 Aside from a shot at JFK Airport and a midtown Manhattan residence, action stays inside a cab as it moves through and stops for traffic. No special effects heighten events, though flashing police lights add some extra color. Otherwise, Hall relies on close-in cuts, sometimes catching nothing more than eyes in a mirror. Slow? Yes. Talky? Yes. But an acting showcase with thoughts worth pondering. For KUNR, I'm Robin Hollibird.