에서 플롯 자체가 지금 웹툰이나 소설이나 드라마에서도 꾸준히 쓰여지고 있다고 생각을 하거든요. 그 뿌리들이 계속해서 자라나다 보니까 여성 인물들이 계속 배제되는 건 아닌가 싶습니다.</transcript><transcript><audio_14> 이제는 선택을 하게 된 것 같습니다. 현재는 4대 빅픽 속에서 인물들이 어떤 말을 했고 어떤 행동을 했는지를 조금 나열되게 분석을 해보고 있고요. 그 바탕으로 그 텍스트를 통해서</transcript><transcript><audio_15> 그런 걸 고민해보고 있고요. 소매틱스라는 그 직공춤을 통해서 이 여성 인물들이 어떻게 나로서</transcript><transcript><audio_16> 지금 워크샵으로 진행하고 있습니다. 아예 이 과정 자체를 두고서 공연을 만들어 보면 어떨까. 예를 들면 배우로 시작한 얼마 안 된 친구, 그다음에 어느 정도</transcript> Uh, I felt like it was only being consumed and then disappearing. I think that the seeds are growing steadily in webtoons, novels, and dramas that we are plugging into in these four big roles. As those roots continue to not work well, aren't women being excluded? As those roots continue to not work well, aren't women being excluded? In this matter, I think I will have to continue this for a few months, so I have a choice to make. Currently, I am trying to figure out a little about what the female characters said and did in the four major leaves that I am weaving.  I 'm trying to compose it, and based on that test, I'm thinking about how I can create a work with the subjectivity of the characters. It's not just about writing a sleeve tic, but through abstinence, I'm trying to figure out how these female characters can move as me.  However, if you can act on these things, I did it through a workshop now. How about making a performance by dying through this process itself? In the future, I will become an actor, a friend who has just started this, then an
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