<transcript><audio_12>five pages because I want to just set the parameters of the talk and after that I will speak that way I don't have to lean down and look at my text and that way also I'll get a much better sense of talking to somebody live out</transcript><transcript><audio_13>there so thank you Wilson's The Tempest begins with a phenomenal sea storm constructed by the play of light sound and timing which are</transcript><transcript><audio_14>not synchronized but in Counterpoint and in Counterpoint again for ju the position against the dark visual imagery so as not to make the scene illustrative but expressive by association with the</transcript> five pages because I want to just set the parameters of the talk and after that I will speak that way I don't have to lean down and look at my text and that way also I'll get a much better sense of talking to somebody live out there so thank you Wilson's The Tempest begins with a phenomenal sea storm constructed by the play of light sound and timing which are not synchronized but in Counterpoint and in Counterpoint again for ju the position against the dark visual imagery so as not to make the scene illustrative but expressive by association with the
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