 Michelangelo's painting where he was, you know, he's touching the fingers, like something like that, you know, like just kind of this aspirational hand up kind of look. And then just, you know, looking to the future unburdened by the past. And then she turns and takes the left hand and goes, makes a downward motion on the other side of her body. So there's the contrast, you know, and she does it the same way every single time. And, and the worst part is she delivers the line. And in not a single instance,