extracted_text:
Ilohi
by George
  Bernard S aw retold by
Virginia
  Evans — Jenny Dooley
Olga Podolyako — Julia Vaulina
A reader for Spotlight

         Express Publishing PROSVESHCHENIYEP U B L I S H E R S
в;фруус.ез
пштапион
(по Б. шоу)
Книга
9 класс
Пособие для
учащихся общеобразовательных учреждений
2-е издание
Москва
Express Publishing
«Просвещение»
201 1
удк 373.167.1:81
1.1 1 1 ББК 81.2Англ-9З
Ш81
Серия «Английский в фокусе» основана в 2006 году.
Пигмалион: в пересказе Ю.Е. Ваулиной,
Д. Дули, О.Е. Подоляко, В. Эванс Pygmalion: retold by Virginia Evans, Јеппу Dooley, 01ga Podolyako, Julia
Vaulina
Acknowledgements
Althors' Acknowledgements
We would like to thank аи the staf at
Express Publishing who have contributed their skills to producing this book.
Thanks for their support and patience аге due in particular to: Megan Lawton
(Editor-in-Chief); Магу Swan and Sean Todd (senior editors); Michael Sadler and
Steve Miller (editorial assistants); Richard White (senior production
control|er); the Express Publishing design team; Warehouse (recording
producers); and kevin Harris, kimberly Baker, Steven Gibbs and Christine
Little. We would also like to thank those institutions and teachers who piloted
the manuscript, and whose comments and feedback were invaluable in the
production of the book.
Colour lllustrations: Stone, Chris. Music Compositions
& Arrangement by Ted and Taz.
While every effort has Ьееп made to trace all the copyright holders, if
опу have Ьееп inadvertently overlooked the publishers will Ье pleased to таКе
the necessary arrangements at the first opportunity.
Книга для чтения является составной частью учебно-методического
комплекта по английскому языку для 9 класса общеобразовательных учреждений
серии «Английский в фокусе». Книга для чтения состоит из двух частей. Первая
часть — адаптация известной пьесы Б. Шоу. Вторая часть содержит задания и
упражнения по прочитанному материалу, пьесу на английском языке для постановки
учащимися в школе и словарь. шоу Б.
Ш81    Пигмалион : (по Б. Шоу) : кн. для чтения : 9 о. :
пособие для учащихся общеобразоват. учреждений/Б. Шоу; [пересказ Ю.Е. Ваулиной
и др.]. — 2-е изд. — М. : Express Publishing
Просвещение, 201 1. —
64 с. : ил. — (Английский в фокусе). - lSBN 978-5-09-025052-8.
удк 373.167.1:811.111 ББК 81.2Англ-9З

Учебное издание
Серия
«Английский в фокусе»
Шоу, Бернард
Пигмалион
Книга для чтения
9 класс
Пособие для
учащихся общеобразовательных учреждений Пересказ: Ваулиной Юлии Евгеньевны и
др.
Центр группы германских языков
Руководитель Центра В.В. Копылова
Зам. руководителя по проектам И.Н. Темнова
Руководитель проекта Ю.А. Смирнов
Выпускающий редактор МА. Семичев
Редактор СЮ. Денисова
Корректор Н.Д. Цухай

Налоговая льгота — Общероссийский классификатор
продукции ОК 005-93 — 953000. Изд. лиц. Серия ИД № 05824 от 12.09.01. Подписано
в печать 20.06.1 1. Формат 60х90/8. Бумага офсетная. Гарнитура Прагматика.
Печать офсетная. Уч.-изд. л. 6,58. Тираж 1 0 000 экз. Заказ № 2774.
Открытое акционерное общество «Издательство
«Просвещение». 1 27521 , Москва, 3-й проезд Марьиной рощи, 41.
Express Publishing. Liberty Ноше, New Greenham Park,
Newbury, Berkshire RG19 6HW. Те|.: (0044) 1635 817 363. Г-ах: (0044) 1635 81 7
463. e-mail: inquiries@expresspublishing.co.uk
http://www.expresspublishing.co.uk
Отпечатано в полном соответствии с качеством
предоставленных издательством материалов в ОАО «Тверской ордена Трудового
Красного Знамени полиграфкомбинат детской литературы им. 50-летия СССР».
170040, г. Тверь,

© Express Publishing, 2010, 201 1
lSBN 978-5-09-025052-8            С) Издательство «Просвещение», 201 О, 201 1
Все права
защищены
Contentg
The Author — Background — the Plot The Characters
1
Caught in the
Rain
2
An Unexpected
Meeting. p. 10 3 Eliza
Doolittle. p. 12 4 An
Interesting Project. p. 14 5 A
Man With No Morals. p. 16
6   Eliza's Ambitionp. 18 7 Eliza's First Outing. p. 20
8 The New Slang. p. 22
9 Who Is Eliza?. p. 24 10 A Princess Of Royal Blood. p.
26 11 After The Party. p. 28 12 The Search For Eliza. p. 30 13 A True Lady. p. 32 Did you know... ?. p. 34

Activities p.
35 p. 44 p. 45
           Play                                                                                p.
49
George Bernard
Shaw was born in Dublin, Ireland, on 26th July 1856. He came from a middle
class family and received a good education. He was educated at the Dublin
English Scientific and Commercial Day School. In 1876, he moved to London to
become a writer. He was fascinated by languages, English in particular.
Shaw wrote five novels, none of which
were published. He then worked as a music and drama critic, writing reviews of
plays and concerts. After this, he went on to write over 50 plays, some of
which are still performed today. These include: Widower's Houses (1892), Mrs
Warren's Profession (1893) and You
Never Can Tell (1895).
In 1898 Shaw married Charlotte
Payne-Townshend. By this time, he had become quite a famous playwright. His
plays were so clever and funny that, while watching one of them, King dward Vll
laughed so hard that he broke the chair he was sitting on! In 1912 Shaw wrote
his most famous play, Pygmalion, and in 1938 it was turned into a film. It was
very successful, and Shaw was awarded an Oscar for his screenplay. In 1925 he
won the Nobel Prize for Literature and so became the first writer to win both
of these distinguished awards.
Shaw died in 1950 at the age of 94,
after falling from a ladder. It wasn't until after his death that the popular
musical My Fair Lady, which was based on Pygmalion, was released. But even to
this day, Shaw is remembered as one of the greatest playwrights of all ti
THE BACKGROUND
Pygmalion, a play by George Bernard
Shaw, was written in 1912 and is the story of Henry Higgins, a professor of
phonetics, who makes a bet with his friend, Colonel Pickering, that he can
transform a common flower girl, Eliza Doolittle, into a 'proper' lady. Higgins
succeeds in teaching her how to speak with a proper upper-class accent.
In Shaw's time, upper-class people
pronounced their words clearly. However, the working class in London spoke with
a strong Cockney accent and often used incorrect grammar, as well. In
Pygmalion, Higgins believes that he can teach anyone to sound like a member of
the English upper class.
The play was first performed in
German, at the Hofburg Theatre in Vienna, on 16th October 1913. The first
production in English opened at His Majesty's Theatre in London, on 1 Ith April
1914, and was directed by Shaw himself.
The play is extremely popular, and
many variations of it have been made. In 1938 it was made into a film and in
1956 the Broadway musical My Fair Lady was produced. In 1964 a film version of
the musical, starring Audrey Hepburn and Rex Harrison, was released. In 1999,
the film She's All That told a modern version of Shaw's story.
THE PLOT
Professor Henry Higgins, who is a professor of
phonetics, and Colonel Pickering, who is an expert on Indian dialects, first
meet at Covent Garden on a rainy night. Higgins makes a bet with Pickering that
he can transform the speech and manners of Eliza Doolittle, a common flower
girl, and present her, as a duchess, to the members of London's upper class.
Higgins spends the next few months coaching Eliza on
how to speak and behave properly. After that, Higgins decides he must put his
project to the test. So, Higgins and Pickering take Eliza to Higgins'
mother's home, where she is introduced to the Eynsford-Hill family. The son,
Freddy, is extremely drawn to Eliza and finds her charismatic. A few months
later, the two men take Eliza to an ambassador's party, which is a roaring
success. Everyone actually believes Eliza to be a lady, but Higgins and
Pickering have become bored with the project. When Eliza finds out, she is
upset and leaves the house in the middle of the night.
The next morning, alarmed to find Eliza missing,
Higgins hurries to his mother's house. Knowing exactly where Eliza is, Mrs
Higgins does not tell her son of Eliza's whereabouts until she has made
perfectly clear to both him and Pickering that they have been selfish. When
Higgins and Eliza finally do meet, Higgins sees that Eliza has now become a
true lady. He requests that she return to Wimpole Street, but Eliza has other
ideas.
THE CHARACTERS
PROFESSOR HENRY HIGGINS

... is a clever man who is interested in the English
language. Although he is a good man, generally speaking, he can be a bit
arrogant at times.
ELIZA DOOLITTLE
... is a girl who sells flowers on the street. She
speaks workingclass Cockney English, but is willing to refine her speech and
behaviour when given the opportunity. Eliza is a common but quite sensitive
girl who gets upset easily. She eventually transforms into a lady worthy of
admiration.
COLONEL PICKERING
. is also a man who is interested in how people
speak. He has a lot in common with Professor Higgins, and they become good
friends. Pickering is a very polite man. He is intelligent, like his friend,
and has some clever ideas. He is better at getting along people than the
Professor.
MRS PEARCE
... is Professor Higgins' housekeeper. She is a strict woman
who seems to look down on lower-class people. Being a sensible woman, she finds
the Professor's idea of changing Eliza into a lady inappropriate.
MRS HIGGINS
... is the Professor's mother. She is a sociable person who
becomes upset at the idea that she could lose her friends. She is a respectable
lady who does not approve of the Eliza Doolittle experiment. She is kind to
Eliza when the Professor upsets her.
MRS
EYNSFORD-HILL

... is a
  middle-aged woman who mixes in London's upper-class society. She is a model
  of English good manners. Although her behaviour is rather conservative and
  old-fashioned, she is less snobbish than her daughter, Clara.
CLARA EYNSFORD-HILL
... is a snobbish, haughty young lady who
  doesn't have much patience with workingclass people. She enjoys keeping up
  with the latest fashions in high society.

...
  is an extremely cheerful young man who likes having fun. Freddy falls in love
  with Eliza and he doesn't care about her social background or the way she
  speaks. He is not a snob like his sister.

ALFRED DOOLITTLE
. is Eliza's father. He is not an
educated man but he is very quick-witted. Although Alfred loves his daughter,
he is willing to allow other people to look after her if he believes that this
will benefit her and, more importantly, himself.
FREDDY
EYNSFORD-HILL

7
f . caught
It was raining heavily in Coven
ÇLn. Under the entrance of St Paul's Church, a group of people were
gathered, ater off their clothes and peering out at the rain. One man, however,
did not seem to care about the dreadful weather. He had his back to the others
and was busily writing in a notebook.
Clara Eynsford-Hill was looking out at
the pouring rain. At one point, she turned to her mother with an annoyed
expression on her face.
"Where can Freddy be?" she asked. "He's been
gone for twenty minutes. "
Mrs Eynsford-Hill shook her head. "l don't
know," she said. "He must have found a cab by now. " Just then,
Freddy ran in from the rain, closing his dripping umbrella.
"I'm afraid I can't find a cab," he told his
mother and sister.
"Oh, Freddy," sighed Clara. "You didn't try
properly. Go and look again!"
"There aren't any cabs, I tell
you," replied Freddy. "The rain came on suddenly, and everybody
wanted to take a cab. There simply aren't any left. "
"Don't be silly, Freddy,"
said Mrs Eynsford-Hill. "Go and look again and don't come back until
you've found a cab."
Freddy sighed. "Oh, very well," he said.
"I'll go."
He opened his umbrella and ran back out into the street, but
he ra@áight into a young girl with a basket of flowers. The basket fell
to the ground, and the flowers laOåed in the wet, muddy street. "0w,
Freddy, look where you's going, won't ya?" cried the girl\as she picked up
her flowers.
"Sorry!" said Freddy and ran off to look for a
taxi.
"Well, there's rude for ya!" said the girl as
she sat at the foot of a column in the church entrance.
Mrs Eynsford-Hill looked at the girl.
"Excuse me," she said. "But how do you know
my son's name?"
"0w, he's your son, is
he?" said the girl. "Well, you didn't taught him no manners, did ya?
He done spoil my flowers and didn't paid me for them. Will you pay me?"
Clara Eynsford-Hill took hold of her mother's arm.
"Don't give her any money, Mother," she said.
"You shouldn't give her anything."
"Please be quiet, Clara, " said Mrs
Eynsford-Hill. "Have you got any pennies?" "No," said
Clara. "I've only got sixpence. "
Mrs Eynsford-Hill took the coin from
her daughter and gave it to the flower girl. The girl took the coin quickly.
"Thank ya, lady!" she cried.
"Make her give you the change, Mother,"
said Clara. "Those flowers are only a penny a bunch. " Mrs
Eynsford-Hill ignored her daughter.
"You can keep the change," she said to the girl,
"but please tell me how you know my son's name. "
"l don't!" replied the
flower girl. "l only called him Freddy or Charlie, same as I'd call any
stranger when I wanted to be friendly. "
"Really, Mother!" said Clara in disgust.
"What a waste of a sixpence!"

