<transcript><audio_88> 바닥에 그런 것을 보게 됩니다. 그런데 이것을 이 스티브 연은 자기 사무실의 비밀 공간에 그것을 수집해 놓았습니다. 그 신발을 액자 안에 집어넣어서 그리고</transcript><transcript><audio_89> 혹은 이 시트콤과 관련된 물건들을 소장하고 있죠 그리고 심지어 그 사건이 찍힌 원본, 원본 필름 이런 것을 자기가 어느 곳에 가서 봤다 직접 그리고 그런 것을 보려고 하는 사람들이 많다 즉 이런 스펙터클이나</transcript><transcript><audio_90> 사람들이 많이 있는 거죠 즉 이 스티브 영 같은 경우는 어린 나이에 물리적으로도 착취를 당했지만 정신적으로도 어느정도 착취를 당하고 또 환상 혹은 스펙터클에 사로잡힌 그런 인물로 나오게 됩니다 결국 그래서</transcript><transcript><audio_91> 동물을 구입을 해서 그 동물을 착취의 대상으로 하여 또 어떤 스펙타큰을 일으키려고 했죠 본인이 착취의 피해자였으면서도</transcript><transcript><audio_92> 그래서 이동진 평론가도 그 대사를 꼭 집어서 말씀하시더라고요. 그게 참 적절한 지적이라고 생각이 드는데</transcript> The shoe is standing right on the tip of the shoe.  You see things like that, but this Steve Yeoh has collected in a secret space in his office, with the shoes in frames, and other items related to the chimpanzee or this sitcom, and even the There are a lot of people who want to see something like this in person by going somewhere and seeing the original film or something like that. In other words, there are a lot of third-generation people who are somewhat addicted to such spectacles and such. In the case of Steve Zahn, he case of Steve Zahn, he physically arrives at a young age.  Although he was punished, he was mentally kicked out and came out as a person obsessed with fantasy or spectacle. So in the end, Steve Yeo bought the paddle and tried to create a spectacle by using the water in the bucket as an object of exploitation.  Even though he was writing as a victim, after becoming a victim, he became an exploiter and as a subject of exploitation, he said something was a dream. So critic Lee Dong-jin also said that line now. I think that is a very appropriate point, but in English, it is
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