<transcript><audio_100> 영화 속에서 이제 UFO 이쪽을 쳐다보지 마라 이런 말이 나옵니다 내가 저 UFO를 쳐다보면 UFO도</transcript><transcript><audio_101> 이런 식의 말이 나오게 되죠. 주인공이 처음에 그런 말을 하게 되고 주인공이 그걸 깨닫는 장면이 언뜻 지나갑니다. 자신이 말조련사이다 보니까 말이 거울에 비친 자신의 눈을 봤을 때 놀라서 어쩌고저쩌고 하는 그런 장면이 있거든요 근데 이거 좀 너무 억지스럽지 않나요? 내가 저 UFO를 보지 않으면</transcript><transcript><audio_102> 그게 좀 너무 억지스러웠다. UFO나 외계인을 말 수준으로 격화시키는 거고 실제로 영화 속에서는 그렇게 작동을 합니다만 너무 좀 억지스럽지 않았나</transcript><transcript><audio_103> 이런 생각이 드는데 이제 앞서도 말씀드렸지만 주인공의 아버지 같은 경우는 눈을 관통 당해서 죽었습니다 왓츠 해보니까 이제 그런 해석도 있더라구요</transcript><transcript><audio_104> 앞서 제가 썼던 표현을 빌리자면 착취의 피해자이자 대상화가 됐던 존재들 특히 유생인종 배우를 한정해서 말씀드리자면 이 사람들은 오랜 시간 동안 카메라를 쳐다보면 안 되는 존재들이었습니다.</transcript> reproducing exploitation, and 5 4 Um, in the movie, now uf.  Things like, "Don't look in this direction," things like, "If I look at that pearl, the ufo will see me, too," things like that come up a lot now. The main character says that for the first time, and the scene where he realizes that he's like that goes by.  breaker As I look at it, there is a scene where the horse is surprised when it sees its own eyes in the mirror and says something. Well, isn't it too far-fetched? There is a scene where the horse realizes that if I don't look at our pearl, the grape up there won't notice me. That's it.  It was a bit too forced. Well, UFOs and aliens are now at the level of talking, and the movie source actually works like that, but it wasn't too forced, so I had to write something like this, but as I said before,  In the case of the main character's father, he died from a puncture in the eye. Well, when I guessed it, there was also an interpretation like that. In the Well, when I guessed it, there was also an interpretation like that. In the case of people of color, to borrow the expression I used earlier, they were victims and objects of exploitation, especially now Confucian-certified actors.  As I said in Chapter 1, these people are not allowed to look at the camera for long periods of time. not allowed to look at the camera for long periods of time.
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