0 2. An Q[nevpected utteettng o
Mrs Eynsford-Hill and her daughter walked
away from the flower girl, leaving her sitting at the base of one of the church
columns. The girl watched as an elderly gentleman rushed out of the rain,
closing his wet umbrella and shaking the water from his clothes.
"Be a gentleman, sir, and buy a flower off a poor
girl, " said the flower girl.
"I'm sorry, I haven't any
change," said the gentleman. He felt around in his coat pocket. "No,
wait! Here's three pence. You can have that."
"You'd better give him a flower for
his money," said a bystander. "There's a man here writing down every
word you're saying. "
The flower girl jumped up, terrified.
"l ain't done nothing wrong! All I
done is ask the gentleman to buy a flower. Oh, sir, don't let him charge
me!" cried the girl almost hysterically, addressing the gentleman.
"There, there! Who's hurting you,
you silly girl? What do you take me for?" said the note taker coming
forward.
"Don't worry, girl," said the man trying to help
her. "He ain't a policeman. Are you?"
"Do I look like a policeman?"
said the man with the notebook. "Now tell me, young man, how is life in
Selsey?"
"How do you know I'm from
Selsey?" asked the bystander. "Are you a fortune teller? Do someone
else! Where does he come from?" He pointed at the elderly gentleman.
"Cheltenham, Harrow, Cambridge and India," said
the man with the notebook.
"Quite right!" exclaimed the gentleman.
"How on earth did you know that?"
"It's simple phonetics. It's the
science of speech. It's my job and also my hobby. I can tell where anyone comes
from by the way they speak. "
"But can you make a living doing that?" asked the
gentleman.
"A very good one, actually,"
said the man with the notebook. He turned and pointed to the flower girl.
"You see this creature here, with her terrible English? In just three
months I could pass her off as a duchess. I could even get her a place as a
shop assistant, which requires better English."
"Well, that's very interesting," said the
gentleman. "I'm an expert on Indian dialects myself."
"Are you?" interrupted the man
with the notebook. "Do you know Colonel Pickering? He wrote a book about
Indian dialects. "
"l am Colonel Pickering!" he exclaimed. "Who
are you?"
"I'm Professor Henry Higgins."
"Well, I never!" laughed the Colonel. "l
came to London to meet you!"
"How wonderful!" said Professor
Higgins. "Come and see me tomorrow. I live at 27A Wimpole Street. Look,
the rain has stopped now, so I must go. I look forward to seeing you in the
morning." As the two men left the shelter of the church entrance, the
flower girl called up to them. "Buy a flower before you goes!"
Professor Higgins threw a handful of coins
into the girl's basket, and she picked them up, staring at the money in wonder.
Colonel Pickering visited Professor
Higgins the next day, and the two men sat in Higgins' study and discussed the
wide variety of Indian dialects. Higgins played records of different dialects
on his phonograph, and the two men listened with interest.
There was a knock at the study door, and Higgins'
housekeeper, Mrs Pearce, entered the room.
"What is it, Mrs Pearce?" asked Professor
Higgins.
"There's a young woman here to see you, sir."
"A young woman!" exclaimed Higgins. "What
does she want?"
"Well, she's a very common girl, sir. I tried to send
her away, but she says you'll be glad to see her. " "l see,"
said Higgins. "Does she have an interesting accent?"
"Oh, it's dreadful, sir," said Mrs Pearce.
"Very well!" said Higgins. "Send her
in!"
He rushed across to the table and picked up a new cylinder
to use on his phonograph.
"This is lucky!" he said to Colonel Pickering.
"Now I can show you how I make records!"
Mrs Pearce returned and showed in Higgins' visitor. It was
the flower girl from Covent Garden.
"Oh no!" said Higgins.
"This is the girl I met last night. I've already recorded her accent so
she's no use. Get out, girl! I don't want you here."
"Don't you be so rude to me,"
said the girl. "You ain't heard why I come here yet. I'm come to have
lessons, I am, and, if you was a gentleman, you might ask me to sit down."
The two men stared at her, amazed.
"Pickering, shall we ask her to sit down or shall we
throw her out?"
"Do sit down," said Colonel Pickering gently.
"Now tell us, what is it you want?"
"l wants to be a lady. He said he could make me one.
So, here I am, ready to pay him for lessons." "What's your
name?" asked Professor Higgins.
"Eliza Doolittle. "
"And how much do you intend to pay me for the
lessons, Eliza?"
"Well, a friend of mine gets French
lessons for eighteen pence an hour. I ain't paying as much to learn my own
language, so I won't give more than a shilling. Take it or leave it."
"A shilling," murmured Higgins.
"Do you know, Pickering, that a shilling is about forty percent of her
daily income! If a millionaire paid me forty percent of his daily income for a
lesson, he would pay me sixty pounds!"
The flower girl jumped up in horror.
"Sixty pounds!" she cried.
"l never said nothing about sixty pounds! I ain't got sixty pounds!"
She fell back into her chair and started to sob, wiping her nose on her sleeve.
"Oh, please be quiet," said Higgins. "And
take this." He handed her his handkerchief.
"What's this for?" asked Eliza, taking the white
square of material from the Professor.
"It's to wipe your eyes and any other
part of your face that feels wet," said Higgins. "Remember, this is
your handkerchief and that's your sleeve. Don't confuse the two if you want to
become a lady. "
    0
4.          Olltettegttng cPtt0Ject 0
Colonel Pickering stared at the flower girl with interest.
"Higgins, I have an idea!" he
said. "You're the greatest teacher alive. Do you think you can make this
girl into a lady in time for the Ambassador's party? I'll bet you all the
expenses of the experiment you can't do it, and I'll pay for the lessons!"
Now, Eliza stared at Colonel Pickering.
"Oh! You're a real gentleman!" she cried.
The Professor was tempted.

"It's certainly an interesting experiment! She's so very common ... so
very dirty!"
"0w! I ain't dirty!" cried Eliza. "l washed
my face and hands before I come, I did!"
Higgins did not seem to hear her. "l shall do
it!" he said. "l shall make this awful creature into a lady!"
"Aaaaah-ow!" cried Eliza.
Higgins became excited. "Yes, in just
six months, I shall be able to take her anywhere and make people believe she's
a duchess! Take her away and clean her up, Mrs Pearce! Take all her clothes and
burn them. Call and order some new ones and wrap her in brown paper until they
arrive!" "0w! You're no gentleman, you're not! I'm a good girl, I
am!" cried Eliza.
"Now, now, young lady," said
Higgins. "You've got to learn how to behave like a duchess. Take her away,
Mrs Pearce. "
"But I haven't got anywhere to put her," said Mrs
Pearce. "Then put her in the dustbin!" said Higgins.
"Aaaaah-ow!" cried Eliza again.
"Oh, Professor Higgins," said Mrs Pearce, taking
the Professor to one side. "You can't do this.
You don't know anything about this girl. She may be
married!"
"Married!" interrupted Eliza. "Who'd marry
me?"
"My word, Eliza!" said Higgins,
suddenly becoming friendly towards the poor girl. "There will be a queue
of men outside this door waiting to marry you by the time I've finished with
you!"
"Oh, do be sensible,
Professor," said Mrs Pearce. "You must think about what will happen
to this girl. Are you going to pay her wages? And where will she go when you
finish your experiment?"
"When I've finished with her, she can
go anywhere she likes and do anything she likes!" cried Higgins. "She
will be a lady! What do you think of that, Eliza?" "Well said Eliza.
"You shall stay with me for the next
six months," said Higgins, "and you will learn how to speak
beautifully. At the end of six months, we shall go to the Ambassador's ball. If
anyone finds out you're not a lady, I shall lose my bet. But if they believe
that you are a lady, then you shall have a present of seven-and-sixpence to
start life with as a lady in a flower shop. What do you think?" "l
think you'd better let me speak to the girl in private," said Mrs Pearce.
"Very well, Mrs Pearce!" said Higgins. "Take
her off to the bathroom and clean her up. "
"You're a bully, you are!"
cried Eliza as Mrs Pearce led her out of the room. "l won't stay here if I
don't like it! I'm a good girl, I am!"
   o g.                  QVtth
u\Jo uUotaQg o
Professor Higgins and Colonel Pickering were sitting by the fire when Mrs
Pearce returned to the room. "Is the girl clean yet?" asked Higgins.
"Yes, sir, " replied Mrs Pearce,
"but I'm afraid we have another problem now. There's a Mr Alfred Doolittle
here to see you. He says you have his daughter." "Very well. Send the
man in," said Higgins resolutely.
Mrs Pearce left the room and, when she
returned, she was followed by an elderly man in extremely dirty clothes. Alfred
Doolittle was a dustman but he did not seem to feel uncomfortable in a rich
man's home. He looked at the two gentlemen as he entered the room.
"Professor Higgins?" he asked.
"Here," said Higgins. "Do sit down."
Alfred sat in a large armchair, as if he was used to such
comfort.
"l come about a very serious matter," he said.
"l want my daughter."
"Of course you do," said
Higgins. "You're her father, aren't you, and I don't imagine anyone else
wants her. She's upstairs. Take her away at once. "
This was not the reaction Alfred had expected. He stood up,
startled.
"What do you mean?" he asked.
"Well, I'm not going to keep your
daughter for you!" said Higgins. "Take her away! How dare you come
here and try to blackmail me?"
"Blackmail you? What are you talking about?"
asked Alfred.
"You sent her here on purpose!"
said Higgins. "You want money! I shall call the police!" He moved
towards the telephone, and Alfred put a hand out to stop him.
"Now wait a second!" cried Alfred. "l never
said nothing about money!"
"Well, what else have you come here for?" asked
Higgins. "How did you know she was here?"
"I'll tell you if you'll only let me
get a word in," said Alfred. "I'm willing to tell you. I'm wanting to
tell you. I'm waiting to tell you."
"Listen, Pickering," Higgins
said, turning to the Colonel. "This man has a natural gift for public
speaking. Alfred, do go on with your story."
"Well," continued Alfred.
"Eliza sent a boy for her things, and I met him on the street. He told me
where she was, so I come here to find out what was going on."
"l see," said Higgins. "Well, you can take
her away now. "
"Now hold on," said Alfred.
"l like you, and I can see that you're a gentleman. I'm sure we can come
to an arrangement. After all, what's five pounds to you and what's Eliza to
me?"
"You mean you would sell your daughter to us?"
cried Pickering. "Have you no morals?"
"l can't afford morals," said Alfred. "Nor
could you if you was as poor as me! Morals are for the rich. " Professor
Higgins walked to the desk and picked up his wallet.
"We shall give the man five pounds,
Pickering, and we shall write to Professor Wannafeller, the famous Professor of
Morality. We shall tell him that if he ever wants a man to lecture on morality
amongst the poorer classes, he should send for Mr Alfred Doolittle!"
0 6. CQ$a'g cAmbttton o
Higgins took a five-pound note from his wallet and handed
it to Eliza's father.
"Are you sure you don't want more?" Higgins
asked. "l can give you ten pounds if you like."
"Oh, no," said Alfred. "Ten pounds is too
much. Five pounds is all I want. Thank you, sir."
Alfred hurried to the door, keen to get
away with the money before Higgins changed his mind. It was then that he ran
into a beautiful young lady in a simple blue cotton kimono with a pattern of
white jasmine blossoms on it. Mrs Pearce was with her.
"Excuse me, miss," Alfred said respectfully,
getting out of the lady's way.
"Blimey!" said the lady in surprise. "Don't
you know your own daughter?"
Alfred looked up and realised that the
lady was not Japanese after all. In fact, she was his daughter, Eliza. He
couldn't believe his eyes, and nor could Higgins and Pickering. "Well, I
never!" they exclaimed simultaneously. "It's Eliza!" "Don't
I look silly?" Eliza said.
"Silly?" asked Higgins in surprise. He thought
that Eliza looked quite beautiful.
"Mr Higgins, please don't make the girl conceited
about herself," said Mrs Pearce at the door.
"I'll look alright with my hat
on," said Eliza. She picked up her hat and put it on. Then she walked
across the room to the fireplace with a fashionable air.
"Well, I never thought she'd be as good looking as
that," Alfred said proudly.
"You'll come regularly to see your daughter,"
Higgins said to Alfred. "It's your duty, you know. " Alfred looked
uncomfortable and moved towards the door.
"Of course I'll come. I can't come
this week, though, because I have a job out of town. But I'll come later.
Afternoon, gentlemen, " said Alfred and hurried out of the door.
"Don't you believe the old liar," Eliza
said to Higgins. "You won't see him again in a hurry. " "l don't
want to see him, Eliza," said Higgins. "Do you?"
"Not me," said Eliza. "l don't want never to
see him again, I don't. He's a disgrace to me, he is. I'm going to be a lady
now. I should like to take a taxi to the corner of my street and get out there,
just to show everyone what I look like now. I wouldn't speak to them, you know.
"
"Perhaps you should wait until you
have some more fashionable clothes, " said Pickering. "Your new
things will be here soon."
"Besides, you shouldn't be rude to
your old friends just because you have nicer clothes and a better place to
live," said Higgins. "You mustn't be a snob."
"Don't call them my friends,"
said Eliza. "They laughed at me in the past, and now I want to put them in
their place. But I'll wait for my clothes. Mrs Pearce says I'll wear different
clothes to sleep at night and different clothes in the daytime. "
Just then, Mrs Pearce came back into the room.
"The new clothes have come for Eliza to try on,"
she announced.
Eliza cried out excitedly and rushed out of the room with
Mrs Pearce following her.
Higgins and Pickering looked at each other.
"We have taken on a difficult job, Pickering,"
said Higgins, and the Colonel nodded.
Eliza worked with Professor Higgins for
hours every day, learning to speak the English language the way a lady would
speak it. Higgins made Eliza repeat the same vowel sounds over and over again
until she was exhausted, while he kept striding about the room restlessly.
"Stop and say it again," Higgins would say,
roaring with anger.
"l can't," Eliza would insist.
It was hard work, and Eliza often became
frustrated and angry, shouting at Professor Higgins and refusing to speak
anymore. The Professor was not always kind to poor Eliza. He often insulted her
and upset her even more. If it hadn't been for the reassuring and gentle
Colonel, Eliza would have run back into the street.
However, one day, Professor Higgins
decided that it was time to test Eliza by introducing her to some upper-class
people, His mother often invited this sort of people to her home for afternoon
tea and conversation. The Professor decided that, this afternoon, Eliza would
be one of his mother's guests and he set off for her house.
He arrived early in order to tell his mother about his plan.
Mrs Higgins was not pleased to see him.
"What are you doing here,
Henry?" she asked. "Go home at once. You know this is the day when I
invite people to tea. "
"Yes, I know, Mother," said Higgins. "This
is why I have come."
"But you mustn't stay!" cried
Mrs Higgins. "I'm serious. You offend all my friends, and then they never
want to visit me again!"
"Nonsense!" cried Higgins.
"l know I'm not good at small talk but people don't mind. Anyway, I've got
a job for you. I've picked up a girl. She's coming to see you."
"Oh, Henry," gasped Mrs Higgins. "Do you
mean that you've fallen in love? At last!"
"No, Mother," said Higgins
bluntly. "l can't be bothered with young women who hardly resemble you.
This girl is a project. She's a common flower girl. I've picked her off the
street." "And you invited her to my at-home day!" Mrs Higgins
cried in despair.
"Don't worry," said Higgins.
"I've taught her to speak properly and I've told her only to talk about
the weather and everybody's health. It will be quite safe."
"Oh, Henry! How could you be so silly!"
"Listen, Mother," Higgins went
on impatiently. "I've got a bet with Pickering that I can make this girl
into a lady in six months and convince everyone that she is a duchess. Her
English is almost as good as your French. "
"This is satisfactory," said Mrs Higgins, a bit
reassured.
"Well, it is and it isn't", said Higgins.
"What does that mean?" his mother asked,
becoming alarmed again.
"Well," said Higgins. "She pronounces
all her words properly. The trouble is, you have to think not only about how a
girl pronounces words, but also what words she pronounces ...
No sooner had he
finished his sentence than the maid announced that Mrs Higgins' guests had
arrived.
   o g.   Udow gang o
Mrs Eynsford-Hill sat in Mrs Higgins' drawing room.
Her son, Freddy, and her daughter, Clara, were also there. So was Colonel
Pickering. Professor Higgins stood by the window, looking out at the street. He
did not like the Eynsford-Hills very much but he thought they would be just
fine for Eliza to meet.
"What on earth are we going to talk about until
Eliza comes? We are supposed to be civilised and cultured but who really knows
all about poetry and philosophy and art and science and so on? What on earth do
I know of philosophy?"
"Or of manners, Henry," said his mother warningly.

