<transcript><audio_91>grand opera as the jargon goes for this kind of Opera he does of course folk Opera my book on Robert Wilson talks about the differences uh of these various kinds of Music Theater as I call it in general that he works with but I'm</transcript><transcript><audio_92>choosing for this conversation today grand opera and my example my first example if I can get as far as a second one is tand do the 2018 tand do um</transcript><transcript><audio_93>which of course is Pini and has pini's Sumptuous melodies the motifs the refrains the repetitions that I talked about of singing earlier the assertions the humor great humor in which Wilson</transcript><transcript><audio_94>uses very wisely and and and very succinctly in in his production and of course the multiple emotions which he follows which Wilson follows with tremendous sensitivity Wilson</transcript><transcript><audio_95>understands really perfectly clearly that music is about emotions music is what has to be heard in the theater when people sing and it's not if they have to</transcript><transcript><audio_96>hear the orchestral music and above all what the singing voices are telling them and to have the possibility to do this as a spectator in the theater I mean if you're an opera go like I am you know exactly what it means the possibility</transcript> grand opera as the jargon goes for this kind of Opera he does of course folk Opera my book on Robert Wilson talks about the differences uh of these various kinds of Music Theater as I call it in general that he works with but I'm choosing for this conversation today grand opera and my example my first example if I can get as far as a second one is tand do the 2018 tand do um which of course is Pini and has pini's Sumptuous melodies the motifs the refrains the repetitions that I talked about of singing earlier the assertions the humor great humor in which Wilson uses very wisely and and and very succinctly in in his production and of course the multiple emotions which he follows which Wilson follows with tremendous sensitivity Wilson understands really perfectly clearly that music is about emotions music is what has to be heard in the theater when people sing and it's not if they have to hear the orchestral music and above all what the singing voices are telling them and to have the possibility to do this as a spectator in the theater I mean if you're an opera go like I am you know exactly what it means the possibility
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