 Well, everybody, welcome back. Again, I wanted to pick up where I left off, and I want to go through kind of quickly to get to where I really want to be. But I had spoken about Winslow Homer the last time, and we were talking about this incredibly facile American artist. We think we know him. I mean, we think we know him when we look at paintings like the National Gallery breezing up from 1876, that great centennial painting.