Just then
Eliza arrived. The guests were so impressed by her beauty that they all rose.
After asking everyone "How do you do?" in
perfect English, there was a long, uncomfortable silence, as everyone tried
desperately to think of something to say. Mrs Higgins was the first to speak.
She decided to mention the weather, as it was one of the two subjects that
Eliza was allowed to talk about.
"Will it rain, do you think?" she asked her guests.
"There are no indications of any great change in the barometrical situation,"
said Eliza.
Freddy found this extremely funny and broke into laughter.
"What is wrong with that, young man?" asked
Eliza, pronouncing each word clearly and correctly. "l bet I got it
right."
"l hope it won't turn cold," said Mrs
Eynsford-Hill. "Our whole family suffer from influenza when the weather
turns cold. "
"My aunt died of influenza," said Eliza. "At
least, that's what they said. If you ask me, they did her in."
"Did her in?" asked Mrs Higgins. "What on earth do you
mean, my dear?"
"It's the new slang!" Higgins interrupted quickly. "It
means, to kill someone."
"Do you
mean, " said Mrs Higgins, staring at Eliza in horror, "that you think
someone killed your aunt?" "Yes!" cried Eliza. "She was as
strong as a horse. Ain't no way she died of influenza! Not her!" Eliza
stopped when she saw that Freddy was laughing.
"Here! What are you laughing at? I haven't said anything
funny, have l?" "It's the new slang," laughed Freddy. "You
do it so well!"
Higgins coughed loudly and looked at his watch. Eliza realised that it
was time to go.
"Well, I must go. I am pleased to have met you.
Goodbye!" she said shaking hands with Mrs Higgins.
When Eliza had gone, Mrs Eynsford-Hill shook her head in shock.
"Well," she said, "l really don't think I
can manage the new slang!"
"Oh, Mother!" cried Clara. "People will think we are so
old-fashioned if you don't get used to it!" Mrs Eynsford-Hill looked
worried.
"It's time for us to go," she said. "We have
another home to visit this afternoon."
Higgins showed the Eynsford-Hills to the door. His
mother invited Freddy, who seemed enthusiastic about Eliza, to meet Miss
Doolittle on another one of her at-home days.
As he said goodbye to Clara, Higgins smiled wickedly.
"Make sure you try out that new slang at the
next home you visit!" he said. "Oh, I will!" said Clara.
"It's such fun!"
  0 9.
QIJh0 Og             o
When the Eynsford-Hills had driven away,
Higgins returned to the drawing room and sat down next to his mother.
"Well, mother, what do you think?" he asked.
"Is Eliza a lady?"
"You silly boy, " said Mrs
Higgins. "Of course she's not a lady! She's beautiful, and her
pronunciation is perfect, but every word that comes out of her mouth shows that
she is still a common girl!" Pickering looked thoughtful.
"Do you think we can do something about her
language?" he asked.

"Not while Henry is her teacher," said Mrs Higgins, looking
at her son with displeasure. "His language is hardly a good example.
"
"Well, perhaps you're right," admitted Higgins,
seeing Pickering sharing Mrs Higgins' opinion too.
Mrs Higgins looked at the Professor
closely and she was silent for a while. When she finally spoke, her gentle but
firm.
"Now, you two. I want you to tell me exactly how
things are at Wimpole Street."
"Well, I have moved there," said Pickering.
"Henry and I are working together on Indian dialects. " "Yes, I
know all that," said Mrs Higgins, a little impatiently. "But where
does the girl live?" "Well, she lives with us, of course!"
replied Higgins.
"l see," said his mother
sceptically. "But is she a servant? Is she the lady of the house? What is
she? Who exactly is Eliza?"
       "l think I
know what you mean    " said Pickering slowly.
"Well, I don't!" said Higgins.
"The girl is useful. She knows where everything is, she makes a note of
all my appointments and so on. Besides she is the most absorbing project I've
ever taken on." "Oh, dear," sighed Mrs Higgins. "You both
act like babies playing with your doll. Don't you realise that when Eliza
walked into Wimpole Street, something walked in with her?"
"Well, yes," said Pickering. "Her father
walked in with her but Henry sent him away."
"That's not what I mean," said
Mrs Higgins irritably. "l mean that when Eliza came to live with you, she
brought a problem with her. "
"Yes, I know," explained
Higgins. "The problem of how to turn her into a lady. But we've almost
solved that problem. "
"There is another problem," Mrs
Higgins went on raising her voice a little, as she became impatient with her
son. "The problem of what to do with Eliza once you finish with her.
"
"Well, that's no problem at
all," said Higgins. "She can go her own way, with all the advantages
I have given her. "
"Advantages?" exclaimed Mrs
Higgins. "She will have all the manners and habits that make her a fine
lady, but she will not have a fine lady's money! What is she to do?"
"We'll find her some employment, " answered Higgins, rising.
After Colonel Pickering reassured Mrs Higgins
too, the two men returned to Wimpole Street to prepare Eliza for the
Ambassador's party. They only had a few weeks to turn their pupil into a proper
lady and they were determined to make the most of the time they had left.
    o (O.
                  CPÍtncegg
0b QogaQ OQood o
The big day arrived. Higgins was about to
find out if he would win his bet, as he and the Colonel accompanied Eliza to
the Ambassador's party.
While Eliza was in the ladies' cloakroom,
a young man approached Higgins. He had an incredibly hairy face, with an
enormous moustache and thick whiskers and eyebrows.
"Professor, Professor!" the young man cried
out enthusiastically. "Do you remember me?" "No, I don't. Who
the devil are you?" said the Professor.
"l am your pupil; I am little Nepommuck. You cannot
forget ME!" exclaimed the young man.

"What are you doing here, among all these important
people?" asked Higgins.
"l am an interpreter. I speak thirty-two
languages. I am essential at international parties." At that moment a
servant approached Nepommuck.
"You are wanted upstairs by Her Excellency, sir.
"
As Nepommuck hurried up the grand staircase, Pickering
turned to Higgins.
"Is this fellow really an expert? Can he find
Eliza out and blackmail her?" "We shall see," said Higgins.
"If he finds her out, I will lose my bet. " "Are you nervous,
Colonel?" asked Eliza as she joined the two men.
"Frightfully. It is like my first time in a
battle," said Pickering.
"It is not the first time for
me," said Eliza. "l have done this hundreds of times in my dreams. I
am in a dream now. Promise not to wake me because I will forget everything and
talk as I used to. " As they went up the staircase, a servant announced
them to the Ambassador and his wife.
"Is that your adopted daughter,
Colonel? She will make a big impression," the hostess said to Pickering
and immediately turned to Nepommuck.
"Find out all about her."
Nepommuck mingled into the crowd to watch
Eliza, who attracted everyone's attention. They stopped talking to look at her
and admire her. Some at the back even stood on their chairs to see.
"Ah, at last, Nepommuck. Have you found out about the
lady?" asked the hostess after a while.
"l have found out everything about
her. She is a fraud," replied Nepommuck. "She cannot deceive me. She
cannot be English."
"Oh, nonsense! She speaks English perfectly,"
said the hostess.
"Too perfectly. Only foreigners who
have been taught to speak English speak it so well. She is Hungarian and of
royal blood, like me."
"l say she is a common girl taught to
speak by an expert," said Higgins, who had been chatting with the hostess
before Nepommuck joined them.
"Oh, of course I agree with Nepommuck," the
hostess said. "She must be a princess at least. " When the group
broke up, Eliza joined the Professor and the Colonel.
"l cannot do this anymore. An old
lady has just told me I speak exactly like Queen Victoria. I am sorry I have
lost your bet. I shall never be the same as these people. "
"You have not lost it, dear. You have won it ten times
over!" said Pickering triumphantly. "Now, let's get out of here. I
have had enough of these fools," Higgins urged them both.
    o
(I.              cpat(tg 0
It was midnight but Professor Higgins and
Colonel Pickering were wide awake. They had just returned from a very busy day.
First, they had attended the Ambassador's party, then a dinner party and then
the opera. They had taken Eliza to the very best places and introduced her to
the very best people, and it had been a huge success.
Eliza was dressed like a princess, in a
stunning evening dress and opera cloak, with diamonds sparkling on her ears and
round her neck. She looked tired and pale but the two men were too busy talking
about their achievement to notice her.
"Oh, Lord! What an evening!" said Higgins yawning
and looking around for his slippers.
"Well, I feel a bit tired. It's been
a long day but you've won your bet, Higgins," said Pickering stretching
himself.
"Thank God it's over! The thing was interesting at
first but then I got incredibly bored. "
"Anyhow, it was a great
success," said Pickering. "l was even frightened once or twice
because Eliza was doing it so well, better than the real upper-class people.
"
"What silly people. At last I can go to bed
without dreading tomorrow, " said Higgins, rising. "l think I shall
turn in too. "
At that, the two men left the room and
went upstairs to bed, leaving Eliza staring furiously into the flames of the
fire. When she was sure they could not hear her, she burst into tears.
Suddenly, Higgins appeared in the doorway.
"What on earth have I done with my slippers?" he
murmured to himself.
The slippers were on the floor, by the fire. Eliza picked
them up and threw them at the Professor. "What?" cried Higgins in
surprise. "What's the matter? Is there something wrong?"
"Oh, no!" cried Eliza.
"There's nothing wrong with YOU! I've won your bet for you, and you're
just FINE! But what about ME? What is going to happen to ME now?"
"YOU won my bet? YOU? I won it,"
yelled Higgins. "Why did you throw those slippers at me? How on earth do I
know what is going to happen to you?"
"Oh! You don't care! I'm nothing to
you! You care more about them slippers!" screamed Eliza angrily,
threatening him with her nails.
"How dare you? And it's THOSE slippers!" said
Higgins sternly.
"What difference does it make
now?" asked Eliza sadly. "Just one thing; do my clothes belong to me?
I don't want to be accused of stealing."
"Stealing?" cried Higgins.
"You shouldn't have said that. It shows lack of sensitivity. Take anything
you want except the jewels; they're hired. Are you satisfied?"
"This is not hired; it's the one you bought me but I
don't want it," said Eliza, taking off a ring.
Higgins dashed it into the fireplace and turned on Eliza so
furiously that she crouched with fear.
"You have made me lose my temper,
Eliza, which is something that rarely happens to me. I wish to talk no more
tonight. I am going to bed," said Higgins trying to look dignified.
"You'd better leave a note for Mrs
Pearce about the coffee in the morning," said Eliza decisively and went
upstairs to pack her things.
 o (2. 3110
The next morning, Professor Higgins and Colonel
Pickering were extremely upset to find that Eliza was missing. Neither of them
had any idea why she had left or where she could be. They went straight to Mrs
Higgins' house and even called the police.
The maid informed Mrs Higgins about the two men wishing to see her.
"l see," said Mrs Higgins. "Please go
upstairs and tell Miss Doolittle that Henry and the Colonel are here. Ask her
not to come down until I send for her. "

