 The innovation, believed to be the first of its kind, is thanks to Brad Cohen. He's the general director of New Zealand Opera, the country's national opera company. The technology really began as a lockdown project about how we might reimagine surtitles for opera in a way that was suited to the 21st century. And then the accessibility benefits of it became apparent over time. It's now been successfully tested during the company's current run of Rossini's Les Comptes Horribles.