 but it was not sensitive to the night light. But it was sensitive to the very bright light which came out of the burning of the Wicker Man. So when I processed the film, it was absolutely on perfect form. So that's really quite telling of that Glastonbury experience. That sort of energy that kicks in and something happens and a little moment came out of it. And it's one of my best shots, so there you go. So ten rolls in total. Is that what steered you towards the photographic potential of Glastonbury for the years that followed?