No sooner had the maid left the room than Higgins burst
in. He was extremely upset. "Look here, Mother! A terrible thing has
happened," he said. "Eliza has disappeared." "Perhaps you
frightened her," said Mrs Higgins calmly.
"Of course I didn't!" snapped Higgins impatiently. "She just
left. What am I to do?"
"There's nothing you can do, " his mother
replied. "The girl has a right to leave if she chooses."
"But I can't find anything!" cried Higgins
in despair. "l don't know when any of my appointments are!" At that
moment Pickering entered and informed Higgins that the police made things more
complicated.
"Have you called the police? As if Eliza were a
lost umbrella! You have no more sense than two children!" Mrs Higgins
exclaimed in surprise.
Just then, the maid came back into the room.
"There's a Mr Doolittle here to see Professor Higgins,
" she said.
"Do you mean the dustman?" asked Higgins.
"Oh, no, sir," said the maid in surprise.
"This Mr Doolittle is a gentleman. "

A moment later, Alfred
  Doolittle entered the room. He was dressed in fine clothes and looked very
  much like a gentleman. He marched angrily straight up to Professor Higgins.
"Look at this!" he said. "See what you done to me? Ruined
  me. Destroyed my happiness. Delivered me into the hands of middle-class
  morality. "
"You are drunk or mad!" exclaimed Higgins.
  "l only gave you five pounds!"
"Drunk? Mad?" cried
  Alfred. "Did you or did you not go to Professor Wannafeller and tell him
  to contact me?"
"Well, yes, I did, but what does it matter now?"
  asked Higgins. "The man died last month!"
"Yes!"
  exclaimed Alfred. "And he only gone and left me three thousand pounds a
  year in his will! He thought I were the greatest moralist there ever
  was!" "Well, what's wrong with that?" asked Pickering.
"What's wrong with
  that?" asked Alfred in disbelief. "l used to be happy! When I
  needed money, I asked other people for it, same as I asked you. Now I has to
  support all my poor relations!"
"Well, that's good news," said Mrs Higgins.
  "You can support Eliza, too."
"Nonsense!" cried Higgins. "He can't provide
  for her. She doesn't belong to him. He took five pounds for her and has no
  right to take her as well."
"Henry,
  don't be absurd, if you really want to know where Eliza is, she's
  upstairs," Mrs Higgins said.
The
  Professor stared at her in amazement, then headed straight for the door.
"Wait a minute, Henry!" his mother called after
  him. "You need to listen to me very carefully."
31

Higgins was determined to talk to Eliza,
but he could see that his mother was serious. He sat down and prepared to
listen to what she had to say.
"Eliza came to me this
morning," began Mrs Higgins. "She told me of the terrible way you two
treated her. "
"What?" cried Higgins, jumping up. "That's
nonsense!"
"He's right, Mrs Higgins," agreed Pickering.
"We were certainly not unkind to Eliza last night.
We hardly said a word to her. Higgins, did you bully her
after I went to bed?"
"On the contrary, " said Higgins. "She
bullied me! She threw my slippers at me!"
"I'll tell you why," said Mrs
Higgins. "Eliza worked very hard for you. She behaved like a duchess, and
yet you didn't give her one word of praise. Instead, you talked of how glad you
were that it was all over and how bored the whole thing had made you in the
end."
"Perhaps we were a little thoughtless,"
Pickering nodded. "Is she very angry?"
"Well, she won't go back to Wimpole
Street," said Mrs Higgins. "But if you promise to behave yourselves,
I shall ask her to come down and talk to you. "
Higgins and Pickering promised to be
pleasant, and Alfred decided to go to the garden for a while so that the others
could speak privately.
Eliza entered the room, looking calm and very
ladylike, showing remarkable ease of manner. "How do you do, Professor
Higgins?" she asked. "So glad to see you again, Colonel Pickering.
" The two men stared at her dumb with shock.
"Quite chilly this morning, isn't it?" Eliza
went on.
"Don't you dare play this game
on me. I taught it to you and you can't fool me. Get your things and come
home," Higgins said furiously.
"Anyone can learn to speak
properly and dress properly, Mr Higgins, " answered Eliza calmly, without
looking at him. "But the true difference between a lady and a flower girl
is how she's treated. I shall always be a flower girl to you because you always
treat me like a flower girl and always will. But to Colonel Pickering, I shall
always be a lady because he always treats me like a lady and always will.
" "But will you forgive Higgins and come back?" asked Pickering
gently.
"He only wants me back to pick up his slippers and
fetch and carry for him," said Eliza.
"l don't want you back at all!" cried Higgins
angrily.
"Very well," said Eliza.
"l can do without you. I'll marry Freddy Eynsford-Hill. He writes to me
two or three times a day! He truly loves me. "
"That young fool!" cried Higgins. "He
couldn't get a job even as an errand boy! "
"I'll work!" said Eliza confidently. "I'll
go and be a teacher of phonetics just like you!"
Higgins laughed. "l like you
like this, Eliza!" he cried. "You're full of strength! I have really
made you into a woman, after all. Oh, by the way, I want you to buy some things
for me." "Honestly, I cannot imagine what you are to do without me,
" said Eliza, stepping out.
"l should be uneasy about the two of you if Eliza
wasn't fond of the Colonel," said Mrs Higgins.
"Pickering! Nonsense! She's going to marry Freddy. Ha
ha! Freddy!"
33

Did
  you know ?

The term "Cockney" refers to both the working-class people in parts
of London and the kind of English they speak. Traditionally, "true"
Cockneys are born within hearing of the bells of St Mary-le-Bow Church in
Cheapside in the East End of London. This makes them a true "Bow
Bells" Cockney, although nowadays Cockneys are found in a wider range of
the city. They have a very characteristic way of pronouncing their speech and
are famous for inventing Cockney rhyming slang. When Cockneys say "plates
of meat", for example, they mean "feet"! Sometimes the rhyme is
shortened. Using your "loaf" means using your head, as in "loaf
of bread", and is one of the many expressions that has become common among
Cockneys and non-Cockneys alike.

The Author
1
Where was George Bernard Shaw born?
2
Which school did
Shaw go to?
3
Why did he move to London?
4
What did Shaw do for a living before he became a famous author?
5
How many plays did Shaw write?
6
Name two famous plays other than Pygmalion that Shaw wrote.
7
What happened to King Edward Vll when he watched one of Shaw's
plays?
8
Which awards did
Shaw win?
9
When did Shaw
die?
10       Which
of Bernard Shaw's plays was made into a musical?
Background
Correct the sentences.
1
In Pygmalion, Professor Higgins makes a bet with a flower girl.
2
Professor Higgins fails to teach Eliza Doolittle how to speak
properly.
3

The working class in London used correct grammar.
4
Pygmalion was first performed in 1914.
5
Shaw directed the Vienna production.
6
Pygmalion was not very successful.
7
Pygmalion was originally a musical.
The Plot
Look at the words. How are they related to the story?
•
Professor Higgins
• a bet • Colonel Pickering
•   Eliza
e flower girl • Cockney • lady
The Characters Who's .
1
a cheerful young man?
2
clever?
3
quite a sensitive girl?
4
a sensible woman? 5 a sociable woman?
6
quick-witted?
7
a snobbish
person?
8
very polite?
9
a bit arrogant?

title and the pictures. How are they
related?
Judging from their appearance, what can you tell about the
women standing arm in arm in the second picture?
While Reading
Who said what? Read or listen to the episode and write F (for Freddy), C
(for Clara), M (for Mrs Eynsford-Hill) or G (for the flower girl).
1
"You didn't try properly. "
2
"I'm afraid
I can't find a cab."
3
"Don't be silly. "
4
"How do you
know my son's name?"
5
"Will you pay me?"
6
"You shouldn't give her anything. "
7
"You can keep the change. "
8
"What a waste of a sixpence!"
After Reading
Discuss in pairs:
1       Do
you think Clara was a kind person?
Why (not)?
2       How
do you think the flower girl felt when her flowers fell into the mud? 3 Why did
Clara think her mother had wasted a sixpence?
4 What can you tell about the flower
girl's upbringing?

Think!

If you were in Clara's position, how would you treat the
flower girl?

title. What do you think it
means?
a What do you think
is going on in the pictures?
While Reading
Read or listen to the episode and mark the sentences T (true) or F
(false). Correct the false statements.
1
The elderly gentleman didn't have any money.
2
The bystander warned the flower girl about a policeman.
3
The man with the notebook was a policeman.
4
The elderly gentleman was from Selsey.
5
Phonetics is the
science of speech.
6
It was difficult for the man with the notebook to earn a living.
7
Higgins and Pickering had never met before.
8
Both Higgins and Pickering gave the flower girl money.
After Reading
Discuss in pairs:
1
Why do you think the flower girl was worried when she saw the man
with the notebook?
2
Professor Higgins appears to be very selfconfident. How is this
shown in the text?
3
What do you think is going to happen when Colonel Pickering goes
to visit Professor Higgins?
Do you think the Professor's job is interesting? Explain.

pictures.
  What do you think

What do you think the people in the

is going on? What could the flower girl

pictures are talking about? How do
  you

be discussing with the two gentlemen?

think Eliza feels?

While
  Reading

While
  Reading

Read or
  listen to the episode and

Read or listen to the episode. Who
  says

answer the questions.

the following sentences? Write H for

1

What was Higgins and Pickering's topic

Higgins, E for Eliza, M for Mrs
  Pearce or

for
  discussion?

P for
  Pickering.

2

Why did Eliza go to Wimpole Street?

1

"l have an idea!"

3

How did Mrs Pearce treat Eliza?

2

"You're a real gentleman!"

4

Why wasn't Higgins pleased to see Eliza at

3

"Take her away and clean her up.
  "

first?

4

"You don't know anything about

5

How much
  money did Eliza offer Higgins?

this
  girl!"

6

Why did Eliza start to cry?

5

"Do be sensible, Professor. "

7

What did Higgins give to Eliza?

6

"Who'd marry me?"

8

What lesson
  in good manners did Higgins

7

"Are you going to pay her wages?"

give Eliza?

8

"You will learn how to speak beautifully. "

After Reading
Discuss in pairs:

After
  Reading

1

What do you think of Higgins' behaviour

What do you think of Mrs Pearce?

towards
  Eliza?

In pairs, discuss which words from the

2

What do you think of Colonel Pickering in

list below
  best describe the way Eliza

comparison
  to Professor Higgins?

was feeling. Which
  words describe the

3

What
  do you think of Mrs Pearce when judging the way she speaks about Eliza?

way
  Higgins was feeling? Why?
• amused • upset •
  anxious • excited

Do you think it is possible to make
  someone into someone they are not?

• impatient •
  disappointed • worried

Think!

Why (not)?What does Higgins mean by saying that
Eliza is "so very dirty"? Why does this make him feel excited?

first picture. Both Higgins and

n

title. What
  do you think it

Pickering
  are looking at the man who has just walked into the study. Describe the

means?

man. What opinion do you think Higgins

u

What can
  you tell from the people's

and
  Pickering have of him?

facial expressions in the pictures?

u

What do you think is going on in the

second
  picture?

While Reading
Read or
  listen to the episode and mark

While Reading

the
  sentences T (true) or F (false).

Read or
  listen to the episode and say

1

Alfred asked for more than five pounds.

who the words in bold refer to.

2

Alfred didn't recognise Eliza at first.

1

He was looking for his daughter.

3

Higgins approved of Eliza's

2

He told Alfred to take Eliza away.

appearance.

3

He threatened to call the police.

4

Mrs Pearce was less enthusiastic

4

He was good at public speaking.

than the others.

5

He asked for five pounds.

5

Eliza wanted to see her father

6

They came to an arrangement.

again.

7

He thought Alfred had no morals.

6

Eliza missed her old life.

7

Higgins thought that Eliza should be nice to her old friends.

After Reading

8

Eliza wasn't willing to try on her

Discuss in pairs:

new
  clothes.

1

Why did Alfred come to Wimpole Street?

2

Why did Higgins get angry with Alfred in the beginning?

After
  Reading

3

Why did Pickering think Alfred had no

Discuss in pairs:

morals?

1

Why do you think
  Alfred only asked for

4

What did Alfred mean when he said

five pounds? Why
  didn't he want any

"Morals are for the rich"?

more money?

2

Alfred
  was proud of Eliza. Do you think he

Think! George
  Bernard Shaw once wrote:

was right
  to be proud of her? Why (not)?

Lack of money is the root of all evil.

3

Do you think Alfred
  will come back to

Do you
  think he was right? Why (not)?

visit Eliza? Why (not)?

4

Eliza started acting a bit snobbishly. Can you explain how?
  Do you think she was

right?

Think! Why does the Professor say that he
and the Colonel have taken on a difficult job?

