<transcript><audio_31>monitors looping safety videos the loading station had a new audio animatronic robot FedEx were and other scenic areas were modeled to</transcript><transcript><audio_32>include FedEx trademarks topic soundtrack in 1996 composer a a Rin Richard and show producer eddie sato</transcript><transcript><audio_33>teamed up to create an onboard music track the creative vision was to fuse two iconic musical forms of the 1960s sci-fi horror music and surf music into</transcript><transcript><audio_34>a sensory ride experience all of the music written for the 1996 version was based on their Carnaval des anime o aquarium the Carnival of the animals</transcript><transcript><audio_35>written by Camille saint-saens the first section of the rides music was synthesized and entirely devoted to the sci-fi aspect as the Rockets left the station to begin their slow climb to the</transcript><transcript><audio_36>top of the mountain after the vehicles crested the third lift Hill a rocking surf rendition of the piece kicked in as gravity pulls the vehicles down through the rides into weaving terns hills and</transcript><transcript><audio_37>dips guitarist Dick Dale was brought into the Disney Imagineering recording studio to play his famous surf guitar riffs for this section of the music as the Rockets re-entered the loading station a brief musical finale concluded</transcript><transcript><audio_38>the experience with a soft synthesized rendition of aquarium in 2005 the Dick Dale soundtrack was replaced by an original composition by composer Michael</transcript><transcript><audio_39>Giacchino that is synchronized to the track like the former soundtrack the opening portion has a sci-fi sound with terima influences during the ascent switching to a beat-driven score during</transcript><transcript><audio_40>the high-speed sections of the</transcript> monitors looping safety videos the loading station had a new audio animatronic robot FedEx were and other scenic areas were modeled to include FedEx trademarks topic soundtrack in 1996 composer a a Rin Richard and show producer eddie sato teamed up to create an onboard music track the creative vision was to fuse two iconic musical forms of the 1960s sci-fi horror music and surf music into a sensory ride experience all of the music written for the 1996 version was based on their Carnaval des anime o aquarium the Carnival of the animals written by Camille saint-saens the first section of the rides music was synthesized and entirely devoted to the sci-fi aspect as the Rockets left the station to begin their slow climb to the top of the mountain after the vehicles crested the third lift Hill a rocking surf rendition of the piece kicked in as gravity pulls the vehicles down through the rides into weaving terns hills and dips guitarist Dick Dale was brought into the Disney Imagineering recording studio to play his famous surf guitar riffs for this section of the music as the Rockets re-entered the loading station a brief musical finale concluded the experience with a soft synthesized rendition of aquarium in 2005 the Dick Dale soundtrack was replaced by an original composition by composer Michael Giacchino that is synchronized to the track like the former soundtrack the opening portion has a sci-fi sound with terima influences during the ascent switching to a beat-driven score during the high-speed sections of the
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