 of the residuals. It was a way to sort of cut them out of the picture a little bit. You know, and there's a lot of serialized content, a lot of stuff that studios already own the IP for that I'm sure that they wanted to do that with. So it was a really important victory for the writers to sort of draw this red line, basically do modern day Luddism and say, no, you are not going to use this technology in this way.