Judging from the first picture,
what do you think Higgins is like as a teacher?
a What could Higgins
and his mother be talking about in the second picture? Who interrupts them, and
why, do you think?
While Reading
Read or listen to the episode and complete the text with
the words below.
•   insult
• speak • common • project
•   love
• introduce
Eliza worked with Professor Higgins for hours every day,
learning how to 1)  like a lady. Professor Higgins was not
always kind to Eliza. In fact, he would often 2)  her. One day,
Professor Higgins decided to 3)
Eliza to some upper-class people. He went to his mother's
house and told her that he had picked up a 4)  flower girl. At
first, Mrs Higgins thought that her son had fallen in 5)  but Higgins
explained that Eliza was a 6) he had been working on.
After Reading
Discuss in pairs:
1
Explain why Mrs Higgins wasn't pleased to see her son.
2
Do you think Mrs Higgins' fears concerning Eliza are justifiable?
3
What do you think Higgins meant when
he said that you have to think not only
about how a girl pronounces words, but also what words she
pronounces?
Do you think that persistence is the key to success?
first picture and describe how each
person is reacting. Do you think Eliza is making a good impression?
What do you think is going on in the second picture?
While Reading
Read or listen to the episode and put the events in the correct order.
Mrs Higgins started a conversation about the weather.
Freddy laughed at Eliza.
Mrs Higgins' guests had arrived before Eliza.
Eliza left Mrs Higgins' house.
Clara agreed to use the new slang. When Eliza appeared,
everyone in the
room got to their feet.
Higgins showed the Eynsford-Hills to the door.
Higgins covered things up.
Mrs Higgins got angry with her son.
Freddy was enthusiastic about Eliza.
After Reading
Discuss in pairs:
1
How was Professor Higgins' character compared to the other
members of the tea party?
2
What do you think the Eynsford-Hills thought of Eliza?
3
What do you think
of Clara and her mother?
4
What do you think
is going to happen in the next episode?
Think! What sort of
person would you characterise as civilised and cultured?

Look at the pictures and the title. What do you think the people are
talking about? How does each person look?
While Reading
Read or listen to the episode and answer the questions.
1
Why did Mrs Higgins say that Eliza was not a lady?
2       Why
didn't Mrs Higgins think her son was a good teacher for Eliza?
3       What
did Mrs Higgins want to know?
4       Why
did Higgins think Eliza was useful?
5       What
did Mrs Higgins say the Professor and the Colonel acted like?
6
What problem did Mrs Higgins mention?
7       What
solution did Professor Higgins suggest? 8 How would Higgins and Pickering spend
the next few weeks?
After Reading
Discuss in pairs:
1
Do you think Higgins was insensitive to Eliza's feelings? Why
(not)?
2
Do you think Mrs Higgins was right to think Eliza would have a
problem when the experiment was over? Why (not)?
3
What can you tell about the Professor's relationship with his
mother?
4
Do you think Eliza is going to be a success at the Ambassador's
party?
Think! What
does Mrs Higgins mean by saying that both her son and the Colonel act like
babies playing with their doll?
a
1
2
3
4

5
6
7
8
9
10
1
2
3

first picture. Who do you think is
talking to Higgins and Pickering?
Look at the second picture and the title. What are the people
thinking and feeling?
While Reading
Read or listen to the episode and say who the words in bold
refer to.
They accompanied Eliza to the Ambassador's party.
He boasted his knowledge of thirty-two languages.
He was worried about Nepommuck.
She wondered if Pickering felt nervous.
They went upstairs together.
She wanted to find out more information.
She was the centre of attention.
He claimed Eliza was a fraud.
He said he had royal blood in his veins.
He was anxious to leave the party.
After Reading
Discuss in pairs:
How do you think Higgins and Pickering felt when they met
Nepommuck? Why? Why do you think Higgins considered the guests fools?

Think!

Do you think Eliza will manage to keep her secret or do you
think people will find out the truth?
Imagine you were Eliza. How would
you feel during the ball?
Look at the pictures. What do you think Higgins and
Pickering are discussing? How do you think Eliza feels?
While Reading
Read or listen to the episode and mark the sentences as T (true) or F
(false).
1
Higgins and Pickering noticed how tired Eliza looked.
2
Higgins and Pickering were very pleased with
themselves.
3
Everyone at the party believed that Eliza was a lady.
4
Higgins was sad that the experiment was over.
5
During the experiment there were times when Pickering was afraid.
6
Higgins returned to the study after Pickering had gone to bed.
7
Higgins threw his
slippers at Eliza.
8
Eliza couldn't take her clothes away with her.
9
Higgins said that he often lost his temper.
10
Eliza decided to leave.
After Reading
Discuss in pairs:
1
The successful outcome of the party did not have the same effect
on Eliza as on her two escorts. Explain why.
2
How do you think Eliza felt when Higgins corrected her grammar?
3
What do you think is going to happen in the next episode?

Think!

How would the outcome of this episode have been
affected if Higgins and Pickering had not
a
1
2
3
4
5

6
7
8
1
2
3 title and the first picture.
What do you think this episode is about?
Look at the second picture. Why do you think Mr Doolittle is
dressed differently?
While Reading
Read or listen to the episode and correct the words in bold.
Higgins and Pickering were disappointed when they found that Eliza had
gone.
Higgins and Pickering called Eliza's father. Higgins didn't
know when any of his lessons were.
Mrs Higgins told the men that they behaved like adults.
Alfred had become a dustman. Higgins had asked Professor
Wannafeller to employ Alfred.
Alfred was upset because he had to support all his friends.
When Higgins found out that Eliza was upstairs, he was angry.
After Reading
Discuss in pairs:
Why do you think Higgins was upset? Did he really miss
Eliza, or did he just want her back to look after him?
Why do you think Eliza went to Mrs Higgins? Do you think Mrs
Higgins was on Eliza's side, or her son's? Why?

Think!

Do you think Eliza will stay with Higgins, go back to her father, or do
something else?
Alfred was rich, but he wasn't happy. Do you think it's true
that money can't buy happiness? Why (not)?

ignored Eliza?

Before
Reading                                       After Reading

Look at the first picture. What do you think Mrs Higgins is telling her
son?
a Look at the title. How would you
describe a true lady? Do you think Eliza feels like one now?
While Reading
Read or listen to the episode and correct the words in bold.
Higgins was 1) encouraged to see Eliza, but he knew that he
had to talk to his mother first. Mrs Higgins told the men that Eliza was upset
by their 2) unfair treatment of her. The two men didn't think they had been 3)
mean to Eliza, and they couldn't understand why she was angry with them. Mrs
Higgins explained that Eliza had worked very 4) fast, but the two men had not
given her any 5) encouragement. Eliza did not want to return to Wimpole Street
now. As she entered the room, the two men got a 6) fright when they saw what a
lady she had really become. Eliza explained that what really makes a woman into
a lady is the way she is 7) taught. Higgins and Eliza argued for a while, but
then Higgins started to admire the 8) honesty of her character. He realised
that at last she really was a lady.
Discuss in pairs:
1
Eliza said that the true difference between a lady and a flower
girl is how she's treated. Do you think she was right?
2
Do you think
Eliza will go back to Wimpole Street or marry Freddy Eynsford-Hill? What do you
think she should do? Why?
3
Compare Eliza in this episode to Eliza when she first entered
Higgins' study.

Think!

The lessons taught in Pygmalion are not related to language
only. What other lessons do you think this story teaches us?

1
Who wrote Pygmalion? A Charles Dickens B Anthony Hope
C George Bernard Shaw
2
Where does the story take place?
A    London B
Dover          C Brighton
3
Professor Higgins and Colonel Pickering meet Eliza and agree
A    to write
a book on different dialects.
B     to
record Eliza's Cockney accent. C to turn Eliza into a true lady.
4
Mr Doolittle visits Professor Higgins in order to
           A come to
an arrangement.
B take his daughter home. C blackmail the Professor.
5
Eliza's father doesn't recognise her because A she is wearing a
hat.
B she is dressed like a lady. C she is clean.
6
Professor Higgins teaches Eliza how to
A    speak
properly. B eat properly. C dress properly.
7
On her first
outing, Freddy
A
laughs at Eliza.
B dislikes Eliza. C falls in love with Eliza.
8
After the party Professor Higgins and Colonel Pickering
A    praise
Eliza.
B     ignore
Eliza completely.
C     discuss
Eliza's future with her.
9
When the experiment is over, Professor Higgins thinks Eliza
should
A    go her
own way.          B become a servant.
Discuss in groups.

Which is your favourite character in Pygmalion?  Is there a character
you didn't like? Why?
     What
did Eliza learn from Professor Higgins?
     What
did Professor Higgins learn from Eliza?  If you were given the
chance to learn something new, what would it be?  Can you think of a
different title for the story?  Can you think of a different ending for
the story? Tell the class.
Project
     Imagine
that the story takes place today. Write a modern story about Eliza. Think
about:  where she lives.  what she wears.  how
she speaks.  what she sells. what she learns.
     who
helps her.  how she feels.
     how
your story ends.  Tell the class your story about Eliza.

C marry him.
10       Eliza
considers
A marrying Freddy.
B    marrying
Pickering.
C    going
back to her father.

EPISODE 1
bunch (n) = a
number of flowers tied together coin (n) = a small piece of metal which is used
as money dreadful (adj) = extremely bad or unpleasant drip (v) = fall in drops
gather (v) = come together in a group ignore (v) = pay no attention to sth or
sb peer (v) = look carefully or with difficulty properly (adv) = correctly
EPISODE 2
bystander (n) = sb who watches sth
without taking part charge (v) = officially state st) is guilty creature (n) =
any living thing that is not a plant dialect (n) = a form of a language that is
spoken in a particular area exclaim (v) = say sth suddenly and loudly because
you are surprised, excited, angry, etc fortune teller (n) = st) who tells you
what they think will happen to you in the future handful (n) = the amount of
sth that you can hold in one hand interrupt (v) = say or do sth that causes sb
to stop what they are doing phonetics (n) = the study of speech sounds rush (v) = hurry or move
quickly somewhere shelter (n) = a place that protects you from bad weather or
danger stare (v) = look at sb or sth for a long time terrified (adj) = very
frightened Well, I never! (phr) = said when you are very surprised about sth
wonder (n) = surprise and admiration
EPISODE 3

Past Tense —
  In initive

Past Tense

— In initive

Past Tense —
  In

initive

Past Tense

— In initive

was/were became began bet broke
  brought burnt (burned) burst bought could chose
came did drew drove
fell

be become
  begin bet break bring burn burst buy
can choose
come do
  draw drive fall

felt found forgot got gave went  had

heard held hurt kept knew
led learnt left let

feel find
  forget get give go have hear hold hurt keep know lead
(learned)
  learn
leave let

lost
made meant
  met paid put
rose ran
  said
saw sold
  sent set shook showed sat

lose make mean meet pay put rise
run say see
  sell send set shake show
sit

spoke spent
  spoilt stood strode took taught told thought threw woke
won wrote

speak spend
  spoil stand stride take teach
tell think throw wake win write

accent (n) = the way in which
st) pronounces words, influenced by the country, area or social class they come
from common (adj) = typical of a low social class confuse (v) = think that one
thing is another thing cylinder (n) = an object shaped like a tube with long
straight sides and two equal-sized circular ends handkerchief (n) = a small
piece of cloth or soft paper that you use to dry your eyes or nose housekeeper
(n) = sb who is paid to clean and cook in sb else's house income (n) = money
that you earn by working intend (v) = want and plan to do sth millionaire (n) =
a person who has money and possessions worth at least one million pounds
phonograph (n) = an old-fashioned machine on which records can be played
shilling (n) = an old British coin sleeve (n) = the part of a jacket, shirt,
etc that covers your
arm sob (v) = cry in a noisy way wipe
(v) = clean or dry sth by moving a cloth across it
EPISODE 4
ambassador (n)
= an important official sent by the government of a country to represent it in
another country be tempted (phr) = be attracted by sth and want to do it behave
(v) = act in a particular way

bet risk money on the result of a game, competition, etc bully (n) = sb
who intentionally frightens a person who is smaller or weaker than them duchess (n) = the title of a woman
who is married to a duke dustbin (n) = a large container for rubbish from a house or other
building expenses (n) = amounts of money that you spend while doing sth in the
course of your work in private (phr) = without other people seeing or hearing
you queue (n) = a line of people waiting for sth sensible (adj) = showing good
judgment by making decisions based on reasons rather than emotions wages (n) =
the amount of money sb regularly receives for their job wrap (v) = cover or
enclose sth with paper, cloth or other material
EPISODE 5
arrangement (n) = an agreement between two people or groups blackmail (v)
= force sb to do sth, or to pay money, by threatening to reveal their secrets
class (n) = one of the groups in a society with the same social and economic
position comfort (n) = a style of life in which you have all the money or
possessions you need dustman (n) = sb whose job is to remove rubbish from
dustbins gift (n) = a natural ability or skill morals (n) = principles and
beliefs showing good behaviour on purpose (phr) = intentionally resolutely
(adv) = in a very determined way startled (adj) = suddenly surprised or
slightly shocked willing (adj) = eager to do sth
EPISODE 6
announce (v) =
officially tell sb about sth be a disgrace to (phr) = behave in a bad or unacceptable way that causes embarrassment to others
blossom (n) = a flower on a tree or bush
change one's mind (phr) = change one's decision or opinion about
something conceited (adj) = far too proud of your abilities or achievements
fashionable (adj) = popular with rich people get away with (phr v) = escape
punishment kimono (n) = an item of Japanese clothing with long, wide

