 you know, by 30 pieces. And what I also really love about your pieces is the variety of the shapes. You know, you look at a collection of Richard Serra's and you're like, OK, I got you. You got this thing and it goes like sideways and then it's kind of curvy. OK, we got you next. Oh, David Smith. OK, we got you. But like some of yours are standing up. Some of them are relaxing, like, you know, like a lying down Buddha. And there's so much negative space and the negative space changes all the time.