 But there's still a power in that visual language. It's browns, it's deep olive greens, you know, but somehow it speaks and it has weight to it in a way that color does maybe in my work and in my world. And I think the idea of, again, I come back to the idea of Westerns have such a sense of purity for me. The landscape is unspoiled. And I don't know why that keeps drawing me back in and holds my fancy as a creative, but maybe it's the idea of,