liar (n) = sb who tells lies nod (v) = move your head up and down to show
agreement or understanding proudly (adj) = in a way that shows you are pleased
about something put sb in their place (phr) = show st) they are not as clever
or important as they think respectfully (adv) = in a way that shows you have a
high opinion of sb rush (v) = move very quickly; hurry simultaneously (adv) =
at the same time take on (phr v) = agree to do some work
EPISODE 7
alarmed (adj) = worried or frightened bluntly (adv) = in a direct way
that can be upsetting convince (v) = make st) believe that sth is true despair
(n) = a feeling that you have no hope exhausted (adj) = very tired frustrated
(adj) = upset or impatient because you cannot control or change a situation
gentle (adj) = kind and sensitive to other people's feelings impatiently (adv)
= in a way that shows annoyance insist (v) = say firmly that sth is true insult
(v) = be rude to st) offend (v) = hurt sb's feelings reassuring (adj) = making
you feel less worried about sth resemble (v) = look like or be similar to sb or
sth restlessly (adv) = in a way that shows nervousness roar (v) = make a very
loud deep noise
small talk (phr) = polite, friendly conversation about unimportant
subjects stride (v) = walk quickly with long steps upset (v) = make sb unhappy
or worried
EPISODE 8
break into laughter (phr) = suddenly start laughing civilised
(adj) = behaving in a polite, sensible way cultured (adj) = well-mannered and
well-educated desperately (adv) = in a way that shows one's need to change a
very bad situation enthusiastic (adj) = feeling or showing excitement about sth
impressed (adj) = feeling admiration for sb or sth indication (n) = a sign that
shows what is happening or what sb is thinking or feeling influenza (n) = (flu)
an illness like a very bad cold that makes you hot and weak interrupt (v) = say
or do sth that causes sb to stop what they are doing old-fashioned (adj) = not
modern slang (n) = informal language, often used by people who belong to a
particular group warningly (adv) = in a way that tells sb about sth bad or
dangerous which is about to happen wickedly (adv) = in a way that is
deliberately bad or unkind
EPISODE 9
absorbing (adj) = taking up all your
attention and energy because you are very interested in what you are doing
admit (v) = agree, often unwillingly, that sth is true appointment (n) = an
arrangement in advance to see sb or do sth at a particular time determined
(adj) = having a strong desire to do sth without letting anyone or anything get
in the way displeasure (n) = a feeling of annoyance
employment paid work firm (adj) = strong, sure and in control irritably (adv) = in a way
that shows you are annoyed make the most of sth (phr) = take advantage of a
situation raise one's voice (phr) = speak loudly or shout because one is angry
rise (v) = stand up sceptically (adv) = in a way that shows you have doubts
about sth servant (n) = sb who works and lives in sb else's house doing their
cooking and cleaning sigh (v) = let out a deep breath thoughtful (adj) = quiet
and serious because you are thinking about sth turn into (phr v) = make sb or
sth different
EPISODE 10 accompany (v) = go somewhere with sb adopted (adj) = a child
that has legally been made part of a family they were not born into approach
(v) = get closer to sb or sth attract sb's attention (phr) = make sb notice sth
battle (n) = a violent fight between groups of people, esp. military forces
cloakroom (n) = a place where people can leave their coats, umbrellas, etc
deceive (v) = make sb believe sth that is not true essential (adj) = extremely
important or necessary expert (n) = sb who is very skilled at sth or knows a
lot about a particular subject eyebrows (n) = the lines of hair above the eyes
fraud (n) = sb or sth that is not genuine frightfully (adv) = very hostess (n)
= a woman who provides everything needed for her guests interpreter (n) = sb
whose job is to translate what sb else says into another language mingle (v) =
move around and talk to other people at a party or gathering
staircase (n) = a set of stairs inside a building triumphantly (adv) = in
a way that shows pride because of victory or success urge (v) = strongly
suggest that st) does sth whiskers (n) = the hair on the sides of a man's face
EPISODE 11
accuse (v) =
tell sb they have done sth wrong burst into tears (phr) = suddenly start crying
crouch (v) = bend your legs under you so that you are close to the ground dare
(v) = have the courage to do sth risky or frightening dash (v) = throw sth
violently decisively (adv) = in a way that shows confidence dignified (adj) =
impressive and respectable doorway (n) = a space where a door opens into a room
or building dread (v) = feel anxious or worried about sth flame (n) = a hot
bright stream of burning gas furiously (adv) = in a way that shows a lot of
anger incredibly (adv) = extremely  jewel (n) = a precious stone lack (n)
= when there is not enough of sth, or none lose one's temper (phr) = become
angry make a difference (phr) = have an effect on sb or sth murmur (v) = say
sth very softly and quietly nail (n) = the hard covering that grows at the end
of one's fingers and toes notice (v) = realise that sb or sth exists pale (adj)
= skin colour that is almost white satisfied (adj) = pleased because you have got
what you want scream (v) = make a very loud, high-pitched cry because you are
in pain or very frightened sensitivity (n) = the ability to understand other
people's feelings or problems
slippers (n) = loose, soft shoes you wear in the house sparkle (v) = shine
with light sternly (adj) = in a severe way showing strong disapproval stretch
(v) = put your arms or legs out and tighten your muscles stunning (adj) =
extremely beautiful or impressive thank God! (phr) = used to show you are glad
about sth threaten (v) = say or imply that you will harm sb if they do not do
what you want what on earth...? (phr) = used to ask a question when you are
very surprised or angry wide awake (adj) = completely awake yawn (v) = open
your mouth very wide and breathe in air, especially when you are tired or bored
yell (v) = shout loudly because you are excited, angry or in pain
EPISODE 12
absurd (adj) = ridiculous or unreasonable amazement (n) = a feeling of
great surprise burst into a place (phr) = enter suddenly with a lot of energy
or force complicated (adj) = difficult to understand contact (v) = write to or
telephone st) deliver (v) = take sth to a particular place or person despair
(n) = the feeling that everything is wrong and nothing will improve destroy (v)
= damage badly disbelief (n) = a feeling that sth is not true head (v) = go
towards a place maid (n) = a woman who works as a servant march (v) = walk
quickly, with firm steps moralist (n) = st) who has very strong beliefs about
what is right and wrong morality (n) = principles defining what is right and
wrong in people's behaviour point (v) = hold out your finger towards sb or sth
so that people take notice
provide make sth available to sb relation (n) = a member of one's family
sense (n) = the ability to understand or judge sth snap (v) = say sth quickly,
in an angry way support (v) = help sb financially will (n) = a legal document
that says who one's money and property go to after they die
EPISODE 13
bully (v) = use strength or power to hurt or frighten sb chilly (adj) =
unpleasantly cold confidently (adv) = in a way that shows you are sure about
sth
dumb (adj) = unable to speak because
of shock, anger, etc.
errand (n) = a short trip in order to do sth for sb fetch and carry (phr)
= perform boring tasks for sb fool (v) = deceive or trick sb ladylike (adv) =
behaving in a polite way suitable for a woman manner (n) = the way in which st)
behaves towards other people nonsense (n) = sth considered to be untrue or
silly on the contrary (phr) = used to disagree with sth that has just been said
or to make a negative reply pick up (phr v) = lift
pleasant (adj) = enjoyable praise (n) = words that express approval
privately (adv) = with no one else present remarkable (adj) = unusual or
exceptional strength (n) = physical power and energy thoughtless (adj) =
ignoring other people's feelings treat (v) = behave towards st) in a particular
way uneasy (adj) = worried or slightly afraid

                                                            Clara Eynsford-Hill                    Narrator(s):
At least one

Characters: Eliza Henry
DoolittleHiggins Freddy Eynsford-Hill                              student, in
black dressed
                  Colonel Pickering                 Bystander
Servant
Mrs Pearce
Alfred Doolittle
NepommuckAmbassador's wife Mrs Higgins
Ambassador
Maid
                   Mrs Eynsford-Hill                 Guests

Scene 1

In London's
  Covent Garden
One hundred
  years ago

SONG:
  Covent

On a rainy
  afternoon

Garden

Is where we start our show
CHORUS:      rich, well-read
  Professor
Will shelter from the rain
With a
  common flower girl
Who he'll soon meet again
Can he make
  her a lady?
And if he can, then how?
Will he change her life for her? We'll find out here and
  now

Narrator:

It was raining heavily
  in Covent Garden. Under the entrance to St Paul's Church, a group of people
  gathered, shaking the water off their clothes and peering out at the rain.

Clara:

Where can Freddy be? He's been gone
  for twenty minutes.

Mrs E-H:

I don't
  know. He must have found a cab by now.

Freddy:

I'm afraid
  I can't find a cab.

Clara:

Oh, Freddy,
  you didn't try properly. Go and look again!

Freddy:

There aren't any cabs, I tell you.
  The rain came on suddenly, and everybody wanted to take a cab.

Mrs E-H:

Don't be silly, Freddy. Go and look
  again and don't come back until you've found a cab.

Freddy:

Oh, very
  well. I'll go.

Eliza:

Ow, Freddy,
  look where you's going, won't ya?

Freddy:

Sorry!

Mrs E-H:

Excuse me,
  but how do you know my son's name?

Eliza:

Ow, he's your son, is he? He done
  spoil my flowers and didn't paid me. Will you pay me?

Clara:

Don't give her any money, Mother. You shouldn't give her anything.

Mrs E-H:

Please be
  quiet, Clara. Have you got any pennies?

4

Clara:

No. I've
  only got sixpence.

Mrs E-H:

Give it to
  me. Here you are, girl.

Eliza:

Thank ya, lady!

Clara:

Make her give you the change,
  Mother. Those flowers are only a penny a bunch.

Mrs E-H:

You can keep the change, girl, but tell me how you know my son's name.

Eliza:

I don't. I'd call everyone Freddy
  or Charlie when I wanted to be friendly.

Clara:

Really,
  Mother! What a waste of a sixpence!

Mrs E-H:

That is enough, Clara. Let's step
  aside and wait for Freddy. Oh, this dreadful weather! When will it stop?

Pickering:

I'm afraid
  it's getting worse!

Eliza:

Be a
  gentleman, sir, and buy a flower off a poor girl.

Pickering:

I'm sorry, I haven't any change.
  No, wait! Here's three pence. You can have that.

Bystander:

You'd better give him a flower for
  his money. There's a man here writing down every word you're saying.

Eliza:

I ain't done nothing wrong! Oh sir,
  don't let him charge me!

Higgins:

There, there! Who's hurting you,
  silly girl? What do you take me for?

Bystander:

Don't
  worry, girl. He ain't a policeman, are you?

Higgins:

Do I look like a policeman? Now
  tell me, how is life in Selsey?

Bystander:

How do you know I'm from Selsey?
  Are you a fortune teller? Do someone else! Where does he come from?

Higgins:

Cheltenham,
  Harrow, Cambridge, and India.

Pickering:

Quite
  right! How on earth did you know that?

Higgins:

It's simple phonetics. It's the
  science of speech. It's my job, and also my hobby.

Pickering:

Really?

Higgins:

Yes. I can tell where anyone comes
  from by the way they speak.

Pickering:

But can you
  make a living doing that?

Higgins:

A very good one, actually. You see
  this creature here, with her terrible English? In just three months I could
  pass her off as a duchess.

Eliza:

You ain't
  serious!

Pickering:

Well, that's very interesting. I'm
  an expert on Indian dialects myself.

Higgins:

Are you? Do you know Colonel
  Pickering? He wrote a book about Indian dialects.

Pickering:

I am
  Colonel Pickering! Who are you?

Higgins:

I'm
  Professor Henry Higgins.

Pickering:

Well, I
  never! I came to London to meet you!

                                             Higgins:       How
wonderful! Come and see me tomorrow. I live at 27A

Wimpole Street.
Pickering:    Very well! I look forward to seeing you in the morning.
Eliza:            Buy a flower
  before you goes!
Higgins:        Oh, all right! Here
  you are!
Eliza:            Aaaah-ow! Look at
  that!
Narrator: The few coins that Higgins
  gave the flower girl didn't mean much to him, but they made a huge difference
  to her. It's important to help people who have less than we do ...
There are
  people in the world
Who live
  out on the street
Who can't
  afford warm clothes to wear
Or decent food to eat
CHORUS:   Try to lend a helping hand
To those
  with less than you
Spare a moment, spare a coin It's the least you can do
There are
  people in the world
Who shiver
  in the cold
Who go
  through all life's problems
Without a hand to hold
Narrator: Colonel Pickering visited
  Professor Higgins the next day. The two men sat in Higgins' study and
  discussed the wide variety of Indian dialects.
Mrs Pearce: Excuse me,
  Professor Higgins. There's a young woman here to see you, sir. She's a very
  common girl. Higgins: I see. Does she have an interesting accent?
Mrs Pearce:     Oh, it's dreadful,
  sir.
Higgins: Very well! Send
  her in! This is lucky! Now I can show you how I make records of people's
  voices!
Mrs Pearce:    This is the young
  lady, sir.
Higgins: Oh no! This is
  the girl I met last night. I've already written about her accent. Get out,
  girl! I don't want you here.
Eliza: Don't you be so
  rude to me! You ain't heard why I come here yet. I'm come to have lessons, I
  am.
Higgins: Pickering, shall we ask
  her to sit down or shall we throw her out?
Pickering:  Do
  sit down. Now tell us, what is it you want?
Eliza: I wants to be a
  lady. He said he could make me one. So, here I am, ready to pay him for
  lessons.
Higgins:         What's your name?
Eliza:             Eliza
  Doolittle.
Higgins:         And how much do you intend to pay me for the lessons?

SONG: Lend a
Helping Hand
Scene 2

5

Eliza:

Well, I ain't paying much to learn
  my own language, so I won't give more than a shilling. Take it or leave it.

Higgins:

A shilling. Do you
  know, Pickering, that a shilling is about forty percent of her daily income,
  that is sixty pounds of a millionaire's daily income.

Eliza:

Sixty pounds! I never said nothing
  about sixty pounds! I ain't got sixty pounds!

Higgins:

Oh, please
  be quiet. And take this to wipe your eyes.

Pickering:

Higgins, I have an
  idea! You're the greatest teacher alive. Do you think you can make this girl
  into a lady in time for the Ambassador's party?

Higgins:

I don't
  know .

Pickering:

I'll bet you all the expenses of
  the experiment you can't do it, and I'll pay for the lessons!

Eliza:

Oh! You're
  a real gentleman!

Higgins:

It's certainly an interesting
  experiment! She's so very common .. so very dirty!

