 better ways to move and set up and this and that, you know, became, you know, very helpful to me, you know, along the way as I was developing. So, you know, I give Les Moss all the credit in the world, and I also give, you know, Bill Freehand a lot of credit because he, you know, I mean, Les Moss did probably more work with me, but, you know, Bill did a great job, you know, smoothing out the rough edges once I got up there.