 bigger than the book is actually being published as. So that when it's scanned, the image is not blown up, but it's shrunken down. From there, I do black ink for the line work. And for the color, I use gouache paints. Sometimes there are points where I'm like painting. I'm like, why do I work so big? Like when my wrist is getting tired. Oh, wow. That's interesting. Yeah. Because I know when I'm looking, there's just like,