Eliza:

Ow! I ain't dirty! I washed my face
  and hands before I come, I did!

Higgins:

I shall do it! I shall make this awful creature into a lady! Yes, in
  just six months, I'll make people believe she's a duchess!

Eliza:

Aaaaah-ow!

Pickering:

Wonderful!

Higgins:

Take her away and clean her, Mrs
  Pearce! Burn her clothes and wrap her in brown paper until the new ones
  arrive!

Eliza:

Ow l. You're no
  gentleman, you're not! I'm a good girl, I am!

Mrs Pearce:

I haven't
  got anywhere to put her, sir.

Higgins:

Then put
  her in the dustbin!

Eliza:

Aaaaah-ow!

Mrs Pearce:

Oh, Professor Higgins. You can't do
  this. You don't know anything about this girl. She may be married!

Eliza:

Married!
  Who'd marry me?

Higgins:

My word, Eliza! There will be a
  queue of men waiting to marry you by the time I've finished with you!

Mrs Pearce:

Oh, do be sensible, Professor. You
  must think about what will happen to this girl.

Pickering:

What do you
  mean, Mrs Pearce?

Mrs Pearce:

Well, are you going to pay her wages? And where will she go
  when you finish your experiment?

Higgins:

When I've finished with her, she
  can go anywhere she likes and do anything she likes!

Pickering:

Exactly! She will be a lady! What
  do you think of that, Miss Doolittle?

Eliza:

Well ...

32

Mrs Pearce:

I think
  you'd better let me speak to the girl in private.

Higgins:

Very well, Mrs Pearce! Take her off to the bathroom and
  clean her up.

Eliza:

You're a bully, you are! I won't
  stay here if I don't like it! I'm a good girl, I am!

Narrator:

Professor Higgins and Colonel
  Pickering were sitting by the fire when Mrs Pearce returned to the room.

Mrs Pearce:

Sir, I'm afraid we have another
  problem now. There's a Mr Doolittle here to see you. He says you have his
  daughter.

Higgins:

Very well!
  Send the man in!

Mrs Pearce:

Mr
  Doolittle, sir.

Alfred:

Professor
  Higgins?

Higgins:

Here. Do
  sit down.

Alfred:

I come
  about a very serious matter. I want my daughter.

Higgins:

Well, I'm not going to keep your
  daughter for you! Take her away! How dare you come here and try to blackmail
  me?

Alfred:

Blackmail
  you? What are you talking about?

Higgins:

You sent her here on purpose! You
  want money! I shall call the police!

Alfred:

Now wait a
  second! I never said nothing about money!

Higgins:

Well, what else have you come here
  for? Do go on with your story.

Alfred:

Well. Eliza sent a boy
  for her things, and I met him on the street. He told me where she was, so I
  come here to find out what was going on.

Higgins:

I see.
  Well, you can take her away now.

Alfred:

Now hold on. I like you, and I can see that you're a gentleman.

Higgins:

Oh, can
  you?

Alfred:

I'm sure we can come to an
  arrangement. After all, what's five pounds to you, and what's Eliza to me?

Pickering:

You mean you would sell your
  daughter to us? Have you no morals?

Alfred:

I can't afford morals. Nor could
  you, if you was as poor as me! Morals are for the rich.

Higgins:

We shall give the man five pounds,
  Pickering, and we shall write to Professor Wannafeller.

Alfred:

Professor
  who?

Pickering:

Professor
  Wannafeller. The famous Professor of Morality.

Higgins:

Exactly! We shall tell him that if
  he ever wants a man to talk about morality among the poor, he should send for
Mr Alfred
  Doolittle!

Higgins:
You shall stay with me for the next six months and learn how to speak
beautifully. Then, we shall go to the Ambassador's ball. If you pass off as a
lady, you shall start life as a lady in a flower shop. What do you think?
53

Alfred:

Don't mix me up. I just want five
  pounds. I ain't asked for nothing more.

Higgins:

Then, here you are. Are you sure you don't want more? I can give you
  ten pounds if you like.

Alfred:

Oh, no. Ten pounds is too much.
  Five pounds is all I want. Thank you, sir. I'd better go now, sir. Excuse me,
  miss.

Eliza:

Blimey!
  Don't you know your own daughter?

Alfred:

Well, I
  never! It's Eliza!

Eliza:

Don't I
  look silly?

Higgins:

Silly? You
  look amazing.

Mrs Pearce:

Mr Higgins, please don't make the girl conceited about herself.

Eliza:

I'll put my
  hat on. I'll look alright with my hat on.

Alfred:

Well, I
  never thought she'd be as good looking as that.

Higgins:

You'll come regularly to see your daughter, Mr Doolittle. It's your
  duty, you know.

Alfred:

Of course I'll come. I
  can't come this week, though, because I have a job out of town. But I'll come
  later. Afternoon, gentlemen.

Eliza:

Don't you believe the old liar. You
  won't see him again in a hurry.

Higgins:

I don't
  want to see him, Eliza. Do you?

Eliza:

I don't want never to
  see him again, I don't. I'm going to be a lady now. I should like to show
  everyone in my old street what I look like now. I wouldn't speak to them, you
  know.

Pickering:

Perhaps you should wait until you
  have more fashionable clothes. Your new things will be here soon.

Higgins:

Besides, you shouldn't be rude to
  your old friends. You mustn't be a snob.

Eliza:

Don't call them my friends. They
  laughed at me in the past, and now I want to put them in their place.

Mrs Pearce:

The new
  clothes have come for Eliza to try on.

Eliza:

Hooray!

Higgins:

We have
  taken on a difficult job, Pickering.

Pickering:

We have,
  indeed.

Narrator:

Alfred sold Eliza to Professor
  Higgins for five pounds. Perhaps the two men didn't realise that there are
  some things money just can't buy.

SONG: Don't Be

Money can
  buy many things

a Stranger

Racing cars
  and diamond rings
Yachts that
  sail and jets that fly
But there
  are things it cannot buy

54
Scene 3Narrator: Four months passed.
Eliza worked with Professor Higgins for hours every day, learning to speak the
English language the way a lady would speak it.
                                                 Higgins:       Your
vowels sound terrible! Try harder.
                                                  Eliza:            But
I am trying! This is the best I can do.
                                                  Higgins:        Oh
no, no! What am I to do with you?
Narrator: It was hard work, and Eliza
often became frustrated and angry. However, one day, Professor Higgins decided
that it was time to test Eliza by introducing her to some upper-class people at
his mother's house.
                                                  Higgins:         Good
afternoon, Mother!
Mrs Higgins: What are you doing here,
Henry? You know this is the day when I invite people to tea, and you offend all
my friends.
                                                  Higgins:         Nonsense!
Mrs Higgins: You do! You say the
wrong things to them, and then they never want to visit me again!
                                                                   Higgins:                   I'm
sorry, Mother. You know I'm not good at small talk.
Anyway, there's a girl I want you and your friends to meet.
                                                 Mrs
Higgins: Oh Henry! Do you mean that you've fallen in love? At last!
                                                  Higgins:         No,
no, no! I haven't fallen in love. This girl is a project.
                                                 Mrs
Higgins:   A project?

Higgins: She's a common flower
girl. I've picked her off the street and I'm teaching her to speak like a lady.
I want her to meet other upper-class people.
                                                 Mrs
Higgins:   Oh, Henry!
Higgins: Don't worry, Mother. I've
taught her to speak properly, and I've told her only to talk about the weather
and everybody's health. It will be quite safe.
                                                 Mrs
Higgins:  So you say she speaks properly now?
                                                  Higgins:        Her
English is almost as good as your French.
                                                 Mrs
Higgins:  This is satisfactory.
                                                  Higgins:          Well,
it is and it isn't.
                                                 Mrs
Higgins:   What does that mean?
Higgins: Well She pronounces all her
words properly. The trouble is, you have to think not only about how a girl
pronounces words, but also what words she pronounces ...
                                                 Mrs
Higgins:  What do you mean, Henry?

                        CHORUS:    Money
can't buy love, it's true

It can't make people care for
you
There are
some comforts it can bring
But money isn't everything
Money can buy fine attire
And homes that people will admire Delicious food of every
sort
But certain things just can't be bought

Maid:

Your guests are here, Mrs Higgins.

Mrs Higgins:

Please show
  them in. Now, Henry, be nice!

Mrs E-H•.

Good
  afternoon. How do you do?

Mrs
  Higgins:

How do you
  do? This is my son, Henry.

Mrs E-H:

How do you
  do?

Henry:

How do you
  do?

Maid:

Colonel
  Pickering is here.

Mrs
  Higgins:

Do come in,
  Colonel. Let me introduce you to the Eynsford-Hills.

Pickering:

How do you
  do?

Mrs E-H:

How do you
  do?

Higgins:

Where's Eliza? What on earth are we
  going to talk about until she comes? What on earth do I know of philosophy or
  poetry?

Mrs
  Higgins:

Or of
  manners, Henry.

Maid:

Miss Eliza
  Doolittle.

Mrs E-H:

She looks
  quite impressive, doesn't she?

Freddy:

She's
  stunning!

Higgins:

Ah, Mother!
  This is Eliza!

Eliza:

How do you
  do?

Mrs
  Higgins:

How do you do? This is Mrs
  Eynsford-Hill, her daughter, Clara, and her son, Freddy.

Eliza:

How do you
  do?

Mrs
  Higgins:

Will it
  rain, do you think?

Eliza:

There is no
  great change in the barometrical situation.

Freddy:

Oh, haha!

Eliza:

What is
  wrong with that, young man? I bet I got it right.

Mrs E-H:

I hope it won't turn cold. Our
  whole family suffer from influenza when the weather turns cold.

Eliza:

My aunt died of influenza. At
  least, that's what they said. If you ask me, they did the old woman in.

Mrs E-H:

Did her in?
  What on earth do you mean, my dear?

Higgins:

It's the
  new slang! It means, to kill someone.

Mrs
  Higgins:

Do you mean
  that you think someone killed your aunt?

Eliza:

Yes! She was as strong as a horse.
  Ain't no way she died of influenza! Not her!

Freddy:

Oh, that's
  terribly funny!

Eliza:

Here! What are you laughing at? I
  haven't said anything funny, have l?

Freddy:

It's the
  new slang! You do it so well!

Higgins:

Ahem!

Eliza:

Oh, I
  really must go. Thank you so much. Goodbye!

All:

Goodbye!

36

Mrs E-H•.

Well! I really don't think I can manage the new slang!

Clara:

Oh, Mother! People will
  think we are so old-fashioned if you don't get used to it!

Mrs E-H:

It's time for us to go. We have another home to visit this afternoon.

Mrs
  Higgins:

It's been a pleasure. Do visit me
  again on one of my athome days. Freddy, you are welcome to meet Miss
  Doolittle here again.

Freddy:

Thank you,
  madam.

Higgins:

And, Clara, make sure
  you try out that new slang at the next home you visit!

Clara:

Oh, we
  will! It's such fun!

Higgins:

Well,
  Mother, what do you think? Is Eliza a lady?

Mrs
  Higgins:

You silly
  boy! Of course she's not a lady!

Higgins:

Why ever
  not?

Mrs
  Higgins:

She's beautiful, and
  her pronunciation is perfect, but every word that comes out of her mouth
  shows that she is still a common flower girl!

Pickering:

Do you
  think we can do something about her language?

Mrs
  Higgins:

Not while Henry is her
  teacher. His language is hardly a good example.

Higgins:

Well,
  perhaps you're right.

Mrs
  Higgins:

Now, you two. I want
  you to tell me exactly how things are at Wimpole Street.

Pickering:

Oh, I have moved there.
  Henry and I are working together on Indian dialects.

Mrs
  Higgins:

Yes, I know
  all that. But where does the girl live?

Higgins:

Well, she
  lives with us, of course!

Mrs
  Higgins:

I see. But is she a
  servant? Is she the lady of the house? What is she? Who exactly is Eliza?

Pickering:

I think I
  know what you mean ...

Higgins:

Well, I
  don't! All I know is that the girl is useful.

Mrs
  Higgins:

Useful?

Higgins:

Yes! She knows where
  everything is, she makes a note of all my appointments, and so on.

Mrs
  Higgins:

Oh dear. Don't you realise that
  when Eliza walked into Wimpole Street, she brought a problem with her? The
  problem of what to do with her once you finish your lessons.

Higgins:

Well, that's no problem
  at all. She can go her own way, with all the advantages I have given her.

Mrs
  Higgins:

Advantages? She will
  have all the manners and habits of a fine lady, but she will not have a fine
  lady's money! What is she to do?

Higgins:

We'll find
  her some employment.

Pickering:

Oh, don't
  worry, Mrs Higgins. We'll find her something to do!

Higgins:

Well,
  Mother, we must go!

57

Pickering:

Yes! We have to prepare Eliza for
  her visit to the Ambassador's party!

Narrator:

The two men only had a few weeks to
  turn their pupil into a proper lady, and they were determined to make the
  most of the time they had left.

SONG: Time
  is

You may think you've got time to kill

Preciou

But don't
  forget, time won't stand still
The clock
  is ticking, seconds pass
Tomorrow always comes too fast
CHORUS:   Time is precious, so make
  haste
Time isn't something you should
  waste
Every
  second of every day
Is yours to use in your own way
Don't hang
  around, don't hesitate The next moment may be too late The minutes keep
  slipping away
So make the
  most of every day

Scene 4

Narrator:

The big day arrived.
  Higgins was about to find out if he would win his bet, as he and the Colonel
  accompanied Eliza to the Ambassador's party.

Eliza:

I can't believe my eyes! Look how
  dashing everyone looks!

