<transcript><audio_24>Ashurnasirpal II was so very cruel against the dominated people, but showing the kingdom's strength. After Ashurnasirpal II died in 859 BCE,</transcript><caption><image_25>The image is a relief sculpture on a stone wall. It depicts two figures, a man and a woman, engaged in a conversation. The man is on the left side of the image, wearing a long robe and a headdress with a pointed hat. He is holding a bowl in his right hand and appears to be offering it to the woman on the right side. The woman is standing in front of him, holding a small bowl in her left hand. Both figures are facing each other and appear to be engaged in the conversation.

The sculpture is intricately carved with detailed lines and curves, giving it a realistic appearance. The background is a light beige color, and the figures are outlined in black. The overall style of the sculpture is reminiscent of ancient Egyptian art.</caption><transcript><audio_26>the next Assyrian kings spend a weakened period by losing some of their land from territory disputes. Around the time when Assyria's influence was shrinking, in 744 BCE, 'Tiglath Pileser III' starts a military coup and became the king, and the completer of Assyria, Tiglath Pileser III, conquered to the west Damascus, Phoenicia, and Jews, to the east Azerbaijani region's Media, and acting as the king of Babylonia to the south,</transcript><video><caption><image_27>The image is a relief sculpture on a stone wall. It depicts a group of people and a horse-drawn chariot. The chariot is made of stone and is decorated with intricate carvings and patterns. The people are dressed in traditional clothing and are engaged in a battle scene. The horse is pulling the chariot with two men on either side. The men are holding weapons and appear to be in the midst of a battle.

The relief is located in South Korea and is dated B.C. 746 - 727. The text on the relief is written in Korean and appears to be a translation of the text.</caption><caption><image_28>The image is a colorful illustration of a group of Roman soldiers on horseback, engaged in a battle. The soldiers are dressed in traditional Roman armor and are holding various weapons, including spears, shields, and swords. The background shows a cityscape with buildings and a blue sky with white clouds. In the center of the image, there is a large tent with a red and blue striped canopy. On the right side, there are several men on horses, some of whom are holding spears and shields. The overall color scheme of the illustration is predominantly red, blue, and gold, with some hints of blue and green. The image appears to be from the Roman Empire, as indicated by the text in the top right corner.</caption></video><video><caption><image_29>The image shows a group of people on horseback, riding on a chariot. The chariot is decorated with colorful patterns and designs, and there are several horses pulling it. The people on the chariot are dressed in traditional Egyptian clothing, with some wearing red and gold headdresses and others wearing blue and red headscarves.

In the center of the image, there is a man with a long beard and a crown on his head, holding a spear. He is sitting on a throne-like structure, which appears to be a throne or chariot, and is holding a staff in his right hand. On the left side of the throne, there are two women, one wearing a blue dress and the other wearing a red dress, both of whom are holding spears and shields. The woman in the red dress is holding an umbrella, and the man in the blue dress is also holding a shield.
- The background shows a desert landscape with mountains in the distance. The sky is blue and the ground is covered in sand.</caption><caption><image_30>The image is a relief sculpture made of stone or stone. It appears to be an ancient Egyptian relief depicting a scene from a temple or temple. The relief is intricately carved with a textured surface and features a group of figures and animals.

In the center of the relief, there is a figure of a man lying on his back, with his arms stretched out to the sides. He is holding a spear in his right hand and a shield in his left hand. To his left, there are two figures, one of which is a woman and the other is a child. The woman is standing on one leg, while the child is standing next to her. The child is sitting on the ground, looking up at the woman with a peaceful expression on their face. The figures are surrounded by a snake-like pattern, which is typical of ancient Egyptian hieroglyphics. The overall color of the image is muted, with shades of brown and beige, giving it a rustic and ancient feel.</caption></video><transcript><audio_31>he leads Assyria into the age of Assyrian superpower in the Orient. However, 'Tiglath Pileser III' was also quite far from the peaceful rule, so he continued to conquer, and to protect his own people, he forcefully conscripted dominated people into his army. 'Tiglath Pileser III''s rule was characterized by another rule of fear. and even if the resisting areas surrendered,</transcript><transcript><audio_32>the nobles in those areas had ropes tied through their nostrils, dragged and executed. After executing the resisting cities' nobles and rulers, he forced the remaining citizens to</transcript> Ashurnasirpal II was so very cruel against the dominated people, but showing the kingdom's strength. After Ashurnasirpal II died in 859 BCE, the next Assyrian kings spend a weakened period by losing some of their land from territory disputes. Around the time when Assyria's influence was shrinking, in 744 BCE, 'Tiglath Pileser III' starts a military coup and became the king, and the completer of Assyria, Tiglath Pileser III, conquered to the west Damascus, Phoenicia, and Jews, to the east Azerbaijani region's Media, and acting as the king of Babylonia to the south, he leads Assyria into the age of Assyrian superpower in the Orient. However, 'Tiglath Pileser III' was also quite far from the peaceful rule, so he continued to conquer, and to protect his own people, he forcefully conscripted dominated people into his army. 'Tiglath Pileser III''s rule was characterized by another rule of fear. and even if the resisting areas surrendered, the nobles in those areas had ropes tied through their nostrils, dragged and executed. After executing the resisting cities' nobles and rulers, he forced the remaining citizens to
{"source": "grass-yt-cc-by.1fgs_4DLzQM|shard_10002_7|create_multimodal_data.extract_yt_and_generate_transcripts.52|shard_10002|create_multimodal_data.generate_captions.55|shard_10002|create_multimodal_data.generate_captions.46", "params": {"id": "1fgs_4DLzQM", "channel_id": "UCJiiLereS9xNAVjdPTChM8A", "duration": 696, "view_count": 348408, "age_limit": 0, "like_count": 4564, "channel_follower_count": 139000, "license": "Creative Commons Attribution license (reuse allowed)", "uploader_id": "@G_seektree", "yt_tar_file": "/leonardo_work/EUHPC_E03_068/audio/fixed_download/grass-yt-cc-by//shard_10002/1fgs_4DLzQM.tar.gz"}}