 Well, people will have to read the book to see how she does do that. Because one of the key things about making a novel is that you have to put your character into a difficult situation. So it's the, you know, it's a narrative device as well as everything else. We began with thoughts about Ireland, and I want to end with thoughts about Ireland, because it strikes me that during the course of your now pretty long writing career, because you've been at it for, what, three or four decades? Oh, I'm not counting, I'm not counting. Well, three or four decades. I mean, Ireland has changed a heck of a lot. Yes.