Higgins:

Don't forget that you look like one
  of them now, Eliza. Do your best to sound like one, too.

Eliza:

I will. Please wait for me here until I return from the cloakroom.

Pickering:

Shall I
  leave our coats, too, Henry?

Higgins:

Yes,
  please. Thank you.

Nepommuck:

Professor,
  Professor! Do you remember me?

Higgins:

No, I
  don't. Who on earth are you?

Nepommuck:

I am your pupil. I am little
  Nepommuck. You cannot forget ME!

Higgins:

What are you doing here, among all these important people?

Nepommuck:

I am an interpreter. I speak
  thirty-two languages. I am essential at international parties.

Servant:

You are
  wanted upstairs by Her Excellency, sir.

Nepommuck:

It was so nice to see you again
  after all these years, Professor. We will talk later.

Pickering:

Is this fellow really an expert?
  Can he find Eliza out and blackmail her?

Higgins:

We shall
  see. If he finds out, I will lose my bet.

Eliza:

Are you
  nervous, Colonel?

Pickering:

Frightfully.
  It is like my first time in a battle.

Eliza: It is not the first time for
me. I have done this hundreds of times in my dreams. It is like a dream now.
Promise not to wake me because I'll talk as I used to.
Servant: Honoured guests, may I
present to you the Ambassador and his wife.
                                   Higgins:        It's
time to go now. Are you both ready?
Servant: May I present Professor
Higgins, Colonel Pickering and Miss Doolittle.
                                   Pickering:      How
do you do?
Ambassador's wife: Is that your adopted daughter, Colonel?
She will make a big impression. Nepommuck, find out all about her.
                                    Guest
1:        I wonder who this lady is. Have you seen her before?
                                    Guest
2:      She looks stunning, doesn't she? And her English is perfect.
                                                Guest
1:             She looks like a real lady. Let's draw closer. How do you do?
                                   Eliza:            How
do you do?
Guest 1:         Your English is
perfect. You sound exactly like Queen Victoria.
Nepommuck: Miss Doolittle is a fraud,
your Excellency. She cannot deceive me. She cannot be English.
Ambassador's wife:      Oh, nonsense! She speaks English
perfectly.
Nepommuck: Too perfectly. Only
foreigners who have been taught to speak English speak it so well. She's Hungarian
and of royal blood, like me.
                                   Higgins:         I
say she's a common girl taught to speak by an expert.
Ambassador's wife: Oh, of course I agree with Nepommuck. She
must be a princess at least.
Eliza: I cannot do this anymore. An
old lady has just told me I speak exactly like Queen Victoria. I am sorry I
have lost your bet. I shall never be the same as these people.
                                    Pickering:    You
have not lost it, dear. You have won it ten times over!
                                   Higgins:       Now,
let's get out of here. I have had enough of these fools.
SONG: Believe i          An
upper-class lady,
            Yourself           With
manners so quaint,
Miss Doolittle is, or Miss Doolittle "ain't"?
Don't let her fool you,
This young lady knows,
Just what she is worth,
With a heart made of gold.
                                               CHORUS:        Believe in
yourself,
Whoever you are, Your beauty's
within, And not from afar.
Be proud of your sparkle,
Be daring,
and bold,59
And all of your treasures, Will start
to unfold.
An upper-class lady,
With manners so quaint,
Miss Doolittle is, or Miss Doolittle "ain't"?
Whichever you choose,
The lady, or girl,
Her wisdom's more precious, Than diamonds and pearls.
5.
                                                            CHORUS:        Believe
in yourself,
Whoever you are, Your beauty's
within, And not from afar.
Be proud of your dazzle, Your spirit,
your style, You're special, unique! Now put on a smile!
Scene 5 Narrator: It was midnight,
but Professor Higgins and Colonel Pickering were wide awake. They had just
returned from a very busy day.
Pickering: What a day! First, the
Ambassador's party, then a dinner party, and then the opera!
Higgins:         Yes, but we did it,
Pickering! We convinced everyone that Eliza is a lady!
Pickering: Oh, I can't take any of
the praise. You did it all, Higgins! You achieved the impossible! I didn't
think you'd really do it, but you did!
Higgins: Yes, I did, didn't l? Those
silly people were really fooled! Oh! Thank goodness it's all over! The thing
was interesting at first but then I got incredibly bored.
Pickering: I was even frightened once
or twice because Eliza was doing it so well, better than the real upper-class
people.
Higgins: What silly people. At last I
can go to bed without dreading tomorrow.
                                               Pickering:     Well,
I think I shall turn in too. Goodnight!
                                                              Higgins:              Goodnight!
                                              Eliza:            Ohhh!
                                              Higgins:        What
on earth have I done with my slippers?
                                               Eliza:             Here
are your slippers!
                                                              Higgins:                 What?
What's the matter? Is there something wrong?
Eliza: Oh no! There's nothing wrong
with YOU! I've won your bet for you, and you're just FINE! But what about ME?
Higgins: YOU won my bet? YOU? I won
it. Why did you throw those slippers at me? How on earth do I know what is
going to happen to you?
Eliza: Oh! You don't care! I'm
nothing to you! You care more about them slippers!
                                               Higgins:     How
dare you? And it's THOSE slippers, not THEM slippers!
Eliza: What difference does it make
now? Just tell me something. Do my clothes belong to me?
Higgins: Well of course they belong
to you. What would Pickering or myself do with them?
Eliza:             Thank you. I just
want to know what I can take with me. I don't want to be accused of stealing.
Higgins: Stealing? Who would accuse
you of stealing? You shouldn't have said that. It shows lack of sensitivity.
                                    Eliza:              I
just want to be sure.
Higgins: Take anything you want
except for the jewels. They are hired. Are you satisfied?
Eliza: This is not hired. It's the
one you bought me but I don't want it. It's all yours!
Higgins: You have made me lose my
temper, Eliza.l am going to bed. I will see you in the morning.
Eliza: You'd better leave a note for
Mrs Pearce about the coffee in the morning.
Narrator: Eliza gathered her things,
and silently left the house. She had no intention of ever seeing Professor
Higgins again. He would certainly be sorry when he found out she had gone.

Maid:

Professor
  Higgins is downstairs with Colonel Pickering. They want to see you.

Mrs
  Higgins:

I see. Please go upstairs and tell Miss Doolittle that Henry and the
  Colonel are here.

Maid:

Yes, Mrs
  Higgins.

Mrs
  Higgins:

Ask her not
  to come down until I send for her.

Maid:

Yes, madam.

Higgins:

Look here,
  Mother! A terrible thing has happened.

Mrs
  Higgins:

Oh dear!
  What is it?

Pickering:

Eliza has
  disappeared!

Mrs
  Higgins:

Well.
  Perhaps you upset her.

Higgins:

Of course I didn't! She just left,
  without any explanation. What am I to do?

Mrs
  Higgins:

Well, there's nothing you can do.
  The girl has a right to leave if she chooses.

Higgins:

But I can't find anything! I don't
  know when any of my appointments are! I'm in a mess without Eliza.

Pickering:

No luck with the police, Henry.
  They only make things more complicated.

Mrs
  Higgins:

Have you called the police? As if
  Eliza were a lost umbrella! You have no more sense than two children!

Maid:

There's a Mr Doolittle here to see
  Professor Higgins. He was sent here from Wimpole Street.

Higgins:

Do you mean
  the dustman?

Maid:

Oh no, sir!
  This Mr Doolittle is a gentleman.

Mrs
  Higgins:

Show him
  in.

Maid:

Mr Alfred
  Doolittle, madam.

Alfred:

Look at this! See what you done?
  You ruined me. Destroyed my happiness.

Higgins:

What on
  earth are you talking about?

Alfred:

Did you or did you not go to
  Professor Wannafeller and tell him to contact me?

Higgins:

Well, yes, I did, but what does it
  matter now? The man died last month!

Alfred:

Yes! And he only gone and left me
  three thousand pounds a year in his will!

Pickering:

Really?

Alfred:

Oh yes! He thought I were the
  greatest moralist there ever was!

Pickering:

Well,
  what's wrong with that?

Alfred:

I used to be happy! When I needed
  money, I asked other people for it, same as I asked you.

Pickering:

Well, now
  you have your own money!

Alfred:

Yes! And
  now I has to support all my poor relations!

Mrs
  Higgins:

Well,
  that's good news. You can support Eliza, too.

Higgins: Nonsense! I gave him five
pounds for Eliza! She's mine, and I shall support her! If only I knew where she
was! Mrs Higgins: If you really want to know where Eliza is, she's upstairs.
                                    Higgins:         Upstairs!
Right!
Mrs Higgins: Wait a minute, Henry! You
need to listen very carefully to what I am about to say.
                                    Higgins:         Oh,
all right! What is it?
Mrs Higgins: Eliza came to me this
morning. She told me of the terrible way you two treated her.
                                    Higgins:         What?
That's nonsense!
Pickering: He's right, Mrs Higgins. We were certainly not
unkind to Eliza last night. Higgins, did you bully her after I went to bed?
Higgins: No! She bullied me! She threw my slippers at me!
                                     Pickering:      Why
would she do a thing like that?
Mrs Higgins: I'll tell you why. Eliza
worked very hard for you, and yet you didn't give her one word of praise.
                                     Pickering:      Perhaps
we were a little thoughtless. Is she very angry?
                                    Mrs
Higgins:  Well, she won't go back to Wimpole Street.
                                    Pickering:     Oh
dear.
Mrs Higgins: But if you promise to behave yourselves, I shall
ask her to come down and talk to you. Pickering: Of course we'll behave
ourselves!

                                    Mrs
Higgins:   Henry?
                                    Higgins:         Oh,
all right!
                                    Mrs
Higgins: Tell Miss Doolittle to come downstairs.
Alfred: I'll go out in the garden.
She don't want to see me looking like this. Not just yet.
Eliza: How do you do, Professor
Higgins? How do you do, Colonel Pickering?
                                    Pickering:   Eliza!
You look like a true lady!
                                     Eliza:             Quite
chilly this morning, isn't it?
Higgins: Don't you dare play this
game on me. I taught it to you and you can't fool me. Get your things and come
home!
Eliza: Anyone can learn to speak
properly and dress properly, Mr Higgins. But the true difference between a lady
and a flower girl is how she's treated.
                                     Higgins:         How
she is treated?
Eliza: Yes. I shall always be a
flower girl to you, because you always treat me like a flower girl, and always
will.
                                     Higgins:         I
do not!
Eliza:             But to Colonel
Pickering, I shall always be a lady, because he always treats me like a lady,
and always will.
                                     Pickering:     But
will you forgive Higgins and come back?
Eliza: He only wants me back to pick
up his slippers and fetch and carry for him.63

Higgins:

I don't
  want you back at all!

Eliza:

Very well. I can do
  without you. I'll marry Freddy Eynsford-Hill. He writes to me two or three
  times a day! He truly loves me.

Higgins:

That young fool! He couldn't get a
  job even as an errand boy! How will you live?

Eliza:

I'll work!
  I'll go and be a teacher!

Higgins:

Oh really?
  What will you teach?

Eliza:

I'll teach
  what you taught me! I'll teach phonetics.

Higgins:

I like you like this, Eliza! You're
  full of strength! I've really made you into a woman, after all. Oh, by the
  way, I want you to buy some things for me.

Eliza:

Honestly, Professor, I cannot
  imagine what you are to do without me.

Mrs
  Higgins:

I should be uneasy about the two of
  you if Eliza wasn't fond of the Colonel.

Mr Higgins:

Pickering! Nonsense! She's going to marry Freddy. Ha ha!
  Freddy!

                    SONG: What                 What
makes a lady?
                                  Makes               Is
it breeding? Is it grace?
Lady? What
makes a lady? Is it something in her face?
Is she a
lady?
If her accent
isn't right?
Is she a
lady?
If she's not
always polite?
                                            CHORUS:    The
answer is simple
Just what is she to you?
The way that you treat her
Will soon start to shine through
Treat her like a lady
And you will
realise
That you'll see a lady
When you look
into her eyes
What makes a
lady?
Is it money?
Is it style?
What makes a
lady?
Is it
something in her smile?
Is she a lady?
If she hasn't
got a bean?
Is she a
lady?
If her hands aren't always clean?
http://kurokam.ru

alt: Il oh i by George Bernard S aw retold by

alt: Express P ub lishin g PROSVESHCHENIYE

alt: Корректор Н.Д. Цухай Налоговая льгота —

alt: Activities p. 35 p. 44 p. 45

alt: Eliza Doolittle, into a 'proper' lady

alt: It was raining heavily in Coven ÇLn

alt: An Q[nevpected utteettng o Mrs

alt: But you mustn't stay!" cried Mrs

alt: Not while Henry is her teacher," said

alt: O. C PÍtncegg 0b

alt: I. cpat(tg 0 It was midnight but

alt: The next morning, Professor Higgins and

alt: The Author 1 Where was

alt: What do you think

alt: Both Higgins and n title

alt: Why did Pickering think Alfred had no

alt: Who do you think is talking to

alt: Before Reading

alt: Who wrote Pygmalion? A Charles

alt: B going back to her father

alt: EPISODE 5 arrangement (n) = an agreement between two people or groups blackmail (v) = force sb to do sth, or to pay money, by…

alt: EPISODE 11 accuse (v) = tell sb they have done sth wrong burst into tears (phr) = suddenly start crying crouch (v) = bend your…

alt: Clara Eynsford-Hill

alt: Scene 1 In London's Covent

alt: Eliza: I don't. I'd call everyone

alt: Wimpole Street. Pickering:

alt: Alfred: I can't afford morals

title: Компоненты УМК Spotlight 9