 They did, and so what they had in those days was that Zubruder, Abraham Zubruder, was shooting with Kodachrome film. And in those days, you know, before digital, you had two types of Kodachrome. You had daylight Kodachrome, and you had indoor Kodachrome. Daylight Kodachrome was tilted towards the red, and indoor Kodachrome was tilted towards the blue.