<transcript><audio_105> 특별한 경우가 아니면 카메라를 쳐다보면 안되죠 우리가 살인의 추억에서 송강호씨 마지막 장면 같은 그런 특별한 경우가 아니면 여하튼 간에 그렇게 카메라 앞에서 저쪽을 바라보면 안돼 당신은 그녀가</transcript><transcript><audio_106> 주목받아서는 안돼 이런식으로 취급받았던 사람들 그런 사람들이 그것을 깨부숴가는 이야기로 그렇게 해석을 하시는 경우도 있더라구요 또 한가지는 이 주인공이 경고를 한다는거죠 UFO로 상징되는</transcript><transcript><audio_107> 제가 이게 좀 특이했던 게 보통은 어떤 문제를 직시하라고 말을 하지 않습니까? 그것을 계속 회피하지 말고 제대로 그것을 바라보고 맞부딪혀서 그 부분을</transcript><transcript><audio_108> 앞에서 혹은 그런 스펙터클 앞에서 우리 인간이란 존재는 어쩔 수 없이 그 눈길을 피해야만 하는 그런 존재일 뿐인가 그런 생각도 들기도 하고 여하튼 어느 쪽에 방점을 두느냐에 따라서 좀 의미가 달라졌습니다</transcript> Of course, most actors are not allowed to look at the camera unless it is a special case. Unless it is a special case like Song Kang-ho's last scene in Memories of Frost. Anyway, I am looking at you in front of the camera like this, and you are only in the spotlight for playing a big passing role, but there are cases where people who were treated this way interpret it that way as a story about people now destroying themselves. Another thing is that this main character is  It's a warning. There are some people who look at the spectacle symbolized by uf, the illusion, or something that causes addiction and interpret it like this. What was a little strange to me was that they don't usually tell you to face a certain problem, so you don't usually tell you to face a certain problem, so you keep avoiding it.  summer solstice  Instead, you have to look at it as much as possible, face it and overcome it. Well, I wrote a lot of cognitive messages like this, but it was a bit unusual to say directly in English, "Don't look at me like this," in front of the pouring or such a spectacle that was so overwhelming. Human beings are just big beings who have no choice but to avoid those gazes. There are also just big beings who have no choice but to avoid those gazes. There are also people like that. In any case, the flavor will change depending on which side you point at.
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